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Chord Symbols Handout
... make sure your m is lowercase in option 4. I usually opt for the first or second option here. Extensions Jazz musicians typically employ chords that have more than four notes. The notes above the seventh are known as extensions, and typically include the ninth, eleventh, and thirteenth of the chord. ...
... make sure your m is lowercase in option 4. I usually opt for the first or second option here. Extensions Jazz musicians typically employ chords that have more than four notes. The notes above the seventh are known as extensions, and typically include the ninth, eleventh, and thirteenth of the chord. ...
Georgian Court University © 2006 The McGraw
... Notes = Written musical pitches and rhythms Rests = Notated silences in music Clef = The sign placed at the beginning of the staff, indicating that a particular line represents a specific pitch ...
... Notes = Written musical pitches and rhythms Rests = Notated silences in music Clef = The sign placed at the beginning of the staff, indicating that a particular line represents a specific pitch ...
Harmony Rules - Jeanie`s Online Music Studio
... • Watch the leading note carefully, it will fall from the tonic. Don’t forget in a minor key to raise the leading note. • In II – V try to make the soprano & bass move in contrary motion. Only use II – V in a major key. • In VI – V don’t forget to double the 3 rd in chord VI and make two voices rise ...
... • Watch the leading note carefully, it will fall from the tonic. Don’t forget in a minor key to raise the leading note. • In II – V try to make the soprano & bass move in contrary motion. Only use II – V in a major key. • In VI – V don’t forget to double the 3 rd in chord VI and make two voices rise ...
TagAnalysis, ``Moon River`
... Tiffany's by Audrey Hepburn,[1] although it has been covered by many other artists. The song also won the 1962 Grammy Award for Record of the Year.[2] It became the theme song for Andy Williams, who first recorded it in 1961 and performed it at the Academy Awards ceremonies in 1962. Chuck McKown. Th ...
... Tiffany's by Audrey Hepburn,[1] although it has been covered by many other artists. The song also won the 1962 Grammy Award for Record of the Year.[2] It became the theme song for Andy Williams, who first recorded it in 1961 and performed it at the Academy Awards ceremonies in 1962. Chuck McKown. Th ...
File - Eric Matthews` Efolio
... both secular and sacred musics, but is mainly known for his sacred music. In his secular works, he wrote them in three-voices and they were treble-dominated polyphony, but they had a range extension that extended downwards, decreasing the necessity for voice crossing. Ockeghem's sacred music was com ...
... both secular and sacred musics, but is mainly known for his sacred music. In his secular works, he wrote them in three-voices and they were treble-dominated polyphony, but they had a range extension that extended downwards, decreasing the necessity for voice crossing. Ockeghem's sacred music was com ...
Solfege - Practice - 101
... • To directly relate the scale degrees to the Solfege syllables • To directly relate the Solfege syllables to the scale degrees • To relate the pitch relative to the tonic to the Solfege syllable • To relate the notes within each major scale pattern to the Solfege syllable and the sounds they repres ...
... • To directly relate the scale degrees to the Solfege syllables • To directly relate the Solfege syllables to the scale degrees • To relate the pitch relative to the tonic to the Solfege syllable • To relate the notes within each major scale pattern to the Solfege syllable and the sounds they repres ...
Elements of Music - Jessamine County Schools
... • One of the most basic elements of music. • Melody is made up of individual notes that are usually placed in an orderly manner • These notes have a particular – Pitch – Duration (length) ...
... • One of the most basic elements of music. • Melody is made up of individual notes that are usually placed in an orderly manner • These notes have a particular – Pitch – Duration (length) ...
CREATING CHORDS
... Now write a melody to play along with your harmony. 1. Place whole, half, quarter or eighth notes on the treble clef staff being sure that you have a total of four beats in each measure. For this project, it would best not to use any rests. 2. Your melody will sound best if most of the pitches in ea ...
... Now write a melody to play along with your harmony. 1. Place whole, half, quarter or eighth notes on the treble clef staff being sure that you have a total of four beats in each measure. For this project, it would best not to use any rests. 2. Your melody will sound best if most of the pitches in ea ...
as a PDF
... cadence points and frequently contain scale degree 4 or 6. Dominant chords are relatively unstable and contain at least scale degree 5 or 7. Dominants frequently demand resolution to a tonic-function chord, but they can also be used as a point of tentative repose. Most musical phrases begin with ton ...
... cadence points and frequently contain scale degree 4 or 6. Dominant chords are relatively unstable and contain at least scale degree 5 or 7. Dominants frequently demand resolution to a tonic-function chord, but they can also be used as a point of tentative repose. Most musical phrases begin with ton ...
history of Western music
... A second type of composition was made up of contrasting sections, usually in both homophonic and contrapuntal textures; this type was known as the canzona or sonata. Many instrumental pieces were based on an already existing melody or bass line; they included the theme and variations, passacaglia, c ...
... A second type of composition was made up of contrasting sections, usually in both homophonic and contrapuntal textures; this type was known as the canzona or sonata. Many instrumental pieces were based on an already existing melody or bass line; they included the theme and variations, passacaglia, c ...
Scales, Modes, and Chord/Cluster Concepts for 20th
... A B C D E F G A half steps are between 2-3 and 5-6, (just like "natural" minor) Locrian (B) B C D E F G A B half steps are between 1-2 and 4-5 Ionian (C) C D E F G A B C half steps are between 4-5 and 7-8, (just like a "major" scale) Dorian (D) D E F G A B C D half steps are between 2-3 and 6-7 Phry ...
... A B C D E F G A half steps are between 2-3 and 5-6, (just like "natural" minor) Locrian (B) B C D E F G A B half steps are between 1-2 and 4-5 Ionian (C) C D E F G A B C half steps are between 4-5 and 7-8, (just like a "major" scale) Dorian (D) D E F G A B C D half steps are between 2-3 and 6-7 Phry ...
Basic Elements - Guitar Alliance
... The tempo is usually measured in 'beats per minute' (bpm); 60 bpm means a speed of one beat per second. The length of the meter, or metric unit (usually corresponding with measure length), is usually grouped into either two or three beats, being called duple meter and triple meter, respectively. If ...
... The tempo is usually measured in 'beats per minute' (bpm); 60 bpm means a speed of one beat per second. The length of the meter, or metric unit (usually corresponding with measure length), is usually grouped into either two or three beats, being called duple meter and triple meter, respectively. If ...
Pop Song Project
... • Middle 8: In popular music, a section which provides a contrast to the opening section. It is often eight bars long. ...
... • Middle 8: In popular music, a section which provides a contrast to the opening section. It is often eight bars long. ...
Intro to Figured Bass
... Figured bass is usually abbreviated by including just enough intervals to identify the chord. Other intervals are omitted, but the player is expected to fill them in anyway. The rationale is that squinting at too many numbers slows the performance too much, and chords can usually be written accurate ...
... Figured bass is usually abbreviated by including just enough intervals to identify the chord. Other intervals are omitted, but the player is expected to fill them in anyway. The rationale is that squinting at too many numbers slows the performance too much, and chords can usually be written accurate ...
20th Century Music
... Left hand piano melody resembles the Erlking’s melody at bar 58. The boys’ melody rises chromatically towards the end of the phrase, as he is asking a question. The Left hand piano part mirrors this. The Father enters again at the end of bar 80, lower in pitch. The tonality is being cleverly modula ...
... Left hand piano melody resembles the Erlking’s melody at bar 58. The boys’ melody rises chromatically towards the end of the phrase, as he is asking a question. The Left hand piano part mirrors this. The Father enters again at the end of bar 80, lower in pitch. The tonality is being cleverly modula ...
Jordan Jenkins “The Pines of the Appian Way” from Respighi`s
... voice of the first violin, and one in the top voice of the first violin. In Figure 6 these are plotted out on 8 hour clocks, with an 8th note being the smallest value (the 16th note in the top voice of the 1st violin can function as an 8th note in this example). The fact that all these rhythms are o ...
... voice of the first violin, and one in the top voice of the first violin. In Figure 6 these are plotted out on 8 hour clocks, with an 8th note being the smallest value (the 16th note in the top voice of the 1st violin can function as an 8th note in this example). The fact that all these rhythms are o ...
A GUIDE TO THE TERMINOLOGY OF GERMAN HARMONY
... and the speculative musical theories of Hauptmann and von Oettingen, he formulated his famous theory of functions. Its central claim is that every chord represents one of three functional categories: tonic, dominant, or subdominant. The categories themselves are of course shared in the English tradi ...
... and the speculative musical theories of Hauptmann and von Oettingen, he formulated his famous theory of functions. Its central claim is that every chord represents one of three functional categories: tonic, dominant, or subdominant. The categories themselves are of course shared in the English tradi ...
Schubert lied Add a file or URL
... – After the pause the wheel takes four bars to start going smoothly again, using three half bar patterns on beat 2 each time, then a longer scale figure before the opening pattern is heard once more. Now the spinning wheel is running normally. This continues to the end. Vocal melody • The opening ph ...
... – After the pause the wheel takes four bars to start going smoothly again, using three half bar patterns on beat 2 each time, then a longer scale figure before the opening pattern is heard once more. Now the spinning wheel is running normally. This continues to the end. Vocal melody • The opening ph ...
circular pitch space based chord analysis - Music
... Chord Analysis is an important task for music information retrieval (MIR). If the chords or the chord sequence of a musical piece are known you can accompany the song, you are able to compare musical pieces, you can search for different music or you can analyze the structure of it for higher order c ...
... Chord Analysis is an important task for music information retrieval (MIR). If the chords or the chord sequence of a musical piece are known you can accompany the song, you are able to compare musical pieces, you can search for different music or you can analyze the structure of it for higher order c ...
vocabulary - Berkner AP Music Theory
... Natural n – The music symbol that indicates that a note that is neither sharp nor flat; Notation – Written music indication pitch and rhythm Octave – The interval between the first and eighth degrees of the diatonic scale Parallel Keys – Major and minor keys having the same key note (tonic). Pentato ...
... Natural n – The music symbol that indicates that a note that is neither sharp nor flat; Notation – Written music indication pitch and rhythm Octave – The interval between the first and eighth degrees of the diatonic scale Parallel Keys – Major and minor keys having the same key note (tonic). Pentato ...
Part 1 2016 AKFinal Assesment Winds
... 1. Understanding foreign languages is very important to a comprehensive musician. Many languages such as Latin, German, French, and Italian are present in the musical repertoire. Trumpet players must know that the term “con sordino” means “with mute.” Percussion must know that the term “senza ...
... 1. Understanding foreign languages is very important to a comprehensive musician. Many languages such as Latin, German, French, and Italian are present in the musical repertoire. Trumpet players must know that the term “con sordino” means “with mute.” Percussion must know that the term “senza ...
PhD Degree ABSTRACT and commentary
... music had given the world a language extraordinarily perfect at expressing and satisfying our spiritual and emotional demands. Equally, a lifelong fascination for the extension – even abandonment – of this language, demanded that I look afresh at the fundamentals of musical expression and see how I ...
... music had given the world a language extraordinarily perfect at expressing and satisfying our spiritual and emotional demands. Equally, a lifelong fascination for the extension – even abandonment – of this language, demanded that I look afresh at the fundamentals of musical expression and see how I ...
vocabulary - AP Music Theory
... Parallel Keys – Major and minor keys having the same key note (tonic). Pentatonic scale - Formed from five notes (from the Greek pente: five). Most common is the five black notes on the piano keyboard. Period - A musical statement, made up of two or more phrases and a cadence. Phrase – An independe ...
... Parallel Keys – Major and minor keys having the same key note (tonic). Pentatonic scale - Formed from five notes (from the Greek pente: five). Most common is the five black notes on the piano keyboard. Period - A musical statement, made up of two or more phrases and a cadence. Phrase – An independe ...
Answer Key
... chant/plainchant/plainsong/Gregorian chant Describe the melody and rhythm of the highest voice: the melody “undulates and cascades in a virtuosic way”, it is free, rhapsodic, melismatic; the rhythm is unmeasured and can also be described as “free and rhapsodic” 3) Listening Example 3 (8 marks) Weelk ...
... chant/plainchant/plainsong/Gregorian chant Describe the melody and rhythm of the highest voice: the melody “undulates and cascades in a virtuosic way”, it is free, rhapsodic, melismatic; the rhythm is unmeasured and can also be described as “free and rhapsodic” 3) Listening Example 3 (8 marks) Weelk ...
Ostinato
![](https://commons.wikimedia.org/wiki/Special:FilePath/Dido's_Lament_ground_bass.png?width=300)
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. The best-known ostinato-based piece may be Ravel's Boléro or Giorgio Moroder's I Feel Love.The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys.If the cadence may be regarded as the cradle of tonality, the ostinato patterns can be considered the playground in which it grew strong and self-confident.Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action.Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A ""favorite technique of contemporary jazz writers"", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.