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The Who’s Tommy { SWOT & Marketing Analysis By: Sydney Patton, Rhiannon Morse, Megan Thorpe, and Sami Exler Specific Client Marketing Goal • Increase Student Population (not just Point Park students) Increase range of 30-50 year olds Build with Millennial generation • Overall, we want “more butts in seats” • • Top 3 Competitors • Benedum Center • • • Carnegie Mellon University- Purnell Center of the Arts • • • Most well-known theater establishment in Pittsburgh Much bigger than the Playhouse College students enrolled in similar theater programs Performances running at the same times City Theatre • Smaller theater but markets more towards college-age students and millenials Segmentation • Baby Boomer Generation • • Students • • • Grew up listening to the Who and saw the movie, Tommy Children or grandchildren of the Baby Boomers Students who appreciate the arts and want to support their classmates Disposable Time • • Effects everyone For example: a student Target Market • Primary Target: The Baby Boomers • Have a bigger name recognition with the Who Most marketing sources are outside of Point Park anyways • • Ex. Port Authority Buses SWOT Analysis: Strengths • • • Free advertisementperformers promote the show • Retro pinball machines in the café outside the theater • Partnered with the SAEM club Point Park Shuttle Port Authority marketingflyers on the buses SWOT Analysis: Weaknesses • • • Didn’t start marketing till close to opening of the show • Markets more towards COPA students on campus • Setup/design of Playhouse could confuse consumers Location and parking Official PPU social media pages do not market the Playhouse too often SWOT Analysis: Opportunities • • • Social Media is stronguse this • Flyers and hot cards on Point Park’s campus as well as others TV Stations (ex. KDKA) can do special features on Playhouse • Utilize the cast and crew’s presence on campus- market Utilize the Globe, WPPJ, and U-View SWOT Analysis: Threats • • • Other events taking place at the same time as The Who’s Tommy • Giselle at the Benedum Center, one weekend only (Oct. 28-Oct. 30)smaller time frame • Pittsburgh Symphony Orchestra on strikecause confusion 2 weeks surrounding Halloween- other specific plans Competition at other performing arts venues • Feeding the Dragon at City Theatre Strategic Direction • To gain a larger college and millennial (ages 30-50) audience attendance for eight performances, we will strongly push social media and media presence as a whole. • • Facebook, Twitter, and Instagram posts TV Station features- KDKA, WTAE, WPXI Marketing Mix- Product • Feature stories about the Playhouse on news stations • Example: Interview performers, explore the Playhouse • Since Baby Boomers and Millennials watch the news morespecial interests can provide a “hit” and help raise awareness to the show Marketing Mix- Price • • • Baby Boomers: $20 flat rate at box office Compared to the Benedum Center where price and seating fluctuates Aimed towards students: • • • PPU Student Rush tickets are free Regular student tickets are $10 at box office To get students from other universities- propose a 50% off Student Rush ticket for them Marketing Mix- Placement • Increase social media presence, make sure shows are pushed ahead of time • Utilize or create a street team to place promotional flyers at locations • SAEM Club or freshman COPA “crew” Marketing Mix- Promotion • Flash Mobs • • Elena LaQuatra- Point Park Alum that works for KDKA • • • Raise outside awareness Connection, could promote her old school Performers walk around on campus in their costumes Giveaway promotion on social media • Dinner-and-a-show basket • • • • • • David Rowell Pittsburgh Playhouse City Theatre Carnegie Mellon University Benedum Center Classroom Notes Works Cited: