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Revision Pack for: MUSIC AS
Revision Pack for: MUSIC AS

... The Music Anthology Set Works. It is recommended that students familiarise themselves with each work as a whole, before learning how to identify important musical features and their social and historical context. Students use a score to identify harmonic and tonal features, and then apply this knowl ...
Set Theory - ClarkRoss.ca
Set Theory - ClarkRoss.ca

... (or normal form), and is the equivalent of deriving a root-position chord or scale from the notes used in a section of a tonal work; both result in a label that tell us something about the organization of a group of pitches. For example, we might say of a tonal composition that it begins in Bb major ...
Musical Rhetoric Summary
Musical Rhetoric Summary

... musical events which typically belong together, often to emphasize the initial one. Hyperbole – exaggeration of a sound for emphasis or mere effect, comic, tragic or rhetorical. Hypallage – the reversal, or transposition of location in the musical flow, of two elements in an order that is the opposi ...
Text on music
Text on music

... Music utilizes sound: waves or vibrations in the air. The human ear is capable of recognizing precise pitches — sounds of particular high or low frequencies. Musical tone is a pure sound of a fixed frequency: musical tones are usually represented as notes in musical notation (score). Scale: a partic ...
Music Glossary
Music Glossary

... timbre/tone—the tone quality or tone color of a singing voice or a musical instrument time signature—figures written on the staff at the beginning of the composition showing the meter or the number of beats used in a measure and what type of note equals one beat treble clef (G clef)— used to notate ...
definitions - St. Joseph`s High School Crossmaglen
definitions - St. Joseph`s High School Crossmaglen

... Gavotte- a French Baroque Folk dance in 4/4 time (4 beats in each bar) Techno- style of dance music with electronic sounds and high-energy, rhythmic beat. Riff- a repeated pattern within a song Reverb/delay- an echo or repetitions of sound. Glissando- a rapid sliding up or down the scale on a music ...
Advanced - Georgia Standards
Advanced - Georgia Standards

... l. Identify visually and aurally major, minor, augmented, and diminished triads, seventh chords and inversions in open and closed spacing. m. Identify chords from a two-staff, four-part score using Roman numeral analysis. n. Identify visually and aurally plagal, perfect authentic, imperfect authenti ...
WORLD OF THE STRING QUARTET Glossary
WORLD OF THE STRING QUARTET Glossary

... Alessandro Scarlatti (1660-1725) – Italian composer of the Baroque era. Composed a set of works entitled Sonate a Quattro per due violini, violetta, e violoncello senza cembalo, which is an early prototype for the string quartet.~ Scherzo – An Italian word deriving from the German Scherz (“to joke”) ...
Chapter 7 Notes
Chapter 7 Notes

... ◦ Why would the style of “romantic” music be appropriate for both pieces? ◦ In reference to these two pieces, how would you describe the way music is able to express and touch our feelings? Can it do so even if you do no understand the lyrics in Spanish? ◦ Would you say the musical link between thes ...
Music Theory
Music Theory

... Line Notes: Great Big Dogs Fight Always Space Notes: All Cars Eat Gas ...
MUSC 101 – Introduction to Music Study Guide
MUSC 101 – Introduction to Music Study Guide

... Harmony - The vertical aspect of music. The way chords are constructed and the manner in which independent musical ideas are combined. Chord - A combination of three or more tones sounded at once. Consonance - A stable, restful, often pleasant sounding combination of tones. Dissonance - An unstable ...
a pdf version of the full article.
a pdf version of the full article.

... emphasize that we have not really attempted to prove anything here, but have simply provided evidence to suggest that patterns not associated with rhythm, exist within the strucuture of most kalpanaswaras. These patterns arise from the melodic aspects of the rendition. However, one could always argu ...
Chapter 3
Chapter 3

... Chromatic sounds a little wilder, because it often departs from the key of the piece and uses tones that are not considered part of the scale. ...
Document
Document

... MELODY IN A COMPOSITION INCLUDES 1. THE PROMINENT MELODIC LINES AND THE REPETION AND VARIATION OF THES MELODIC LINES THROUGHOUT THE COMPOSITION. 2. THE RANGE AND CONTOUR OF MELODIC MATERIAL. 3. THE PHRASE STRUCTURE OF THE MELODIC LINES. 4. THE SCALE BASIS FOR MELODIC MATERIALS. 5. THE RELATIONSHIP A ...
ap® music theory 2015 scoring guidelines
ap® music theory 2015 scoring guidelines

... soprano pitches are not allowed.) C. No enharmonic equivalents are allowed. II. Chord Symbols (8 points) A. Award 1 point for each chord symbol correct in both Roman and Arabic numerals. B. Award ½ point for each correct Roman numeral that has incorrect or missing Arabic numerals. C. Accept the corr ...
Elements of Music Worksheet Name: August 9th, 2011 Fine Arts List
Elements of Music Worksheet Name: August 9th, 2011 Fine Arts List

... 40. A _______________ is an apparatus which produces ticking sounds or flashes of light at any desired musical speed. The metronome setting indicates the exact number of beats per minute. 41. After hearing a piece of music, we usually remember its ___________ best 42. Melody is: 43. A ______________ ...
Blank UbD Planning Template
Blank UbD Planning Template

... Teach the three chords associated with Let It Be in C major. Have children choose music and arrange it to suit their level. Give individual attention to each child as they work through their piece. If possible, arrange to have the music available to each child through technology, so they can access ...
Symmetry in Music - College of the Holy Cross
Symmetry in Music - College of the Holy Cross

... •Archytas (a Pythagorean, contemporary of Plato): “Mathematicians seem to me to have arrived at correct conclusions, and it is not therefore surprising that they have a true conception of the nature of each individual thing ... Thus they have handed down to us clear knowledge about the speed of the ...
Musical Form - Fur Elise
Musical Form - Fur Elise

... dramatic,  with  a  different  melody  than  either  the  “A”  section  or  the  “B”  section.    It   has  fast  repeated  chords  in  the  low  pitches  of  the  piano  that  drive  the  rhythm   forward.    This  section  of ...
Simple Music Semiotic Analysis
Simple Music Semiotic Analysis

... synaesthetic (adj.): relating to any type of perception using more than one of the five senses simultaneously ...
Glossary
Glossary

... Musical texture can be viewed from several perspectives. For instance, (1) a texture can be described as ‘thin’ if it is in only two parts, whereas a six-part texture is ‘ thick’; (2) even the same chord placed in an either higher or lower register will sound respectively thinner or thicker; (3) a d ...
Musical Terms - Rogers State University
Musical Terms - Rogers State University

... – moves in whole or half steps • Disjunct melody – many large skips and may sound “jagged” – moves in more than a whole step ...
Chapter 8
Chapter 8

... Examples of strophic music include the hymns of Catholic liturgy, the chorales and hymns of the Protestant faiths, and many patriotic songs. The easiest way to understand this formal pattern is to visualize a page in a church hymnbook. In most instances one version of the music is set with four or e ...
Glossary of Musical Terms
Glossary of Musical Terms

... Polyrhythm: The simultaneous playing of contrasting and repeating rhythms that create a consistent rhythmic texture or groove Syncopation: The accenting of certain notes that fall between the "main beats" of the ...
Sup1 - University of Kentucky
Sup1 - University of Kentucky

... Perceptual Organization Organization properties:  Belongingness – a sensory element belongs to an organization (or stream) of which is a part.  Exclusive allocation – a sensory element cannot belong to more than one organization at a time.  Bregman & Rudnicky (1975) ...
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Musical analysis

Musical analysis is the attempt to answer the question how does this music work?. The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis. According to Ian Bent (1987,), analysis is ""an approach and method [that] can be traced back to the 1750s ... [though] it existed as a scholarly tool, albeit an auxiliary one, from the Middle Ages onwards."" Adolf Bernhard Marx was influential in formalising concepts about composition and music understanding towards the second half of the 19th century.The principle of analysis has been variously criticized, especially by composers, such as Edgard Varèse's claim that, ""to explain by means of [analysis] is to decompose, to mutilate the spirit of a work"" (quoted in Bernard 1981, 1).
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