Download Who`s Afraid of Virginia Woolf at Seattle Repertory Theatre_Encore

MAY 2014
APRIL 18—MAY 18, 2014
2013—2014 SEASON
Jerry Manning, Artistic Director
Benjamin Moore, Managing Director
UW MEDICINE
|
S TOR I E S
A CRUSHING WEIGHT.
A TRAPPED SPIRIT.
A HELPER SET FREE.
T
HE PERSON YOU SEE here is the real me —
Queen of the Habitual Helpers. But two years
ago, I was nowhere to be seen. It started as
heartburn, and then chronic respiratory infections. Eating
to soothe the pain, I gained weight. Steroids to treat the
infections only compounded it.
Before I knew it, I was nearly 300 pounds and constantly
sick. I was a prisoner in my own body and practically made
myself a prisoner in my house. I couldn’t be the mother,
helper or person I wanted to be. Worse still, at this rate I
wouldn’t be around at all much longer.
When I met Dr. Oelschlager (UW Physician, UW Medical
Center), everything changed. Seeing the downward spiral
I was in, he proposed gastric bypass surgery as my best
chance to stop it. It saved me. Two years later and 150
pounds lighter, the real me is back — and I’ve rarely felt
healthier. I truly believe that my purpose here is to help
people. I feel like I have a second chance to do that.
READ KRISTINE’S ENTIRE STORY AT
uwmedicine.org/stories
U W M E D I C I N E . ORG
A MESSAGE
FROM THE BOARD
OF TRUSTEES
FROM THE
ARTISTIC DIRECTOR
Dear Theater-goer,
Welcome to the classic play you thought you knew.
In my opinion, Who’s Afraid of Virginia Woolf? is one of the five great American
plays. When planning the season, I was frankly surprised that the play had never been
produced on Rep stages – until tonight.
When it premiered in 1962, Woolf was groundbreaking. It capitalized on the
theatrical form, setting up tension between the actors and the audience that
exaggerated the already heightened realism.
At its core, Woolf illustrates the breakdown of two marriages and unmasks the way
husband and wife can perform for each other. It gives the audience an uncomfortably
public view of aspects of marriage that are usually kept private. It is a striking unveiling
of the roles people play.
All four roles in Woolf are considered iconic in American theatre and almost
Shakespearean in scope. The actors must take the audience on an epic journey that
encompasses deep tragedy and biting comedy.
As an artistic director, it is a delight to be able to offer our local acting community
roles with this kind of depth and challenge. Director Braden Abraham has assembled
a talented ensemble of Seattle actors – Bob, Pamela, Amy, and Aaron – to bring the
drama to life. Like you, I can’t wait to see their performances.
As always, thanks for joining us at the theatre tonight.
What a season Seattle Repertory Theatre
is having! Three stunning world premieres
balanced by recent New York smashes,
and now a classic I have hoped the
theatre would stage since I saw Rep
veteran Bill Irwin and Kathleen Turner
on Broadway in 2005. Edward Albee’s
work hasn’t graced the Bagley stage
since our spectacular production of
The Lady from Dubuque in 2007. The
payoff is well worth the long wait. With
Pamela Reed returning to the Northwest
and making her first Rep appearance,
and with Bob Wright still glowing from
his wildly successful The Hound of the
Baskervilles, expect to see a stellar
production led by these two veterans.
This Seattle Repertory Theatre season,
like all our seasons, is made possible
only by the support of our many
donors—who understand that ticket
revenue covers not even half the cost
of presenting the high-quality theatre
for which Seattle Rep is known. Our
deep gratitude to those of you who are
already donors. If you are not a donor,
please join our ranks and share our pride.
Stellman Keehnel
Vice President,
Board of Trustees
Jerry Manning
Artistic Director
Seattle Repertory Theatre
BOARD OF TRUSTEES
Shauna Woods
Chair
Becky Lenaburg
President
Jean-Pierre Green
Vice President/Treasurer
Bruce Bradburn
Vice President
Stellman Keehnel
Vice President
Amy Bautista
Vice President
Phil McCune
Vice President
Earle J. Hereford
Secretary
Hal Strong
Chair Emeritus
Tamra Chandler
President-Elect
TRUSTEES
Clodagh Ash
Lynne Bush
Donna Cochener-Metcalfe
Jim Copacino
Adam Cornell
Tracy Daw
Mark Dickison
Bill Franklin
Sherri Havens
Toni Hoffman
Winky Hussey
Bruce E.H. Johnson
John Keegan
Deborah T. Killinger
Jerry Manning †
Marcella McCaffray
Phil McCune
Kevin Miller
Terri Olson Miller
Kevin Millison
Benjamin Moore †
Jerry Nagae
Rebecca Pomering
Tim Rattigan
Renée Ryan
Julie Sandler
Laurette Simmons †
Richard B. Stead, M.D.
Christine Stevens
Julie Villegas
Pallavi Mehta Wahi
Marisa Walker
Nancy Ward
Scott R. Weaver
Richard Weisman
TRUSTEES EMERITI
Nancy Alvord
Pam Anderson
Robert S. Cline
Bill Gates, Sr.
John Hempelmann
Robert L. King, Jr.
Lynn Manley
John A. Moga
Ilse Oles
Ann Ramsay-Jenkins
Stanley Savage
Dorothy L. Simpson
Carlyn Steiner
Janet True
James F. Tune
Jean Viereck
Jill Watkins
ADVISORY COUNCIL
David Alhadeff
Chap Alvord
Jack Cortis
Debra Doran
Joanne Euster
Greg Gottesman
Mary Kay Haggard
H.L. (Skip) Kotkins, Jr.
Nancy Mertel
J. P. Michael
Robin Nelson
Bruce Pym
Deborah Rosen
Patrick Schultheis
Tammy Talman
SRT FOUNDATION BOARD
Bruce E.H. Johnson, Chairman
Carlyn Steiner, Vice-Chairman
Ben Moore, President/Vice President
Rachel Robert, Secretary/Treasurer
Margaret Clapp
Allan Davis
Jean-Pierre Green †
Becky Lenaburg †
John A. Moga
Ann Ramsay-Jenkins
Elizabeth D. Rudolf
Shauna Woods †
†
ex-officio
encoreartsseattle.com 3
FOR SEATTLE REP PATRONS
Welcome to Seattle Repertory Theatre!
We’re glad you’re with us today. Below
you’ll find some information to make your
visit even more enjoyable.
Food and Beverage
Cocktails, wine, and beer are available
at our lobby bar. Coffee, tea, assorted
soft drinks, candy, and fresh baked goods
are available at our lobby café. Both the
café and bar are open before the show
and at intermission. Pre-order food and
drinks before the show, and they’ll be
waiting for you at intermission. No food
or drinks (except bottled water) in the
theatre, please.
The Shop at the Rep
The Shop at the Rep offers a variety
of gifts and theatre-related items. All
proceeds benefit Seattle Repertory
Theatre. The shop is open before the
show and at intermission.
Coat Check
Coat Check is available in the lobby
between the bar and the café. Items may
be checked for $1 each.
Late Arrival
As a courtesy to other patrons, latecomers
will not be seated in their ticketed seats
once the play has begun. Late seating is
at the discretion of the house manager.
Concierge/Lost and Found
Please visit the concierge or email
[email protected] for lost
and found items. Our concierge can
also assist you calling a taxi, finding a
restaurant or anything else—just ask!
Phones, Cameras and Pagers
Cellular phones and pagers disrupt the
performance. Please turn them off or leave
them with the house manager before the
performance. Sound and video recording
and photography are prohibited.
Candies and Lozenges
If you have candies or lozenges with
paper wrappers, please unwrap them
before the performance.
Smoking Policy
There is no smoking in the theatre or
lobbies. Washington state law prohibits
smoking in areas of public assembly
as well as smoking within 25 feet of
entrances, exits, windows that open,
4
and ventilation intakes. If you wish
to smoke, you may do so within the
parameters outlined above.
Services for People with Disabilities
Wheelchair accessible seating is
available. Requests for accommodations
should be made when purchasing tickets.
Services for the Deaf/Hard of Hearing
Assistive listening devices are available
at Coat Check. The Rep also provides
captioned performances for each show
in the Bagley Wright Theatre, and ASLinterpreted performances for all shows.
Check the calendar online for dates.
Services for the Seeing Impaired
Large-print programs are available at
Coat Check. Seattle Rep provides audio
described performances for each show in
the Bagley Wright Theatre.
Young Patrons
We generally recommend our shows for
children 13 years or older. Check with
the Box Office if you have questions about
suitability. Please no babes in arms.
Exits
To ensure your safety in case of fire or any
other emergency, please familiarize yourself
with the exit route nearest your seat.
seat numbers to the House Manager if
you expect to be contacted.
Contact Us
We welcome your feedback and
questions.
E-mail
[email protected] or
[email protected]
Mailing Address
Seattle Repertory Theatre
155 Mercer Street, P.O. Box 900923
Seattle, WA 98109
Phone Numbers
Box Office: 206–443–2222 or
877–900–9285 (toll-free)
Administrative Offices: 206–443–2210
Group Discounts: 206–443–2224
Box Office Hours
Tuesday-Sunday: Noon–showtime
Online
seattlerep.org
facebook.com/seattlerep
twitter.com/seattlerep
instagram.com/seattlerep
blog.seattlerep.org
pinterest.com/seattlerep
Emergency Contact
Doctors and others who may need to be
contacted in an emergency may leave
the number 206-443-2210 with their call
services. Be sure to give your name and
SPRING UPDATES ON THE
MERCER CORRIDOR PROJECT
The Seattle Department of Transportation is in the middle of a three-year
project that will turn Mercer Street between 1-5 and 5th Avenue into a
multi-lane, two-way road. Upon completion, you’ll enjoy wider roads and easier transit.
During this period of construction, Rep patrons might experience:
• Limited sidewalk access
• Pedestrian and vehicular detours
• Restricted eastbound lanes from 5th Ave N. to Dexter Ave. N.
• Periodic weekend closures of SR-99 & Mercer St. exits
For traffic and
construction updates
make sure we have
your email! Contact us
at 206-443-2222 or
[email protected].
Finally, my new
“bathroom from the place we rented in Bali”
bathroom.
A FREE
design session,
in your home.
SIGN UP ONLINE NOW.
Whatever inspires you, bring your personal
aesthetic to life with the Northwest’s most
trusted remodeler. 67 years of designing,
building and making the rooms you’ve always
wanted in the home you actually have.
neilkelly.com/seattle
OR CCB #001663 | WA L&I NEILKCI 18702
AD
FILL hER hEART WITh ART
May 2014
Volume 33, No. 7
Paul Heppner
Publisher
Susan Peterson
Design & Production Director
Ana Alvira, Deb Choat,
Robin Kessler, Kim Love
Design and Production Artists
Mike Hathaway
Advertising Sales Director
Marty Griswold,
Seattle Sales Director
Gwendolyn Fairbanks,
Ann Manning, Lenore Waldron
Seattle Area Account Executives
Staci Hyatt, Marilyn Kallins,
Tia Mignonne, Terri Reed
San Francisco/Bay Area Account Executives
Denise Wong
Executive Sales Coordinator
Jonathan Shipley
Ad Services Coordinator
www.encoreartsseattle.com
MoThER’S DAy BRuNCh
SuNDAy, MAy 11Th
RESERVATIoNS
206.753.4935
10:00 AM – 4:00 PM
[email protected]
AT CHIHULY GARDEN AND GLASS, SEATTLE CENTER
Paul Heppner
Publisher
Leah Baltus
Editor-in-Chief
Marty Griswold
Sales Director
Joey Chapman
Account Executive
CA 022714 heart 1_3s.pdfexpect your special occasion
to be unforgettable
Dan Paulus
Art Director
Jonathan Zwickel
Senior Editor
Gemma Wilson
Associate Editor
Amanda Manitach
Visual Arts Editor
Amanda Townsend
Events Coordinator
www.cityartsonline.com
Paul Heppner
President
Mike Hathaway
Vice President
Erin Johnston
Communications Manager
it’s like nothing else around
Let us turn your special moment into a memory that lasts a lifetime at
SkyCity, where the cuisine is matched only by the views served with it.
your table awaits
d 1
spaceneedle.com | 206.905.2100 | 800.937.9582
6
Genay Genereux
Accounting
Corporate Office
425 North 85th Street Seattle, WA 98103
p 206.443.0445 f 206.443.1246
[email protected]
800.308.2898 x105
www.encoremediagroup.com
Encore Arts Programs is published monthly by Encore Media
Group to serve musical and theatrical events
in Western
2/27/14
3:49 PM
Washington and the San Francisco Bay Area. All rights reserved.
©2014 Encore Media Group. Reproduction
without written permission is prohibited.
SEATTLE REPERTORY THEATRE
Jerry Manning, Artistic Director | Benjamin Moore, Managing Director
presents
BY EDWARD ALBEE
DIRECTED BY BRADEN ABRAHAM
Scenic Designer Costume Designer Lighting Designer Sound Designer
Fight Coordinator
Dance Coordinator
Matthew Smucker
Heidi Zamora
L.B. Morse
Matt Starritt
Geoffrey Alm
Kathryn Van Meter
The Cast
Martha Pamela Reed*
George R. Hamilton Wright*
Nick Aaron Blakely*
Honey Amy Hill
Stage Manager Cristine Anne Reynolds*
Assistant Stage Manager Shellie Stone*
Running time is approximately three hours and 15 minutes including two intermissions.
2013 –2014 SEASON SPONSORS
TITLE SPONSOR
Matthew N. Clapp Jr.
PRODUCING PARTNERS
Bob & Clodagh Ash Allan & Nora Davis
Winky & Peter Hussey Lynn Manley & Lex Lindsey Tom & Terri Olson Miller Ann Ramsay-Jenkins
PRODUCING ASSOCIATES
Davis Wright Tremaine LLP H.D. Fowler Company K&L Gates LLP KPMG LLP McAdams Wright Ragen Inc.
April 18—May 18, 2014
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States
Who’s Afraid of Virginia Woolf? is presented by special arrangement with Samuel French, Inc.
2013–2014 SEASON
The Servant of
Two Masters
Sept. 27–
Oct. 20, 2013
Bo-Nita
Oct. 18–
Nov. 17, 2013
The Hound of
the Baskervilles
Nov. 15–
Dec. 15, 2013
A Great
Wilderness
Jan. 17–
Feb. 16, 2014
Venus in Fur
The Suit
Feb. 7–
Mar. 9, 2014
Mar. 19–
Apr. 6, 2014
Who’s Afraid of
Virginia Woolf?
Apr. 18–
May 18, 2014
Once
Jun. 3–
Jun. 8, 2014
encoreartsseattle.com 7
Choosing the
Right Ensemble
O
n the first day of rehearsal for Who’s
Afraid of Virginia Woolf? the Seattle
Rep company gathered, as we always
do, to listen to the artistic team present
their vision for the show. Director Braden
Abraham explained that Edward Albee’s
play is an ensemble piece, and that “what
really is going to give us success is our
strength as a team.”
Braden sees Woolf as a quartet, where four
voices interweave and work in harmony to
create a complex, whole picture. It’s a fitting
analogy, given that Edward Albee has often
compared playwriting to composing music,
and even wanted to be a composer when
he was young.
Assembling the Team
Before we could bring Albee’s play to life,
Braden and Casting Director Erin Kraft had
to figure out who would play theatre’s most
dysfunctional couple, George and Martha.
Several people mentioned to Braden that
Pamela Reed was back in town after a
successful film and TV career in New York
and Los Angeles. Pamela’s prowess and her
ability to convey viciousness and warmth in
the same breath made her a perfect choice
for the part. (It was a perfect fit for her too.
She’s wanted to play this iconic role since
before she became a full-time professional
actress, and fun fact: she once played Uta
Hagen’s daughter in Mrs. Warren’s Profession
in New York—Hagen being the first Martha
in the Broadway production of Woolf.)
Of course, you can’t have a Martha
without a George, and R. Hamilton Wright
(Bob) came to mind almost immediately
for Braden. Bob has spent a lot of time
at the Rep in general, and especially this
season, having last appeared in A Great
Wilderness and as a co-adapter for The
Hound of the Baskervilles. Braden was
excited to work with Bob on this show—
namely because of his acting range and his
love of language. Braden knew he would
understand the rhythm of the play.
Choosing a Nick and Honey brought its
own set of challenges, but once the team
was assembled it felt meant to be. Aaron
Blakely, who plays Nick, is working with
Braden for the third time. “Braden and
I have almost a shorthand now,” Aaron
explained. “We understand the way each
other works very clearly. I feel a freedom to
be myself. Sometimes when I’m in the heat
of something in rehearsal I’ll just let go, and
he works with that.”
Amy Hill, on the other hand, is completely
new to the Rep and excited to be making
her Seattle Rep debut as Honey. She and
Braden discussed how Honey is the voyeur
in the play and that we learn about her
through the way she listens. “Honey doesn’t
have the dialogue load that the other three
have, but she’s constantly trying to latch
onto something,” Amy pointed out. “That’s
hard to convey when you don’t have the
words to show it.”
Each actor’s ability to listen and respond in
rehearsal translates onto the stage to create
a complicated arrangement of interlacing
tensions that propels Woolf’s narrative.
“The first day is like getting
into a raft at the edge of the
water and saying okay, we’re
really going to do this.”
–R. Hamilton Wright
Getting in the Raft
The beginning of rehearsals is always a
special and defining part of the process for
our actors. “As I do more theatre, the first
day becomes more electric for me,” said
a beaming Bob. “Intellectually, you know
you’re going to do the play, and yet it really
isn’t until you sit down and read it through
the first time that comes the communal
clicking in of an agreement.”
In the beginning, what exactly that
unspoken agreement means and what the
“I tell my students, if you want to know something about the structure of a play,
listen to some Bach preludes and fugues. I discovered classical music when I was
eight, nine, ten years old, and I think I learnt something about the nature of
dramatic structure from the nature of the music I was listening to. I probably
think of myself half the time as a composer.” –Edward Albee, playwright
play is about is a little different for every
person. Braden knows this will be the case
and enters the rehearsal process open to
the unknown. “Generally, when I walk into
the first day of rehearsal I’m only about
60% sure that the decisions I’ve made
about where we are headed are the right
decisions,” said Braden to the Seattle
Rep company. “Don’t worry,” he added
facetiously.
It may seem alarming, that the director of
what Artistic Director Jerry Manning calls
a “great American masterpiece” is only a
little more than half sure of what he’s getting
into, and he has four weeks to pull it off. In
fact, Braden’s openness to the spontaneity
of the process is what allows some of the
best work to come forward.
Onstage Feuds, Offstage Family
The openness that all the actors bring not
only allows the best work to happen, but it
creates a bond among them in the process.
Amy talked about this unique bond,
explaining how when there’s a small cast
you get an “extra dose” of that connection
with your fellow actors. And these bonds
come through in the performance.
“When I was at the University
of Washington I knew that I
wanted to play this role some
day, and how wonderful that
it’s come to pass here at home.”
–Pamela Reed
For example, Pamela just relocated back
home to Seattle and is thrilled to be playing
one of her dream roles on the Rep’s stage.
“It’s finally come to pass [that I get to play
this part]. I get to come home and be
embraced by my other family: theatre.”
She’s not exaggerating when she calls
theatre her family. She and Bob had known
about each other for a while and had been
fans of each others work, but never had the
opportunity to cross paths until the first day
of rehearsal. “We walked into the rehearsal
room and before we said anything we just
hugged,” said a chuckling Bob.
That’s the kind of camaraderie it takes to
tackle this play, which is an epic emotional
journey for any actor. (After the first readthrough Pamela said, “All I can think is
‘God, I have to do that standing up!’”)
Creating a safe space to work together in
the rehearsal room is crucial to maintaining
stamina needed for a show that is almost
Shakespearean in scope. We could tell from
the very first day that our Woolf team had
what it takes, especially because they were
so kind and warmhearted with each other.
(Offstage, that is.)
Tonight you’ll see for yourself.
Written by Rose Woodbury, Communications
Assistant
Above (l to r): Amy Hill, R. Hamilton Wright, Pamela
Reed, and Aaron Blakely. Left (l to r): Director Braden
Abraham, R. Hamilton Wright, Pamela Reed, Amy Hill,
Aaron Blakely, Sara Keats, Matthew Smucker, Shellie
Stone, and Cristine Anne Reynolds. Photos by Andry
Laurence. Opposite: Playwright Edward Albee. Photo by
Allan Gilmore Photography.
BIOS
Pamela Reed
Martha
Pamela Reed is a
veteran actor of theater,
film and television. On
and Off-Broadway, her
credits include: Fools,
The November People, Standing on My
Knees at the Manhattan Theater Club, and
Getting Out at the Lucille Lortel Theatre
(Drama Desk Award). At the New York
Shakespeare Festival, Ms. Reed premiered
Curse Of The Starving Class (Drama Desk
Nomination); Aunt Dan and Lemon, Fen,
Sorrows Of Stephen; and All’s Well That
Ends Well. Other NY work includes Mrs.
Warren’s Profession at the Roundabout
with Albee’s original Martha, Uta Hagen;
and the world premiere of Ezra Pound’s
translation of Sophocles’ Elektra. Ms.
Reed has received the Obie Award for
Sustained Excellence of Performance
in Theater. Selected films include
Kindergarten Cop, The Long Riders, Bean,
Junior, Melvin & Howard, The Best of
Times, Cadillac Man, Rachel River, The
Goodbye People, Chattahoochee, Passed
Away, Proof of Life, and The Right Stuff.
Reed has also been seen in many films for
television; series credits include Jericho,
Grand, Home Court, Family Album, and
Robert Altman’s Tanner 88 (Cable Ace
Award, Best Actress). Ms. Reed can be
seen on NBC’s Parks and Recreation;
she is delighted to return home to Seattle
and to be onstage at Seattle Rep. Having
last appeared at SRT as the dumb-show
Queen in Hamlet (starring Christopher
Walken) when she was in her final year of
the University of Washington’s PATP class
under Duncan Ross, Ms. Reed is thrilled to
finally walk downstage into the legendary
role of Martha. Ms. Reed will be seen this
fall at ACT with Bob Wright in Vanya and
Sonia and Masha and Spike.
R. Hamilton Wright
George
R. Hamilton Wright has
been a professional
actor for over 35 years,
and in that time he has
appeared in over 130
productions, over 50 of them at Seattle
Repertory Theatre, where he first worked
as an actor in 1979. He was last seen on
stage in Seattle Rep’s production of Sam
Hunter’s A Great Wilderness and Will
10
Eno’s Middletown, directed by John Langs
at ACT Theatre. He directed the world
premiere of Katie Forgette’s Assisted
Living last season at ACT. With Mr. David
Pichette, he wrote the stage adaptation
of Sir Arthur Conan Doyle’s The Hound
of the Baskervilles which received its
world premiere earlier this season at
Seattle Rep. Mr. Wright lives in a little
brick house in North Seattle with his
remarkably talented wife, Katie Forgette.
Aaron Blakely
Nick
Aaron is happy to
return this season
to Seattle Repertory
Theatre. At Seattle
Rep he has appeared
in Photograph 51, Clybourne Park and
How To Write A New Book For The Bible.
Other regional credits include: How
To Write A New Book For The Bible at
Berkeley Repertory Theatre and South
Coast Repertory; Other Desert Cities and
Middletown at ACT Theatre; The Lion
in Winter at Shakespeare Santa Cruz;
Sense and Sensibility at Book-It Repertory
Theatre; Much Ado About Nothing
at Idaho Rep; and Cloning Judson at
Southern Rep. Film credits: We Need to
Talk About Kevin, Frayed, Taste, and We
Go Way Back. Television: “Grimm” and
“Leverage”. Aaron holds an M.F.A. in
acting from the University of Washington.
Amy Hill
Honey
Amy Hill is delighted
to be making her
Seattle Repertory
Theatre debut.
Seattle area credits
include Mary in It’s a Wonderful Life
(Theater Anonymous), Juliet in Romeo
& Juliet (Papertrail Productions), Clara
in Pygmalion (Seattle Shakespeare
Company), as well as performances in
Undo (Annex Theatre); Dog Sees God
(Balagan); End Days, The Taming of
the Shrew, As You Like It, A Midsummer
Night’s Dream, Enrico IV, and The Ladies
of the Camellias (Harlequin Productions);
and 14/48: The World’s Quickest Theatre
Festival. Amy received her bachelor’s
degree in Theatre from Central
Washington University. She would like to
thank to her parents, family and friends
for their constant love and support, and
is excited to begin her next project:
Marriage, with co-star Trick Danneker.
ARTISTIC
AND PRODUCTION
Edward Albee
Playwright
Edward Albee was born on March 12,
1928, and began writing plays 30 years
later. His plays include The Zoo Story
(1958), The Death of Bessie Smith (1959),
The Sandbox (1959), The American
Dream (1960), Who’s Afraid of Virginia
Woolf? (1961-62, Tony Award), Tiny
Alice (1964), A Delicate Balance (1966,
Pulitzer Prize; 1996, Tony Award), All
Over (1971), Seascape (1974, Pulitzer
Prize), Listening (1975), Counting the
Ways (1975), The Lady From Dubuque
(1977-78), The Man Who Had Three
Arms (1981), Finding the Sun (1982),
Marriage Play (1986-87), Three Tall
Women (1991, Pulitzer Prize), Fragments
(1993), The Play About the Baby (1997),
The Goat or, Who is Sylvia? (2000, 2002
Tony Award), Occupant (2001), Peter
and Jerry: (ACT 1, Homelife. ACT 2, The
Zoo Story.) (2004), and Me, Myself and I
(2007). He is a member of the Dramatists
Guild Council, and President of The
Edward F. Albee Foundation. Mr. Albee
was awarded the Gold Medal in Drama
from the American Academy and Institute
of Arts and Letters in 1980. In 1996 he
received the Kennedy Center Honors and
the National Medal of Arts. In 2005, he
was awarded a special Tony Award for
Lifetime Achievement.
Braden Abraham
Director
As Associate Artistic Director at Seattle
Rep, Braden’s recent productions
include A Great Wilderness (premiere),
The Glass Menagerie and Clybourne
Park (Best Theater Production of 2012
– Seattle Weekly). Also at the Rep, he
directed critically-acclaimed extended
runs of Photograph 51, My Name is
Rachel Corrie (US regional premiere),
and Betrayal. Braden directed the West
Coast premieres of This (Seattle Rep); The
K of D, an urban legend (Seattle Rep,
Pistol Cat, FringeNYC, Illusion Theatre);
Opus (Seattle Rep); and White Hot
(Marxiano Productions/West of Lenin).
Premieres include: Riddled (Richard
Hugo House); Clear Blue Sky (On the
Boards/Northwest New Works); Breakin’
Hearts and Takin’ Names (Seattle Rep);
The Ten Thousand Things (Washington
Ensemble Theatre), and Kuwait (Theatre
Schmeater). Additional directing credits
include: True West and The Underpants
for Spokane Interplayers, and
Prometheus Bound at the Lincoln Center
Directors Lab. Braden has developed
new work with Seattle Rep, Denver
Theatre Center, On the Boards, The
O’Neill Playwrights Conference, Ojai
Playwrights Conference, Portland Center
Stage, and The Playwrights Center.
Member SDC.
Celebrate Family ...honor their life
Celebrate family... honor their life
Matthew Smucker
Scenic Designer
Matthew Smucker is pleased to return
to Seattle Rep where previous designs
include: Or,, Circle Mirror Transformation,
Three Tall Women, Speech & Debate,
Memory House, and Living Out.
Smucker’s work has appeared locally
at The 5th Avenue (Oklahoma, Elf,
Candide), ACT (Grey Gardens, Rapture,
Blister, Burn, Sugar Daddies, Ramayana,
First Date, In the Next Room, Prisoner of
2nd Avenue, Rock’n’Roll, Yankee Tavern,
Trip to Bountiful, Eurydice, The Clean
House, The Women, and The Pillowman
among many others), Intiman Theatre,
New Century Theatre Company, Seattle
Children’s Theatre, Book-It, Empty Space,
The Village Theatre, Tacoma Actors
Guild, and Youth Theatre Northwest; and
nationally at Houston’s Theatre Under
the Stars, Arizona Theatre Company,
Portland Center Stage, San Jose Rep,
Kansas City Rep, Tempe’s Childsplay,
and Minneapolis’s Children’s Theatre
Company. Smucker teaches scenic design
at Cornish College for the Arts and
received his M.F.A. from the University of
Washington School of Drama.
Funeral • Cemetery • Cremation Services
www.BonneyWatson.com
Heidi Zamora
Costume Designer
Heidi Zamora’s costume designs have
been seen at the Seattle Opera (Orphee
et Eurydice), Seattle Children’s Theatre
(If You Give A Mouse a Cookie, Hamlet),
Seattle Shakespeare Company (Pericles,
Macbeth, School for Scandal, Much
Ado About Nothing), The Empty Space
(Stupid Kids), Book-It (Broken for You),
and Strawberry Theatre Workshop (Lady
Day, Leni). Heidi is a co-founder, former
Co-Artistic Director and former board
president of Washington Ensemble
Theatre and has designed costumes
for 17 of the Ensemble’s productions
including Bengal Tiger at the Baghdad
Zoo, Crave, blahblahblahBANG, and
RoboPop! which she also co-directed.
Heidi is the Assistant Costume Shop
Manager and Resident Costume Design
Coordinator at Seattle Opera and has
served as the Costume Shop Manager
BW 111912 celebrate 1
encoreartsseattle.com 11
for both The Empty Space and Seattle
Shakespeare Company. Heidi received
her M.F.A. in costume design from the
University of Washington in 2002.
L.B. Morse
Lighting Designer
L.B. Morse is a lighting, scenic, and
multimedia designer for theatre and
dance. Previous designs at Seattle Rep
include: A Great Wilderness (lighting);
The Hound of the Baskervilles (scenery,
lighting and projections); Boeing Boeing
(lighting); Photograph 51 (lighting); The
Glass Menagerie (lighting); Clybourne
Park (lighting); Or, (lighting); Sylvia
(lighting); This (scenery and lighting);
The K of D, an urban legend (co-scenic
design); Dancing at Lughnasa (lighting);
Opus (lighting); Breakin’ Hearts & Takin’
Names (scenery and lighting), Betrayal
(lighting and multimedia); My Name
is Rachel Corrie (lighting); Thom Pain
(based on nothing) (lighting); and Twelfe
Night (multimedia). He has also designed
for ACT, Seattle Children’s Theatre,
Strawberry Theatre Workshop, Intiman,
Seattle Shakespeare Company, On the
Boards, Lingo dancetheater, Maureen
Whiting Dance Co., and Empty Space,
among others. L.B. holds a B.A. in
Theatre Arts and a Graduate Certificate
in Scenic Design from University of
California, Santa Cruz. He is the
Associate Designer here at Seattle Rep.
Matt Starritt
Sound Designer
Ben, for thousands of
nights this house has
thrived under your
leadership, wisdom and
passion for great theatre.
We thank you for
enriching our lives.
Bravo!
Matt is a freelance sound designer for
both theatre and dance and a writer
from Seattle. He recently designed
the sound for A Crack in Everything
for the Zoe|Juniper Dance Company,
which premiered at Jacob’s Pillow
Dance Festival and toured nationally.
He returns to Seattle Rep where he
has designed the sound for American
Buffalo, boom, Breakin’ Hearts & Takin’
Names, The Brothers Size, Clybourne
Park, Glengarry Glen Ross, God of
Carnage, How to Write a New Book for
the Bible, Imaginary Invalid, Inspecting
Carol, Photograph 51, The K of D,
Opus, The Seafarer, and Speech &
Debate. Matt has also designed for
the Alley Theatre, Berkeley Repertory
Theatre, Cornerstone Theater Company,
Illusion Theatre, Intiman, Seattle
Shakespeare Company, Strawberry
Theatre Workshop, South Coast
Repertory, and Washington Ensemble
Theatre. Matt is a part-time lecturer at
the UW School of Drama.
12
EAP 040114 moore tribute 1_3v.indd 1
4/4/14 1:33 PM
Cristine Anne Reynolds
Stage Manager
Select work at Seattle Rep includes:
Clybourne Park, The Great Gatsby, and
Jitney. Locally, she stage manages at
Seattle Children’s Theatre, Seattle Opera,
and Icicle Creek Theatre Festival, among
others. National credits include South
Coast Repertory, Barter Theatre, Pacific
Northwest Ballet, Long Beach Opera, and
Music Theatre of Wichita. International
touring credits include Edinburgh
International Festival, Sadler’s WellsLondon, and Singapore Arts Festival.
Shellie Stone
Assistant Stage Manager
Credits include: Venus in Fur, Boeing
Boeing, Clybourne Park, Red (Seattle
Rep); Oliver!, Secondhand Lions, The
Music Man, RENT, Cinderella (5th
Avenue Theatre); The Lion in Winter, A
Midsummer Night’s Dream, Romeo and
Juliet (Shakespeare Santa Cruz); Abe
Lincoln in Illinois (Intiman Theatre); The
Wizard of Oz, Jackie and Me, Lyle the
Crocodile, In the Northern Lands: Nordic
Myths, A Tale of Two Cities, Bluenose
(SCT); Don Quixote, The Barber of Seville,
Amelia (Seattle Opera); La Cenerentola
(Spoleto Festival ’08). Stage Management
Intern for The Imaginary Invalid, Birdie
Blue, and Twelfe Night (Seattle Rep).
FOR SEATTLE
REPERTORY THEATRE
Jerry Manning
Artistic Director
This year marks Jerry’s fourth season as
Artistic Director. Mr. Manning joined
Seattle Rep in 2000 as Associate Artistic
Director overseeing casting. In 2008, he
was named Producing Artistic Director.
Seattle Rep directing credits include:
Inspecting Carol, I Am My Own Wife by
Doug Wright, Of Mice and Men by John
Steinbeck, boom by Peter Sinn Nachtrieb,
Thom Pain (based on nothing) by Will
Eno and Patriot Acts. As a producer
Mr. Manning was on staff at New York
Theatre Workshop for seven seasons
and at Arena Stage for eleven years.
Jerry has done extensive casting work
in film and television. He has conducted
workshops at graduate theater programs
across the country and has an ongoing
relationship with the National Endowment
for the Arts where he has served as a
reader, site reporter and peer panelist.
Benjamin Moore
Managing Director
In the 28 years Benjamin Moore
has served as Managing Director of
Seattle Rep, the theatre has operated
as one of the most financially stable
arts organizations in the country. Ben
came to Seattle Rep in December 1985
following a 15-year association with
the American Conservatory Theater
in San Francisco where he held the
positions of production director, general
manager, and managing director. He
has led Seattle Rep through compliance
for a National Arts Stabilization grant,
two Wallace Foundation grants, and
the construction of the Leo K. Theatre.
In 2001, Ben led a consortium of
Seattle theatres in producing Peter
Brook’s Hamlet. He also organized
a consortium of five local theatres to
develop technological advances in
customer relationship management, and
he has been instrumental in the building
of the Cultural Resource Collective, a
community database that aggregates
patrons from more than two dozen arts
and cultural organizations. In the last
year, Ben has worked with colleagues
in the cultural sector to reconstitute a
coalition dedicated to establishing a
Cultural Access Fund (CAF) for the Puget
Sound region and has a continuing role
in the governance and funding of this
three to five year initiative as a member
of the Executive Committee for the CAF
Coalition. Ben was honored with an
award for Outstanding Achievement
in the Arts at ArtsFund’s 25th Annual
Celebration of the Arts Luncheon in
May 2013. Ben was the chairman of
the Seattle Arts Commission in 1989
and served two consecutive terms on
the Washington State Arts Commission
beginning in 2001. He was the chair
of the I.A.T.S.E. Local 15 Health and
Welfare Trust from 1994 to 2010, has
served on the boards of the Theatre
Communications Group (TCG) and the
Seattle Chamber of Commerce, and
is currently a member of the board of
the Tessitura Network, Inc. Ben has
served as a peer panelist and evaluator
for the NEA and a consultant for The
Bush Foundation in Minneapolis. He
received a Senior Fellowship and a BA
from Dartmouth College and an MFA in
Arts Administration from Yale University
School of Drama and has taught a
course in not-for-profits arts management
offered in the Certificate Program at the
University of Washington.
Seattle Repertory Theatre is a member
of the League of Resident Theatres
(LORT), a nationwide association of not
for profit theatres.
This theatre operates under an
agreement between the League of
Resident Theatres and Actors’ Equity
Association, the Union of Professional
Actors and Stage Managers in the
United States.
The Director is a member of the Stage
Directors and Choreographers Society,
an independent national labor union.
The scenic, costume, lighting and
sound designers in LORT Theatres are
represented by United Scenic Artists,
Local USA-829 of the I.A.T.S.E.
Scenery Construction and Operations performed by
employees represented by I.A.T.S.E. locals 15 and 488.
Wardrobe services are performed by employees
represented by T.W.U Local 887
Seattle Repertory Theatre is a constituent
of Theatre Communications Group
(TCG), the national service organization
for the nonprofit professional theatre.
Support
the
Businesses
that
Support
Equality
for
Everyone.
Find them at
Equality is
Good BusinEss
encoreartsseattle.com 13
Untitled-6 1
3/12/14 4:38 PM
28 YEARS OF GREAT LEADERSHIP
Newly hired in 1985
The 2013—2014 season has been
Managing Director Ben Moore’s last at
the helm. Ben has guided the Rep for 28
years, using his wisdom, foresight, and
thoughtfulness to navigate the institution
through shifting economic climates.
He has also guided many individuals,
serving as a warm mentor to countless
aspiring arts managers.
Ben joined Seattle Rep in December 1985
after earning an M.F.A. in Arts Administration
from the Yale School of Drama and concluding
a 15-year association with San Francisco’s
American Conservatory Theater, where he
held positions as production director, general
manager, and managing director. Since
then Seattle Rep has operated as one of
the most consistently financially stable arts
organizations in the country.
In 1990, Ben and Artistic Director Dan
Sullivan accepted the Tony Award for
Outstanding Regional Theatre, awarded to
Seattle Rep for displaying a continuously
high level of artistic achievement. From
1993—1997, Moore guided the Rep
through the fundraising for and construction
of the Leo Kreielsheimer Theatre, a $10
million, 282-seat second theatre space
meant to provide a home for new work. He
was also instrumental in establishing the
theatre’s $15 million endowment.
A natural collaborator, in 2001 he
organized a coalition of Seattle groups
including Seattle Center, Intiman Theatre,
ACT, The Empty Space Theatre, and the
Seattle Center Foundation to produce
legendary director Peter Brook’s Hamlet
at Mercer Arena. Most recently, Ben is
serving as the Co-Chair of Cultural Access
Washington’s Advocacy Committee,
pushing for an initiative that could lead to
significant new funding for arts and cultural
organizations like the Rep.
When asked to comment on his career, Mr.
Moore shared the following: “When theatre
is done right, it is a remarkable blend of
With trustee Debbie Killinger and Artistic Director Jerry Manning
creative energy from an army of artists.
Directors, designers, actors, and a fleet of
artisans, technicians and administrators
combine to tell a human story to which each
audience responds differently. This diversity
of role and experience with every play
and every performance has always held
my interest. But it was not the plays or the
performances that attracted me when I was
young and confused. It was the delicious
array of human temperament and discipline
and the promise of collaboration.
It was about the people and the process.
I champion the achievements of all who
work—and have worked—in this building.
Imagine this: a business where you have a
different product line every year; you plan
from the pages of a script knowing little
about who will create the product or what it
will look like; you market the product before
and while it is being created; you fundraise
to pay for half the cost as you produce the
product; you do all this for on-time delivery
to an audience when you finally know what
Accepting the Tony
With wife Marilyn
the product is; and with good luck and the
agile care of many participants you hope
to manage this according to the plan and
within the budget that was cobbled together
6 months or a year ago. That’s what this
building and its people, artists and staff and
trustees alike, do year after year—and better
than ever today.
I am most in awe of the deep trust and
mutual respect that prevails in this dynamic
environment between all who participate and
collaborate, no matter the constraints that
bind us, the stress of the risks undertaken,
and the inherent messiness of making art.
Many have asked what in my work has been
most rewarding. The answer is mentoring
young talent. I have watched the Rep’s
internship program evolve over nearly all of
its 30 years. I have marked my growth and
the growth of the organization by the impact
of the interns on our work and our lives,
especially those who have joined the staff
and grown through the ranks. There
Opening Night with Lily Tomlin
Meany Middle School mentor day
are ten graduate interns on staff at the Rep
today and scores of others who populate
positions of all disciplines in theatres and
arts-related organizations here and across
the country.
I’m excited about what’s next as I anticipate
leaving the theatre’s day-to-day operations
behind and shifting my focus to a larger
role in arts advocacy for the community.
At the same time, it’s a bittersweet decision
for me. I will miss the daily interactions
with Rep staff and patrons. It has been
an extraordinary privilege to lead this
organization for the past 28 years, and I
am extremely proud of the theatre we have
created together.”
As an organization, all we can say is thank
you. We look forward to seeing Ben in the
audience for many years to come.
GIFTS MADE IN
HONOR OF BEN
Thank you to the following individuals
who have made gifts to Seattle Repertory
Theatre in honor of Ben Moore’s significant
contributions to the theatre and field during
his 28 year tenure as Managing Director.
Chap & Eve Alvord
Patti & Jimmy Barrier
James & Jacqueline Copacino
Allan & Nora Davis
Barry & JoAnn Forman
Toni & Rod Hoffman
Dean M. Ishiki
Brent & Catherine Johnson
Calvin & Maureen Knight
Morgan B. McGinn
Mrs. Harry Pryde
Ann Ramsay-Jenkins
H. Jon & Judith M. Runstad
Shauna Woods & Benjamin Arenas
Anonymous
Leo K. Groundbreaking
THANK YOU!
Seattle Repertory Theatre gratefully acknowledges the following individuals for their cumulative contributions of $1,000 or more made April 8, 2013 through April 8, 2014. This list includes gifts made to
our Annual Fund and Endowment, Gala Raise the Paddle donations, and Matching Gifts.
Each year contributions from audience members, subscription holders, as well as single ticket buyers
help ensure Seattle Rep’s artistic excellence and financial stability. Every gift makes a difference. We
thank all of you for being a part of the Rep community.
Join Seattle Rep’s donor family. To make your gift, please go to seattlerep.org/support/donate or
contact Jamie Herlich at 206.443.2532 or [email protected].
$100,000 AND MORE
Matthew N. Clapp, Jr.*
$50,000 - 99,999
Linda & Ted Johnson*
Stellman Keehnel
Marcella McCaffray*
Ann Ramsay-Jenkins & The William M.
Jenkins Advised Trust*
Bagley & Virginia Wright Fund
$25,000 - $49,999
Chap & Eve Alvord*
Mrs. E.C. Alvord
Steven A. & Connie E. Ballmer*
Donna Cochener-Metcalfe &
Christian Metcalfe*
Allan & Nora Davis
Deborah T. Killinger
Lynn Manley & Lex Lindsey*
David & Valerie Robinson*
Elizabeth D. Rudolf*
Taucher Family Foundation
Richard L. Weisman
Thomas Wright &
Alexandra Brouwer-Wright
Ann P. Wyckoff*
$15,000 - $24,999
Bob & Clodagh Ash*
Alta & Stan Barer
William E. Franklin*
Jay Hereford & Margaret Winsor*
Winky & Peter Hussey*
Kawasaki Foundation*
The Knossos Foundation
Becky Lenaburg & Paul Urla*
Tom & Terri Olson Miller*
Vic & Mary K. Moses
Carlyn J. Steiner*
The Estate of Mary F. Stowe
$10,000 - $14,999
Ken & Marleen Alhadeff Fund for Theatre
Practitioners*
Amy & Bob Bautista*
Matthew P. Bergman
Eileen & James Birge
Joan Cremin
Jane & David R. Davis
16
Dick & Jill Davis
Mr. & Mrs. Richard C. Hedreen*
Brent & Catherine Johnson*
John & Nancy Jo Keegan*
Kevin Miller & Stephanie McBain
Karen Rose Mitchell*
Jerry & Marcia Nagae*
Timothy & Paula Rattigan
Carlo & Lalie Scandiuzzi
Mr. & Mrs. Douglas Scheumann
Hal & Ann Strong*
James & Katherine Tune*
Mary Ann & John Underwood
Shauna Woods & Benjamin Arenas*
Marcia & Klaus Zech
Anonymous (2)
$5,000 - $9,999
Bottler Charitable Trust
Bruce Bradburn & Meg Holgate
Mr. & Mrs. Jeffrey Brotman
Michael & Lynne Bush*
Jeanne & Jon Cantalini
Tamra Chandler & Jeff Mosier
Margaret Clapp*
James & Jacqueline Copacino
Adam & Whitney Cornell*
Tracy & Suzanne Daw
Sandy Farewell
Bill Gates & Mimi Gardner Gates*
Natalie Gendler
Mrs. Robert E. Gilman
Jean-Pierre Green & Jennifer Ladd*
John & Maureen Harley*
Dan Hennessee
John & Ellen Hill
Toni & Rod Hoffman
Bruce E. H. Johnson & Sandra E. Davis*
Norman & Lisa Judah
Jerry Manning*
Philip & Jill McCune*
Christine & Sandy McDade
Kevin Millison & Jeanne Ballot*
Robin & Dave Nelson*
Everett P. & Andrea Paup
Rebecca & Grant Pomering*
Deborah & Doug Rosen
M. Lynn Ryder Gross
Herman & Faye Sarkowsky
Stanley D. & Ingrid H. Savage
Richard B. Stead & Elizabeth A. Ryll*
Sherry & John Stilin
Shirley & David Urdal
Pallavi and Ashish Wahi
Nancy Ward & Toby Bright
Wyman Youth Trust
Anonymous (2)
$3,000 - $4,999
Diana & Warren Aakervik, Jr.
Pam Anderson
Tom & Cynthia Captain
Dan Dunne & Layne Presho
Joanne Euster
Ovina Maria Feldman
Matthew & Heide Felton
Kent Fisher & Barbra Richardson
Richard & Mary Beth Gemperle
Sherri Havens*
Laura & David Heard
Rod & Nancy Hochman
Donna & Gary Iverson
Jo Merkli
Kate Riordan*
Judy & Kermit Rosen
Renee & Brendyn Ryan*
Julie Sandler
Tammy A. Talman*
Michael & Marsha Warden
Scott R. & Cindy Weaver
Anonymous (2)
$1,000 - $2,999
William Ahrens
Rhett Alden & Marcia Engel
Rhoda Altom & Cory Carlson
Kim Anderson
Virginia Anderson
Lucius & Phoebe Andrew
Alison S. Andrews
Craig S. Bartholomew
Douglas & Maria Bayer
Lisa & Nick Beard
George Benway & Susan Nelson-Benway
George & Joan Berry
Dana Boggess
Mollie Boliek Crews & Deron Crews
Bobbe & Jon Bridge
Christopher & Liz Browning
Zig Burzycki & Stephanie Cook
Paul & Paula Butzi
Don E. & Gretchen C. Campbell
Steve & Rowin Cantrell
Stephen & Stacy Carlson
Donald V. Cavanaugh
William T. Cavender
James E. Lobsenz & Elizabeth Choy
Kirk Redmond & Connie Clark-Redmond
Steven & Judith Clifford
Robert & Judy Cline
Loretta & Bob Comfort
Joellen Congleton
Darrel S. Cowan
T. W. Currie Family
Mark & Julie Dickison
Joe & Susan Diehl
Greg & Theresa Jones
Jim & Gaylee Duncan
John Gray & Jeanne Eagleson
The Lewis S. & Susan D. Edelheit Fund
Rae Ann Engdahl
Vicki Fabre
Elisabeth Farwell-Moreland & Gary Moreland
Carol Finn
Karen Fletcher
Mr. & Mrs. Bob Flowers
Anne & Will Foster
Nancy Gallup & Kenneth Keenan
Elizabeth Gentile
Susan Moskwa & Nick Gerner
Leon and Erika Giles
Dr. T.K. & Sandra Greenlee
Leeds & Wendy Gulick
Charles Gusak
Jeannie Hale
Nancy & Hamilton Harris
Drs. Michael & Teresa Hart
Linda Hartzell
Jan P. Havlisch
Kristin Ovregaard Heeter
John W. Hempelmann
Jan Hendrickson & Chuck Leighton
Jamie Herlich
Wanda Herndon
Hill Family Foundation
Suzanne Hittman
Mack Hogans & Anastacia Miles
Dale & Donna Holpainen
Bruce & Bridget Horne
Parul & Gary Houlahan
Connie & Dan Hungate
Lisa & Donald Immerwahr
Dean M. Ishiki
Jon Jensen & Kathy Early
Judith Jesiolowski & David Thompson
Joan E. Julnes
Frances Kao
Cathy Kitto
Alan Knight
Calvin & Maureen Knight
Karen Koon
Mike & Debbie Koss
Heather Laidlaw Kraft
Morris & Carolyn Kremen
Ted & Susan Kutscher
Sherry Ladd
Dr. & Mrs. G.O. Lamb
Susan Leavitt & William Block
James & Michele Lechner
Dr. J. Pierre & Felice Loebel
Roy & Laura Lundgren
Stephen H. & Ellen O. Lutz
Barbara & Michael Luxenberg
Donald Marcy
May McCarthy & Don Smith
Joy McNichols
John, Gail, Daniel & Ian Mensher
EARS 031114 shakespeare 1_6h.pdf
By William Shakespeare | Directed by Sheila Daniels
April 24–May 11, 2014 | www.seattleshakespeare.org
encoreartsseattle.com 17
A
A New
New Orleans
Orleans French
French Quarter
Quarter Dining
Dining Experience
Experience
PSBC 110413 hug 1_3s.pdf
Lake Union
Lake Union
Queen Anne
Queen Anne
toulouse
toulouse
Seattle Center
Seattle Center
Br Br
oa oa
d d
ve ve
tA tA
lio lio
El El
Queen
Queen
Anne
Anne
AveAve
Mercer
Mercer
Denny
Denny
ay ay
W W
n n
ka ka
as as
Al Al
4th4th
Downtown
Downtown
Seattle
Seattle
99
99
Pike
Pike
I5
I5
Pinoneer Square
Pinoneer Square
Toulouse
Petit
Kitchen & Lounge
90
90
Kitchen & Lounge
Susan Mersereau & Philip White
Mr. & Mrs. Charles Mertel
Drs. Donald & Pamela Mitchell
Dr. Joe Norman
Mrs. E.A. Nowogroski
Stuart & Ilse Oles
Glenna Olson & Conrad Wouters
Declan O’Neill
Terri & Ron Pehrson
Nancy & Mark Pellegrino
Kyle & Michele Peltonen
Kathleen Pierce
Dyann Provenzano
Mrs. Harry Pryde
Paula Reynolds
Carrie Rhodes
Dr. Donna Richman & Mike Ehrenberg
Christine & Allen Rickert
Rachel Robert
Mr. Philip Robinson
H. Stewart Ross
H. Jon & Judith M. Runstad
Bill & Rae Saltzstein
Barbara Sando
Patrick & Dianne Schultheis
Seattle Spine & Sports Medicine
Seattle Theatre Group
Richard & Barbara Shikiar
Langdon & Anne Simons
Nathalie & Marty Simsak
Karen Skadan
Greg Smith & Betty Mattson-Smith
Christopher and Cameron Snow
Mimi Soong
Stephen A. Sprenger
Leonard & Marsha Stevens
Rick & Suzy Titcomb
Annette Toutonghi & Bruce Oberg
Vijay & Sita Vashee
Jean Baur Viereck
Julie Villegas & Douglas Darling
Michael Von Korff & Linda Le Resche
Richard & Catherine Wakefield
Dr. Jerry & Cheryl Waldbaum
Marisa & Brad Walker
Ted & Marie Weiler
Nancy Weintraub
Judith Whetzel
John Wicher & Travis Penn
Nancy Williams
Mrs. Howard S. Wright
Brien Wygle
Jane Zalutsky & Mark Kantor
Joseph & Janet Zinn
Anonymous (12)
*Member of the 79 Club, Seattle Rep’s
multi-year giving circle
Fifth
Fifth Most
Most P
Popular
opular Restaurant
Restaurant in
in the
the Nation
Nation
Tenth
Tenth Most
Most P
Popular
opular in
in the
the W
World
orld
The accuracy of this list is important to us;
we welcome notification of unintended
omissions.
([email protected] or 206.443.2203)
–
– Trip
Trip Advisor's
Advisor's 2012
2012 Traveler's
Traveler's Choice
Choice Award
Award
Breakfast
Breakfast
dd 1
Lunch
Lunch
Happy
Happy Hour
Hour
601 Queen Anne Ave North, Seattle
601 Queen Anne Ave North, Seattle
18
|
|
Dinner
Dinner
toulousepetit.com
toulousepetit.com
|
|
Late
Late Night
Night
206.432.9069
206.432.9069
11/4/13 4:25 PM
INSTITUTIONAL DONORS
PRODUCING
PARTNERS
Seattle Repertory Theatre proudly honors our
Title Sponsor and Producing Partner for this
production:
TITLE SPONSOR
The Office of Arts & Culture
supports the health and vitality of
our city through arts and culture,
advances the role of artists in our
community, and advocates for issues affecting
the entire cultural community. Here at Seattle
Rep, Arts & Culture financial support allows us
to take chances in our season programming
and to expand our reach in the classroom. We
share the Seattle Office of Arts & Culture’s
continued belief that arts and culture are
essential to the quality of life in our city– and
are grateful that we can include it among our
2013-14 season supporters.
PRODUCING PARTNER
4Culture, the cultural services
agency for King County,
Washington is committed to
making our region stronger by
supporting citizens and groups who preserve
our shared heritage, and create arts and
cultural opportunities for residents and visitors.
Public exhibitions and performances, public
art, preservation of significant sites and
interpretation of local history deepen our
connections to the places in which we live and
work. We’d like to take this opportunity to
thank 4Culture for its longtime support of our
artistic programs.
BUSINESS, FOUNDATION
AND GOVERNMENT SUPPORT
Seattle Repertory Theatre is proud to
acknowledge the support of the following
regional and national organizations. Their
generous gifts make possible a wide variety of
artistic, educational, and outreach programs
that serve approximately 100,000 audience
members each year. For more information
about sponsorship programs and benefits,
please contact Karen O’Shea at (206) 4432210 ext. 1014. This list reflects contributions
made through January 31, 2014; gifts
received after this date will be recognized in
future issues of Encore.
$500,000 or more
Seattle Repertory Theatre Foundation
$50,000 - $499,999
Paul G. Allen Family Foundation
ArtsFund
The Boeing Company Charitable Trust
50th Anniversary NCTF/Ford Foundation Fund
for New Work
John Graham Foundation
National Endowment for the Arts
Seattle Office of Arts & Culture
The Shubert Foundation
$25,000 - $49,999
The Chisholm Foundation
Robert & Mercedes Eichholz Foundation
4Culture
MarketFitz, Inc.
Microsoft
National Corporate Theatre Fund
Nesholm Family Foundation
Seattle Repertory Organization
$10,000 - $24,999
Alaska Airlines
ArtsFund/John Brooks Williams and John H.
Bauer Endowment
for Theatre Award
The Sheri and Les Biller Family Foundation
Christensen O’Connor Johnson Kindness PLLC
Clark Nuber
Edgerton Foundation New American Plays
Encore Media Group
U.S. Bancorp Foundation
Washington State Arts Commission (ArtsWA)
$5,000 - $9,999
Aviation Capital Group
CTC Consulting | Harris myCFO
Davis Wright Tremaine LLP
Esterline Corporation
Guggenheim Aviation Partners
H.D. Fowler Company
Holland America Line Inc.
Horizons Foundation
KPMG LLP
Kutscher Hereford Bertram Burkart PLLC
The Loeb Family Charitable Foundations
McAdams Wright Ragen
Raisbeck Engineering, Inc.
The Safeway Foundation
Summit Law Group
$3,000 - $4,999
Chateau Ste. Michelle
City Catering
Fales Foundation Trust
K&L Gates LLP
KeyBank
OS Winery
Perkins Coie LLP
Wilson Sonsini Goodrich & Rosati Foundation
Under $2,999
AT&T Foundation
Aviation Partners Boeing
Ben & Jerry’s Ice Cream
BioPharma Consulting Services
C3 Research Associates
Dendreon
Four Park Avenue
Hale’s Ales
The Hilen Foundation/Ingrid Savage
Greg Kucera Gallery
The Melting Pot
Pacific Northwest Statistical Consulting
Phototainment
The Sitting Room
T.S. McHugh’s Irish Pub & Restaurant
Ten Mercer
Italics represent in-kind.
encoreartsseattle.com 19
NATIONAL CORPORATE THEATRE FUND
National Corporate Theatre Fund (NCTF) is a not-for‑profit created to increase and strengthen support from the business
community for this country’s most distinguished professional theatres. The following donors support these theatres through
their contributions to NCTF:
CHAIRMAN’S CIRCLE
($250,000+)
Ford Foundation*
The James S. and Lynne P. Turley Ernst &
Young Fund for Impact Creativity**
LEADERSHIP CIRCLE
($100,000+)
Clear Channel Outdoor**†
CMT/ABC**†
The Hearst Foundations**
THEATRE EXECUTIVES
($50,000-$99,000)
AOL†
Bank of America
BNY Mellon
Ernst & Young
BENEFACTORS
($25,000-$49,999)
American Express Cisco Systems, Inc.
Citi
Goldman, Sachs & Co.
MetLife
Morgan Stanley
Pfizer, Inc.
Wells Fargo**
PACESETTERS
($15,000‑$24,999)
Acquis Consulting Group†
Bloomberg
Steven Bunson**
McGraw Hill Financial
Frank Orlowski**
Southwest Airlines**
Theatermania.com/ Gretchen Shugart
James S. Turley
UBS
DONORS
($10,000‑$14,999)
James E. Buckley
Christopher Campbell/
Palace Production Center†
Datacert, Inc.
Dorfman and Kaish Family Foundation, Inc.
Dorsey & Whitney Foundation
Pamela Farr
Marsh & McLennan Companies
New York Life
Lisa Orberg**
RBC Wealth Management**
Sharp Electronics†
Skadden, Arps, Slate, Meagher & Flom LLC
The Schloss Family Foundation**
George S. Smith, Jr.**
John Thomopoulos**
Time Warner
Willkie Farr & Gallagher LLP
SUPPORTERS
($2,500‑$9,999)
Mitchell J. Auslander**
Dantchik Family
Datacert, Inc.
Disney/ABC
Paula Dominick**
Dramatists Play Service, Inc. John R. Dutt**
Christ Economos**
Epiq Systems**
Bruce R. and Tracey Ewing**
Richard Fitzburgh John Gore for Broadway.com
Jeffrey Gural/Newmark Holdings
Mariska Hargitay**
Gregory S. Hurst
Howard and Janet Kagan**
Joseph F. Kirk**
Michael Lawrence and Dr. Glen Gillen
Jonathan Maurer and Gretchen Shugart**
The Maurer Family Foundation**
John G. Miller
John R. Mathena
Ogilvy & Mather†
Theodore Nixon**
Edison Peres
Thomas C. Quick**
TD Bank
Evelyn Mack Truitt
Michael A. Wall
Isabelle Winkles**
*NCTF/Ford Foundation Fund for New Work
†Includes In-kind support
**
Impact Creativity is an urgent call to action to
save theatre education programs in 19 of our
largest cities. Impact Creativity brings together
theatres, arts education experts and individuals
to help over 500,000 children and youth, most
of them disadvantaged, succeed through the arts
by sustaining the theatre arts education programs
threatened by today’s fiscal climate. For more
information on how “theatre education changes
lives,” please visit: www.impactcreativity.org
List complete as of August 2013
TRIBUTE GIFTS
Tribute gifts to Seattle Repertory Theatre are
a wonderful way to remember a loved one,
honor a friend, or celebrate a special occasion.
Seattle Rep joins in paying tribute to the
following individuals:
In Honor of Mary Kay Haggard
by Nancy & Bob Grote
In Honor of Stellman Keehnel
by John Zagula
MATCHING GIFTS
Matching Gifts double the value and impact of
your donation. Please check with your employer
about its matching gift program. Thank you to
the following companies and foundations who
generously matched gifts to Seattle Rep from
their employees (as of June 30, 2013):
Amgen Foundation Matching Gifts
AT&T Foundation Matching Gifts
Bill & Melinda Gates Foundation Matching Gifts
Program
Boeing Matching Gifts
Christensen O’Connor Johnson Kindness PLLC
20
Citrix Systems Matching Gifts
Coca-Cola Matching Gifts
Expedia Inc. Matching Gifts
Google Gift Matching Program
Johnson & Johnson Matching Gifts
JP Morgan Chase Matching Gifts
Microsoft Matching Gifts
Network for Good
PepsiCo Foundation Matching Gift
Satori Software Matching Gift Program
Union Pacific Matching Gift Program
West Monroe Partners Matching Contributions
Program
79 CLUB
The 79 Club is a group of loyal Rep donors
who pledge their support for future years, as
a commitment to the long-term sustainability
of Seattle Repertory Theatre. 79 Club members
enjoy special events and benefits that provide
an opportunity to meet other theatre lovers and
become more involved with Seattle Rep.
For more information or to join the 79 Club,
contact Jamie Herlich at 206-443-2532 or
[email protected].
SEATTLE REPERTORY
ORGANIZATION
EXECUTIVE BOARD
2013-2014
The Seattle Repertory Organization is a 100+
member volunteer group established in 1963
for the purpose of supporting Seattle Repertory
Theatre. Through The Shop at the Rep, New York
and London theatre tours and more, the SRO
donates more than $30,000 and over 12,000
volunteer hours each season. Learn more about
SRO at seattlerep.org/volunteer.
Laurette Simmons
President
Cynthia Baber
1st Vice President
Bonnie Briant
2nd Vice President
Milton Moorhead
Treasurer
Gay Moorhead
Corresponding Secretary
Dottie Delaney
Recording Secretary
Lynne Bush
SRT Representative
encoreartsseattle.com 21
On Saturday, March 15, a capacity
crowd joined us on the Bagley Wright
Theatre stage for our annual gala
fundraiser. This year’s event paid special
tribute to departing Managing Director
Ben Moore and his legacy of mentorship.
The best part of the night? Grossing
more than $600K in honor of Ben!
Funds raised support Seattle Rep’s arts
and education programs, with a special
emphasis on the Rep’s internship program,
the Professional Arts Training Program.
Established in 1984, more than 400
young theatre professionals have trained
here and gone on to work at the country’s
top arts organizations, including right here
at the Rep.
A special round of applause goes to all of
the gala guests who raised their paddle
in support of the Rep. Thank you for
investing in our future!
Braden Abraham
& Cheyenne Casebier
Virginia Anderson
Holly Arsenault
Bob & Clodagh Ash
Alta & Stan Barer
Jim Barnyak
Sharon Barto
Roger Bass
& Richard Nelson
Amy & Bob Bautista
Lisa & Nick Beard
Eileen & James Birge
Laurie Bohn
& Mike Carnovale
Mollie Boliek Crews
& Deron Crews
Bruce Bradburn
& Meg Holgate
Patricia Britton
Rachel Brown
Christopher & Liz Browning
Michael & Lynne Bush
Jeanne & Jon Cantalini
David & Melanie Carbon
Tamra Chandler
& Jeff Mosier
Karen Rippel Chilcote
Bernard Choi
& Susan Boasi
Margaret Clapp
Matthew N. Clapp, Jr.
Alexis Clements
Donna Cochener-Metcalfe
& Christian Metcalfe
Lynn & Carolyn Cockrum
Patrick Conrardy
Adam & Whitney Cornell
Jack & Susan Cortis
Robert Cundall
Joe & Christine Cunningham
Diane Daggatt
Erin Daly & Chris Nelson
Allan & Nora Davis
Tracy & Suzanne Daw
Liz & Wayne Deckman
Dottie Delaney
Mark & Julie Dickison
Joe & Sue Diehl
Charles Dillingham
Greg & Theresa Jones
Jim & Gaylee Duncan
Dan Dunne & Layne Presho
John Gray
& Jeanne Eagleson
Julie Elmuccio
Vicki Fabre
Elisabeth Farwell-Moreland
& Gary Moreland
Basma & Nadim Fattaleh
Matthew & Heide Felton
Kent Fisher
& Barbra Richardson
Robin Fleming
& Bernie Russell
Karen Fletcher
Mr. & Mrs. Bob Flowers
William E. Franklin
Mr. & Mrs. Carver Gayton
Elizabeth Gentile
Matt Giles
Tiffany Gray & Scott King
Jean-Pierre Green
& Jennifer Ladd
Sean & Bernadine Griffin
Leeds & Wendy Gulick
Melissa Handler
Linda Hartzell
Stephanie Harvey
Katie Haster
Sherri Havens
Jennifer Havlin
Anne Helmholz
John W. Hempelmann
Jan Hendrickson
& Chuck Leighton
Jay Hereford
& Margaret Winsor
Jamie Herlich
Wanda Herndon
Barbara & Bo Hight
Toni & Rod Hoffman
Heidi Howeiler
Winky & Peter Hussey
Mark & Debra Jacobson
Brent & Catherine Johnson
Bruce E. H. Johnson
& Sandra E. Davis
Linda & Ted Johnson
Frances Kao
John & Nancy Jo Keegan
Stellman Keehnel
Deborah T. Killinger
Calvin & Maureen Knight
Scott & Kara Koh
Senator Jeanne Kohl-Welles
& Alexander Welles
Erin Kraft
Jessica Kurtz Pokorny
Ted & Susan Kutscher
Josh Labelle
Sherry Ladd
Anita Lammert
Renee Lamphere
Andry Laurence
Becky Lenaburg & Paul Urla
Paul Lewis
& Maggie Taylor
Dawn & Chris Loeliger
Dick & Betty Lunceford
Stephen H. & Ellen O. Lutz
Kevin Maifeld
Jerry Manning
Donald Marcy
Aaron Marks
Marcella McCaffray
Dani McClellan
Christine & Sandy McDade
Andrew Mellon
Anastacia Miles
Tom & Terri Olson Miller
Kevin Millison
& Jeanne Ballot
Karen Rose Mitchell
John & Barbarann Moga
Mr. Benjamin Moore
& Marilyn McGuire
Lily Moore
& Hector Ramirez
Alina Morris
Vic & Mary K. Moses
David & Pamela Mushen
Jerry & Marcia Nagae
Robert & Jane Nellams
Robin & David Nelson
Peter & Mari Offenbecher
Glenna Olson
& Conrad Wouters
Patti Payne
Nancy & Mark Pellegrino
Rebecca & Grant Pomering
Dan Pronovost
Dawn Rains
& Heather Laird
Ann Ramsay-Jenkins
Timothy & Paula Rattigan
Christine & Allen Rickert
Rachel Robert
Lee Robinson
Tracy Robinson
Valerie & David Robinson
Rodrigo & Sonya Rocha
Deborah & Doug Rosen
Elizabeth D. Rudolf
Julie Sandler
Shelley Saunders
& Andy Benjamin
Cynthia Saver
Peggy Scales
Carlo & Lalie Scandiuzzi
Robert Schenkkan
Janet Schmidt
& Tim Sweeny
Hoyt Scott
Seattle Theatre Group
Jane & Eric Seibel
Owen Sharp
& Karen Pizzuto-Sharp
David & Stacya Silverman
Karen Skadan
Rene & Diane Spatz
Carlyn J. Steiner
Christine & Josh Stepherson
Christine Stevens
Hal & Ann Strong
Marty & Colleen Taucher
Susan Thomas
James & Katherine Tune
Kate Turpin
& Michael Cvitcovic
Chris Underwood
Pallavi & Ashish Wahi
Marisa & Brad Walker
Nancy Ward & Toby Bright
Fred & Deborah Wilds
Zoe Wilson
Jen Winter
Rose Woodbury
Gary Woods
Shauna Woods
& Benjamin Arenas
Jane Zalutsky
& Mark Kantor
Anonymous (3)
Photo by Chris Bennion
Jack Willis in All the Way. Photo by Jenny Graham.
22
SEATTLE REPERTORY THEATRE STAFF
Jerry Manning* Artistic Director Benjamin Moore* Managing Director
Elisabeth Farwell-Moreland
Producing Director
ARTISTIC
Constanza Romero
Artist In Residence
Braden Abraham*
Associate Artistic Director
Erin Kraft
Casting Director
William (L.B.) Morse*
Resident Designer
ARTIST RELATIONS
Christy Bain*
Director of Artist Relations
Sarah Scherzer
Company Manager
EDUCATION
Frances Kao*
Education Administrative Director
Scott Koh*
Education Programs Director
Zoe Wilson
Education Program Officer
PRODUCTION
Brian Fauska
Technical Director
Matt Giles
Associate Production Manager
Sann Hall
Production Coordinator
Wiley
Assistant Technical Director
Matt Starritt
Sound Associate
Robert J. Aguilar
Lighting Associate
Carpenters
Jon Zucker*
Scene Shop Foreman
Denny Hartung*
Master Shop Carpenter
Ben Bryant*
Patrick Robinson*
Randall Reece
Benjamin Radin
Scenic Carpenters
Costume Shop
Denise Damico
Costume Department Director
Anastasia Armes
Assistant Costume Department
Manager
Kimberley Newton
Design Assistant
Naomi Weber
Tailor/Draper
Lisa Lockard*
Laura Mé Smith*
1st Hands
Kellie Dunn
Craft Artisan/Dyer
Sarah Gladden*
Costume Stock Manager
Joyce Degenfelder*
Wig Master
Imelda Daranciang*
Bagley Wright Wardrobe
Supervisor
Cindy Sabye
Leo K. Wardrobe Supervisor
Properties
Jolene Obertin*
Properties Director
Alisha Flaumenbaum
Properties Assistant
Nick Passafiume
James Severson*
Nicolette Vannais*
Properties Artisans
Scenic Arts
Maureen Wilhelm*
Charge Scenic Artist
Ruth Gilmore
Lead Scenic Artist
Linda Jo Nazarenus
Scenic Artist
STAGE CREWS
Bagley Wright Theatre
Catharine Case Lutes*
Master Stage Carpenter
Andrew Willhelm*
Master Electrician
Jeremiah Foglesong*
Master Properties
Nathan Kahler
Head Sound Engineer
Tony Smith
Head Flyman
Dave Scamporlina
Swing Technician
Leo Kreielsheimer Theatre
Noel Clayton
Master Stage Carpenter
Rachel M. Robert*
Katie Jackman
Director of Finance & Operations
Lynne Ellis
Master Electrician
Bradford Howe
Sound Engineer
STAGE MANAGEMENT
Jessica C. Bomball
Michael John Egan
Stina Lotti
Michael B. Paul
Cristine Anne Reynolds
Shellie Stone
EXECUTIVE
Sarah Newell*
Director of Board Relations
HUMAN RESOURCES
Katrina Miller
Director of Human Resources
Dottie Kelly
Volunteer HR Assistant
FINANCE & OPERATIONS
Gi Hara*
Controller
Gina Lopes
A/P and Payroll Administrator
John R. McNamara*
Operations Director
Debra Forman*
Shawn Vines
Receptionists
INFORMATION TECHNOLOGY
Colin Warriner*
Information Technology Director
Heather Laidlaw Kraft*
Associate IT Director
Bob Maillette
Systems Administrator
Richie Carpenter
Web Production Specialist
Ryan Rowell
Tessitura Operations Manager
EXTERNAL RELATIONS
Karen Chilcote*
Director of Communications
Ashley Coates
Marketing Manager
Jeremy Scott
Patron Development Manager
Director of External Relations
Sarah Meals
Public Relations Manager
Andry Laurence
Graphic Designer
Megan Lindell
Marketing Coordinator
Rose Woodbury
Communications Assistant
Bob Franklin
Lighting
Jeremiah Givers
Stage Management
Kyle Spens
Tech Production
Katy Hannigan
Arts Management
Mandy Hough
Graphics
Elizabeth Ingram
Education
Sara Keats
Artisic (Literary)
Adrienne Mendoza
Stage Management
Samantha Sayer
Props
Hayley Shannon
Development
Emma Watt
Artistic (Casting)
Caitlyn Williams
Marketing
DEVELOPMENT
Jamie Herlich
Director of Individual Gifts
Karen O’Shea*
Director of Institutional Gifts
Sharon Barto
Dan Pronovost
Major Gifts Officers
Blair Feehan
Annual Fund Manager
Heidi Pardo*
Development Administrator
Mollie Boliek-Crews
Development Database Specialist
Karen Pizzuto-Sharp
Events Manager
PATRON SERVICES
Lexi Clements
Patron Services Manager
Sarah Jo Kirchner
Patron Services Assistant Manager
Sondra Matara
Patron Services Lead
Katie Haster
Patron Services & Group Sales Specialist
Chelsea Ortuno
Matthew Robinson
Janet Summerfelt
Beth Wilson
Patron Services Specialists
FRONT OF HOUSE
Lance Park
Audience Services Director
Liza Gonzalez-Ramos
Front of House Manager
Sheryl Kool
ASL Interpreting Coordinator
PROFESSIONAL ARTS TRAINING
PROGRAM
Christian Carter
Production Management
Emma Cohn
Paint
UP NEXT
COMMISSIONS
Kirstin Grind
Samuel D. Hunter
Marc Kenison
Lisa Peterson
David Pichette
Laura Schellhardt
Robert Schenkkan
Cheryl L. West
R. Hamilton Wright
YES PROJECT COMMISSIONS
Francis Ya-Chu Cowhig
Justin Huertas
WRITERS GROUP
Holly Arsenault
Scot Augustson
Frank Basloe
Lisa Halpern
Keri Healey
Brendan Healy
Arlitia Jones
Bryan Willis
* Indicates an employee of 10
or more years.
PLUS
AT THE PARAMOUNT THEATRE
Playing May 27—June 8
Seattle Rep Subscriber performances: June 3—8
by Enda Walsh
music and lyrics by Glen Hansard and Markéta Irglová
directed by John Tiffany
See more at: seattlerep.org
Presented in association with Seattle Theatre Group and KeyBank
Broadway at The Paramount
Meet the artists of
Who’s Afraid of
Virginia Woolf? at our
SRO Spotlight Lunch:
Thursday, May 8,
11 a.m. in the
Rotunda
seattlerep.org/
SROspotlights
encoreartsseattle.com 23
A New Online
Arts Experience
Where the performance
never ends
Pacific Northwest Ballet’s Carla Körbes
in Alexei Ratmansky’s Don Quixote.
Photo © Angela Sterling.
visit encoreartsseattle.com
SHOW PREVIEWS
and NEWS
WIN
TICKETS
ARTIST
SPOTLIGHTS