From Franz Liszt`s Late Piano Works to Analyze His
... than the middle fanatical works, implying more religious beliefs which reflect his thoughts of life itself. Franz Liszt's late famous piano works are Mephisto Waltz, La lugubre gondola, The Fountains of the Villa d'Este, Gray Clouds and so on. From his late works, we can know some music characterist ...
... than the middle fanatical works, implying more religious beliefs which reflect his thoughts of life itself. Franz Liszt's late famous piano works are Mephisto Waltz, La lugubre gondola, The Fountains of the Villa d'Este, Gray Clouds and so on. From his late works, we can know some music characterist ...
Course Description - W. David
... There are four basic tertian triads: major, minor, diminished and augmented. All but the augmented triad can be derived from the Major (or diatonic) scale. Triads (and all other larger tertian chords) are built by combining or stacking every other tone the scale above each individual degree (or scal ...
... There are four basic tertian triads: major, minor, diminished and augmented. All but the augmented triad can be derived from the Major (or diatonic) scale. Triads (and all other larger tertian chords) are built by combining or stacking every other tone the scale above each individual degree (or scal ...
Introduction to Pitch Class Set Analysis
... removed and the smallest interval possible has been formed between the outer two notes. One way to do this is given below: Music segment. ...
... removed and the smallest interval possible has been formed between the outer two notes. One way to do this is given below: Music segment. ...
Pavan and Galliard - 8 Key Facts
... 18. Chords – notes played at the same time – 19. Harmony – this means the same as chords 20. Melody/Tune – this are notes played one after another (separately) 21. Phrase – this is a bit (part) of a melody. Different phrases are put together to make longer complete sounding melodies. 22. Scale – Th ...
... 18. Chords – notes played at the same time – 19. Harmony – this means the same as chords 20. Melody/Tune – this are notes played one after another (separately) 21. Phrase – this is a bit (part) of a melody. Different phrases are put together to make longer complete sounding melodies. 22. Scale – Th ...
Supporting Materials - Melody, Rhythm, Accompaniment
... In Orff Schulwerk, participants are introduced to the basic elements of music, rhythm, melody, harmony, form, timbre, texture, and dynamics through developmental exercises in speech, singing, movement, and playing instruments. Students are led to conscious awareness and understanding of an element o ...
... In Orff Schulwerk, participants are introduced to the basic elements of music, rhythm, melody, harmony, form, timbre, texture, and dynamics through developmental exercises in speech, singing, movement, and playing instruments. Students are led to conscious awareness and understanding of an element o ...
A Graphical Model for Chord Progressions Embedded in a Psychoacoustic Space
... chord sequences using the input representation described in Section 2. The main assumption behind the proposed model is that conditional dependencies between chords in a typical chord progression are strongly tied to the metrical structure associated to it. Another important aspect of this model is ...
... chord sequences using the input representation described in Section 2. The main assumption behind the proposed model is that conditional dependencies between chords in a typical chord progression are strongly tied to the metrical structure associated to it. Another important aspect of this model is ...
On Tonal Dynamics and Musical Meaning - Signata
... So far, we have only tried to uncontroversially (re)organize some trivial but important aspects of tonal architecture and modulation. his body of Pythagorean tonal doxa, however, leaves out some elementary and semiotically interesting questions. First of all, what are the grounds for the anchoring o ...
... So far, we have only tried to uncontroversially (re)organize some trivial but important aspects of tonal architecture and modulation. his body of Pythagorean tonal doxa, however, leaves out some elementary and semiotically interesting questions. First of all, what are the grounds for the anchoring o ...
Non-Linear Piano Deluxe
... particular instrument Time Signature—two numbers, one written on top of the other, usually at the beginning of sheet music, indicating how a musician is to count that piece of music. The top number represents how many beats are in each measure; the bottom number indicates what kind of note gets one ...
... particular instrument Time Signature—two numbers, one written on top of the other, usually at the beginning of sheet music, indicating how a musician is to count that piece of music. The top number represents how many beats are in each measure; the bottom number indicates what kind of note gets one ...
Lecture 6
... The organization of all the tones and harmonies of a piece of music in relation to a a single dominating pitch tone called the tonic. Remember that all these pitch's being used always seem to continually lean toward the tonic pitch throughout the musical piece. ...
... The organization of all the tones and harmonies of a piece of music in relation to a a single dominating pitch tone called the tonic. Remember that all these pitch's being used always seem to continually lean toward the tonic pitch throughout the musical piece. ...
Music Theory 101 (Basic)
... Composers or musical arrangers arrange musical notes on the Great or Grand Staff to develop a melody and create harmony. Melody- is the successive sounding of tones that are related to each other in such a way as to make musical sense and coherence. In short, the musical tune. Harmony- is the pleasi ...
... Composers or musical arrangers arrange musical notes on the Great or Grand Staff to develop a melody and create harmony. Melody- is the successive sounding of tones that are related to each other in such a way as to make musical sense and coherence. In short, the musical tune. Harmony- is the pleasi ...
Additional Teaching Notes for Trinity College London Piano exams
... triads in bars 66 and 88. Subtleties abound: notice the semitones expanding bar by bar through tones and major thirds during the canonic bars 25–29, and the slowly descending scale (one high note every two bars) in RH accompaniment to LH tune from 81. It’s still a most exciting piece. Pedal each cho ...
... triads in bars 66 and 88. Subtleties abound: notice the semitones expanding bar by bar through tones and major thirds during the canonic bars 25–29, and the slowly descending scale (one high note every two bars) in RH accompaniment to LH tune from 81. It’s still a most exciting piece. Pedal each cho ...
Whole tone scale
... As you can see below, the 7th chord that this scale makes is a simple dominant 7#5 chord. A 7b5 chord is also possible, or a chord with both: 7#5(#11).9ths are not altered so you have to be weary of using this scale over an altered chord. The whole tone scale is the only scale that will yield a domi ...
... As you can see below, the 7th chord that this scale makes is a simple dominant 7#5 chord. A 7b5 chord is also possible, or a chord with both: 7#5(#11).9ths are not altered so you have to be weary of using this scale over an altered chord. The whole tone scale is the only scale that will yield a domi ...
Glossary Commonly Used Musical Terms and
... pitch -The highness or lowness of a musical sound, sung with do, re, mi syllables or numbers, and designated by letter names and accidentals. relative pitch - "Do" can be any pitch, and then all the other pitches are determined in relation t o t h a t "Do". repeat sign rhythm ...
... pitch -The highness or lowness of a musical sound, sung with do, re, mi syllables or numbers, and designated by letter names and accidentals. relative pitch - "Do" can be any pitch, and then all the other pitches are determined in relation t o t h a t "Do". repeat sign rhythm ...
A Mathematical and Musical Analogy in Microtonal Systems
... means of organizing pitch relationships. “The basic principle of the keyboard is that any key that is twelve half steps [the interval between any two adjacent keys] above another key produces a pitch whose frequency is exactly double that of the lower key. To the ear, these two sounds seem related, ...
... means of organizing pitch relationships. “The basic principle of the keyboard is that any key that is twelve half steps [the interval between any two adjacent keys] above another key produces a pitch whose frequency is exactly double that of the lower key. To the ear, these two sounds seem related, ...
Serial Music - Toot Hill School
... Transposed. The Prime Order would sound the same, but it would start on a different note ie. all notes would be moved up or down by the same interval / distance. Vertically. Notes of the tone row are played at the same time. Chords formed in this way are called chord clusters as the notes are often ...
... Transposed. The Prime Order would sound the same, but it would start on a different note ie. all notes would be moved up or down by the same interval / distance. Vertically. Notes of the tone row are played at the same time. Chords formed in this way are called chord clusters as the notes are often ...
File - Mr. Deininger`s Page
... 4. Never double a tendency tone. This guideline applies most frequently to the leading tone of the key (7) and to the seventh of the dominant seventh chord (4), but includes any tones that must be resolved, such as chromatic passing tones and altered tones. ...
... 4. Never double a tendency tone. This guideline applies most frequently to the leading tone of the key (7) and to the seventh of the dominant seventh chord (4), but includes any tones that must be resolved, such as chromatic passing tones and altered tones. ...
Cadences - AState.edu
... Must have the following: 1) I (root position) 2) V (root position) 3) Tonic scale degree in soprano of I chord The PAC is the strongest cadence and it is frequently found at the very end of a composition. Why is it the strongest? Because not only does the progression V-I strongly create the sense of ...
... Must have the following: 1) I (root position) 2) V (root position) 3) Tonic scale degree in soprano of I chord The PAC is the strongest cadence and it is frequently found at the very end of a composition. Why is it the strongest? Because not only does the progression V-I strongly create the sense of ...
Harmony as a Strategy for Beneficial Change by Richard A. Schultz
... While simple on the surface, the concept of a harmonious chord is complex. The same set of notes sounded in different octaves creates a suite of chords, which plays differently on the listener. A chord sounded in a low octave may be viewed as powerful; one in a middle octave as relaxing; and one in ...
... While simple on the surface, the concept of a harmonious chord is complex. The same set of notes sounded in different octaves creates a suite of chords, which plays differently on the listener. A chord sounded in a low octave may be viewed as powerful; one in a middle octave as relaxing; and one in ...
supplementaryMaterial_08Dec15
... piano, beginning on C, form a Major scale (C, D, E, F, G, A, B, C). The scale degrees form a hierarchy of stability (the tonal hierarchy), enabling notes to be used for different structural purposes throughout a musical piece (e.g., highly stable notes are more likely to occur at boundaries than uns ...
... piano, beginning on C, form a Major scale (C, D, E, F, G, A, B, C). The scale degrees form a hierarchy of stability (the tonal hierarchy), enabling notes to be used for different structural purposes throughout a musical piece (e.g., highly stable notes are more likely to occur at boundaries than uns ...
Complete Appendices
... Mediant The third note (or chord) in a major or minor scale. Melodic interval The interval created when two pitches are written or sounded consecutively. (See Harmonic interval.) Melodic minor scale In the ascending melodic minor, the sixth and seventh tones of the natural minor scale are raised a h ...
... Mediant The third note (or chord) in a major or minor scale. Melodic interval The interval created when two pitches are written or sounded consecutively. (See Harmonic interval.) Melodic minor scale In the ascending melodic minor, the sixth and seventh tones of the natural minor scale are raised a h ...
NJCCS Elements of Music
... Three-Part (Ternary) Form: A B A. During the last few centuries three-part form (A B A) has probably been used most frequently. This form can be represented as statement (A), contrast or departure (B), return (A). Two-Part (Binary) Form: A B. A composition subdivided into two large sections is in tw ...
... Three-Part (Ternary) Form: A B A. During the last few centuries three-part form (A B A) has probably been used most frequently. This form can be represented as statement (A), contrast or departure (B), return (A). Two-Part (Binary) Form: A B. A composition subdivided into two large sections is in tw ...
Guerilla Ear Training
... KNOW and instantly analyze what you are hearing >After you learn Ear Training you can... “Hear it once and PLAY IT- plus WRITE the CHART” >Learn this Vital Skill and you will become... ...
... KNOW and instantly analyze what you are hearing >After you learn Ear Training you can... “Hear it once and PLAY IT- plus WRITE the CHART” >Learn this Vital Skill and you will become... ...
Chord (music)
A chord, in music, is any harmonic set of three or more notes that is heard as if sounding simultaneously. These need not actually be played together: arpeggios and broken chords may, for many practical and theoretical purposes, constitute chords. Chords and sequences of chords are frequently used in modern Western, West African and Oceanian music, whereas they are absent from the music of many other parts of the world.In tonal Western classical music, the most frequently encountered chords are triads, so called because they consist of three distinct notes: further notes may be added to give tetrads such as seventh chords and added tone chords, as well as extended chords and tone clusters. Triads commonly found in the Western classical tradition are major, minor, augmented and diminished chords. The descriptions major, minor, augmented, and diminished are referred to collectively as chordal quality. Chords are also commonly classified by their root note—for instance, a C major triad consists of the pitch classes C, E, and G. Chords may also be classified by inversion, the way in which their pitches are vertically arranged.An ordered series of chords is called a chord progression. Although any chord may in principle be followed by any other chord, certain patterns of chords have been accepted as establishing key in common-practice harmony. To describe this, Western music theory has developed the practicing of numbering chords using Roman numerals which represent the number of diatonic steps up from the tonic note of the scale. Common ways of notating or representing chords in Western music other than conventional staff notation include Roman numerals, figured bass, macro symbols (sometimes used in modern musicology), and chord charts. Each of these systems is more likely to appear in certain contexts: figured bass notation was used prominently in notation of Baroque music, macro symbols are used in modern musicology, and chord charts are typically found in the lead sheets used in popular music.