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1b_LINE_MUSICs
1b_LINE_MUSICs

... DRONE – constant sustained tone or chord Indian sitar music (raga) Hildegarde of Bingen ...
HERE - BEK
HERE - BEK

... the consistent and immutable principles in any piece or section, which may be revealed gradually, but do not develop from earlier events or tendencies. Nonlinear time is nonprocessive. ...
mathematics and music
mathematics and music

... planation of vibrating mechanisms (which produce sounds) and Fourier's ultimate theorem for harmonic analysis of sounds. Along the way, the development of logarithms (1614) provided Mersenne (1635) with the proper tool for calculating the intervals in equal temperament. Not only did this permit the ...
Malaguena from Espana Op 165 No 3 by Isaac
Malaguena from Espana Op 165 No 3 by Isaac

... uses the Phrygian mode. This type of dance often features a solo dancer that uses hand clapping, percussive rhythmical foot stomping and large sweeping arm movements. The rhythmic patterns are important in both the music and dance movements. The malaguena also uses a stanza form (in verses), and str ...
non-serial criteria in the pitch organization of webern`s twelve
non-serial criteria in the pitch organization of webern`s twelve

... There is no doubt that twelve-note analysis is usually exhaustive in the sense that it takes account all notes without exception, while other criteria are usually more vague and only indicate general tendencies. This gives the impression that it is a more complete analysis. On the other hand, while ...
The Elements of Music
The Elements of Music

... • Melody - pitches placed one after the other in a purposeful way • Harmony - More than one pitch sounding at the same time ...
Music Music Functions: Physical
Music Music Functions: Physical

... Evocation of a culture in which a story takes place, such as ethnic flavor by use of associative instruments and modes appropriate to a specific culture. Underlining action-intensifies perception of physical ...
Extending Interactive Aural Analysis
Extending Interactive Aural Analysis

... aural extracts. This is useful for gaining a sense of the structure and shape of the work and for tracing the evolution of particular elements (paradigms) through the course of the piece. Aural reductive sketches are also used, distilling key structural elements, but again aurally rather than visual ...
• Melody = a succession of pitches at specific durations that begins
• Melody = a succession of pitches at specific durations that begins

... Harmonic  Progression  (Chord  Progression)  =  a  sequence  of  chords  (often  triads)  that  creates  and   releases  tension.    Since  chords  are  made  up  of  notes  from  a  scale,  they  too  operate  within  and  in  fact ...
Text S2.
Text S2.

... harmonically related tones [2,3], they are not typically perceived in harmonically disparate chords (such as major or minor seventh dyads), or in broken chords where the notes are sounded sequentially with a time interval greater than ~45 ms [4]. With respect to musical intervals between speech harm ...
Elements of Music
Elements of Music

... Range • The range of a piece is the distance between the lowest and highest notes. • A piece that has a narrow range is one in which the melody centers around a few given notes. • A piece that has a wide range takes the musician or singer from low to high pitches. ...
Program Notes - Eric Chasalow
Program Notes - Eric Chasalow

... I actually had a dream one night where I was hearing some music by Beethoven that I had never heard before and awoke with two motivic ideas still in my head. After checking to see that this was not really anyone else’s music, I used one as the opening of a new piece. To get performers thinking along ...
Introduction to Music
Introduction to Music

... a. A statement followed by a contrasting statement b. The technique of combining several melodic lines into a meaningful whole c. The organization of musical ideas in time d. Constant repetition of a music idea ...
circular pitch space based chord analysis - Music
circular pitch space based chord analysis - Music

... INTRODUCTION ...
Music Appreciation Midterm Review
Music Appreciation Midterm Review

... 7. An aspect of music that control’s the listener’s sense of how much time is passed is called ______ time. ...
File - Music by Heart Studio
File - Music by Heart Studio

... Some composers expressed their opposition to formality, convention, authority, and tradition, while some others expressed a longing for the past and made efforts to recapture it in some way. Individual expression became the composer’s principal goal. Through tone color composers sought to express se ...
expressionist - davenantperformingarts
expressionist - davenantperformingarts

... (Knowledge – Grade D) To be able to explain the context of Peripetie and the Expressionist movement. (Understanding – Grade C) To be able to analyse the music and give examples of where specific compositional techniques are used. (Analysis – Grade B) ...
essay - Dartmouth Math Home
essay - Dartmouth Math Home

... recorded folk music in order to mimic the sounds of the instruments in his music. In his piano sonata, low chords approximate the sounds of drums, which have non-harmonic signals. His use of minor/major chords (chords containing both a minor and major third scale degree) can cause the ear to hear be ...
Introduction to Music
Introduction to Music

... a. A statement followed by a contrasting statement b. The technique of combining several melodic lines into a meaningful whole c. The organization of musical ideas in time d. Constant repetition of a music idea ...
Harmonic Analysis 1: Homophonic Texture
Harmonic Analysis 1: Homophonic Texture

... The third harmony in the example above is ambiguous, because there are only two pitches: C and E. The missing note of the triad could be either G (for CEG, a I chord) or A (for ACE=vi). To resolve ambiguities like this one: 1. Consider the harmonic progressions from section 5.3. Sometimes this will ...
Music Terms Ch.18
Music Terms Ch.18

... 5. Polyphonic: music consisting of two or more independent melodic voices, as opposed to music with just one voice (monophony) or music with one dominant melodic voice accompanied by chords (monody). 6. Madrigal: type of secular vocal music composition, written during the Renaissance and early Baroq ...
Chapter 7 - Petal School District
Chapter 7 - Petal School District

... Making Musical Decisions ...
Harmonic Structure
Harmonic Structure

... bass seventh dominant seventh major seventh minor seventh ...
a cappella Choral music performed without instrumental
a cappella Choral music performed without instrumental

... keyboard instrument Instrument sounded by means of a keyboard (a series of keys played with the fingers). The most commonly recognized keyboard instruments are the piano, organ, harpsichord and synthesizer, a recent invention. legato Smooth and connected; opposite of staccato. melody Succession of s ...
Document
Document

... bands often play arrangements of pieces originally written for orchestra composition – the creation of music that can be performed later , usually through writtendown notation improvisation – spontaneous composition of music through playing or singing musical score – the written depiction of all the ...
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Musical analysis

Musical analysis is the attempt to answer the question how does this music work?. The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis. According to Ian Bent (1987,), analysis is ""an approach and method [that] can be traced back to the 1750s ... [though] it existed as a scholarly tool, albeit an auxiliary one, from the Middle Ages onwards."" Adolf Bernhard Marx was influential in formalising concepts about composition and music understanding towards the second half of the 19th century.The principle of analysis has been variously criticized, especially by composers, such as Edgard Varèse's claim that, ""to explain by means of [analysis] is to decompose, to mutilate the spirit of a work"" (quoted in Bernard 1981, 1).
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