Learning Outcome
... Introduction to power chords Understanding of time signatures and sub-divisions up to eighth notes How to read tablature How to read standard notation Performance of basic tune How to play and identify the natural notes on all six strings to the third fret. The concepts of 3/4 and 4/4 time, pickup n ...
... Introduction to power chords Understanding of time signatures and sub-divisions up to eighth notes How to read tablature How to read standard notation Performance of basic tune How to play and identify the natural notes on all six strings to the third fret. The concepts of 3/4 and 4/4 time, pickup n ...
View printable PDF of 2.2 Roman numerals
... - diminished = lower case roman numeral with a small circle, like vii° Seventh chords: - major seventh = uppercase with M7 - major-minor seventh = uppercase with 7 - minor seventh = lower case with 7 - half-diminished seventh = lowercase with a slashed circle and 7 - fully-diminished seventh = lower ...
... - diminished = lower case roman numeral with a small circle, like vii° Seventh chords: - major seventh = uppercase with M7 - major-minor seventh = uppercase with 7 - minor seventh = lower case with 7 - half-diminished seventh = lowercase with a slashed circle and 7 - fully-diminished seventh = lower ...
modern jazz techniques
... have no obvious relationship. Another unaccompanied section with triplet diminished patterns in measures 44 to 48 prepares for the bridge of the second chorus. By this point, Hancock introduces more left-hand chords, breaks out of the almost constant triplet eighth notes that he has used for most of ...
... have no obvious relationship. Another unaccompanied section with triplet diminished patterns in measures 44 to 48 prepares for the bridge of the second chorus. By this point, Hancock introduces more left-hand chords, breaks out of the almost constant triplet eighth notes that he has used for most of ...
Music Music Functions: Physical
... previously stated themes helps the audience draw relationships among the characters and events in the film; gives the film a unified personality of its own. ...
... previously stated themes helps the audience draw relationships among the characters and events in the film; gives the film a unified personality of its own. ...
Symbolic Music Representations
... minor third or an augmented second. The spelling comes from the role an interval plays as part of a scale as well as the historical tuning practice of having different frequency ratios for enharmonic intervals. ...
... minor third or an augmented second. The spelling comes from the role an interval plays as part of a scale as well as the historical tuning practice of having different frequency ratios for enharmonic intervals. ...
Summary of Tonal Harmony - Leon Couch`s Course Listings
... with a RN for the pedal point and with figured bass showing the voice-leading above. Put any shimmering harmonies above the pedal point in parentheses. CH13–15 Seventh chords 1. The seventh of a chord must resolve downwards by step in the next harmony. 2. Whenever possible, the seventh of the chord ...
... with a RN for the pedal point and with figured bass showing the voice-leading above. Put any shimmering harmonies above the pedal point in parentheses. CH13–15 Seventh chords 1. The seventh of a chord must resolve downwards by step in the next harmony. 2. Whenever possible, the seventh of the chord ...
MUL 2010 “Enjoyment of Music
... Some Useful Terms related to Pitch • Interval – “distance” between 2 pitches • Octave – 2:1 ratio of frequency • Tonality – organization around home pitch • Tonic – the home pitch • Key – collection of pitches around a tonal center • Scale – set of pitches in ascending and descending order (scala [ ...
... Some Useful Terms related to Pitch • Interval – “distance” between 2 pitches • Octave – 2:1 ratio of frequency • Tonality – organization around home pitch • Tonic – the home pitch • Key – collection of pitches around a tonal center • Scale – set of pitches in ascending and descending order (scala [ ...
AP Music Theory
... Natural – cancels a previously used accidental Figure 1.10 – Use of Accidentals Scale – series of eight pitches using eight consecutive letter names extending from a given pitch to its octave, ascending or descending. Consists of whole steps and half steps – it is the location of the half steps with ...
... Natural – cancels a previously used accidental Figure 1.10 – Use of Accidentals Scale – series of eight pitches using eight consecutive letter names extending from a given pitch to its octave, ascending or descending. Consists of whole steps and half steps – it is the location of the half steps with ...
Slide 1
... Firstly let’s examine the texture. The work is scored (written) for full orchestra and yet the textures that Copland creates are usually quite transparent with the important musical material never being obscured by other parts despite the density of the instrumentation. In this way the music reflect ...
... Firstly let’s examine the texture. The work is scored (written) for full orchestra and yet the textures that Copland creates are usually quite transparent with the important musical material never being obscured by other parts despite the density of the instrumentation. In this way the music reflect ...
Diatonic Modal Scales - Andrew Thompson Music
... understanding of them is vital to understanding musical composition and song structures. Diatonic means “Related to the Major Scale” and you should be familiar with the 12 Major keys and be able to interpret them freely on the guitar, because modal scales depend entirely upon the Major Scale. There ...
... understanding of them is vital to understanding musical composition and song structures. Diatonic means “Related to the Major Scale” and you should be familiar with the 12 Major keys and be able to interpret them freely on the guitar, because modal scales depend entirely upon the Major Scale. There ...
Lecture 5
... as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices A piece's texture may be affected by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tem ...
... as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices A piece's texture may be affected by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tem ...
Major Diatonic Chords
... We now have the following triad types: 1. The i and iv triads are minor (minor third + major third). 2. The III, V and VI are major triads. The III and VI are naturally major triads (that is, just by using notes from the scale they automatically come out as major triads). The V triad, however, would ...
... We now have the following triad types: 1. The i and iv triads are minor (minor third + major third). 2. The III, V and VI are major triads. The III and VI are naturally major triads (that is, just by using notes from the scale they automatically come out as major triads). The V triad, however, would ...
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... treatments of this Standard. Typically, this piece is played in Eb major (if we go by the final cadence of the piece), however Berlin's piano part is in the key of F major. However, we will see in the Harmonic and Melodic aspects of this tune that this piece moves between relative major and minor ke ...
... treatments of this Standard. Typically, this piece is played in Eb major (if we go by the final cadence of the piece), however Berlin's piano part is in the key of F major. However, we will see in the Harmonic and Melodic aspects of this tune that this piece moves between relative major and minor ke ...
- MusicTeachers.co.uk
... evident in his mature piano works written after 1900, with their exploration of the instrument's percussive bell- and gong-like sonorities. Harmonically, Debussy's music incorporates both modality and tonality (earlier French composers such as Fauré had used modal aspects in their works) and he is r ...
... evident in his mature piano works written after 1900, with their exploration of the instrument's percussive bell- and gong-like sonorities. Harmonically, Debussy's music incorporates both modality and tonality (earlier French composers such as Fauré had used modal aspects in their works) and he is r ...
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musical texture
... With some intervals, notes blend naturally together to create a pleasing or consonant sound. Other intervals create a more jarring or dissonant sound. Both consonant and dissonant intervals are used in music, ideally in a balanced way. Chords are built from the combination of intervals formed by pla ...
... With some intervals, notes blend naturally together to create a pleasing or consonant sound. Other intervals create a more jarring or dissonant sound. Both consonant and dissonant intervals are used in music, ideally in a balanced way. Chords are built from the combination of intervals formed by pla ...
Brief background The tonal hierarchy The first probe tone study
... à Context used: Complete scales Tonic triads Three different chord cadences sounded in both major and minor keys to see whether analogous patterns would be found for the two modes a variety of different tonal centers or keys were used to make sure that our findings in the first experim ...
... à Context used: Complete scales Tonic triads Three different chord cadences sounded in both major and minor keys to see whether analogous patterns would be found for the two modes a variety of different tonal centers or keys were used to make sure that our findings in the first experim ...
View printable PDF of 6.7 Contemporary Chords and Harmonic
... Mixed-interval chord = No single interval type dominates the voicing. When analyzing these, discuss the overall interval structure. Which interval(s) occur the most? Is there a pattern to the structure? Revoicing: Often a sonority can be revoiced (reordered) to emphasize different intervals. For ins ...
... Mixed-interval chord = No single interval type dominates the voicing. When analyzing these, discuss the overall interval structure. Which interval(s) occur the most? Is there a pattern to the structure? Revoicing: Often a sonority can be revoiced (reordered) to emphasize different intervals. For ins ...
Tonality
Tonality is a musical system in which pitches or chords are arranged so as to induce a hierarchy of perceived relations, stabilities, and attractions. The pitch or chord with the greatest stability is called the tonic. The most common use of the term ""is to designate the arrangement of musical phenomena around a referential tonic in European music from about 1600 to about 1910"" (Hyer 2001). While today classical musics may practice or avoid any sort of tonality, harmony in popular musics remains tonal in some sense, and harmony in folk and jazz musics include many, if not all, modal or tonal characteristics, while having different properties from common-practice classical music.""All harmonic idioms in popular music are tonal, and none is without function"" (Tagg 2003, 534).""Tonality is an organized system of tones (e.g., the tones of a major or minor scale) in which one tone (the tonic) becomes the central point to which the remaining tones are related. In tonality, the tonic (tonal center) is the tone of complete relaxation, the target toward which other tones lead"" (Benward & Saker 2003, 36).""Tonal music is music that is unified and dimensional. Music is unified if it is exhaustively referable to a precompositional system generated by a single constructive principle derived from a basic scale-type; it is dimensional if it can nonetheless be distinguished from that precompositional ordering"" (Pitt 1995, 299).The term tonalité originated with Alexandre-Étienne Choron (1810) and was borrowed by François-Joseph Fétis in 1840 (Reti 1958,; Simms 1975, 119; Judd 1998a, 5; Heyer 2001; Brown 2005, xiii). According to Carl Dahlhaus, however, the term tonalité was only coined by Castil-Blaze in 1821 (Dahlhaus 1967, 960; Dahlhaus 1980, 51).Although Fétis used it as a general term for a system of musical organization and spoke of types de tonalités rather than a single system, today the term is most often used to refer to major–minor tonality, the system of musical organization of the common practice period. Major-minor tonality is also called harmonic tonality, diatonic tonality, common practice tonality, functional tonality, or just tonality.