Unraveling Ravel - Macro Analysis Creative Research Organization
... or all of the actual notes of a chord in the right hand to see which block ...
... or all of the actual notes of a chord in the right hand to see which block ...
GLOSSARY for National Core Arts: Music STANDARDS
... Jazz or popular music score, often abbreviated, with a melody (including key and time signature) and a set of chord changes Chord progression______________________ Series of chords sounding in succession; certain progressions are typical in particular styles/genres of music Collaboratively__________ ...
... Jazz or popular music score, often abbreviated, with a melody (including key and time signature) and a set of chord changes Chord progression______________________ Series of chords sounding in succession; certain progressions are typical in particular styles/genres of music Collaboratively__________ ...
Lecture 5
... as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices A piece's texture may be affected by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tem ...
... as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices A piece's texture may be affected by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tem ...
laoliuban roeder (modified long abstract)
... Fluctuant grouping in a Silk-and-Bamboo melody John Roeder Many of world's enduring musical traditions consist of a corpus of fixed melodies, each a succession of scale degrees in a rhythm governed by an underlying periodicity. In describing these repertoires, scholars seek to classify the melodies ...
... Fluctuant grouping in a Silk-and-Bamboo melody John Roeder Many of world's enduring musical traditions consist of a corpus of fixed melodies, each a succession of scale degrees in a rhythm governed by an underlying periodicity. In describing these repertoires, scholars seek to classify the melodies ...
AP Theory Syllabus - Pequannock Township High School
... 16. Realize a figured bass according to the rules of the Common Practice Period in major and minor utilizing diatonic triads and inversion, seventh chords and inversions, non-harmonic tones and secondary dominant and leading tones 17. Analyze a 4-part chorale using Roman and Arabic numerals to labe ...
... 16. Realize a figured bass according to the rules of the Common Practice Period in major and minor utilizing diatonic triads and inversion, seventh chords and inversions, non-harmonic tones and secondary dominant and leading tones 17. Analyze a 4-part chorale using Roman and Arabic numerals to labe ...
Unwrap Beethoven 5th Resource
... 1. Watch the video from the start until 2:20. 2. Then on the score, annotate chords I and V from bar 404 - end 3. Re-watch the film and check your answers with Richard’s. Extension activity: On the stave below, write chords I and V in the following keys without key signatures: C Major, C Minor, E ...
... 1. Watch the video from the start until 2:20. 2. Then on the score, annotate chords I and V from bar 404 - end 3. Re-watch the film and check your answers with Richard’s. Extension activity: On the stave below, write chords I and V in the following keys without key signatures: C Major, C Minor, E ...
Elements of Music: Melody and Rhythm (Chapters 1
... Exercise Complete the following questions. 1. The distance between two different pitches is a(n)________________________. 2. A(n) ___________ is a coherent succession of pitches, heard as a unity. 3. The characteristic of melody that describes its direction or movement up and down is referred to as ...
... Exercise Complete the following questions. 1. The distance between two different pitches is a(n)________________________. 2. A(n) ___________ is a coherent succession of pitches, heard as a unity. 3. The characteristic of melody that describes its direction or movement up and down is referred to as ...
- MusicTeachers.co.uk
... Through the striking individuality and imagination of his approach to composition he opened up new musical pathways for others to explore, and many of the most important twentieth-century composers (including notably Messiaen, Bartók and Stravinsky) are indebted to him in this respect. ...
... Through the striking individuality and imagination of his approach to composition he opened up new musical pathways for others to explore, and many of the most important twentieth-century composers (including notably Messiaen, Bartók and Stravinsky) are indebted to him in this respect. ...
Schenkerian Theory, Neo-Riemannian Theory and Late Schubert: A
... might conceptualize within the principles of diatony harmonic relationships that cross the enharmonic seam. The passage in question includes the ritornello (bars 1–92), transition (bars 93–112) and first episode (bars 113–242) of the sonata-rondo form, and features enharmonicism (bar 113), several m ...
... might conceptualize within the principles of diatony harmonic relationships that cross the enharmonic seam. The passage in question includes the ritornello (bars 1–92), transition (bars 93–112) and first episode (bars 113–242) of the sonata-rondo form, and features enharmonicism (bar 113), several m ...
Algorithmic Musical Composition
... a state diagram in similar manner as for Markov processes. Certain inputs and outputs are associated with each of the arcs representing the stage transitions. If several automata are linked, they constitute a system that transmits the previous output of one or more automata to the input of the othe ...
... a state diagram in similar manner as for Markov processes. Certain inputs and outputs are associated with each of the arcs representing the stage transitions. If several automata are linked, they constitute a system that transmits the previous output of one or more automata to the input of the othe ...
1 Consonance and Dissonance in Theory, Practice and Science
... The theory can also explain why a C major triad more often progresses to F major than to G major, and why it more often progresses to A minor than to E minor. In general, falling fifths and thirds between roots are more common than rising. Meyer’s theory of implication and realization offers a possi ...
... The theory can also explain why a C major triad more often progresses to F major than to G major, and why it more often progresses to A minor than to E minor. In general, falling fifths and thirds between roots are more common than rising. Meyer’s theory of implication and realization offers a possi ...
Classifying Musical Scores by Composer - CS 229
... tokens aside from strict equality. As a result, we could not train on full chords—instead, we reduced chords to their pitch-count and learned the frequency that a composer wrote chords with various pitch-count values. This reduction throws out a great deal of information—in particular, it ignores th ...
... tokens aside from strict equality. As a result, we could not train on full chords—instead, we reduced chords to their pitch-count and learned the frequency that a composer wrote chords with various pitch-count values. This reduction throws out a great deal of information—in particular, it ignores th ...
NSS Music Teaching & Learning
... (happen in short time span) but at times miss some large aspects of form (happen in long time span). The listener’s achievement in different temporal ...
... (happen in short time span) but at times miss some large aspects of form (happen in long time span). The listener’s achievement in different temporal ...
lhs music theory final exam review sheet
... V I V I IV I I I Smooth voice leading is the result of voices moving to the closest possible chord tone. Retain common tones when possible. Try to use mostly 2nds and 3rds in the melodic lines of the upper voices. If one of your upper voices jumps more than a 4th, something has probably gone w ...
... V I V I IV I I I Smooth voice leading is the result of voices moving to the closest possible chord tone. Retain common tones when possible. Try to use mostly 2nds and 3rds in the melodic lines of the upper voices. If one of your upper voices jumps more than a 4th, something has probably gone w ...
MUSIC APPRECIATION
... What is the Italian word and English meaning for the musical symbol ‘ff’? What is the Italian word for music that gradually becomes louder? What are the two Italian words for music that gradually becomes softer? What is the scientific term for ‘timbre’? What does a coherent succession of pitches cre ...
... What is the Italian word and English meaning for the musical symbol ‘ff’? What is the Italian word for music that gradually becomes louder? What are the two Italian words for music that gradually becomes softer? What is the scientific term for ‘timbre’? What does a coherent succession of pitches cre ...
"The Elements of Music"
... Harmony • Functional harmony = the system by which different chords relate to each other in a particular key. Chords in a key are defined by Roman numeral (for example, I, ii, iii). • Chord progression = the movement of chords as they change during a piece of music. ...
... Harmony • Functional harmony = the system by which different chords relate to each other in a particular key. Chords in a key are defined by Roman numeral (for example, I, ii, iii). • Chord progression = the movement of chords as they change during a piece of music. ...
The case of L`escalier du diable by György Ligeti
... With the staircase’s figure, Escher could apply his ideas about visual illusions. For instance, when we look at Ascending and descending and Relativity by Escher, we can not affirm if people are descending or ascending the staircases. Moreover, we can remark that the first Escher’s lithograph quoted ...
... With the staircase’s figure, Escher could apply his ideas about visual illusions. For instance, when we look at Ascending and descending and Relativity by Escher, we can not affirm if people are descending or ascending the staircases. Moreover, we can remark that the first Escher’s lithograph quoted ...
The power of music for people in difficult circumstances
... 1.2 The inner-musical meaning of music In determining inner-musical meaning what is important is how the listener experiences the music as a sound shape, without direct references to aspects outside the music. Koopman rightly notes that it is an illusion to think that in retrieving musical meaning i ...
... 1.2 The inner-musical meaning of music In determining inner-musical meaning what is important is how the listener experiences the music as a sound shape, without direct references to aspects outside the music. Koopman rightly notes that it is an illusion to think that in retrieving musical meaning i ...
The History of Music, Second Edition
... Western European tradition is often called classical music to distinguish it from popular music, which is music that reflects the spirit of a society at a particular time and place but may not have qualities that reach beyond that context. Musicians use the word classical to refer to the years betwe ...
... Western European tradition is often called classical music to distinguish it from popular music, which is music that reflects the spirit of a society at a particular time and place but may not have qualities that reach beyond that context. Musicians use the word classical to refer to the years betwe ...
Music 11, 7/24/06 Fundamental of harmony Melodies are often built
... Melodies are often built around the triad. This means that by looking at a melody, we can easily understand the harmony that it expresses. A harmony will often emerge in melody as an “outline” that fills in the space of the triad. For example, a melody C-D-EF-G might imply a C-major triad by the way ...
... Melodies are often built around the triad. This means that by looking at a melody, we can easily understand the harmony that it expresses. A harmony will often emerge in melody as an “outline” that fills in the space of the triad. For example, a melody C-D-EF-G might imply a C-major triad by the way ...
all these exemplars and commentary
... In both the cadenza and piano expositions, Beethoven has written passages that show the pianist’s virtuosity. As Beethoven was the first to perform this concerto he would have improvised the cadenza. He then wrote it down later so it became standardised. The piece makes the most of piano techniques ...
... In both the cadenza and piano expositions, Beethoven has written passages that show the pianist’s virtuosity. As Beethoven was the first to perform this concerto he would have improvised the cadenza. He then wrote it down later so it became standardised. The piece makes the most of piano techniques ...
Musician’s Toolbox Christina Lipson ‘14 Advisor: Professor John Ridgway
... A chord is made up of notes stacked on top of each other, and the intervals between notes determine the variety of the chord. In this application, I am dealing with the triad chord, which is three notes stacked on top of each other. The variety of triads are: ...
... A chord is made up of notes stacked on top of each other, and the intervals between notes determine the variety of the chord. In this application, I am dealing with the triad chord, which is three notes stacked on top of each other. The variety of triads are: ...
Full text
... though factual, remain theoretical to the degree that while pitches in succession imply time, exact temporal proportions are not deducible from that succession alone. In addition, the reader should be advised that there are more than 200 "Kyrie" melodies known to exist. In this light, the chants ana ...
... though factual, remain theoretical to the degree that while pitches in succession imply time, exact temporal proportions are not deducible from that succession alone. In addition, the reader should be advised that there are more than 200 "Kyrie" melodies known to exist. In this light, the chants ana ...