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Title The learning sequence in reading rhythm patterns Author(s
... Writing: The child now progresses to writing down the notation representing those sound patterns with' which he has become familiar. It can be seen that before a child begins the actual reading and writing of musical notation, he must have been given plenty of opportunity to hear, imitate and experi ...
... Writing: The child now progresses to writing down the notation representing those sound patterns with' which he has become familiar. It can be seen that before a child begins the actual reading and writing of musical notation, he must have been given plenty of opportunity to hear, imitate and experi ...
CIRCLE OF THE DANCE, ALMA BRASILEIRA THE ART OF CLEA
... different timbres of the flute and guitar, which dialog in what is one of the most perfect combinations in chamber music. A sensitive interpretation highlights the beautiful melodic structure created by Gismonti. A special note about Circle of the Dance, the track that gave this CD its name. The mus ...
... different timbres of the flute and guitar, which dialog in what is one of the most perfect combinations in chamber music. A sensitive interpretation highlights the beautiful melodic structure created by Gismonti. A special note about Circle of the Dance, the track that gave this CD its name. The mus ...
WHY study music? 1. Musician 2. Advertising 3
... • Stravinsky = Listen for: Crescendo / Gradual addition of instruments/ repetition of same melody at different pitch / sudden dynamic change / crescendo to ending • Ellington = listen for : repeated note melody / tone color changes as melody passes to different instruments / brass using mutes / ful ...
... • Stravinsky = Listen for: Crescendo / Gradual addition of instruments/ repetition of same melody at different pitch / sudden dynamic change / crescendo to ending • Ellington = listen for : repeated note melody / tone color changes as melody passes to different instruments / brass using mutes / ful ...
Sup1 - University of Kentucky
... Cognition and Computerized Sound, ed. P.R. Cook, MIT Press, 1999, pp. 209-227) ...
... Cognition and Computerized Sound, ed. P.R. Cook, MIT Press, 1999, pp. 209-227) ...
Chinese theories of music
... predominant intervals produced are fourths and fifths with a few thirds. The following is a typical “D Diao” (D major) scale as it might be played by a Sheng. ...
... predominant intervals produced are fourths and fifths with a few thirds. The following is a typical “D Diao” (D major) scale as it might be played by a Sheng. ...
Music 181: Inversions of Intervals, Compound Intervals
... Music 181: Inversions of Intervals, Compound Intervals, Consonance and Dissonance I. Inversions of Intervals Inverting an interval means flipping it upside-down, or reversing the relative positions of the two notes. In other words, inversion means raising the lower note an octave or lowering the upp ...
... Music 181: Inversions of Intervals, Compound Intervals, Consonance and Dissonance I. Inversions of Intervals Inverting an interval means flipping it upside-down, or reversing the relative positions of the two notes. In other words, inversion means raising the lower note an octave or lowering the upp ...
6. Michael Tippett Concerto for double string orchestra: movement I
... and supports the tonality – there are few instances where a new tonic is preceded by a dominant for example (bb.904-91 is a rare case, where the bass moving from dominant to tonic establishes the tonal centre as it plunges from C to F, but even here it is a minor chord on C that precedes the new key ...
... and supports the tonality – there are few instances where a new tonic is preceded by a dominant for example (bb.904-91 is a rare case, where the bass moving from dominant to tonic establishes the tonal centre as it plunges from C to F, but even here it is a minor chord on C that precedes the new key ...
GLOSSARY
... For reasons of musical purity, we tune all of our products to an ancient system known as just intonation. Therefore, many of the notes used on Woodstock Chimes fall between the notes of the piano which is tuned to a modern system called equal temperament. This makes our products not only authentic w ...
... For reasons of musical purity, we tune all of our products to an ancient system known as just intonation. Therefore, many of the notes used on Woodstock Chimes fall between the notes of the piano which is tuned to a modern system called equal temperament. This makes our products not only authentic w ...
Tonal Music
... than another is called atonal music, or literally without tonic. However, from approximately 1600 to 1915, all music in western culture was tonal. Again, all music had one note that all other notes gravitated toward. This does not mean that any one key was predominant in all music. On the contrary, ...
... than another is called atonal music, or literally without tonic. However, from approximately 1600 to 1915, all music in western culture was tonal. Again, all music had one note that all other notes gravitated toward. This does not mean that any one key was predominant in all music. On the contrary, ...
“Crazy Blues” T
... fact a “crazy blues,” with the verses alternating between a 16-bar and a 12-bar structure (see road map below) in an unpredictable pattern. As the name of Smith’s band suggests, the instrumentation (cornet, trombone, violin, piano) is much more commonly associated with jazz, and the style of simulta ...
... fact a “crazy blues,” with the verses alternating between a 16-bar and a 12-bar structure (see road map below) in an unpredictable pattern. As the name of Smith’s band suggests, the instrumentation (cornet, trombone, violin, piano) is much more commonly associated with jazz, and the style of simulta ...
Paul Ayick
... fact even the lines that served so well in earlier times to differentiate one genre from the other have also become blurred. No doubt this world Music phenomena can be attributed to a globe made increasingly smaller by improved modes of both communication and travel. Regardless, in this fine article ...
... fact even the lines that served so well in earlier times to differentiate one genre from the other have also become blurred. No doubt this world Music phenomena can be attributed to a globe made increasingly smaller by improved modes of both communication and travel. Regardless, in this fine article ...
Sample Responses Q7 - AP Central
... IV. Judging the Cadence A. In phrases 3 and 4, award at least 1 point for a phrase if the two chords at its cadence are good in both bass and Roman numeral setting; the bass and Roman numerals must agree in such a case. B. In general, a phrase that receives maximum points should have a good cadence, ...
... IV. Judging the Cadence A. In phrases 3 and 4, award at least 1 point for a phrase if the two chords at its cadence are good in both bass and Roman numeral setting; the bass and Roman numerals must agree in such a case. B. In general, a phrase that receives maximum points should have a good cadence, ...
Basic Musical Notation: Help Sheet
... Eighth notes (left) and sixteenth notes (right) may also look like this. ...
... Eighth notes (left) and sixteenth notes (right) may also look like this. ...
1st 9 weeks
... N ~ I can discover the historical background of the music being rehearsed and discuss its impact on the musical devices used. P ~ I can explore the historical background of the music being rehearsed and analyze its impact on the musical devices used. A ~ I can explain the historical background of th ...
... N ~ I can discover the historical background of the music being rehearsed and discuss its impact on the musical devices used. P ~ I can explore the historical background of the music being rehearsed and analyze its impact on the musical devices used. A ~ I can explain the historical background of th ...
Trimbat by Ida Bagus Made Widnyana
... Widnyana strips away the melodic instruments revealing the deeply rumbling and scarcely intelligible gong polyrhythm beneath. This is followed at 10:13 by a faster melody more typical of standard kreasi kebyar textures. At 11:22 Widnyana introduces a feeling of complete chaos: thick and seemingly ra ...
... Widnyana strips away the melodic instruments revealing the deeply rumbling and scarcely intelligible gong polyrhythm beneath. This is followed at 10:13 by a faster melody more typical of standard kreasi kebyar textures. At 11:22 Widnyana introduces a feeling of complete chaos: thick and seemingly ra ...
Impressionism
... •Use of whole-tone scale 1. Six (6) notes per octave 2. Symmetrical Scale 3. Lack of Leading-Tone Effect 4. Lack of strong dissonance ...
... •Use of whole-tone scale 1. Six (6) notes per octave 2. Symmetrical Scale 3. Lack of Leading-Tone Effect 4. Lack of strong dissonance ...
Seventh Chords
... We typically divide these chords into categories based on how commonly they are used in traditional music: dominant sevenths (V7), leading-tone sevenths (viiø7 and viio7) and non-dominant sevenths (everything else). Over the next few chapters we will look at usage and part-writing concerns for each ...
... We typically divide these chords into categories based on how commonly they are used in traditional music: dominant sevenths (V7), leading-tone sevenths (viiø7 and viio7) and non-dominant sevenths (everything else). Over the next few chapters we will look at usage and part-writing concerns for each ...
Scale Degrees - Co
... Scale Name and why it is called with Note distances referred to in reference to the scales in their original mode. When modes are generated, the distances from one note to the next note change.Intervals of Major and minor 3rds and diminished and Perfect 5ths and that those intervals are comprised of ...
... Scale Name and why it is called with Note distances referred to in reference to the scales in their original mode. When modes are generated, the distances from one note to the next note change.Intervals of Major and minor 3rds and diminished and Perfect 5ths and that those intervals are comprised of ...
Music Therapy in Traditional African Societies: Origin
... In 1 Samuel chapter 17 verse 10, the Holy Bible gives a vivid account of how David played the lyre to cure King Saul of his mental problem – it was said that God sent evil spirits upon him. This statement is further corroborated when on this issue Sendry (1974: 24) said “… in the old testament King ...
... In 1 Samuel chapter 17 verse 10, the Holy Bible gives a vivid account of how David played the lyre to cure King Saul of his mental problem – it was said that God sent evil spirits upon him. This statement is further corroborated when on this issue Sendry (1974: 24) said “… in the old testament King ...
Proficiencies—Piano Student Name: First Last Course Number
... Sight-read music and transpose music that uses primary and secondary chords. ...
... Sight-read music and transpose music that uses primary and secondary chords. ...
The Math behind a Guitar - Society for Industrial and Applied
... if the length of this string were to be cut in half, the pitch made would be equal in tone but at twice the frequency; an octave. The length of the string, tension, and its gauge (thickness) determine the pitch. On a guitar, the string length is controlled by the placement of frets on the neck. Plea ...
... if the length of this string were to be cut in half, the pitch made would be equal in tone but at twice the frequency; an octave. The length of the string, tension, and its gauge (thickness) determine the pitch. On a guitar, the string length is controlled by the placement of frets on the neck. Plea ...
Traditional sub-Saharan African harmony
![](https://commons.wikimedia.org/wiki/Special:FilePath/A_pentatonic_scale_in_descending_order.jpg?width=300)
Sub-Saharan harmony is based on the principles of homophonic parallelism (similar chords changing simultaneously), homophonic polyphony (independent parts moving together), counter melody (secondary melody) and ostinato-variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the ""span process"", ""pedal notes"" (a held note, typically in the bass, around which other parts move), ""Rhythmic harmony"", ""harmony by imitation"", and ""scalar clusters"" (see below for explanation of these terms).