Defintions - WordPress.com
... Bar/Measure- a group set off by bar lines, containing a fixed number of beats Bar linesBeats- a recurrent pulsation that divides music into equal units of time BinaryBrass- instrument made of brass, air instrument, funnel shaped mouth piece. Cadence- progression giving a sense of conclusion Chromati ...
... Bar/Measure- a group set off by bar lines, containing a fixed number of beats Bar linesBeats- a recurrent pulsation that divides music into equal units of time BinaryBrass- instrument made of brass, air instrument, funnel shaped mouth piece. Cadence- progression giving a sense of conclusion Chromati ...
Melody - StudyDaddy
... The component units of a melody are like parts of a sentence. A phrase in music, as in language, is aunit of meaning within a larger structure. The phrase ends in a resting place, or cadence, whichpunctuates the music in the same wa y that a comma or period punctuates a sentence. The cadencemay be i ...
... The component units of a melody are like parts of a sentence. A phrase in music, as in language, is aunit of meaning within a larger structure. The phrase ends in a resting place, or cadence, whichpunctuates the music in the same wa y that a comma or period punctuates a sentence. The cadencemay be i ...
Concert Orchestra Final Exam STUDY GUIDE
... d. D MAJOR – 2 Sharps (F# and C#) 2. The above are all MAJOR KEYS. Major keys can have sharps OR flats, and Minor keys can have sharps OR flats, depending on the key. 3. Natural notes are NOT all the same distance apart. a. B-C is a half step, E-F is a half step. b. C MAJOR SCALE is: i. C D E^F G A ...
... d. D MAJOR – 2 Sharps (F# and C#) 2. The above are all MAJOR KEYS. Major keys can have sharps OR flats, and Minor keys can have sharps OR flats, depending on the key. 3. Natural notes are NOT all the same distance apart. a. B-C is a half step, E-F is a half step. b. C MAJOR SCALE is: i. C D E^F G A ...
Chapter 1 summary
... a. note tied only to a note of equal or next-shorter value b. quarter rests not used c. eighth notes only occur on second half of beat and always in pairs (4/2 meter) d. pieces usually begin with a value of at least a dotted half note; more common is the whole note or breve e. final note is at least ...
... a. note tied only to a note of equal or next-shorter value b. quarter rests not used c. eighth notes only occur on second half of beat and always in pairs (4/2 meter) d. pieces usually begin with a value of at least a dotted half note; more common is the whole note or breve e. final note is at least ...
File
... types of Beat – Simple and Compound Three Common Meters – duple, triple and quadruple Any number representing a note value can be used for any meter ...
... types of Beat – Simple and Compound Three Common Meters – duple, triple and quadruple Any number representing a note value can be used for any meter ...
Jɛnkuno Overview Phrase Duration
... The answer luŋa theme contains five short motives (see Vocables Notation and Drumming Notation). The three-beat "shɛla jɛnkuno ni" motive ("the cat is in the room") appears three times. Its melody, including the important downward high-low glide on the word "jɛnkuno," and its rhythm--short-long-long ...
... The answer luŋa theme contains five short motives (see Vocables Notation and Drumming Notation). The three-beat "shɛla jɛnkuno ni" motive ("the cat is in the room") appears three times. Its melody, including the important downward high-low glide on the word "jɛnkuno," and its rhythm--short-long-long ...
Music Structure
... portion identifies the number of beats in each measure, while the lower portion defines what kind of note gets one beat. 2/4 Time - Two beats per measure; ¼ note gets one beat. Often referred to as Boom/Chuck music, the first beat receives a heavier accent than the second does. Most of our modern sq ...
... portion identifies the number of beats in each measure, while the lower portion defines what kind of note gets one beat. 2/4 Time - Two beats per measure; ¼ note gets one beat. Often referred to as Boom/Chuck music, the first beat receives a heavier accent than the second does. Most of our modern sq ...
cookiebeats.com
... In 2010 after graduating from Berklee in Boston, I won a grant to start a music tech class and install computers, drum pads, and Reason software (Figure app) at the Community Music Center of Boston (CMCB). Through CMCB I was introduced to the Music Ace software they were using on their 10-yearold PC ...
... In 2010 after graduating from Berklee in Boston, I won a grant to start a music tech class and install computers, drum pads, and Reason software (Figure app) at the Community Music Center of Boston (CMCB). Through CMCB I was introduced to the Music Ace software they were using on their 10-yearold PC ...
MS Orchestra EOC Study Guide
... Renaissance Baroque Classical Romantic 20th Century Contemporary Misc. Terms Simile Fine Ritardando Da Capo (D.C.) Sharp (#) Fermata Tie ...
... Renaissance Baroque Classical Romantic 20th Century Contemporary Misc. Terms Simile Fine Ritardando Da Capo (D.C.) Sharp (#) Fermata Tie ...
notes from guest lecturer from the
... played Ivor Stravinski's Right of Spring musical texture-transparent, dense, heavy, thick, or light. monophonic-one sound, one melody, no harmony homophonic- chords and harmony, more than one polyphonic-several, many played a keltic instumental piece called The Cowboy Jig. He also played a bit from ...
... played Ivor Stravinski's Right of Spring musical texture-transparent, dense, heavy, thick, or light. monophonic-one sound, one melody, no harmony homophonic- chords and harmony, more than one polyphonic-several, many played a keltic instumental piece called The Cowboy Jig. He also played a bit from ...
MusicTheory Crossword - Music Express Magazine
... 1. How many lines are in a music sta ? [five] 2. Distance between two bar lines. [measure] 3. A special, separate ending. [Coda] 4. The line that connects two eighth notes. [beam] 6. The ________ signature shows us the meter of a piece. [time] 10. Major or minor [scale] 11. The term for performing a ...
... 1. How many lines are in a music sta ? [five] 2. Distance between two bar lines. [measure] 3. A special, separate ending. [Coda] 4. The line that connects two eighth notes. [beam] 6. The ________ signature shows us the meter of a piece. [time] 10. Major or minor [scale] 11. The term for performing a ...
Music Vocabulary - Phoenix Symphony
... Style. The distinctive or characteristic manner in which the elements of music are treated. In practice, the term may be applied to, for example, composers (the style of Copland), periods (Baroque style), media (keyboard style), nations (French style), form or type of composition (fugal style, cont ...
... Style. The distinctive or characteristic manner in which the elements of music are treated. In practice, the term may be applied to, for example, composers (the style of Copland), periods (Baroque style), media (keyboard style), nations (French style), form or type of composition (fugal style, cont ...
MHST 309 History of Rock Lecture 3 – Roots of Rock
... 2. Therefore, strong rhythm is a necessity 3. Most African music polyrhythmic – many rhythmic layers a. Each part has independent rhythm b. Sometimes all parts coincide, sometimes not 4. When they don’t, create cross-rhythms a. Rhythms working at cross purposes b. Creates feeling of beat being pulle ...
... 2. Therefore, strong rhythm is a necessity 3. Most African music polyrhythmic – many rhythmic layers a. Each part has independent rhythm b. Sometimes all parts coincide, sometimes not 4. When they don’t, create cross-rhythms a. Rhythms working at cross purposes b. Creates feeling of beat being pulle ...
Music Vocabulary and Definitions
... (piano, mezzo piano, mezzo forte, forte) Elements of Music- melody, rhythm, tempo, dynamics, timbre (tone color) and harmony Form - the way the song is put together or organized (AB, ABA, ABC, etc.) THINK PATTERNS! Forte – (four-tay)- loud Harmony - the simultaneous sounding of pitches that result i ...
... (piano, mezzo piano, mezzo forte, forte) Elements of Music- melody, rhythm, tempo, dynamics, timbre (tone color) and harmony Form - the way the song is put together or organized (AB, ABA, ABC, etc.) THINK PATTERNS! Forte – (four-tay)- loud Harmony - the simultaneous sounding of pitches that result i ...
Fourth Grade Music Vocabulary
... All performing the same notes together Modification or changes made in a theme Middle-voiced instrument in the string family ; in 4/4 time, receives four beats On a keyboard, the distance between any two keys with a single key between, i.e., Do-Re, Re-Mi, ...
... All performing the same notes together Modification or changes made in a theme Middle-voiced instrument in the string family ; in 4/4 time, receives four beats On a keyboard, the distance between any two keys with a single key between, i.e., Do-Re, Re-Mi, ...
Elements of Music
... Tempo • beginning of a music piece indicates how slow or fast the piece should be played. This is called the tempo which is effective throughout the duration of the music unless the composer indicates otherwise. ...
... Tempo • beginning of a music piece indicates how slow or fast the piece should be played. This is called the tempo which is effective throughout the duration of the music unless the composer indicates otherwise. ...
`Yiri` by Koko Music in African society • Rich, diverse musical culture
... • Melodies are usually short, simple and repeated many times • Often use a scale of only 5 – 7 notes • The melodies are changed during the song, like a variation • Performers will improvise new melodies while the original continues. This creates polyphonic textures • Rounds are common • Sometimes th ...
... • Melodies are usually short, simple and repeated many times • Often use a scale of only 5 – 7 notes • The melodies are changed during the song, like a variation • Performers will improvise new melodies while the original continues. This creates polyphonic textures • Rounds are common • Sometimes th ...
1 3rd grade study guide 3rd Grade Study Guide Beat – the pulse of
... is the sign at the beginning of a song to tell you how many beats will be in each ...
... is the sign at the beginning of a song to tell you how many beats will be in each ...
Third Grade LOS
... a. Two pitches played at the same time on an Orff instrument are a (blocked) bordun accompaniment. b. Two pitches played separately on an Orff instrument are a (broken) bordun accompaniment. c. An accompaniment where the player’s left hand crosses over the top of the right hand, which is playing so, ...
... a. Two pitches played at the same time on an Orff instrument are a (blocked) bordun accompaniment. b. Two pitches played separately on an Orff instrument are a (broken) bordun accompaniment. c. An accompaniment where the player’s left hand crosses over the top of the right hand, which is playing so, ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.