Music Theory And Composition - Eastern Kentucky University
... is much more efficient (and easier) to use the key signatures that you memorized in the previous lesson. Here are some examples of how this would work: To spell an E major scale: 1) Write all the alphabet letters through one octave starting with an E on the staff using whatever clef is requested as ...
... is much more efficient (and easier) to use the key signatures that you memorized in the previous lesson. Here are some examples of how this would work: To spell an E major scale: 1) Write all the alphabet letters through one octave starting with an E on the staff using whatever clef is requested as ...
EKU Music Theory Study Guide with PAGE NUMBERS
... is much more efficient (and easier) to use the key signatures that you memorized in the previous lesson. Here are some examples of how this would work: To spell an E major scale: 1) Write all the alphabet letters through one octave starting with an E on the staff using whatever clef is requested as ...
... is much more efficient (and easier) to use the key signatures that you memorized in the previous lesson. Here are some examples of how this would work: To spell an E major scale: 1) Write all the alphabet letters through one octave starting with an E on the staff using whatever clef is requested as ...
Music 11, 7/20/06 Texture: Homophony and Polyphony Homophony
... Seventh Chords Seventh chords have four members: root, third, fifth and seventh. Even a major triad, which can sound extremely stable and “happy” will become highly volatile when a seventh is added on top of it. This is because a new note in a chord makes new intervals with all the notes that are al ...
... Seventh Chords Seventh chords have four members: root, third, fifth and seventh. Even a major triad, which can sound extremely stable and “happy” will become highly volatile when a seventh is added on top of it. This is because a new note in a chord makes new intervals with all the notes that are al ...
please - Bay Area Music Association
... All Intervals by numbers and quality, augmented & diminished on any note Have to be able to use any rhythm combinations Music History ...
... All Intervals by numbers and quality, augmented & diminished on any note Have to be able to use any rhythm combinations Music History ...
ANCIENT LYRE STRINGS
... lutes in ancient Mesopotamia, in just intonation, the ratio of each interval of a musical scale is precisely calculated in rational numbers, so that each semitone is unique and very slightly different in proportion to the other semitones in the scale. The result is a wonderfully pure sound - interva ...
... lutes in ancient Mesopotamia, in just intonation, the ratio of each interval of a musical scale is precisely calculated in rational numbers, so that each semitone is unique and very slightly different in proportion to the other semitones in the scale. The result is a wonderfully pure sound - interva ...
Music Theory Review Guide - Guitar
... is much more efficient (and easier) to use the key signatures that you memorized in the previous lesson. Here are some examples of how this would work: To spell an E major scale: 1) Write all the alphabet letters through one octave starting with an E on the staff using whatever clef is requested as ...
... is much more efficient (and easier) to use the key signatures that you memorized in the previous lesson. Here are some examples of how this would work: To spell an E major scale: 1) Write all the alphabet letters through one octave starting with an E on the staff using whatever clef is requested as ...
The History of Tuning
... to expand their religion. China also traded with the Mediterranean Cultures, but they were just too far away to have much influence. Egypt and Sumerian were also a early civilizations. Egypt was established on a narrow river valley and kept the same name and culture, there was some language drift. S ...
... to expand their religion. China also traded with the Mediterranean Cultures, but they were just too far away to have much influence. Egypt and Sumerian were also a early civilizations. Egypt was established on a narrow river valley and kept the same name and culture, there was some language drift. S ...
(pdf)
... besides the classical music theory approach, is to represent them as groups, and then to depict them as graphs called the Generalized Tonnetze. We’ll begin with definitions of the basic musical concepts involved. 1. Musical Preliminaries Here is the set of musical terms necessary to understand the g ...
... besides the classical music theory approach, is to represent them as groups, and then to depict them as graphs called the Generalized Tonnetze. We’ll begin with definitions of the basic musical concepts involved. 1. Musical Preliminaries Here is the set of musical terms necessary to understand the g ...
File
... A challenge for TransProse is to generate appropriate sequences of notes, given the infinite possibilities of pitch, duration, and order of the notes. Tempo is the speed at which the piece should be played. It is usually indicated by the number of beats per minute. A beat is a basic unit of time. A ...
... A challenge for TransProse is to generate appropriate sequences of notes, given the infinite possibilities of pitch, duration, and order of the notes. Tempo is the speed at which the piece should be played. It is usually indicated by the number of beats per minute. A beat is a basic unit of time. A ...
Simon Stevin - The Dozenal Society of America
... there was a big fight over whether the old way “Natural Tuning” would win or whether the new “Equal Temperament” way would win. J. S. Bach wrote an entire piece of music called “The Well-Tempered Clavier” in order to show off how useful this new base-twelve system of tuning would be for musicians. T ...
... there was a big fight over whether the old way “Natural Tuning” would win or whether the new “Equal Temperament” way would win. J. S. Bach wrote an entire piece of music called “The Well-Tempered Clavier” in order to show off how useful this new base-twelve system of tuning would be for musicians. T ...
Master Your Theory Grade 1
... D flat is a semitone below D (D flat is another name for the black note between C and D) E flat is a semitone below E (E flat is the same note as D sharp on a keyboard). ...
... D flat is a semitone below D (D flat is another name for the black note between C and D) E flat is a semitone below E (E flat is the same note as D sharp on a keyboard). ...
Mathemusical Thought - LUC Sakai
... (a) IntervalName=“fourth”. IntervalLength=6= 5 +1. A perfect fourth is of length 5 half steps, as per Table 2.1. Thus this is an augmented fourth, also called a tritone. (b) IntervalName=“fifth”. IntervalLength=6= 7 -1. A perfect fifth is of length 7 half steps. Thus this is a diminished fifth, lik ...
... (a) IntervalName=“fourth”. IntervalLength=6= 5 +1. A perfect fourth is of length 5 half steps, as per Table 2.1. Thus this is an augmented fourth, also called a tritone. (b) IntervalName=“fifth”. IntervalLength=6= 7 -1. A perfect fifth is of length 7 half steps. Thus this is a diminished fifth, lik ...
Tonal Function in Harmonic Scales
... Melodic intervals similar in size to the major third and the minor sixth approximate simple frequency ratios (4:5×2(n-1) and 5:2(n+2), respectively), but they are also only a semitone from the prototypical p4 and p5 ratios. For this reason, these intervals are inherently ambiguous because they can b ...
... Melodic intervals similar in size to the major third and the minor sixth approximate simple frequency ratios (4:5×2(n-1) and 5:2(n+2), respectively), but they are also only a semitone from the prototypical p4 and p5 ratios. For this reason, these intervals are inherently ambiguous because they can b ...
Introducing MANTRA
... Introducing MANTRA ROBIN MACONIE This paper was prepared for the first performance of MANTRA in Wellington, New Zealand, on 16 July 2009, by the duo Xenia Pestova and Pascal Meyer, with Philip Brownlee (sound projection). Stockhausen’s Mantra for two pianists is an outstanding example of 20th-centur ...
... Introducing MANTRA ROBIN MACONIE This paper was prepared for the first performance of MANTRA in Wellington, New Zealand, on 16 July 2009, by the duo Xenia Pestova and Pascal Meyer, with Philip Brownlee (sound projection). Stockhausen’s Mantra for two pianists is an outstanding example of 20th-centur ...
e-Workbook TECHNIQUES AND MATERIALS OF MUSIC Part I
... Before doing these exercises, it will be important to study with care the matching explanatory pages in Techniques and Materials of Music, and the corresponding examples found in Music for Analysis (7th edition, Oxford University Press). In each exercise, carefully analyze the given material in term ...
... Before doing these exercises, it will be important to study with care the matching explanatory pages in Techniques and Materials of Music, and the corresponding examples found in Music for Analysis (7th edition, Oxford University Press). In each exercise, carefully analyze the given material in term ...
Beginning to Learn the Byzantine Musical System Using Western
... collection is so vast, it can only be commented upon here, but its importance is enormous. These formulas correlate to the meter of the poetry, the pattern of groups of accented and unaccented syllables found in words and phrases. It is important to note that in liturgical Greek, the original langua ...
... collection is so vast, it can only be commented upon here, but its importance is enormous. These formulas correlate to the meter of the poetry, the pattern of groups of accented and unaccented syllables found in words and phrases. It is important to note that in liturgical Greek, the original langua ...
C:\Documents and Settings\Borys Medicky\My Documents\Basso
... Rules 3 and 4 are basically corollaries of each other, since chromatically altered notes are often approached or left by a half-step. Additional exceptions arise from the interval resolutions required by linear counterpoint, which divides intervals into the following categories: PERFECT CONSONANCES ...
... Rules 3 and 4 are basically corollaries of each other, since chromatically altered notes are often approached or left by a half-step. Additional exceptions arise from the interval resolutions required by linear counterpoint, which divides intervals into the following categories: PERFECT CONSONANCES ...
Cyclic Organization in the `Chorale` of Charles Ives` Three Quarter
... Ives spells out two chords that fit the given criteria, which are shown in Figure 2a. Chord I is a segment of four consecutive notes of the 7-cycle, though Ives does not describe the chord as such. The spelling that he gives begins the 7-cycle upwards starting from C. He describes chord II as "a cho ...
... Ives spells out two chords that fit the given criteria, which are shown in Figure 2a. Chord I is a segment of four consecutive notes of the 7-cycle, though Ives does not describe the chord as such. The spelling that he gives begins the 7-cycle upwards starting from C. He describes chord II as "a cho ...
Solfege - gozips.uakron.edu
... The purpose of solfege… • To help singers be able to accurately sing pitches when they are sight reading a piece or having difficulty with intervals ...
... The purpose of solfege… • To help singers be able to accurately sing pitches when they are sight reading a piece or having difficulty with intervals ...
Linear Chromatic Flyer - James Jones Instruments
... the complex music of their regions and traditions. A modern chromatic layout with potential is Sam Rizzetta's Piano Dulcimer. The Piano Dulcimer is a straightforward and logical chromatic tuning layout with piano-like note markings and horizontal 1/2 step tunings that may appeal particularly to key ...
... the complex music of their regions and traditions. A modern chromatic layout with potential is Sam Rizzetta's Piano Dulcimer. The Piano Dulcimer is a straightforward and logical chromatic tuning layout with piano-like note markings and horizontal 1/2 step tunings that may appeal particularly to key ...
Concert Band Week 9 Map Connections 3PP.1.b Describe the uses
... Pair Share for Intonation In Heaven’s Air DOL for Intonation Seussical Practice after 4pm ...
... Pair Share for Intonation In Heaven’s Air DOL for Intonation Seussical Practice after 4pm ...
Melody In Carnatic Music
... of the saying, Srutir mata, or the melodic aspects. Any lover of Indian music would have definitely come across the word Raga. Needless to say, this concept is a very ancient one. But what exactly is it and how did it evolve? Before we go into it, we need to know some basic stuff. Let's start with t ...
... of the saying, Srutir mata, or the melodic aspects. Any lover of Indian music would have definitely come across the word Raga. Needless to say, this concept is a very ancient one. But what exactly is it and how did it evolve? Before we go into it, we need to know some basic stuff. Let's start with t ...
Concepts for the Music Theory Sections of the Graduate Preliminary
... down by a half-step, a chromatically-raised pitch resolves up by half-step while a chromatically-lowered pitch must resolve down by half-step. Never double a tendency tone because this necessitates parallel octaves for both tendency tones to be resolved correctly. - No augmented intervals when in ha ...
... down by a half-step, a chromatically-raised pitch resolves up by half-step while a chromatically-lowered pitch must resolve down by half-step. Never double a tendency tone because this necessitates parallel octaves for both tendency tones to be resolved correctly. - No augmented intervals when in ha ...
Microtonal music
Microtonal music or microtonality is the use in music of microtones—intervals smaller than a semitone, which are also called ""microintervals"". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.