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INTERVALS INTERVAL size and quality
... In early music, P4 was a consonance and with other perfect intervals made up most of music compositions. Later, when using complete triads, the 4th tended to lose some of its stability and consonance (sounded like active tone between 5th and 3rd). If it appeared near a 5th (its inversion), then it w ...
... In early music, P4 was a consonance and with other perfect intervals made up most of music compositions. Later, when using complete triads, the 4th tended to lose some of its stability and consonance (sounded like active tone between 5th and 3rd). If it appeared near a 5th (its inversion), then it w ...
Basic Principles of Irish Traditional Music
... With literally thousands of tunes in the repertoire (well over 10,000), there is no such thing as a “typical” tune, but a few general characteristics may be observed: -- Most dance tunes are comprised of two differing sections, an A section and a B section, each usually 4, 8, or 16 bars long dependi ...
... With literally thousands of tunes in the repertoire (well over 10,000), there is no such thing as a “typical” tune, but a few general characteristics may be observed: -- Most dance tunes are comprised of two differing sections, an A section and a B section, each usually 4, 8, or 16 bars long dependi ...
ANALYSIS AND ANALYTIC TECHNIQUES IN AFRICAN MUSIC A
... Range: The span of a melody is an interesting feature of that melody. The “ StarSpangled Banner” is notorious for its supposedly very wide range; but the tune covers only an octave and a fifth (a 12th). Some operatic arias demand more in the compass of a performer, as indeed does “Londonderry Air” w ...
... Range: The span of a melody is an interesting feature of that melody. The “ StarSpangled Banner” is notorious for its supposedly very wide range; but the tune covers only an octave and a fifth (a 12th). Some operatic arias demand more in the compass of a performer, as indeed does “Londonderry Air” w ...
Concerts can be found at www.MIStreamnet.org/cmsd or www
... piece returns to D, then G and ends by recapping the previous melodic material in the original key and ending with a short coda. o Rhythm: The rhythms in Eine Kleine Nachtmusik are very strai ...
... piece returns to D, then G and ends by recapping the previous melodic material in the original key and ending with a short coda. o Rhythm: The rhythms in Eine Kleine Nachtmusik are very strai ...
Automatic Chord Detection - People Pages
... chords, C HORDINO uses a rather sophisticated probabilistic inference model, known as a Hidden Markov Model. The basic idea is that a particular note (or interval) establishes a context for subsequent notes. This context consists of a set of probabilities for subsequent notes to form various chords. ...
... chords, C HORDINO uses a rather sophisticated probabilistic inference model, known as a Hidden Markov Model. The basic idea is that a particular note (or interval) establishes a context for subsequent notes. This context consists of a set of probabilities for subsequent notes to form various chords. ...
a geometric model for the analysis of pop music
... The previous examples show the flexibility of a spatial computing model together with a compliance measure of the trajectories associated with a given harmonic structure, with respect to the analysis of style. In the special case of the analysis of pop music, there is rarely any ambiguity about whic ...
... The previous examples show the flexibility of a spatial computing model together with a compliance measure of the trajectories associated with a given harmonic structure, with respect to the analysis of style. In the special case of the analysis of pop music, there is rarely any ambiguity about whic ...
Blues theory - Virtual Music School
... Just like major and minor scales, each major pentatonic scale has its relative minor penta, since they are just inversions of each other. C-major penta has the same notes as A-minor penta. In fact, a pentatonic scale is the same as a ‘normal’ diatonic scale, with two omissions: the 4th and 7th note ...
... Just like major and minor scales, each major pentatonic scale has its relative minor penta, since they are just inversions of each other. C-major penta has the same notes as A-minor penta. In fact, a pentatonic scale is the same as a ‘normal’ diatonic scale, with two omissions: the 4th and 7th note ...
Part 1 2016 AKFinal Assesment Winds
... a. Add a black bow tie to a tuxedo to help the performer play better b. Subtract the note values from each other to make the one sound shorter c. Add a white bow to a concert dress to help the performer play beautiful d. Add the note values together to make one longer sound ...
... a. Add a black bow tie to a tuxedo to help the performer play better b. Subtract the note values from each other to make the one sound shorter c. Add a white bow to a concert dress to help the performer play beautiful d. Add the note values together to make one longer sound ...
Music Lettering Test
... Two counts to a measure 4 Four counts to a measure A half note (REST) gets one count 8 An eighth note gets one count ...
... Two counts to a measure 4 Four counts to a measure A half note (REST) gets one count 8 An eighth note gets one count ...
56. pianissimo (pp) - very soft 57. piano (p) - soft
... Chorus Vocabulary P - R 55. phrase - a single musical idea 56. pianissimo (pp) - very soft 57. piano (p) - soft 58. pizzicato (pizz.) – strings are plucked with fingers rather than bowed 59. poco a poco - little by little 60. portamento –the voice glides through all the pitches 61. prestissimo – as ...
... Chorus Vocabulary P - R 55. phrase - a single musical idea 56. pianissimo (pp) - very soft 57. piano (p) - soft 58. pizzicato (pizz.) – strings are plucked with fingers rather than bowed 59. poco a poco - little by little 60. portamento –the voice glides through all the pitches 61. prestissimo – as ...
Film World
... police detective with a fear of heights and the film begins with a rooftop chase scene soundtracked by the woodwind section of the orchestra trembling nervously as he chases a villain to the top of a multi-story building before a blast of accented brass rings out, articulated with strong attack as S ...
... police detective with a fear of heights and the film begins with a rooftop chase scene soundtracked by the woodwind section of the orchestra trembling nervously as he chases a villain to the top of a multi-story building before a blast of accented brass rings out, articulated with strong attack as S ...
accompanying Powerpoint presentation
... Evocations, and Organum. It is, in each case, almost 9, which means that at every moment in the process of composing these melodic lines there were only four pitch-classes remaining to chose from for the next tone — and not even all of these four would necessarily satisfy certain other conditions, s ...
... Evocations, and Organum. It is, in each case, almost 9, which means that at every moment in the process of composing these melodic lines there were only four pitch-classes remaining to chose from for the next tone — and not even all of these four would necessarily satisfy certain other conditions, s ...
gr 8 task sheet
... the final Minimalist composition and performance. The piece shows their creativity in the use of composing techniques and performance skills, of the minimalist layering techniques, scales, harmonic devices, and melody motifs for a suitable IT or Mobile devise. Demonstrates exploration of ideas about ...
... the final Minimalist composition and performance. The piece shows their creativity in the use of composing techniques and performance skills, of the minimalist layering techniques, scales, harmonic devices, and melody motifs for a suitable IT or Mobile devise. Demonstrates exploration of ideas about ...
Unit 10. Music theory
... conduct to. First find the beat that seems the strongest, then try tapping along to it. Eventually you should be able to tap along with the music, and you will have found the pulse. Listen to the bass line and the rhythm section, as often they play with the pulse. ...
... conduct to. First find the beat that seems the strongest, then try tapping along to it. Eventually you should be able to tap along with the music, and you will have found the pulse. Listen to the bass line and the rhythm section, as often they play with the pulse. ...
Modal Jazz and Miles Davis: George Russell`s Influence and the
... traditions. 1 What is frequently left unexplored, however, is the more fundamental influence Russell had on Davis during the inception of modal jazz. His Lydian Chromatic Concept of Tonal Organization 2 inspired Davis to think of new ways to relate to chords and encouraged him to develop a style of ...
... traditions. 1 What is frequently left unexplored, however, is the more fundamental influence Russell had on Davis during the inception of modal jazz. His Lydian Chromatic Concept of Tonal Organization 2 inspired Davis to think of new ways to relate to chords and encouraged him to develop a style of ...
The Common-Tone Diminished Seventh Chord 7
... which is the same as one of the notes of the 7 chord. Although the ct 7 chord may embellish any triad or dominant seventh˜ chord, it most often progresses to I or V7 in major (minor examples are rare). The ct 7 chord may be spelled˜ in any manner as long as one of the notes be the same as the root o ...
... which is the same as one of the notes of the 7 chord. Although the ct 7 chord may embellish any triad or dominant seventh˜ chord, it most often progresses to I or V7 in major (minor examples are rare). The ct 7 chord may be spelled˜ in any manner as long as one of the notes be the same as the root o ...
History of Western Music Lecture 9: Renaissance Cultural
... Texture: Renaissance music is chiefly polyphonic with several voices of equal melodic interest. Overlapping phrases lead to a continuous fabric of sound, imitation was frequently used and there were few strong cadences. But Homophonic texture appears as well, especially in light music and dances. Th ...
... Texture: Renaissance music is chiefly polyphonic with several voices of equal melodic interest. Overlapping phrases lead to a continuous fabric of sound, imitation was frequently used and there were few strong cadences. But Homophonic texture appears as well, especially in light music and dances. Th ...
June 27 - UCSB Music
... The grand staff is broad, but even it does not account for all the pitches we hear in music. If a pitch is very high, it might appear above the top staff. Likewise, a very low-sounding pitch will appear below the bottom staff. In order to be clear, these pitches are written with ledger lines. Ledger ...
... The grand staff is broad, but even it does not account for all the pitches we hear in music. If a pitch is very high, it might appear above the top staff. Likewise, a very low-sounding pitch will appear below the bottom staff. In order to be clear, these pitches are written with ledger lines. Ledger ...
Unit 8 Practice Test
... 7) Which statement about the timbre or tone color of 20th century music is not true? A) all sounds are possible, even no sounds B) percussion instruments have become very prominent and numerous C) dissonance is rarely used D) string players are sometimes called on to use the wood instead of the hai ...
... 7) Which statement about the timbre or tone color of 20th century music is not true? A) all sounds are possible, even no sounds B) percussion instruments have become very prominent and numerous C) dissonance is rarely used D) string players are sometimes called on to use the wood instead of the hai ...
Traditional sub-Saharan African harmony
![](https://commons.wikimedia.org/wiki/Special:FilePath/A_pentatonic_scale_in_descending_order.jpg?width=300)
Sub-Saharan harmony is based on the principles of homophonic parallelism (similar chords changing simultaneously), homophonic polyphony (independent parts moving together), counter melody (secondary melody) and ostinato-variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the ""span process"", ""pedal notes"" (a held note, typically in the bass, around which other parts move), ""Rhythmic harmony"", ""harmony by imitation"", and ""scalar clusters"" (see below for explanation of these terms).