Clarinet Warm-Up
... The most important part of any day's practice time is the warm up period. I have a comprehensive warm-up that I use daily in my teaching and playing. I feel that each aspect of the warm-up should lead to the next, and that the objective should be a warm up of all muscle groups from large to small. T ...
... The most important part of any day's practice time is the warm up period. I have a comprehensive warm-up that I use daily in my teaching and playing. I feel that each aspect of the warm-up should lead to the next, and that the objective should be a warm up of all muscle groups from large to small. T ...
Using Whole Tone Scales in Improvisation
... In the notes of this series the focus will be on bridging the gap between musical theory and practice. The target audience is the jazz performer who reads music and has a good understanding of chord progressions and traditional harmony. ...
... In the notes of this series the focus will be on bridging the gap between musical theory and practice. The target audience is the jazz performer who reads music and has a good understanding of chord progressions and traditional harmony. ...
Nicola Vicentino and the Enharmonic Diesis
... McAdams, for all of their guidance, suggestions, and support. I am grateful for the opportunity to have been a research assistant for Professors Wild and McAdams; the assistantship was funded by the Canadian Social Sciences and Humanities Research Council (SSHRC). I am thankful to Professor Wild and ...
... McAdams, for all of their guidance, suggestions, and support. I am grateful for the opportunity to have been a research assistant for Professors Wild and McAdams; the assistantship was funded by the Canadian Social Sciences and Humanities Research Council (SSHRC). I am thankful to Professor Wild and ...
2 – First Species Counterpoint
... Exercise 2-1b is less successful than 1a, although 1b is not a disaster. The final cadence on a third instead of an octave is acceptable, but not as final sounding as an octave. Perhaps more problematic is the use of the perfect 5th on the second beat. It is permissible at this point because the 5th ...
... Exercise 2-1b is less successful than 1a, although 1b is not a disaster. The final cadence on a third instead of an octave is acceptable, but not as final sounding as an octave. Perhaps more problematic is the use of the perfect 5th on the second beat. It is permissible at this point because the 5th ...
11( 31 11 ( 11( 31 11 ( 31 11 31
... subscale is a pentachord. In addition to the octave system, Byzantine music employs subscales by alternating melodic patterns among them. The bottom note of a subscale acts as a base note or tonic for that subscale. Byzantine music theory does not distinguish scales in the same way that Western musi ...
... subscale is a pentachord. In addition to the octave system, Byzantine music employs subscales by alternating melodic patterns among them. The bottom note of a subscale acts as a base note or tonic for that subscale. Byzantine music theory does not distinguish scales in the same way that Western musi ...
Pythagorean whole tone - Jacobs University Mathematics
... At least two different kinds of pitch: the mel scale measurements and the musical pitch The perceived difference between two notes decreases at the extreme ends of the keyboard. Pitches, and differences between them, are not as clear at low and high frequencies. A.Diederich – International Un ...
... At least two different kinds of pitch: the mel scale measurements and the musical pitch The perceived difference between two notes decreases at the extreme ends of the keyboard. Pitches, and differences between them, are not as clear at low and high frequencies. A.Diederich – International Un ...
Finding Alternative Musical Scales
... A number of composers have written music that uses the quarter-tone scale, in which the octave is divided into 24 equal intervals. Some of the betterknown examples are Béla Bartók, Alban Berg, Ernest Bloch, Pierre Boulez, Aaron Copeland, George Enescu, Charles Ives, and Henry Mancini. We will find ...
... A number of composers have written music that uses the quarter-tone scale, in which the octave is divided into 24 equal intervals. Some of the betterknown examples are Béla Bartók, Alban Berg, Ernest Bloch, Pierre Boulez, Aaron Copeland, George Enescu, Charles Ives, and Henry Mancini. We will find ...
Subject and counter-subject detection for analysis of the Well
... only substitution errors, and strict length requirements – to have as few false positives as possible, still keeping a high recognition rate. Subject identification. To precisely find the end the subject, we thus want to test patterns finishing at notes xz+g , where g ∈ [gmin , gmax ] = [8, +6]. Eac ...
... only substitution errors, and strict length requirements – to have as few false positives as possible, still keeping a high recognition rate. Subject identification. To precisely find the end the subject, we thus want to test patterns finishing at notes xz+g , where g ∈ [gmin , gmax ] = [8, +6]. Eac ...
simpler list of musical terminology
... for chorus, soloists, and orchestra. Handel’s Messiah is a well-known oratorio. Ottava To play a note an octave higher or lower than it is written. The symbol 8va above a note means to play the note an octave higher. The same symbol below a note means to play it an octave lower. When more than one n ...
... for chorus, soloists, and orchestra. Handel’s Messiah is a well-known oratorio. Ottava To play a note an octave higher or lower than it is written. The symbol 8va above a note means to play the note an octave higher. The same symbol below a note means to play it an octave lower. When more than one n ...
Keyboard FUNdamentals
... Josh Gottry earned a BM in Percussion Performance at Northern Arizona University and is currently pursuing his MM in Composition at Arizona State University. He has also successfully established himself as a percussion instructor and performer throughout Arizona, and as a nationally recognized compo ...
... Josh Gottry earned a BM in Percussion Performance at Northern Arizona University and is currently pursuing his MM in Composition at Arizona State University. He has also successfully established himself as a percussion instructor and performer throughout Arizona, and as a nationally recognized compo ...
AP Music Theory
... 19. Hear, identify and notate non harmonic tones including accented and unaccented passing, tones upper and lower neighbors, appoggiatura, escape tones, retardations, pedal tones, anticipation and suspensions. 20. Notate the soprano and bass pitches of a 4 part harmonic dictation of the Common Pract ...
... 19. Hear, identify and notate non harmonic tones including accented and unaccented passing, tones upper and lower neighbors, appoggiatura, escape tones, retardations, pedal tones, anticipation and suspensions. 20. Notate the soprano and bass pitches of a 4 part harmonic dictation of the Common Pract ...
Unobtrusive practice tools for pianists
... A tone occurring too early is displaced leftwards with the corresponding previous tone of the pattern shown grey in the background. A more common way to display timing would be to show inter-onset interval (IOI) timing. However, we strongly prefer the present display over plotting IOIs because every ...
... A tone occurring too early is displaced leftwards with the corresponding previous tone of the pattern shown grey in the background. A more common way to display timing would be to show inter-onset interval (IOI) timing. However, we strongly prefer the present display over plotting IOIs because every ...
On Tonal Dynamics and Musical Meaning - Signata
... A basic and probably universal property of tones is that they are identiied by octaves, that is, tone intervals corresponding to multiples of an F0. Octave hearing, the perception of octave equivalency, is built into the human brain, apparently by a neural mapping in the auditory thalamus; monkeys a ...
... A basic and probably universal property of tones is that they are identiied by octaves, that is, tone intervals corresponding to multiples of an F0. Octave hearing, the perception of octave equivalency, is built into the human brain, apparently by a neural mapping in the auditory thalamus; monkeys a ...
CHROMATIC SCALES 0 0
... ajor and minor scales are diatonic. That is, they are made up of tones and semitones, and they contain only notes that belo ng to the scale. A chromatic scale is made up of only semitones and contains all twelve notes in the octave. There are two types of chromatic scale s: the chromatic scale that ...
... ajor and minor scales are diatonic. That is, they are made up of tones and semitones, and they contain only notes that belo ng to the scale. A chromatic scale is made up of only semitones and contains all twelve notes in the octave. There are two types of chromatic scale s: the chromatic scale that ...
1 LAPPEENRANTA UNIVERSITY OF TECHNOLOGY Faculty
... Music has been a part of human culture since the dawn of time. Musical styles and instruments have varied with continents and eras. At the same time, different options for used notes and pitches are numerous. Yet culturally independent similarities exist. The human ear usually considers simple frequ ...
... Music has been a part of human culture since the dawn of time. Musical styles and instruments have varied with continents and eras. At the same time, different options for used notes and pitches are numerous. Yet culturally independent similarities exist. The human ear usually considers simple frequ ...
Journal of the Society for American Music Reminiscence
... said no.” Hill then thought of Dave Scully, a Santa Cruz street musician who performed on an old metal-body tricone resonator guitar. Hill and Tanenbaum located the busker, borrowed his guitar for an afternoon in exchange for lunch money, and brought it back to Harrison, who instantly and enthusiast ...
... said no.” Hill then thought of Dave Scully, a Santa Cruz street musician who performed on an old metal-body tricone resonator guitar. Hill and Tanenbaum located the busker, borrowed his guitar for an afternoon in exchange for lunch money, and brought it back to Harrison, who instantly and enthusiast ...
Music Study List
... liberality of such application makes precise definition awkward. (Compare Rococo.) The term baroque organ is applied to the type of this period, more brilliant in tone and less heavy than 19th-century type, with lighter wind pressure and greater reliance on mutation stops. (This is a 20th-century u ...
... liberality of such application makes precise definition awkward. (Compare Rococo.) The term baroque organ is applied to the type of this period, more brilliant in tone and less heavy than 19th-century type, with lighter wind pressure and greater reliance on mutation stops. (This is a 20th-century u ...
Psychological Bulletin - Jacobs University Mathematics
... Very short intervals tend to be overestimated. Large intervals tend to be underestimated. In the range of 40 to 600 ms, the subjective duration of time interval is proportional to the physical duration plus a constant of approximately 80 ms ...
... Very short intervals tend to be overestimated. Large intervals tend to be underestimated. In the range of 40 to 600 ms, the subjective duration of time interval is proportional to the physical duration plus a constant of approximately 80 ms ...
Subject and counter-subject detection for analysis of
... only substitution errors, and strict length requirements – to have as few false positives as possible, still keeping a high recognition rate. Subject identification. To precisely find the end the subject, we thus want to test patterns finishing at notes xz+g , where g ∈ [gmin , gmax ] = [8, +6]. Eac ...
... only substitution errors, and strict length requirements – to have as few false positives as possible, still keeping a high recognition rate. Subject identification. To precisely find the end the subject, we thus want to test patterns finishing at notes xz+g , where g ∈ [gmin , gmax ] = [8, +6]. Eac ...
Texture and Melody
... ! They are often written as very small notes in the printed music ! An acciaccatura is played a tone or a semitone above or below the melody note it is decorating ! It is sometimes called a ...
... ! They are often written as very small notes in the printed music ! An acciaccatura is played a tone or a semitone above or below the melody note it is decorating ! It is sometimes called a ...
A Field Guide to Chromaticism
... called chromatically altered chords which aren't in any of the categories we have identified so far, and which are marked by the inclusion of at least one factor which is in neither the major nor any minor scales of one key. They are defined, in part, by genuinely chromatic intervals: the augmented ...
... called chromatically altered chords which aren't in any of the categories we have identified so far, and which are marked by the inclusion of at least one factor which is in neither the major nor any minor scales of one key. They are defined, in part, by genuinely chromatic intervals: the augmented ...
Notes - Stanford University
... In R2 , we may define two special vectors i = (1, 0) and j = (0, 1), and write any vector as a sum of multiples of these vectors. For instance, (2, 3) = 2i + 3j. For any vector v, we have that v = hv, iii + hv, jij; that is, when writing v as a sum of multiples of i and j, the coefficients are given ...
... In R2 , we may define two special vectors i = (1, 0) and j = (0, 1), and write any vector as a sum of multiples of these vectors. For instance, (2, 3) = 2i + 3j. For any vector v, we have that v = hv, iii + hv, jij; that is, when writing v as a sum of multiples of i and j, the coefficients are given ...
![[physics.pop-ph] 17 Sep 2012](http://s1.studyres.com/store/data/012822695_1-5dc1f713cd32434e3628f06dd7140ede-300x300.png)
[physics.pop-ph] 17 Sep 2012
... of music even without proper training. Despite of cultural differences, music from different civilizations seems to consist of some building blocks that are universal: melody, harmony, rhythm, etc. Almost all musical systems are based on scales spanning an octave–the note that sounds the same as the ...
... of music even without proper training. Despite of cultural differences, music from different civilizations seems to consist of some building blocks that are universal: melody, harmony, rhythm, etc. Almost all musical systems are based on scales spanning an octave–the note that sounds the same as the ...
Ancient Greek Music: A Technical History by Stefan Hagel
... made, context indicates that melodies can move from one of these ‘ranges’ or τόνοι to another. Such movement will count as the kind of μεταβολή of special interest to Hagel. To signal its significance and peculiarity to melody, it is more usual to translate it into English not as ‘change’ but as ‘mod ...
... made, context indicates that melodies can move from one of these ‘ranges’ or τόνοι to another. Such movement will count as the kind of μεταβολή of special interest to Hagel. To signal its significance and peculiarity to melody, it is more usual to translate it into English not as ‘change’ but as ‘mod ...
Microtonal music
Microtonal music or microtonality is the use in music of microtones—intervals smaller than a semitone, which are also called ""microintervals"". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.