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Theatre Presentation: France and Moliere Neoclassical France Neoclassicism emerged during turbulent times in France, in the early sixteenth century After the French Revolution, France became a democracy. French government was to be modelled on the high virtues and moral principles of classical Rome Neoclassical artists created paintings and sculptures that depicted inspirational scenes from Roman history Architecture and interior design began to reflect the neoclassical period. Neoclassical Theatre Began to develop in the 16th century Had a great effect on writing, scenic design, and production Comedies of this time used farce and principles of Commédia dell'Arte Plays based on unity of time, action, place, etiquette if a play was a neoclassical piece Costumes and scenery were very intricate and elaborate Acting characterized by large gestures and melodrama. Theatre cont’d Church plays were banned in 1548 by because of the religious uproar during this period This ban dealt a painful blow to French theatre, but allowed secular theatre to develop. In this time the French language was encouraged to be written in plays, strengthening culture. Palais royal, where Moliere and other neoclassical playwrights performed End of Neoclassicism Neoclassicism came to an end when there were only two theatres left in Paris French politics became more and more conservative. By 1680, the great period of French Playwriting was over Molière’s company merged with the Marais Theatre to form the Comèdie Française, the first (and still existing) national theatre. French Social Structure There were 17,000 to 25,000 noble families in the neoclassical period Estimates of individuals range from 80,000 to 350,000. Nobles accounted for 0.05% of the 28 million people in the French population Social Structure cont’d A family's prestige was determined by: how long had a given family been noble into what other families did it marry what positions its members achieved and what offices they held what actions they performed Arranged marriages were common, mainly business relationships created desire and/or need for property, monetary or political alliances. The revolution abolished the feudal system, however titles were reintroduced in 1806 by Napoleon Bibliography http://www.heraldica.org/topics/france/noblesse.htm http://www.stage-lighting-museum.com/museum/images/history2/jpg/Richelieu-Palace-i.jpg http://en.wikipedia.org/wiki/Cardinal_Richelieu http://novaonline.nvcc.edu/eli/spd130et/neocfrance.htm http://en.wikipedia.org/wiki/French_nobility http://everything2.com/title/Moli%25E8re http://people.brynmawr.edu/cwillifo/ParisPlayhouses/partthree_text.s html http://en.wikipedia.org/wiki/History_of_theatre#Neoclassical_theatre http://www.librarything.com/subject/Social+classes%09France%09H istory%0918th+century http://en.wikipedia.org/wiki/List_of_French_peerages http://genealogy.about.com/cs/timelines/a/romance_history.htm