![Blues and Other Popular Styles](http://s1.studyres.com/store/data/006040732_1-586e413a3de42f35214438637f8e2883-300x300.png)
Blues and Other Popular Styles
... per measure, or repeat it on each beat), then play through Basie’s melody or create your own, drawing on the C blues scale from Example 12.6. In blues practice, players first perform the initial tune and progression (together called the head), then with each successive chorus, various performers imp ...
... per measure, or repeat it on each beat), then play through Basie’s melody or create your own, drawing on the C blues scale from Example 12.6. In blues practice, players first perform the initial tune and progression (together called the head), then with each successive chorus, various performers imp ...
Principles of Counterpoint
... cue that culmination is approaching; used badly, it destroys tension: If the expected climax does not materialize, the effect can be disappointing. Accent is related to harmony: Notes which belong to the prevailing harmony are perceived differently from those which clash with it. Notes between chord ...
... cue that culmination is approaching; used badly, it destroys tension: If the expected climax does not materialize, the effect can be disappointing. Accent is related to harmony: Notes which belong to the prevailing harmony are perceived differently from those which clash with it. Notes between chord ...
"Three Beats for Beatbox Flute" by Greg Patillo In 2011, the National
... recording, this makes sense as dissonance can be heard; without the spectrogram it is difficult to describe the dissonance because the score indicates an octave between the sung and played notes. Between the first and second tone, the change in fingering creates a different pitch as indicated by arr ...
... recording, this makes sense as dissonance can be heard; without the spectrogram it is difficult to describe the dissonance because the score indicates an octave between the sung and played notes. Between the first and second tone, the change in fingering creates a different pitch as indicated by arr ...
Rudepoema
... principles, inventors of new musical languages that are built from tabula rasa. Villa-Lobos, the leading musician of the momentous Brazilian Week of Modern Art of 1922, developed a persona that follows closely this model. His achievement of an international recognition has been considered, to use Ge ...
... principles, inventors of new musical languages that are built from tabula rasa. Villa-Lobos, the leading musician of the momentous Brazilian Week of Modern Art of 1922, developed a persona that follows closely this model. His achievement of an international recognition has been considered, to use Ge ...
Understanding 12-bar Blues The most common musical form of
... Understanding 12-bar Blues The most common musical form of blues is the 12-bar blues. The term "12-bar" refers to the number of measures, or musical bars, used to express the theme of a typical blues song. Nearly all blues music is played to a 4/4 time signature, which means that there are four beat ...
... Understanding 12-bar Blues The most common musical form of blues is the 12-bar blues. The term "12-bar" refers to the number of measures, or musical bars, used to express the theme of a typical blues song. Nearly all blues music is played to a 4/4 time signature, which means that there are four beat ...
The Mathematics of Musical Instruments
... section, we use the willow flute as the jumping-off point for a discussion of scale construction. The willow flute’s playing scale is appealing mathematically because each ratio of frequencies within the scale can be expressed as a ratio of small integers. And, since the music traditionally played o ...
... section, we use the willow flute as the jumping-off point for a discussion of scale construction. The willow flute’s playing scale is appealing mathematically because each ratio of frequencies within the scale can be expressed as a ratio of small integers. And, since the music traditionally played o ...
Diatonic Modes
... the diatonic modes (church modes), many formally trained musicians demonstrate little practical understanding of them. Except for ionian (major) and aeolian (natural minor), they seldom can identify modes aurally and do not understand the relative colors or harmonic implications of each. On the othe ...
... the diatonic modes (church modes), many formally trained musicians demonstrate little practical understanding of them. Except for ionian (major) and aeolian (natural minor), they seldom can identify modes aurally and do not understand the relative colors or harmonic implications of each. On the othe ...
Brief background The tonal hierarchy The first probe tone study
... focal substantive tones on another level and vice versa in the major mode the tonic tone is the tone of ultimate rest toward which all other ones tend to move. On the next higher level the third and fifth of the scale active melodic tones relative to the tonic, join the tonic as structural t ...
... focal substantive tones on another level and vice versa in the major mode the tonic tone is the tone of ultimate rest toward which all other ones tend to move. On the next higher level the third and fifth of the scale active melodic tones relative to the tonic, join the tonic as structural t ...
Complex Chords Table of Content
... • (Root, m3, m3) -> semi-diminished triad; e.g. (C, Eb, Gb) = Cm(b5) In all these formulas, the resulting chord is said to be in root position because the root of the chord is the bass note (lowest note). These positions can be “inverted” by placing one of the other constituent notes at the bass by ...
... • (Root, m3, m3) -> semi-diminished triad; e.g. (C, Eb, Gb) = Cm(b5) In all these formulas, the resulting chord is said to be in root position because the root of the chord is the bass note (lowest note). These positions can be “inverted” by placing one of the other constituent notes at the bass by ...
Medieval music - WordPress.com
... determined by the patterns of ligatures used.Once a rhythmic mode had been assigned to a melodic line, there was generally little deviation from that mode, although rhythmic adjustments could be indicated by changes in the expected pattern of ligatures, even to the extent of changing to another rhy ...
... determined by the patterns of ligatures used.Once a rhythmic mode had been assigned to a melodic line, there was generally little deviation from that mode, although rhythmic adjustments could be indicated by changes in the expected pattern of ligatures, even to the extent of changing to another rhy ...
Music Notation Guide - Delta Academies Trust Arts
... Tempo (Italian for time) is the speed/pace of a given piece. The tempo of a piece will typically be written at the start of a piece of music, and is usually indicated in beats per minute (BPM). This means that a particular note value (for example, a quarter note or crotchet) is specified as the beat ...
... Tempo (Italian for time) is the speed/pace of a given piece. The tempo of a piece will typically be written at the start of a piece of music, and is usually indicated in beats per minute (BPM). This means that a particular note value (for example, a quarter note or crotchet) is specified as the beat ...
0495571911_215159
... Bizet: Farandole from L’Arlésienne, Suite No. 2 As you listen to Farandole, notice Its march-like quality Its steady beat Its two- or four-beat meter Where the tempo changes and becomes faster ...
... Bizet: Farandole from L’Arlésienne, Suite No. 2 As you listen to Farandole, notice Its march-like quality Its steady beat Its two- or four-beat meter Where the tempo changes and becomes faster ...
Aural Skills Symposium Abstracts
... listening to several iterations of a brief passage and then writing it down in pencil is a quotidian skill. Nevertheless, this is a nearly ubiquitous pedagogical requirement. For example, in the U.S. the National Association of Schools Of Music lists ‘the ability to take aural dictation’ as part of ...
... listening to several iterations of a brief passage and then writing it down in pencil is a quotidian skill. Nevertheless, this is a nearly ubiquitous pedagogical requirement. For example, in the U.S. the National Association of Schools Of Music lists ‘the ability to take aural dictation’ as part of ...
THE BAROQUE PERIOD
... other voices enter, one after another, just like in a round. The difference is that the voices in fugues enter on higher and lower pitches. They also continue to play new material while the other voices make their entrance. ...
... other voices enter, one after another, just like in a round. The difference is that the voices in fugues enter on higher and lower pitches. They also continue to play new material while the other voices make their entrance. ...
russian picnic
... accent - an extra emphasis placed on a particular note. Of the following articulation marks, the 4th note in this line of 5 has an accent placed above it. QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture. ...
... accent - an extra emphasis placed on a particular note. Of the following articulation marks, the 4th note in this line of 5 has an accent placed above it. QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture. ...
COMPUTER-GENERATING EMOTIONAL MUSIC: THE DESIGN OF
... similarities with the emotion groupings used by Hevner. The circumplex model considers any emotion to be part of a two-dimensional space, in which the x-axis is related to the emotional valence and the y-axis is related to emotional arousal. Valence1 is a term with meaning shared across many domains ...
... similarities with the emotion groupings used by Hevner. The circumplex model considers any emotion to be part of a two-dimensional space, in which the x-axis is related to the emotional valence and the y-axis is related to emotional arousal. Valence1 is a term with meaning shared across many domains ...
By Mr Oloworaran Bayo
... Down bow The sign for down bow is and indicates a downward stroke of the bow from frog to tip. Drone A drone is a continuous pitch, held for an extended time beneath the melody to serve as an aural reference point. In early music, drones generally were not notated in manuscripts, so performers shoul ...
... Down bow The sign for down bow is and indicates a downward stroke of the bow from frog to tip. Drone A drone is a continuous pitch, held for an extended time beneath the melody to serve as an aural reference point. In early music, drones generally were not notated in manuscripts, so performers shoul ...
AP Music Theory
... Figure 1.10 – Use of Accidentals Scale – series of eight pitches using eight consecutive letter names extending from a given pitch to its octave, ascending or descending. Consists of whole steps and half steps – it is the location of the half steps within the scale that determines the type of scale ...
... Figure 1.10 – Use of Accidentals Scale – series of eight pitches using eight consecutive letter names extending from a given pitch to its octave, ascending or descending. Consists of whole steps and half steps – it is the location of the half steps within the scale that determines the type of scale ...
File - Matt Schroeder
... the A section and ultimately lead to a perfect authentic cadence at the end. This ballad-like piece is very representative of the Romantic period; it comes off as very free and expressive and has a certain lyrical feel to it. Compared to other pieces of the era, though, it is harmonically not as com ...
... the A section and ultimately lead to a perfect authentic cadence at the end. This ballad-like piece is very representative of the Romantic period; it comes off as very free and expressive and has a certain lyrical feel to it. Compared to other pieces of the era, though, it is harmonically not as com ...
Pop Song Project
... You should always listen back to your piece to ensure that you like how it sounds. Play your work to your classmates to evaluate your work. If you hear any clashes between parts, check that there are no vertical clashes between the melody and the counter-melody. You cannot harmonise with two letter ...
... You should always listen back to your piece to ensure that you like how it sounds. Play your work to your classmates to evaluate your work. If you hear any clashes between parts, check that there are no vertical clashes between the melody and the counter-melody. You cannot harmonise with two letter ...
here - Springburn Academy
... Bridge – A link between two themes. In sonata form the bridge or transition links the first subject-group to the second subject-group and also modulates to the key of the second subject. See Sonata form. ...
... Bridge – A link between two themes. In sonata form the bridge or transition links the first subject-group to the second subject-group and also modulates to the key of the second subject. See Sonata form. ...
Week 3 Pitch Class
... Scales: differ from pitch class in that they are ordered Chromatic Scale: made up entirely of half steps Start on given pitch If no key signature, use sharps ascending and flats descending ...
... Scales: differ from pitch class in that they are ordered Chromatic Scale: made up entirely of half steps Start on given pitch If no key signature, use sharps ascending and flats descending ...
Medieval Music Period
... the primary rhythmical system until the highly syncopated works of the Ars subtilior at the end of the 14th century. This sub-genera pushed the rhythmic freedom provided by Ars Nova to its limits, with some compositions having different voices written in different tempus signatures simultaneously. ...
... the primary rhythmical system until the highly syncopated works of the Ars subtilior at the end of the 14th century. This sub-genera pushed the rhythmic freedom provided by Ars Nova to its limits, with some compositions having different voices written in different tempus signatures simultaneously. ...
Musical Concepts
... Expressive techniques refer to the way a performer plays a piece of music. The composer indicates specific details and techniques to guide the musician’s performance. These directions help portray the style of the music. Expressive techniques are coupled with dynamics; without these features to give ...
... Expressive techniques refer to the way a performer plays a piece of music. The composer indicates specific details and techniques to guide the musician’s performance. These directions help portray the style of the music. Expressive techniques are coupled with dynamics; without these features to give ...
Music 11, 7/10/06 Scales/Intervals We already know half steps and
... If an interval is major, and it is made further wider, it becomes augmented. Ab-B is an augmented second (A2). Gb-B is an augmented third (A3). The inversion of an augmented interval will always be diminished. See the following chart, same as above, but this time with augmented and diminished interv ...
... If an interval is major, and it is made further wider, it becomes augmented. Ab-B is an augmented second (A2). Gb-B is an augmented third (A3). The inversion of an augmented interval will always be diminished. See the following chart, same as above, but this time with augmented and diminished interv ...
Traditional sub-Saharan African harmony
![](https://commons.wikimedia.org/wiki/Special:FilePath/A_pentatonic_scale_in_descending_order.jpg?width=300)
Sub-Saharan harmony is based on the principles of homophonic parallelism (similar chords changing simultaneously), homophonic polyphony (independent parts moving together), counter melody (secondary melody) and ostinato-variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the ""span process"", ""pedal notes"" (a held note, typically in the bass, around which other parts move), ""Rhythmic harmony"", ""harmony by imitation"", and ""scalar clusters"" (see below for explanation of these terms).