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ESSAY PROMPT: Discuss how Renaissance ideas are expressed in the Italian art of the period, referring to specific works and artists. artists. Which ideas characterized the Italian Renaissance as both a rebirth of classical culture and a distinct period of European history? 1. Humanism Humanism---renewed renewed interest in the study of Greek, Latin, and the philosophers of the classical period; interest in pagan legends 2. Secularism Secularism--worldliness and materialism; a concern with success in this life (Increasingly secular view of life, despite continuing influence of the Church) 3. Individualism--Optimism Individualism-Optimism about the potential of unique individuals (the development of portraiture as an artistic genre) Confidence--man Confidence-man can achieve whatever he puts his mind to The Renaissance “Man” The Greek ideal of the “wellrounded man” was at the heart of Renaissance education. Broad Broad knowledge about many things in different fields. Deep knowledge/skill in one area. Able to link information from different areas/disciplines and create new knowledge. 4. Civic Humanism (VIRTU) -- the responsibility of the individual to the community or citycity-state 5. Patronage-Patronage --both both a. civic (as an expression of Civic Humanism: competition to beautify cities) and, b. private 6. Idealization of beauty, especially as it pertains to the human body 7. Religion still at the core of Italian Renaissance life: The Church's continued role as a major patron of the arts, combined with its temporal power on the Italian peninsula, insured that spiritual values would be blended with the newer Renaissance ideas. We have defined and discussed important terms that illustrate several Renaissance ideas/values. We have to include a discussion of at least two Renaissance artists and two works of art. We have to show how art reflects the ideas of the Renaissance by using specific references to the aspects of the works of art that express Renaissance values. Birth of Venus – Botticelli, 1485 Birth of Venus – Botticelli, 1485 Birth of Venus – Botticelli,c. 1482 Representation of a pagan goddess Idealization of beauty Nudity: an innovation in itself To help protect your priv acy , PowerPoint prev ented this external picture from being automatically downloaded. To download and display this picture, click Options in the Message Bar, and then click Enable external content. Adoration of the Magi – Botticelli, 1475 Adoration of the Magi – Botticelli, 1475 group portrait of the Holy Family and the Medici family power, arrogance, opulence significance of the role of the commercial elite The Medicis are depicted taking part in the procession through the streets with the Confraternity of Magi, dressed as oriental kings as they did every year in Florence in reenactment The School of Athens – Raphael, 1510 -11 The School of Athens – Raphael, 1510 -11 All of the important Greek philosophers and thinkers are included A great variety of poses Located in the papal apartments library No Christian themes The School of Athens – Raphael, details Plato: Plato: points to the heavens [the IDEAL realm]. Aristotle: Aristotle: points to the earth [the here and now]. The School of Athens – Raphael, details The School of Athens – Raphael, details The School of Athens – Raphael, 1510 -11 Renaissance emphasis on learning and the revival of the great works of Ancient Greece & Rome Most intellectuals and philosophers the ancient world congregated together in one scene, involved in active discussion against a background of glorious Greek architecture The Last Supper - da Vinci, 1498 The Last Supper - da Vinci, 1498 Christ Christ-figure as Man rather than Divinity "One of you shall betray me!"me!"-moment of maximum human drama rather than spirituality Application of scientific principles to organize the composition of the painting The Sistine Chapel’s Ceiling Michelangelo, 1508 - 1512 Creation of Man-Man--The The Sistine Chapel Creation of Man (ceiling of the Sistine Chapel) Portrayal of the Supreme Being in human form An unafraid Adam faces his maker Adam reaches out for the spark of life, his head positioned only slightly lower than his Creator The Sistine Chapel Details The Sistine Chapel Details Ceiling of the Sistine Chapel Humanistic approach-approach-Glorification of the value of man: man created in the image of his Creator; the crown of creation Last Judgment-Judgment--in in his arrogance, man has drifted from Divine will and will suffer the consequences Brunelleschi’s Dome Brunelleschi’s Dome Brunelleschi’s Dome influence of classical culture and scientific ideas David – Donatello, ca. 1434 David – Donatello, ca. 1434 First free free-form bronze since Roman times! Reflects freedom of movement achieved in the nude figures of classical sculpture CONTRAPPOSTO (more dynamic / relaxed pose) David – Michelangelo, 15011501 -4 David – Michelangelo, 1501 1501-4 Was supposed to reflect the power the determination supreme confidence of Florence David – Michelangelo, 1501 1501-4 The strength and beauty of the human form Value of the individual Determined gaze, confident stance and the slingshot hanging over the shoulder express the Renaissance belief in the extreme capability of man