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A Mathematical and Musical Analogy in Microtonal Systems
... Another way to interpret major and minor chords are Cayley diagrams in which we choose multiple generators, one for the major step and one for the minor. Through these diagrams, we are able to see all the notes as they appear in C-major diatonic (white notes) scale. Furthermore, defining the diatoni ...
... Another way to interpret major and minor chords are Cayley diagrams in which we choose multiple generators, one for the major step and one for the minor. Through these diagrams, we are able to see all the notes as they appear in C-major diatonic (white notes) scale. Furthermore, defining the diatoni ...
Grade 4 Module 2
... standard notation on the treble staff, pointing to the notes. Repeat, singing the solfege syllables. Sing the song from staff notation with Do on various lines and spaces and have students ‘write’ it on their hand staff as they sing. Discover steps and skips in pentatonic patterns and how to recogni ...
... standard notation on the treble staff, pointing to the notes. Repeat, singing the solfege syllables. Sing the song from staff notation with Do on various lines and spaces and have students ‘write’ it on their hand staff as they sing. Discover steps and skips in pentatonic patterns and how to recogni ...
Text
... book. The last three chapters provide many excellent examples of more recent music which usually have been omitted from other texts of this nature. In the chapters that discuss a certain musical parameter (scales, melody, rhythm, harmony, etc.) Kostka provides a clear, lucid writing style which is f ...
... book. The last three chapters provide many excellent examples of more recent music which usually have been omitted from other texts of this nature. In the chapters that discuss a certain musical parameter (scales, melody, rhythm, harmony, etc.) Kostka provides a clear, lucid writing style which is f ...
The Circle of 5ths and Chord Progressions
... alto sax or the Bb tenor sax. The most common clarinet is a Bb instrument. But they come in other keys too. Most often Eb and sometimes even A. Trumpets are mostly in Bb or C. Circle of 5ths as Guide to Chord Selection The human mind is hardwired to listen for specific relationships among tones. The ...
... alto sax or the Bb tenor sax. The most common clarinet is a Bb instrument. But they come in other keys too. Most often Eb and sometimes even A. Trumpets are mostly in Bb or C. Circle of 5ths as Guide to Chord Selection The human mind is hardwired to listen for specific relationships among tones. The ...
chromatic scale
... Modal Scales – A mode is a series of pitches within the octave that make up the basic material of a composition. When first investigating a mode, it would seem that a mode and a scale and mode would be synonymous, but in certain instances, especially in medieval church music, the modes transcend me ...
... Modal Scales – A mode is a series of pitches within the octave that make up the basic material of a composition. When first investigating a mode, it would seem that a mode and a scale and mode would be synonymous, but in certain instances, especially in medieval church music, the modes transcend me ...
Opera and Classical Singing
... 14th Century in the Gregorian Chant. In the 17th and 18th Centuries, singers almost always improvised on a solo line, rarely singing it as written. Four types of ornamentation can be identified: ...
... 14th Century in the Gregorian Chant. In the 17th and 18th Centuries, singers almost always improvised on a solo line, rarely singing it as written. Four types of ornamentation can be identified: ...
Secondary Functions 1 - Appoquinimink High School
... #1. Is the altered chord a major triad or major-minor seventh chord? If not, than it is not a secondary dominant #2. Find the note a P5 below the root of the altered chord #3. Would a major or minor triad built on that note be a diatonic triad in this key? If so, the altered chord is a secondary dom ...
... #1. Is the altered chord a major triad or major-minor seventh chord? If not, than it is not a secondary dominant #2. Find the note a P5 below the root of the altered chord #3. Would a major or minor triad built on that note be a diatonic triad in this key? If so, the altered chord is a secondary dom ...
The Lydian Mode Part 2 Licks, Intervals and Triads
... As discussed, we can isolate the individual triads that are built on each degree of the Lydian mode. By soloing with specific triads we can target or isolate particular scale tones while avoiding others. This creates a focused, angular melody that highlights the unique tonality of each mode. The tri ...
... As discussed, we can isolate the individual triads that are built on each degree of the Lydian mode. By soloing with specific triads we can target or isolate particular scale tones while avoiding others. This creates a focused, angular melody that highlights the unique tonality of each mode. The tri ...
the Curriculum Map
... matter of other disciplines of other disciplines taught in materials of each art (that creators, performers, and a. explain how elements, taught in the school are the school are interrelated with is, sound in music, visual others involved in the artistic processes (such as interrelated with those of ...
... matter of other disciplines of other disciplines taught in materials of each art (that creators, performers, and a. explain how elements, taught in the school are the school are interrelated with is, sound in music, visual others involved in the artistic processes (such as interrelated with those of ...
Télécharger le pdf
... Vivier wrote that in Chants “all [material] had to come from one melodic cell” (Vivier 1978).2 In fact, melody is a guiding musical element in much of the composer’s output, acting as source material for decisions regarding pitch, rhythm, and structure. Chants is an excellent example of this tendenc ...
... Vivier wrote that in Chants “all [material] had to come from one melodic cell” (Vivier 1978).2 In fact, melody is a guiding musical element in much of the composer’s output, acting as source material for decisions regarding pitch, rhythm, and structure. Chants is an excellent example of this tendenc ...
Middle School Instrumental/Vocal GRADE: 7
... or more ledger lines above or below the staff We will Identify and notate I, IV, V, V7, I chord progressions in a given key signature We will describe, using a minimum of four markings (articulation, dynamic and tempo), when analyzing a musical example ...
... or more ledger lines above or below the staff We will Identify and notate I, IV, V, V7, I chord progressions in a given key signature We will describe, using a minimum of four markings (articulation, dynamic and tempo), when analyzing a musical example ...
5th Grade Vocal Music - Sutton Public Schools
... 2. Learn A-G note names of bass clef lines and spaces 3. Be able to identify bass clef note names on sight 4. Notes up to 1 ledger line above or below each staff ...
... 2. Learn A-G note names of bass clef lines and spaces 3. Be able to identify bass clef note names on sight 4. Notes up to 1 ledger line above or below each staff ...
S3 Theory Matters Workbook
... Accelerando – gradually getting faster Rallentando – gradually getting slower ...
... Accelerando – gradually getting faster Rallentando – gradually getting slower ...
Fundamentals of Music G9-12
... Another way to think of major scales is as two tetra chords; that is, as two fournote patterns. As long as you reproduce the whole/half step pattern, you create a major scale from any pitch. Ancient Greeks, especially Plato, saw a strong connection between musical scales and human emotions. Musical ...
... Another way to think of major scales is as two tetra chords; that is, as two fournote patterns. As long as you reproduce the whole/half step pattern, you create a major scale from any pitch. Ancient Greeks, especially Plato, saw a strong connection between musical scales and human emotions. Musical ...
Glossary - terms used in music analysis
... Dominant pedal - the sustaining or repetition of the dominant note, usually in the bass. A dominant pedal builds expectation for the return of the tonic chord. Episode - a contrasting section that is not based on the main theme or subject. Dorian mode - a scale similar to the minor scale, with a rai ...
... Dominant pedal - the sustaining or repetition of the dominant note, usually in the bass. A dominant pedal builds expectation for the return of the tonic chord. Episode - a contrasting section that is not based on the main theme or subject. Dorian mode - a scale similar to the minor scale, with a rai ...
The Lydian dominant scale The Lydian dominant scale is a very
... The Lydian dominant scale The Lydian dominant scale is a very common scale used in jazz and fusion music, and has a very unique, easy to recognize character, which characterizes a lot of fusion player ...
... The Lydian dominant scale The Lydian dominant scale is a very common scale used in jazz and fusion music, and has a very unique, easy to recognize character, which characterizes a lot of fusion player ...
Grunge Music In Bloom: Musical Analysis of Nirvana`s Hit
... In this study I will concentrate on one of Nirvana's biggest hits, In Bloom, taken from the band's second and most successful album, Nevermind (DGC, 1991)12, written by singer/guitarist Kurt Cobain. In analyzing the song, I intend to point out aesthetic characteristics, not unlike those found in cla ...
... In this study I will concentrate on one of Nirvana's biggest hits, In Bloom, taken from the band's second and most successful album, Nevermind (DGC, 1991)12, written by singer/guitarist Kurt Cobain. In analyzing the song, I intend to point out aesthetic characteristics, not unlike those found in cla ...
Dotted half note = `s 3 beats
... Stops ~ redirect the airflow to various pipes to change the sound of the instrument. (Example: manual 1 trumpet, manual 2 flute, foot pedals organ) Pedal Point ~ a note held for a long time under fast scales and changing chords. Harpsichord Popular during the lifetime of George Washington. Hand craf ...
... Stops ~ redirect the airflow to various pipes to change the sound of the instrument. (Example: manual 1 trumpet, manual 2 flute, foot pedals organ) Pedal Point ~ a note held for a long time under fast scales and changing chords. Harpsichord Popular during the lifetime of George Washington. Hand craf ...
The Compositional Signature of Anton Bruckner I.
... i. Wrote masses and other sacred works a. Gradual settings very popular ii. 1841-1868 a. Time in which Bruckner was devoted to church music 2. Influenced by Lotti, Assmayr, and Mozart during this time i. Noted that when Bruckner was in periods of self-analysis, he tended to be more influenced by Moz ...
... i. Wrote masses and other sacred works a. Gradual settings very popular ii. 1841-1868 a. Time in which Bruckner was devoted to church music 2. Influenced by Lotti, Assmayr, and Mozart during this time i. Noted that when Bruckner was in periods of self-analysis, he tended to be more influenced by Moz ...
Grade 9 Instrumental Music Theory Workbook
... Activity 9 – Semitones and the Chromatic Scale * I am responsible for knowing the chromatic scale A chromatic scale contains every possible note between two notes an octave apart. There are 12 different notes in a chromatic scale, each one a semitone away from the next. A chromatic scale consists en ...
... Activity 9 – Semitones and the Chromatic Scale * I am responsible for knowing the chromatic scale A chromatic scale contains every possible note between two notes an octave apart. There are 12 different notes in a chromatic scale, each one a semitone away from the next. A chromatic scale consists en ...
SEVENTH CHORDS Every triad can be extended by adding another
... Seventh chords can be inverted. A seventh chord is inverted if the bottom-most note, the bass, is not the root of the chord. Since there are four notes (instead of 3 in a triad), there is a root position and first, second and third inversion of a seventh chord. ...
... Seventh chords can be inverted. A seventh chord is inverted if the bottom-most note, the bass, is not the root of the chord. Since there are four notes (instead of 3 in a triad), there is a root position and first, second and third inversion of a seventh chord. ...
Traditional sub-Saharan African harmony
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Sub-Saharan harmony is based on the principles of homophonic parallelism (similar chords changing simultaneously), homophonic polyphony (independent parts moving together), counter melody (secondary melody) and ostinato-variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the ""span process"", ""pedal notes"" (a held note, typically in the bass, around which other parts move), ""Rhythmic harmony"", ""harmony by imitation"", and ""scalar clusters"" (see below for explanation of these terms).