Definitions, Quiz 1
... Rhythm. The element of time in music. (Since music is an art that exists solely in time, rhythm controls ultimately all the relationships within a musical work.) Beat. Regular pulsation; a basic unit of length in musical time. Accent. Emphasis on a note, so that it is louder or longer than another. ...
... Rhythm. The element of time in music. (Since music is an art that exists solely in time, rhythm controls ultimately all the relationships within a musical work.) Beat. Regular pulsation; a basic unit of length in musical time. Accent. Emphasis on a note, so that it is louder or longer than another. ...
igcse music notes
... Call and Response: usually used in African music where there are two distinct phrases played by different groups- the secondary phrase is usually a response or an echo. In African Music: it could be seen as the master drummer (solo) playing the first phrase and the other people playing the second. M ...
... Call and Response: usually used in African music where there are two distinct phrases played by different groups- the secondary phrase is usually a response or an echo. In African Music: it could be seen as the master drummer (solo) playing the first phrase and the other people playing the second. M ...
M100: Music Appreciation Discussion Group Tuesday January 29
... • An interval is the distance between two notes on the keyboard. • If—counting the black keys—two notes are right next to each other, then they are said to be a half step apart. • If there’s a note between them, then they’re a whole step apart. ...
... • An interval is the distance between two notes on the keyboard. • If—counting the black keys—two notes are right next to each other, then they are said to be a half step apart. • If there’s a note between them, then they’re a whole step apart. ...
Basic Music Powerpoint
... as “ABA” no not the group ABBA that’s two B’s • What this means is that there are three (ter) themes in a specific piece of music. But one of the themes is repeated twice. The A theme being the first is followed by the B theme and then it goes back to the A theme ...
... as “ABA” no not the group ABBA that’s two B’s • What this means is that there are three (ter) themes in a specific piece of music. But one of the themes is repeated twice. The A theme being the first is followed by the B theme and then it goes back to the A theme ...
laoliuban roeder (modified long abstract)
... in their internal structure, this large group lacks the parallel construction of the first one. Even more disruptive of grouping expectations are the next 16 beats. They begin with an 8=3+2+3 grouping, but the first and third short groups are unprecedentedly identical. An even bigger surprise follow ...
... in their internal structure, this large group lacks the parallel construction of the first one. Even more disruptive of grouping expectations are the next 16 beats. They begin with an 8=3+2+3 grouping, but the first and third short groups are unprecedentedly identical. An even bigger surprise follow ...
Musical Terms - Mrs. Serres Music Room
... Pitch – the highness or lowness of a tone (note) Pitches are indicated on the staff using the first seven letters of the alphabet: ABCDEFG The lines and spaces in the treble and bass clef have letter names. When a note is place ON a line or IN a space it tells the musician what key to play on their ...
... Pitch – the highness or lowness of a tone (note) Pitches are indicated on the staff using the first seven letters of the alphabet: ABCDEFG The lines and spaces in the treble and bass clef have letter names. When a note is place ON a line or IN a space it tells the musician what key to play on their ...
National 3 - WordPress.com
... to hear the sound of a chromatic scale, start at “C” and finish at the “C” above, without missing out any white or black notes on a keyboard. - on a guitar, play an open string then play each fretted note in turn up the fretboard. ...
... to hear the sound of a chromatic scale, start at “C” and finish at the “C” above, without missing out any white or black notes on a keyboard. - on a guitar, play an open string then play each fretted note in turn up the fretboard. ...
Music Core Knowledge Year 3 Musical Instruments Describe
... wrote many orchestral pieces even when he started going deaf. There are stories about Beethoven conducting an orchestra, despite being deaf. He did not realise the audience were applauding at the end because he could not hear them. John Adams 1947 to present. An American composer and conductor who b ...
... wrote many orchestral pieces even when he started going deaf. There are stories about Beethoven conducting an orchestra, despite being deaf. He did not realise the audience were applauding at the end because he could not hear them. John Adams 1947 to present. An American composer and conductor who b ...
TERMS AND CONCEPTS OF 20TH C. MUSIC GENERAL: ostinato
... compound beat -- division of the beat into 3 equal parts duple / triple / quadruple meter -- grouping of beats into 2s, 3s and 4s respectively fractional time signature -- a meter in which the top number includes or is a fraction isorythm -- the use of a rhythmic pattern that repeats throughout a pa ...
... compound beat -- division of the beat into 3 equal parts duple / triple / quadruple meter -- grouping of beats into 2s, 3s and 4s respectively fractional time signature -- a meter in which the top number includes or is a fraction isorythm -- the use of a rhythmic pattern that repeats throughout a pa ...
My analysis and thoughts on Gershwin – An American in Paris
... fragmentation, augmentation, imitation, sequence, ostinato, layering of countermelodies above or below the melody, rhythmic displacement, etc . is dominant throughout. In terms of structure or hierarchy of the texture, Gershwin use of counterpoint makes it clear as to what role an instrument(s) is p ...
... fragmentation, augmentation, imitation, sequence, ostinato, layering of countermelodies above or below the melody, rhythmic displacement, etc . is dominant throughout. In terms of structure or hierarchy of the texture, Gershwin use of counterpoint makes it clear as to what role an instrument(s) is p ...
Basic Musical Notation: Help Sheet
... Eighth notes (left) and sixteenth notes (right) may also look like this. ...
... Eighth notes (left) and sixteenth notes (right) may also look like this. ...
CFA I
... 9. Time Signature: specifies how many beats are in each measure and what note value constitutes one beat. 10.Whole Note: A note that receives 4 beats of sound in 4/4 time 11.Bass Clef: mainly used by the men and is also called the F clef 12.Bass: The lowest male singing voice 13.Clef: A musical symb ...
... 9. Time Signature: specifies how many beats are in each measure and what note value constitutes one beat. 10.Whole Note: A note that receives 4 beats of sound in 4/4 time 11.Bass Clef: mainly used by the men and is also called the F clef 12.Bass: The lowest male singing voice 13.Clef: A musical symb ...
Elements of Music
... A violin is played with a bow pulled across the strings. The string bass plays the lower notes of the music being performed. The violin plays the highest musical notes in the string family of instruments. The violin and the viola are the same size but play different notes. Violins have a fret board ...
... A violin is played with a bow pulled across the strings. The string bass plays the lower notes of the music being performed. The violin plays the highest musical notes in the string family of instruments. The violin and the viola are the same size but play different notes. Violins have a fret board ...
MUSC 1000 Intro to Music
... It is difficult to tell the exact key of a piece – however, it can be heard if a piece is in a major or minor sound – or TONALITY Very Simply – if the piece sounds happy – it is in major – sad is in minor. ...
... It is difficult to tell the exact key of a piece – however, it can be heard if a piece is in a major or minor sound – or TONALITY Very Simply – if the piece sounds happy – it is in major – sad is in minor. ...
scottish - Gryffe Music
... Dotted Quaver - A note that lasts for ¾ of a beat. A dot after a note increases the length of the note by half of its original length, so without the dot this note lasts for ½ beat, adding the dot means it is ½ + ¼ = ¾ beats. ...
... Dotted Quaver - A note that lasts for ¾ of a beat. A dot after a note increases the length of the note by half of its original length, so without the dot this note lasts for ½ beat, adding the dot means it is ½ + ¼ = ¾ beats. ...
Elements of Music
... • Consonance & Dissonance – A relationship between two notes (interval) is either stable or unstable – Unstable (dissonant) intervals resolve to stable (consonant) intervals ...
... • Consonance & Dissonance – A relationship between two notes (interval) is either stable or unstable – Unstable (dissonant) intervals resolve to stable (consonant) intervals ...
Music Center
... A piano-like instrument, but with the strings sounded by a mechanism that plucks them. Used especially in the 16th to 17th centuries. ...
... A piano-like instrument, but with the strings sounded by a mechanism that plucks them. Used especially in the 16th to 17th centuries. ...
Glossary Commonly Used Musical Terms and
... key signature - the sharps or flats located to the right of the clef sign, indicating there are no sharps or flats, the key is C. the key the song is written in. If leger lines - Small lines which may be added above or below either staff in order to write notes beyond the range of the bass or treble ...
... key signature - the sharps or flats located to the right of the clef sign, indicating there are no sharps or flats, the key is C. the key the song is written in. If leger lines - Small lines which may be added above or below either staff in order to write notes beyond the range of the bass or treble ...
Igor Stravinsky (1882 –1971)
... ONE - two, etc. lTriple: ONE - two -three, etc. lQuadruple: ONE -two-threefour, etc. ...
... ONE - two, etc. lTriple: ONE - two -three, etc. lQuadruple: ONE -two-threefour, etc. ...
yiri 2
... is a belief that music serves as a link to the spirit world. Singing unites whole tribal communities It is a means of communication ...
... is a belief that music serves as a link to the spirit world. Singing unites whole tribal communities It is a means of communication ...
Music Terminology - Clinton Public Schools
... An upsidedown bowlshaped muscle used for breathing. ...
... An upsidedown bowlshaped muscle used for breathing. ...
THE BLUES MUSIC
... most popular instruments used or played is the drums in the band. When they stamped in time with the music they would jingle. The jangling created an off beat rhythm. Jawbone became scrapers when the teeth were scraped with keys or metal objects. The slaves also made string instruments. The most ...
... most popular instruments used or played is the drums in the band. When they stamped in time with the music they would jingle. The jangling created an off beat rhythm. Jawbone became scrapers when the teeth were scraped with keys or metal objects. The slaves also made string instruments. The most ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.