2009 Fine Arts Appreciation
... Form- the structure and design of a composition, incorporating repetition, contrast, unity, and variety Forte- (f) Loud Fortissimo- (ff) Very Lou Free-form Jazz- Jazz of recent times that does not use a set tune as the basis of improvisation, but rather allows the performers to interact and to gener ...
... Form- the structure and design of a composition, incorporating repetition, contrast, unity, and variety Forte- (f) Loud Fortissimo- (ff) Very Lou Free-form Jazz- Jazz of recent times that does not use a set tune as the basis of improvisation, but rather allows the performers to interact and to gener ...
Дисциплина «Профессиональное общение на иностранном языке
... 4) In the XIX century the modern type of variations appeared. These variations got rid of many restrictions characteristic of the canonical cariations. They are known as of them only fragments of themes are developed. Besides, new elements of musical material can be used in them. The transformation ...
... 4) In the XIX century the modern type of variations appeared. These variations got rid of many restrictions characteristic of the canonical cariations. They are known as of them only fragments of themes are developed. Besides, new elements of musical material can be used in them. The transformation ...
Document
... Main idea of a composition Main idea that serves as a starting point for an extended piece of music Something that unites and marks a piece – Can be a motive – Can be a melody – Can be other musical elements ...
... Main idea of a composition Main idea that serves as a starting point for an extended piece of music Something that unites and marks a piece – Can be a motive – Can be a melody – Can be other musical elements ...
Student 1
... Before the developments made to the instrument by Johnson, the trombone found its niche in the Dixieland and traditional jazz bands of the early Twentieth century. Some of the earliest recordings of the trombone in Dixie and traditional swing music come from the popular and well noted Edward 'Kid' O ...
... Before the developments made to the instrument by Johnson, the trombone found its niche in the Dixieland and traditional jazz bands of the early Twentieth century. Some of the earliest recordings of the trombone in Dixie and traditional swing music come from the popular and well noted Edward 'Kid' O ...
Four-Part Harmony
... Stems for the soprano and tenor always point up. Stems for the alto and bass always point down. This helps to make it clear which notes to follow when two parts share a staff. Each voice or part contributes to a note in the chord, with one note in the chord doubled (since most chords only need three ...
... Stems for the soprano and tenor always point up. Stems for the alto and bass always point down. This helps to make it clear which notes to follow when two parts share a staff. Each voice or part contributes to a note in the chord, with one note in the chord doubled (since most chords only need three ...
a geometric model for the analysis of pop music
... to understand the “logic” of a musical piece, we must first understand how this piece moves within a given geometry. This is not entirely different from what other music-theorists and analysts have suggested when highlighting the relevance of generalized manifolds such as orbifolds with regard to t ...
... to understand the “logic” of a musical piece, we must first understand how this piece moves within a given geometry. This is not entirely different from what other music-theorists and analysts have suggested when highlighting the relevance of generalized manifolds such as orbifolds with regard to t ...
Music Composition
... Metric strength – notes played on down vs. up beats Time-span reduction – relation of notes within rhythmic unit Prolongational reduction – tension-relaxation among notes ...
... Metric strength – notes played on down vs. up beats Time-span reduction – relation of notes within rhythmic unit Prolongational reduction – tension-relaxation among notes ...
Hugo Wolf`s Der Feuerreiter: Text Painting and Form
... to F# is approached from the lower neighbor E; this interval of a minor third appears to be an significant middle-ground hidden repetition (also given in the first motive and continuing through the initial ascent to D) throughout the work which also occurs at more surface levels. While the work does ...
... to F# is approached from the lower neighbor E; this interval of a minor third appears to be an significant middle-ground hidden repetition (also given in the first motive and continuing through the initial ascent to D) throughout the work which also occurs at more surface levels. While the work does ...
Introduction to Music
... 13. A series of single tones that add up to a recognizable whole is called a: a. Cadence b. Rhythm c. Melody d. Sequence 14. Monophonic texture consists of a. A single melodic line without accompaniment b. One main melody accompanied by chords c. Two or more melodies of relatively equal interest pe ...
... 13. A series of single tones that add up to a recognizable whole is called a: a. Cadence b. Rhythm c. Melody d. Sequence 14. Monophonic texture consists of a. A single melodic line without accompaniment b. One main melody accompanied by chords c. Two or more melodies of relatively equal interest pe ...
Introduction to Music
... 13. A series of single tones that add up to a recognizable whole is called a: a. Cadence b. Rhythm c. Melody d. Sequence 14. Monophonic texture consists of a. A single melodic line without accompaniment b. One main melody accompanied by chords c. Two or more melodies of relatively equal interest pe ...
... 13. A series of single tones that add up to a recognizable whole is called a: a. Cadence b. Rhythm c. Melody d. Sequence 14. Monophonic texture consists of a. A single melodic line without accompaniment b. One main melody accompanied by chords c. Two or more melodies of relatively equal interest pe ...
An Incomplete List of Musical Terms
... 43. Slur - A curved line drawn over two or more notes of different pitches, indicating that they are to be executed in a smoothly connected manner without a break. 44. Sostenuto - Sustained ...
... 43. Slur - A curved line drawn over two or more notes of different pitches, indicating that they are to be executed in a smoothly connected manner without a break. 44. Sostenuto - Sustained ...
Elements of Music POWERPOINT
... originally created, and for the purpose it was created. This adds meaning to the music you hear, and will give explanations for why certain elements of music are used in distinct ways. Ie. How can you tell the difference between a piece by piano Bach and a piece by Chopin? ...
... originally created, and for the purpose it was created. This adds meaning to the music you hear, and will give explanations for why certain elements of music are used in distinct ways. Ie. How can you tell the difference between a piece by piano Bach and a piece by Chopin? ...
Handel: Chorus: `And the Glory of the Lord` from the oratorio
... During the early classical period, the harpsichord was still used, but the orchestra grew and came to include a standard woodwind and brass section. Therefore, the harpsichord gradually dropped out and its function (to provide chordal support) was taken over by wind instruments. At the start of the ...
... During the early classical period, the harpsichord was still used, but the orchestra grew and came to include a standard woodwind and brass section. Therefore, the harpsichord gradually dropped out and its function (to provide chordal support) was taken over by wind instruments. At the start of the ...
Text
... chapter, he lists the characteristics of melody in tonal music (e.g., motivic unity , highpoint near middle of phrase, step-wise motion with some leaps, etc.) and then describes how the parameter functions differently in its 20th-century context. Such introductions serve a twofold function which can ...
... chapter, he lists the characteristics of melody in tonal music (e.g., motivic unity , highpoint near middle of phrase, step-wise motion with some leaps, etc.) and then describes how the parameter functions differently in its 20th-century context. Such introductions serve a twofold function which can ...
World Music
... 1. Listen to its style (defined by the use of musical parameters) 2. Understand its cultural context 3. Relate it to your own experience C. Commonalities in all world music 1. Much of the music is part of an oral tradition. It is not written down, but passed on from generation to generation through ...
... 1. Listen to its style (defined by the use of musical parameters) 2. Understand its cultural context 3. Relate it to your own experience C. Commonalities in all world music 1. Much of the music is part of an oral tradition. It is not written down, but passed on from generation to generation through ...
AP Music Theory
... - The viio triad, half-diminished seventh and fully diminished seventh chords - The leading tone relationship to dominant - Resolution to the tonic or tonic family - Analysis, dictation, and harmonization of these chords ** A Composition project assigned for UNIT FOUR is an original composition foll ...
... - The viio triad, half-diminished seventh and fully diminished seventh chords - The leading tone relationship to dominant - Resolution to the tonic or tonic family - Analysis, dictation, and harmonization of these chords ** A Composition project assigned for UNIT FOUR is an original composition foll ...
“Along with backtracking, statistical feedback is probably the most
... “Carl Ruggles has developed a process for himself in writing melodies for polyphonic purposes which embodies a new principle and is more purely contrapuntal than a consideration of harmonic intervals. He finds that if the same note is repeated in a melody before enough notes have intervened to remov ...
... “Carl Ruggles has developed a process for himself in writing melodies for polyphonic purposes which embodies a new principle and is more purely contrapuntal than a consideration of harmonic intervals. He finds that if the same note is repeated in a melody before enough notes have intervened to remov ...
Rediscovering “sonoristics”: A groundbreaking theory from
... music in question based on developments in contemporary music. For Chomiński, the essential aspect of all 20th-century music had been the search for new sound qualities, which, after the radical changes in the tonal system and its eventual breakdown, had become the growing concern of 20th-century c ...
... music in question based on developments in contemporary music. For Chomiński, the essential aspect of all 20th-century music had been the search for new sound qualities, which, after the radical changes in the tonal system and its eventual breakdown, had become the growing concern of 20th-century c ...
National 5 Musical Periods and Styles
... Motif A opens the movement. It is a short fanfare played by three clarinets, a bass clarinet and three bassoons. Notice the use of triplets and the six different pitches. The dynamic is forte (loud) with a crescendo. Motif A is immediately followed by a short chromatic scale played by three muted tr ...
... Motif A opens the movement. It is a short fanfare played by three clarinets, a bass clarinet and three bassoons. Notice the use of triplets and the six different pitches. The dynamic is forte (loud) with a crescendo. Motif A is immediately followed by a short chromatic scale played by three muted tr ...
There are three basic musical textures: monophony, polyphony, and
... Operatic arias of the Romantic period, notably those by Giacomo Puccini, provide good examples of homophonic music. An aria is a song, tune, or melody sung by a single voice with or without accompaniment, and often, as in the following example, as part of a larger work. Un bel di, an aria from Pucci ...
... Operatic arias of the Romantic period, notably those by Giacomo Puccini, provide good examples of homophonic music. An aria is a song, tune, or melody sung by a single voice with or without accompaniment, and often, as in the following example, as part of a larger work. Un bel di, an aria from Pucci ...
Fuss2010.PDF
... The values from the MIDI-table have to be converted for a tuning of 442 Hz. The numeric modal analysis of those notes is accomplished for eight different meshes, with different degrees of freedom, in each case. The exact frequencies from the MIDI-table are c00 b00 d 000 ...
... The values from the MIDI-table have to be converted for a tuning of 442 Hz. The numeric modal analysis of those notes is accomplished for eight different meshes, with different degrees of freedom, in each case. The exact frequencies from the MIDI-table are c00 b00 d 000 ...
1 - Julianne Baird
... c. wide variety d. the last three 12.___________ is defined as putting an accent into music where it would not normally be expected. a. meter b. syncopation c. expiation d. pizzicato 13. A theme is: a. the emotional focal point of a melody b. The resting place at the end of a phrase c . the melody t ...
... c. wide variety d. the last three 12.___________ is defined as putting an accent into music where it would not normally be expected. a. meter b. syncopation c. expiation d. pizzicato 13. A theme is: a. the emotional focal point of a melody b. The resting place at the end of a phrase c . the melody t ...
1 - Julianne Baird
... c. wide variety d. the last three 12.___________ is defined as putting an accent into music where it would not normally be expected. a. meter b. syncopation c. expiation d. pizzicato 13. A theme is: a. the emotional focal point of a melody b. The resting place at the end of a phrase c . the melody t ...
... c. wide variety d. the last three 12.___________ is defined as putting an accent into music where it would not normally be expected. a. meter b. syncopation c. expiation d. pizzicato 13. A theme is: a. the emotional focal point of a melody b. The resting place at the end of a phrase c . the melody t ...
your name - Julianne Baird
... c. wide variety d. the last three 12.___________ is defined as putting an accent into music where it would not normally be expected. a. meter b. syncopation c. expiation d. pizzicato 13. A theme is: a. the emotional focal point of a melody b. The resting place at the end of a phrase c . the melody t ...
... c. wide variety d. the last three 12.___________ is defined as putting an accent into music where it would not normally be expected. a. meter b. syncopation c. expiation d. pizzicato 13. A theme is: a. the emotional focal point of a melody b. The resting place at the end of a phrase c . the melody t ...