Document
... Although there is plenty of respect and awe for The Well-Tempered Clavier, particularly among musicians, they’re definitely not on the warm and fuzzy side of Bach’s oeuvre, if such a thing exists. The reason why some of the fugues in particular sound “difficult” to some ears – even on our modern, eq ...
... Although there is plenty of respect and awe for The Well-Tempered Clavier, particularly among musicians, they’re definitely not on the warm and fuzzy side of Bach’s oeuvre, if such a thing exists. The reason why some of the fugues in particular sound “difficult” to some ears – even on our modern, eq ...
Elements of Music: Sound, Melody, Rhythm, and Harmony
... Haydn, String Quartet, op. 33, no. 3, (“The Bird”) IV—dissonance 2. Music is a most difficult art to grasp because it is so abstract. It never entirely exists in the present, but relies on both memory and intuition (or expectation, as Leonard Meyer says in his Emotion and Meaning in Music). The list ...
... Haydn, String Quartet, op. 33, no. 3, (“The Bird”) IV—dissonance 2. Music is a most difficult art to grasp because it is so abstract. It never entirely exists in the present, but relies on both memory and intuition (or expectation, as Leonard Meyer says in his Emotion and Meaning in Music). The list ...
Text S1.
... fricatives generating a fundamental frequency) and other anomalies that occur in any speech analysis [6] were excluded by direct inspection. There were never more than ~30 such errors in the approximately 4000-4900 voiced speech data points recorded for each speaker (errors consisting of ~3-5 data p ...
... fricatives generating a fundamental frequency) and other anomalies that occur in any speech analysis [6] were excluded by direct inspection. There were never more than ~30 such errors in the approximately 4000-4900 voiced speech data points recorded for each speaker (errors consisting of ~3-5 data p ...
10-73-1-PB
... of a musical composition: “To read passages such as this, to listen to musical works like those described, to extract structural, conceptual, tactile and textural essentials and to attempt to design buildings or urban design sequences on these principles would be very rewarding and most creative ex ...
... of a musical composition: “To read passages such as this, to listen to musical works like those described, to extract structural, conceptual, tactile and textural essentials and to attempt to design buildings or urban design sequences on these principles would be very rewarding and most creative ex ...
The Common-Tone Diminished Seventh Chord 7
... seventh˜ chord, it most often progresses to I or V7 in major (minor examples are rare). The ct 7 chord may be spelled˜ in any manner as long as one of the notes be the same as the root of the chord it embellishes. However, the ct 7 is usually spelled starting on the note an + 2 above the˜ chord it e ...
... seventh˜ chord, it most often progresses to I or V7 in major (minor examples are rare). The ct 7 chord may be spelled˜ in any manner as long as one of the notes be the same as the root of the chord it embellishes. However, the ct 7 is usually spelled starting on the note an + 2 above the˜ chord it e ...
GCSE Music Revision - The Hazeley Academy
... A prelude is a brief opening piece that sets a particular mood and is linked to a following fugue in the same key. We expect a prelude to be followed by something else! However, the 24 Chopin pieces are all stand-alone preludes each in a different major and minor key depicting a specific idea or emo ...
... A prelude is a brief opening piece that sets a particular mood and is linked to a following fugue in the same key. We expect a prelude to be followed by something else! However, the 24 Chopin pieces are all stand-alone preludes each in a different major and minor key depicting a specific idea or emo ...
AP Vocab
... -Musical StylesA piece or movement that serves as an introduction, precedes a fugue, opens a suite, or precedes a church service; also a short piece for solo instrument in this style. ...
... -Musical StylesA piece or movement that serves as an introduction, precedes a fugue, opens a suite, or precedes a church service; also a short piece for solo instrument in this style. ...
Music unit of work: an example of a completed medium
... few – potential of exploiting specific scale features (minor 2nd). ...
... few – potential of exploiting specific scale features (minor 2nd). ...
Documentation for the Music Theory Ontology
... minimum, such restrictions should be inconsistent with incorrect analysis; ideally they should enable an owl reasoner to infer analyses from a triple store representing a piece of music. While a number of ontologies relevant to the domain of music currently exist, none of them has developed the sor ...
... minimum, such restrictions should be inconsistent with incorrect analysis; ideally they should enable an owl reasoner to infer analyses from a triple store representing a piece of music. While a number of ontologies relevant to the domain of music currently exist, none of them has developed the sor ...
Melody Definitions
... Polyphonic Occurs when two or more melodic lines combine into a multi-voiced texture, as distinct from monophonic. Heterophonic Texture in which two or more voices (parts) elaborate the same melody simultaneously; often the result of improvisation. ...
... Polyphonic Occurs when two or more melodic lines combine into a multi-voiced texture, as distinct from monophonic. Heterophonic Texture in which two or more voices (parts) elaborate the same melody simultaneously; often the result of improvisation. ...
PDF - UNT Digital Library
... a satisfactory degree-progression serves as a backbone for a given composition.9 ...
... a satisfactory degree-progression serves as a backbone for a given composition.9 ...
storage/MUS001-Quiz Three
... A. The years following 1900 saw more fundamental changes in the language of music than any time since the beginning of the baroque era. B. Twentieth-century music follows the same general principles of musical structure as earlier periods. C. Twentieth-century music relies less on pre-established re ...
... A. The years following 1900 saw more fundamental changes in the language of music than any time since the beginning of the baroque era. B. Twentieth-century music follows the same general principles of musical structure as earlier periods. C. Twentieth-century music relies less on pre-established re ...
Document
... Combinations of sharps or flats within a key signature indicate the key and scale around which a piece of music is written. The key signature also informs the performer that the written sharps or flats should be used in place of the natural notes throughout the piece, avoiding avoiding the need for ...
... Combinations of sharps or flats within a key signature indicate the key and scale around which a piece of music is written. The key signature also informs the performer that the written sharps or flats should be used in place of the natural notes throughout the piece, avoiding avoiding the need for ...
Musical characteristics, Melody and Harmony
... Explain and summarise the extract in about 3 sentences (speaking). Answer any questions Student A might have. Listen to Student A’s explanation of his/her extract and ask some questions about it. ...
... Explain and summarise the extract in about 3 sentences (speaking). Answer any questions Student A might have. Listen to Student A’s explanation of his/her extract and ask some questions about it. ...
GRADE: 6 – 8 MUSIC – BEGINNING PIANO A. Skills and
... b. Demonstrate proper warm-up techniques through playing at least two octaves of major and harmonic minor scales, the chromatic scale, and technical exercises that increase playing agility and strength including appropriate arpeggios and cadences. c. Use the following skills to perform appropriate m ...
... b. Demonstrate proper warm-up techniques through playing at least two octaves of major and harmonic minor scales, the chromatic scale, and technical exercises that increase playing agility and strength including appropriate arpeggios and cadences. c. Use the following skills to perform appropriate m ...
Shostakovich 1
... • 58-61 bar 1 stated 4 times in a row! What does this suggest? • E.g. bar 66 soprano part looks quite like bar 4 ...
... • 58-61 bar 1 stated 4 times in a row! What does this suggest? • E.g. bar 66 soprano part looks quite like bar 4 ...
LISTEN!
... Characteristics of Tunes Divides into phrases • Phrases often correspond to lines in the text • Phrases are often 2, 4, or 8 measures long, about as long as you can comfortably sing without breathing • Breaks between phrases give you a chance to ...
... Characteristics of Tunes Divides into phrases • Phrases often correspond to lines in the text • Phrases are often 2, 4, or 8 measures long, about as long as you can comfortably sing without breathing • Breaks between phrases give you a chance to ...
Chapter Five: Baroque Art and Music
... – Some sacred choral works required 24, 48, or even 53 separate lines or parts ...
... – Some sacred choral works required 24, 48, or even 53 separate lines or parts ...
Harmony from the Inside
... Only barbershoppers call them this! (Others call them: dominant sevenths or major-minor sevenths.) Like a major triad, but with an extra note on top. Called ‘7th chord’ because of number of steps between root and the top note. There are different types of 7th, like there are different types of triad ...
... Only barbershoppers call them this! (Others call them: dominant sevenths or major-minor sevenths.) Like a major triad, but with an extra note on top. Called ‘7th chord’ because of number of steps between root and the top note. There are different types of 7th, like there are different types of triad ...
Mazzola on Music Theory
... Schenkerian viewpoint whereby music exists in some Platonic realm of ideas apart from its performance. Performance her defines as "Expressive interpretation based on an understanding of the text." Mazzola then launched into a description of a musical score as a kind of manifold with overlapping neig ...
... Schenkerian viewpoint whereby music exists in some Platonic realm of ideas apart from its performance. Performance her defines as "Expressive interpretation based on an understanding of the text." Mazzola then launched into a description of a musical score as a kind of manifold with overlapping neig ...
Wolfgang Amadeus Mozart (1756 – 1791)
... He began composing pieces as a child, mostly teaching himself musical theory through reading books and experimenting - he didn't have any lessons in composition until his late teens. When he started writing music professionally towards the end of the 19th century, he wrote in the style of the late R ...
... He began composing pieces as a child, mostly teaching himself musical theory through reading books and experimenting - he didn't have any lessons in composition until his late teens. When he started writing music professionally towards the end of the 19th century, he wrote in the style of the late R ...
Introduction Local Boundary Detection Model Study of Expressive Timing (LBDM)
... intervals are introduced on either of the two intervals. Proximity Rule (PR): If two consecutive intervals are different, the boundary introduced on the larger interval is proportionally stronger. ...
... intervals are introduced on either of the two intervals. Proximity Rule (PR): If two consecutive intervals are different, the boundary introduced on the larger interval is proportionally stronger. ...
Instrumental Music Eighth Grade
... 8. Devise criteria for evaluating performances and compositions. 9. Explain, using appropriate music terminology, their personal preferences for specific musical works and styles. 10. Demonstrate audience behavior appropriate for the context and style of music performed. CULTURAL AND STYLISTIC DIVER ...
... 8. Devise criteria for evaluating performances and compositions. 9. Explain, using appropriate music terminology, their personal preferences for specific musical works and styles. 10. Demonstrate audience behavior appropriate for the context and style of music performed. CULTURAL AND STYLISTIC DIVER ...
THE ELEMENTS OF MUSIC
... The large-scale form of a musical composition can be built from any combination of musical elements; however, form in Western music has been primarily associated with melody, harmony and rhythm (or text). Letters (i.e., A, B, C) are used to designate musical divisions created by the repetition of ma ...
... The large-scale form of a musical composition can be built from any combination of musical elements; however, form in Western music has been primarily associated with melody, harmony and rhythm (or text). Letters (i.e., A, B, C) are used to designate musical divisions created by the repetition of ma ...