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Music 231 Motive
... rest, or 3) contrasting material. Usually, the repetition of a motive immediately follows its first appearance. Occasionally, contrasting material may forestall the repetition—but the motive will always be heard again at a later point in time. Germ Sometimes a longer motive can be heard as the summa ...
... rest, or 3) contrasting material. Usually, the repetition of a motive immediately follows its first appearance. Occasionally, contrasting material may forestall the repetition—but the motive will always be heard again at a later point in time. Germ Sometimes a longer motive can be heard as the summa ...
Charles University in Prague Pedagogical Faculty DIPLOMA THESIS
... and course that jazz followed from the 18th century until today. ...
... and course that jazz followed from the 18th century until today. ...
Working.doc - Music
... rhythmically as part of a drum/percussion circle in call and response/question and answer activities melodies on xylophones or recorders based on the pentatonic scale and the rhythm of familiar songs ...
... rhythmically as part of a drum/percussion circle in call and response/question and answer activities melodies on xylophones or recorders based on the pentatonic scale and the rhythm of familiar songs ...
Figured Bass and Tonality Recognition
... corresponding to single chords. It also tags these segments with the proper chord label. A strength of the system is that it is independent of rhythm. New templates for chords can be introduced, but this requires a rethinking of both the preferences rules and the scoring method for a single template ...
... corresponding to single chords. It also tags these segments with the proper chord label. A strength of the system is that it is independent of rhythm. New templates for chords can be introduced, but this requires a rethinking of both the preferences rules and the scoring method for a single template ...
Listening Guide and Listening Challenge material: Medieval - Renaissance
... MUS 1139 Listening Guide and Listening Challenge material: Medieval - Renaissance Textbook “The Enjoyment of Music” by Forney and Machlis: Read pages 4 -103 The Elements are covered on pages 4 – 61 culminating in the Young Person’s Guide to the Orchestra. For terms of the Elements consult the attach ...
... MUS 1139 Listening Guide and Listening Challenge material: Medieval - Renaissance Textbook “The Enjoyment of Music” by Forney and Machlis: Read pages 4 -103 The Elements are covered on pages 4 – 61 culminating in the Young Person’s Guide to the Orchestra. For terms of the Elements consult the attach ...
Elementary Music Outcomes
... c. identify staff; treble clef, lines and spaces d. introduce line adn space note names in treble clef e. identify line and space notes in step, skips and repeated patterns f. perform various patterns using voice and instruments g. improvise using the pentatonic scale on orff instruments 6. practice ...
... c. identify staff; treble clef, lines and spaces d. introduce line adn space note names in treble clef e. identify line and space notes in step, skips and repeated patterns f. perform various patterns using voice and instruments g. improvise using the pentatonic scale on orff instruments 6. practice ...
Major Diatonic Chords
... chords are very rare. VI7 occurs usually as part of a progression of 7th chords. Note that the only note that is modified in the minor chords is the Bb to a B natural, which is the leading tone in the major scale. The leading tone plays such an important role that these chords have been modified to ...
... chords are very rare. VI7 occurs usually as part of a progression of 7th chords. Note that the only note that is modified in the minor chords is the Bb to a B natural, which is the leading tone in the major scale. The leading tone plays such an important role that these chords have been modified to ...
Elements of Music (Word Examples)
... The process of revealing a theme’s capacities and brining them to fulfillment. The principle of elaborating or varying a musical idea is pervasive in Western music, and it is also found in melody-oriented styles of many Far Eastern and Middle Eastern musics. The composer elaborates and varies the op ...
... The process of revealing a theme’s capacities and brining them to fulfillment. The principle of elaborating or varying a musical idea is pervasive in Western music, and it is also found in melody-oriented styles of many Far Eastern and Middle Eastern musics. The composer elaborates and varies the op ...
juanito pascual biography
... Bertoncini. Most recently, he has been mentored by the Boston-based maestro Dimitri Goryachev. Energized by a driving passion to share the beauty and soul-stirring power of this ancient yet most vibrant and evolving musical style, Juanito brings the energy of hope and joy through his performances, r ...
... Bertoncini. Most recently, he has been mentored by the Boston-based maestro Dimitri Goryachev. Energized by a driving passion to share the beauty and soul-stirring power of this ancient yet most vibrant and evolving musical style, Juanito brings the energy of hope and joy through his performances, r ...
Keyboardist/composer Jeff Lorber recaptures the improvisational
... the new movement known as jazz fusion – a marriage of traditional jazz with elements of rock, R&B, funk and other electrified sounds. Lorber and his band, the Jeff Lorber Fusion, first honed their craft in the Portland, Oregon, club scene and rapidly expanded their reach to a national and internatio ...
... the new movement known as jazz fusion – a marriage of traditional jazz with elements of rock, R&B, funk and other electrified sounds. Lorber and his band, the Jeff Lorber Fusion, first honed their craft in the Portland, Oregon, club scene and rapidly expanded their reach to a national and internatio ...
Unit8_LatinMusicInTheUnitedStates
... The Mambo and Beyond: Latin Music in the 1950s The mambo, like the rumba, spawned many imitations and adaptations Top singing stars dabbled in Latin music: Perry Como and Nat “King” Cole both recorded “Papa Loves Mambo” Dean Martin and Rosemary Clooney both scored with “Mambo Italiano” The mambo gav ...
... The Mambo and Beyond: Latin Music in the 1950s The mambo, like the rumba, spawned many imitations and adaptations Top singing stars dabbled in Latin music: Perry Como and Nat “King” Cole both recorded “Papa Loves Mambo” Dean Martin and Rosemary Clooney both scored with “Mambo Italiano” The mambo gav ...
Rediscovering “sonoristics”: A groundbreaking theory from
... changes in the structure of the musical work that the Polish author was describing [ex. 1]. The song under discussion reveals no traces of melody and harmony in the traditional sense; on the contrary, it shows a complete transformation of both concepts into a sonic universe regulated by rhythm, timb ...
... changes in the structure of the musical work that the Polish author was describing [ex. 1]. The song under discussion reveals no traces of melody and harmony in the traditional sense; on the contrary, it shows a complete transformation of both concepts into a sonic universe regulated by rhythm, timb ...
Music and Ideology in the Nineteenth Century
... It is interesting that both the type of change that occurred during the nineteenth century and its considerable force can be attributed to the claims of musical conventions on the one hand, and to those of the ideology of Romanticism on the other. The situation seems somewhat as follows. Because the ...
... It is interesting that both the type of change that occurred during the nineteenth century and its considerable force can be attributed to the claims of musical conventions on the one hand, and to those of the ideology of Romanticism on the other. The situation seems somewhat as follows. Because the ...
¾: A time signature representing 3 beats in a measure where the
... 33. Dotted Half Note: A note that receives 3 beats of sound in 4/4 time 34. Dotted Half Rest: A rest that receives 3 beats of silence in 4/4 time 35. Double Bar Line: A double vertical or heavy black line drawn through a staff to indicate the end of any of the main sections of a composition 36. Due ...
... 33. Dotted Half Note: A note that receives 3 beats of sound in 4/4 time 34. Dotted Half Rest: A rest that receives 3 beats of silence in 4/4 time 35. Double Bar Line: A double vertical or heavy black line drawn through a staff to indicate the end of any of the main sections of a composition 36. Due ...
Handout - Biological Computation Project
... Bach – Late 18th century this form modified by Handel and Mozart – 19th century perfection by Beethoven ...
... Bach – Late 18th century this form modified by Handel and Mozart – 19th century perfection by Beethoven ...
14 To Music
... music used by English writers to indicate the hymn-tunes composed or adopted for use in church by the German reformers. German writers, however, apply the terms Choral and Choralegesang, as Luther himself would apply them, to any solemn melody used in the church. The peculiarity of German chorale-mu ...
... music used by English writers to indicate the hymn-tunes composed or adopted for use in church by the German reformers. German writers, however, apply the terms Choral and Choralegesang, as Luther himself would apply them, to any solemn melody used in the church. The peculiarity of German chorale-mu ...
Analysis of ``Kol Nidrei
... Though the piano part mostly consists of large chords and arpeggios, there are some instances where the piano line synchronizes with the viola line. One of these instances occurs in measure 17. Here the viola is playing a simple melody that consists of eight eighth notes in the following order: G4 A ...
... Though the piano part mostly consists of large chords and arpeggios, there are some instances where the piano line synchronizes with the viola line. One of these instances occurs in measure 17. Here the viola is playing a simple melody that consists of eight eighth notes in the following order: G4 A ...
Seventh Chords
... usage and part-writing concerns for each of these types of chords. There is one other seventh chord type that we did not cover here—seventh chords with a lowered fifth, or “flat-five” chords. These chords do not arise from the triadic system and will be dealt with later in a discussion of altered do ...
... usage and part-writing concerns for each of these types of chords. There is one other seventh chord type that we did not cover here—seventh chords with a lowered fifth, or “flat-five” chords. These chords do not arise from the triadic system and will be dealt with later in a discussion of altered do ...
Jr. Sr. High Instrumental/Vocal Vocabulary List
... gradually becoming slower On drums, the basic sticking patterns. musical sign that shows one beat of silence; whispered as "one" second pitch of the solfege scale musical sign that indicates a section should be repeated the long and short sounds and silences that are heard in a song; patterns within ...
... gradually becoming slower On drums, the basic sticking patterns. musical sign that shows one beat of silence; whispered as "one" second pitch of the solfege scale musical sign that indicates a section should be repeated the long and short sounds and silences that are heard in a song; patterns within ...
Ben Johnston Pantonality Generalized
... their deliberate blurriness. By allowing pitches of flexible instruments to drift around by about a comma (1/8 tone) while nominally distinguishing spelling, 12 inflected tones could suffice to approximate 24 major and minor modes. Musicians were expected to understand and apply subtleties of intona ...
... their deliberate blurriness. By allowing pitches of flexible instruments to drift around by about a comma (1/8 tone) while nominally distinguishing spelling, 12 inflected tones could suffice to approximate 24 major and minor modes. Musicians were expected to understand and apply subtleties of intona ...
Playpens, Fireflies and Squeezables: New Musical Instruments
... could therefore create melodic phrases and manipulate their curves by changing the intensity of their body movements in these corners. Player’s movements in the other two corners were mapped to an algorithm that controlled the tempo, rhythmic variation, and timbre of percussive sequences in an effor ...
... could therefore create melodic phrases and manipulate their curves by changing the intensity of their body movements in these corners. Player’s movements in the other two corners were mapped to an algorithm that controlled the tempo, rhythmic variation, and timbre of percussive sequences in an effor ...
Automatic Chord Detection - People Pages
... 6 harmonics match the root’s harmonics, and can be detected by their violation of the single note model. We show an example illustrating this on the left of Figure 2. As another example, suppose the chord is a first inversion of a C-major chord, E4 -G4 -C5 . On the right of Figure 2, we show that t ...
... 6 harmonics match the root’s harmonics, and can be detected by their violation of the single note model. We show an example illustrating this on the left of Figure 2. As another example, suppose the chord is a first inversion of a C-major chord, E4 -G4 -C5 . On the right of Figure 2, we show that t ...
Vivaldi: Concerto in D minor, Op. 3 No. 11 (for component 3
... Seventh chords are very common, especially in passages where there are circles of fifths (e.g. from the second bar of the fugue). The three-bar adagio in the second movement contains almost entirely seventh chords, all in root position. Most of the music in this adagio fits a circle of fifths. The b ...
... Seventh chords are very common, especially in passages where there are circles of fifths (e.g. from the second bar of the fugue). The three-bar adagio in the second movement contains almost entirely seventh chords, all in root position. Most of the music in this adagio fits a circle of fifths. The b ...
Notes - Higher Music
... discord was used sparingly in music in order to add tension, and it was almost immediately followed by a concord. In the 20th century composers made greater use of discords, merging them into further discords rather than resolving them into concords. ...
... discord was used sparingly in music in order to add tension, and it was almost immediately followed by a concord. In the 20th century composers made greater use of discords, merging them into further discords rather than resolving them into concords. ...
Ostinato
![](https://commons.wikimedia.org/wiki/Special:FilePath/Dido's_Lament_ground_bass.png?width=300)
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.