MUSC 1000 Intro to Music
... interwoven – or how they interact with one another creates the TEXTURE of the piece – There are many different possible textures of music – similar to different fabric types ...
... interwoven – or how they interact with one another creates the TEXTURE of the piece – There are many different possible textures of music – similar to different fabric types ...
Level 9 - The Music Makers
... Know the four periods of music history in order. Know at least three composers from each period. A list of composers is on pages 161-169. When asked to name a composer from a particular period, students may use any composer's name from that period. The following composers may appear on the test: ...
... Know the four periods of music history in order. Know at least three composers from each period. A list of composers is on pages 161-169. When asked to name a composer from a particular period, students may use any composer's name from that period. The following composers may appear on the test: ...
UsefulVocabulary
... -a beat (in musical meter, one unit, e.g. one count or tap of the foot) -meter: how the beat is organized within larger patterns, with strong beats and weak beats. A “triple meter” has a repeating pattern of one strong beat and two weak beats; a “duple meter” has a pattern of alternating strong beat ...
... -a beat (in musical meter, one unit, e.g. one count or tap of the foot) -meter: how the beat is organized within larger patterns, with strong beats and weak beats. A “triple meter” has a repeating pattern of one strong beat and two weak beats; a “duple meter” has a pattern of alternating strong beat ...
Word - asboa
... The art of combining two or more melodies to be performed simultaneously and musically A cadence that sounds as if it will be final and then does not reach a definite resolution A chord with a lowered fifth interval Two or more notes sounded together which are discordant Beats per measure divisible ...
... The art of combining two or more melodies to be performed simultaneously and musically A cadence that sounds as if it will be final and then does not reach a definite resolution A chord with a lowered fifth interval Two or more notes sounded together which are discordant Beats per measure divisible ...
DeiszPresentationQ2
... Creates an array of size that was input Follows the chord progression map for a major key to fill up the entire array with random new chords ...
... Creates an array of size that was input Follows the chord progression map for a major key to fill up the entire array with random new chords ...
Musician’s Toolbox Christina Lipson ‘14 Advisor: Professor John Ridgway
... cohesive set of tools for users to train themselves in various musical skills, create their own music, analyze music, and reference musical information. These four components (Train, Create, Analyze, Reference) act as categories and each contain different musical functions. The application was built ...
... cohesive set of tools for users to train themselves in various musical skills, create their own music, analyze music, and reference musical information. These four components (Train, Create, Analyze, Reference) act as categories and each contain different musical functions. The application was built ...
Lecture 5
... as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices A piece's texture may be affected by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tem ...
... as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices A piece's texture may be affected by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tem ...
abrsm 2 - ISAS Portal
... An interval is the difference between two pitches(sounds).An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord ...
... An interval is the difference between two pitches(sounds).An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord ...
ROOTS LEVEL - Youth Music Project
... Finger Numbers on both hands Identify all of the line and space note names on the Treble Clef Play treble clef notes in c position (C, D, E, F, G) Demonstrate understanding of measure, bar lines, double bar lines, repeat, staff, treble clef Understand and demonstrate ability to follow ...
... Finger Numbers on both hands Identify all of the line and space note names on the Treble Clef Play treble clef notes in c position (C, D, E, F, G) Demonstrate understanding of measure, bar lines, double bar lines, repeat, staff, treble clef Understand and demonstrate ability to follow ...
Music Theory
... Accent – the emphasis placed on a musical sound. Meter – the aural aspect of music in which a certain number of beats are grouped together. Measure – the division of beats into defined groups separated by a bar line. Time signature – used to specify how many beats are in each measure and what no ...
... Accent – the emphasis placed on a musical sound. Meter – the aural aspect of music in which a certain number of beats are grouped together. Measure – the division of beats into defined groups separated by a bar line. Time signature – used to specify how many beats are in each measure and what no ...
Notes - Higher Music
... discord was used sparingly in music in order to add tension, and it was almost immediately followed by a concord. In the 20th century composers made greater use of discords, merging them into further discords rather than resolving them into concords. ...
... discord was used sparingly in music in order to add tension, and it was almost immediately followed by a concord. In the 20th century composers made greater use of discords, merging them into further discords rather than resolving them into concords. ...
The Overtone Series
... follows the overtone series. In other words, low pitches are separated by wider gaps than higher pitches. This is because the lower pitches have more perceptible overtones (within hearing range). A low pitch triad will therefore sound muddy (low triad on the piano). ...
... follows the overtone series. In other words, low pitches are separated by wider gaps than higher pitches. This is because the lower pitches have more perceptible overtones (within hearing range). A low pitch triad will therefore sound muddy (low triad on the piano). ...
A GUIDE TO THE TERMINOLOGY OF GERMAN HARMONY
... Guide to Terminology • xiii a major third (g in c–e b–g). With this point in mind, let us create the three secondary triads in minor by inverting their major counterparts. In C major, the tonic parallel (Tp = A minor) differs from the tonic triad (T) by a single tone, an a one whole step above the ...
... Guide to Terminology • xiii a major third (g in c–e b–g). With this point in mind, let us create the three secondary triads in minor by inverting their major counterparts. In C major, the tonic parallel (Tp = A minor) differs from the tonic triad (T) by a single tone, an a one whole step above the ...
Notes - Andre Mount
... “To generalize, the bass of an augmented 6th chord is a half step above 5 (6 in minor or b6 in major), one of the upper voices is a half step below 5, and the resolution is ton an octave on 5 as part of dominant harmony.” Aug 6th cannot occur diatonically o The sound of +6th to an octave is uniq ...
... “To generalize, the bass of an augmented 6th chord is a half step above 5 (6 in minor or b6 in major), one of the upper voices is a half step below 5, and the resolution is ton an octave on 5 as part of dominant harmony.” Aug 6th cannot occur diatonically o The sound of +6th to an octave is uniq ...
Variation
... Add notes Add a harmony – drone, bass, chord 6. Retrograde – start at the end and play backwards 7. Add a counter-melody. ...
... Add notes Add a harmony – drone, bass, chord 6. Retrograde – start at the end and play backwards 7. Add a counter-melody. ...
Music Theory answers
... Accidentals start to appear consistently or the composer writes in a key change Minor scales have up to 3 lowered pitches as compared to major scales. What is the scale degree that must be lowered for a piece to sound minor? 3 or 3rd Because our ears hear major keys as a default, what two pitches de ...
... Accidentals start to appear consistently or the composer writes in a key change Minor scales have up to 3 lowered pitches as compared to major scales. What is the scale degree that must be lowered for a piece to sound minor? 3 or 3rd Because our ears hear major keys as a default, what two pitches de ...
Theory Exercise 1.1
... As mentioned previously, the lines and spaces on the staff represent specific pitches. We now know the names of the all the natural notes, but how do we know which line or space corresponds to which of these notes? A clef is a graphical symbol placed at the beginning of the staff which indicates whi ...
... As mentioned previously, the lines and spaces on the staff represent specific pitches. We now know the names of the all the natural notes, but how do we know which line or space corresponds to which of these notes? A clef is a graphical symbol placed at the beginning of the staff which indicates whi ...
Tippett * Concerto for double string orchestra: movement I
... Glides around tonal centres, so it never loses sight of its diatonic character. However, it never fully establishes being in one key and “makes reference” instead. Tonal centres are created by melodic shapes and intervals (in particular, the opening motif, which will be explained more in Melody) ...
... Glides around tonal centres, so it never loses sight of its diatonic character. However, it never fully establishes being in one key and “makes reference” instead. Tonal centres are created by melodic shapes and intervals (in particular, the opening motif, which will be explained more in Melody) ...
Hugo Wolf`s Der Feuerreiter: Text Painting and Form
... register. In instances where F# above the “head tone” D, it should be considered as a cover tone misplaced from its obligatory register. It should also be noted that the resolution from G to F# is approached from the lower neighbor E; this interval of a minor third appears to be an significant midd ...
... register. In instances where F# above the “head tone” D, it should be considered as a cover tone misplaced from its obligatory register. It should also be noted that the resolution from G to F# is approached from the lower neighbor E; this interval of a minor third appears to be an significant midd ...
Milhaud Describes Polytonality
... us to study the possibility of superimposing several keys sounded simultaneously. Contrapuntal writing also contributes to this study. The day when canons were admitted at intervals other than the octave marked the birth of the principle of polytonality. This type of counterpoint consists in combini ...
... us to study the possibility of superimposing several keys sounded simultaneously. Contrapuntal writing also contributes to this study. The day when canons were admitted at intervals other than the octave marked the birth of the principle of polytonality. This type of counterpoint consists in combini ...
Other diatonic 7th chords
... The IV7 can be a major seventh chord (in major) and minor seventh chord (in minor) and rarely a majorminor seventh chord in the melodic minor mode. Like its triad version, the IV7 usually goes to V or viio6, and may first pass through ii(7) or I/i6/4 VI7 The VI7 can be a minor seventh chord (in majo ...
... The IV7 can be a major seventh chord (in major) and minor seventh chord (in minor) and rarely a majorminor seventh chord in the melodic minor mode. Like its triad version, the IV7 usually goes to V or viio6, and may first pass through ii(7) or I/i6/4 VI7 The VI7 can be a minor seventh chord (in majo ...
Intro to Figured Bass
... Figured bass is usually abbreviated by including just enough intervals to identify the chord. Other intervals are omitted, but the player is expected to fill them in anyway. The rationale is that squinting at too many numbers slows the performance too much, and chords can usually be written accurate ...
... Figured bass is usually abbreviated by including just enough intervals to identify the chord. Other intervals are omitted, but the player is expected to fill them in anyway. The rationale is that squinting at too many numbers slows the performance too much, and chords can usually be written accurate ...
The Common-Tone Diminished Seventh Chord 7
... which is the same as one of the notes of the 7 chord. Although the ct 7 chord may embellish any triad or dominant seventh˜ chord, it most often progresses to I or V7 in major (minor examples are rare). The ct 7 chord may be spelled˜ in any manner as long as one of the notes be the same as the root o ...
... which is the same as one of the notes of the 7 chord. Although the ct 7 chord may embellish any triad or dominant seventh˜ chord, it most often progresses to I or V7 in major (minor examples are rare). The ct 7 chord may be spelled˜ in any manner as long as one of the notes be the same as the root o ...