Tonal Harmony Chapter 15 Other Diatonic Seventh Chords
... o In minor, when the root of the submediant seventh moves up by step to rasied 7th, the 6th must be raised to avoid an interval of +2. The chord that results when 6th is raised is a half diminished seventh: #viø7 ø7 #vi usually serves as a passing chord between two chords of dominant function (V o ...
... o In minor, when the root of the submediant seventh moves up by step to rasied 7th, the 6th must be raised to avoid an interval of +2. The chord that results when 6th is raised is a half diminished seventh: #viø7 ø7 #vi usually serves as a passing chord between two chords of dominant function (V o ...
Elements of Music
... it as a bass note. Bass players can usually stick to going with the second note. Another popular chord is a suspended chord. It would be written like Asus, Dsus, Esus A suspended chord is when the 3rd is raised. An Esus would have be made up of E, A, and B This is usually used as a prolongation of t ...
... it as a bass note. Bass players can usually stick to going with the second note. Another popular chord is a suspended chord. It would be written like Asus, Dsus, Esus A suspended chord is when the 3rd is raised. An Esus would have be made up of E, A, and B This is usually used as a prolongation of t ...
Introducing Musical STYLE newx
... • HOMOPHONIC (chordal) – one melody with accompaniment. The accompaniment is usually in chords, either block chords or broken chords. In ”block” chords, the notes are all played at the same time, then either held or repeated. Organs can hold repeated notes for an indefinite time, although on stringe ...
... • HOMOPHONIC (chordal) – one melody with accompaniment. The accompaniment is usually in chords, either block chords or broken chords. In ”block” chords, the notes are all played at the same time, then either held or repeated. Organs can hold repeated notes for an indefinite time, although on stringe ...
Benward Chapter 9
... the tone on which the chord is constructed, which is the root of the triad. The note a third above the root is called the third of the triad. The fifth above the root is the fifth of the triad. Triads are named by the root and the quality of sound: thus, in the following example, a major triad built ...
... the tone on which the chord is constructed, which is the root of the triad. The note a third above the root is called the third of the triad. The fifth above the root is the fifth of the triad. Triads are named by the root and the quality of sound: thus, in the following example, a major triad built ...
Music 11, 7/20/06 Texture: Homophony and Polyphony Homophony
... the chord members for any given bass note, but common practice has led us to a kind of shorthand. For now, the above list should be memorized. In future lessons on functional harmony, these numbers might take on a more meaningful definition… Seventh Chords Seventh chords have four members: root, thi ...
... the chord members for any given bass note, but common practice has led us to a kind of shorthand. For now, the above list should be memorized. In future lessons on functional harmony, these numbers might take on a more meaningful definition… Seventh Chords Seventh chords have four members: root, thi ...
1 Elements of Music Olli F16
... progression of chords, which is part of each song’s identity, is called a chord progression. Chords usually last for a whole bar (4 beats in 4/4 time), or a half a measure (2 beats), or two measures, for four measures. There are also songs where some chords will last for just one beat, or for 16 or ...
... progression of chords, which is part of each song’s identity, is called a chord progression. Chords usually last for a whole bar (4 beats in 4/4 time), or a half a measure (2 beats), or two measures, for four measures. There are also songs where some chords will last for just one beat, or for 16 or ...
Glossary
... higher-sounding instruments, such as the treble recorder, or the clef used when notating highersounding parts, the treble clef. ...
... higher-sounding instruments, such as the treble recorder, or the clef used when notating highersounding parts, the treble clef. ...
Music Basics Study Guide
... Beat – the steady pulse behind all music Rhythm – the patterns of sound and silence in music Note – a symbol used for a musical tone Pitch – how high or low a note is sounded Melody – the catchy, main tune of a song Harmony – pitches that support the melody Timbre – the tone quality of ...
... Beat – the steady pulse behind all music Rhythm – the patterns of sound and silence in music Note – a symbol used for a musical tone Pitch – how high or low a note is sounded Melody – the catchy, main tune of a song Harmony – pitches that support the melody Timbre – the tone quality of ...
supplementaryMaterial_08Dec15
... piano, beginning on C, form a Major scale (C, D, E, F, G, A, B, C). The scale degrees form a hierarchy of stability (the tonal hierarchy), enabling notes to be used for different structural purposes throughout a musical piece (e.g., highly stable notes are more likely to occur at boundaries than uns ...
... piano, beginning on C, form a Major scale (C, D, E, F, G, A, B, C). The scale degrees form a hierarchy of stability (the tonal hierarchy), enabling notes to be used for different structural purposes throughout a musical piece (e.g., highly stable notes are more likely to occur at boundaries than uns ...
Music Glossary - Trenton Public Schools
... Convenient method of numbering a composer’s works where a number follows the word “opus”. For example, Opus 28, ...
... Convenient method of numbering a composer’s works where a number follows the word “opus”. For example, Opus 28, ...
as a PDF
... All part-writing and analysis exercises may be labelled using the abbreviations for each function. Figure 2 gives an example of some of these labels. Each chord should be marked with its harmonic function followed by the bass scale degree. For secondary dominants and modulations, add a slash and the ...
... All part-writing and analysis exercises may be labelled using the abbreviations for each function. Figure 2 gives an example of some of these labels. Each chord should be marked with its harmonic function followed by the bass scale degree. For secondary dominants and modulations, add a slash and the ...
The Baroque 1/4
... Progressions involving roots rising a 3rd, e.g., I – iii Weak progressions: The consecutives rule The most difficult progressions to handle are those that rise or fall by step. There is a danger of consecutive fifths and octaves, so there has to be some contrary motion. The rule of no consecutives r ...
... Progressions involving roots rising a 3rd, e.g., I – iii Weak progressions: The consecutives rule The most difficult progressions to handle are those that rise or fall by step. There is a danger of consecutive fifths and octaves, so there has to be some contrary motion. The rule of no consecutives r ...
MUSC 101 – Introduction to Music Study Guide
... Minor Scale - A seven tone pattern first distinguished from the Major scale by its third tone which is a half-step lower in pitch than in the major scale. Songs in a Minor keys often sound serious or melancholy, such as: Greensleeves, Eleanor Rigby, Scarborough Fair, and many traditional blues and ' ...
... Minor Scale - A seven tone pattern first distinguished from the Major scale by its third tone which is a half-step lower in pitch than in the major scale. Songs in a Minor keys often sound serious or melancholy, such as: Greensleeves, Eleanor Rigby, Scarborough Fair, and many traditional blues and ' ...
Higher Concepts - Garnock Academy
... A cadence is formed by two chords at the end of a phrase. A plagal cadence is the subdominant to tonic chords ( IV–I ). In the key of C major, chords F to C. A cadence is formed by two chords at the end of a phrase. An interrupted cadence is usually formed by the chords V–VI. (In the key of C major, ...
... A cadence is formed by two chords at the end of a phrase. A plagal cadence is the subdominant to tonic chords ( IV–I ). In the key of C major, chords F to C. A cadence is formed by two chords at the end of a phrase. An interrupted cadence is usually formed by the chords V–VI. (In the key of C major, ...
Higher Concepts - Dunblane High School Music Website
... A cadence is formed by two chords at the end of a phrase. A plagal cadence is the subdominant to tonic chords ( IV–I ). In the key of C major, chords F to C. A cadence is formed by two chords at the end of a phrase. An interrupted cadence is usually formed by the chords V–VI. (In the key of C major, ...
... A cadence is formed by two chords at the end of a phrase. A plagal cadence is the subdominant to tonic chords ( IV–I ). In the key of C major, chords F to C. A cadence is formed by two chords at the end of a phrase. An interrupted cadence is usually formed by the chords V–VI. (In the key of C major, ...
Higher Concepts Higher Music Listening 2014 Onwards Music
... A cadence is formed by two chords at the end of a phrase. A plagal cadence is the subdominant to tonic chords ( IV–I ). In the key of C major, chords F to C. A cadence is formed by two chords at the end of a phrase. An interrupted cadence is usually formed by the chords V–VI. (In the key of C major, ...
... A cadence is formed by two chords at the end of a phrase. A plagal cadence is the subdominant to tonic chords ( IV–I ). In the key of C major, chords F to C. A cadence is formed by two chords at the end of a phrase. An interrupted cadence is usually formed by the chords V–VI. (In the key of C major, ...
View printable PDF of 2.2 Roman numerals
... - diminished = lower case roman numeral with a small circle, like vii° ...
... - diminished = lower case roman numeral with a small circle, like vii° ...
FIGURED BASS Figured bass symbols indicate intervals above the
... 2. Key signatures apply to figures as well as notes. ...
... 2. Key signatures apply to figures as well as notes. ...
FREE - James Buckham
... or the 10-seconds you have on a gig to learn the form and changes to a tune that you’ve never played before from the other musicians! And how about learning just out of pure curiosity? Music theory is the back side of the world’s most intricate, beautifully crafted pocket watch and it can be really ...
... or the 10-seconds you have on a gig to learn the form and changes to a tune that you’ve never played before from the other musicians! And how about learning just out of pure curiosity? Music theory is the back side of the world’s most intricate, beautifully crafted pocket watch and it can be really ...
Statistical analysis of a music database to investigate historical
... Not always parallel motion E.g. phrase in parallel 5ths, cadence: 5th à 3rd à unison ...
... Not always parallel motion E.g. phrase in parallel 5ths, cadence: 5th à 3rd à unison ...