Elements of Music - La Salle University
... • High or low sounds (notes) • Melody - the “tune”. A series of pitches heard one at a time. • Motive - a short, instantly recognizable idea. Like a musical "word". Usually, a melody consists of several motives. ...
... • High or low sounds (notes) • Melody - the “tune”. A series of pitches heard one at a time. • Motive - a short, instantly recognizable idea. Like a musical "word". Usually, a melody consists of several motives. ...
Attachment - SAI Region 16
... volume should decrease. The same is true of the overall elevation of the chords. The higher and “tighter” the chord, the more likely you are to choose loud. Chord voicing has a direct impact on the “singability” of the dynamic plan. Overall, it’s easier to sing louder on closed rather than open voic ...
... volume should decrease. The same is true of the overall elevation of the chords. The higher and “tighter” the chord, the more likely you are to choose loud. Chord voicing has a direct impact on the “singability” of the dynamic plan. Overall, it’s easier to sing louder on closed rather than open voic ...
A Wonderful Savior
... If you can sing at all, you can sing this scale. The tones of this scale and the syllables we use for the names of those tones have forever been immortalized in "DO-RE-MI" by Rogers and Hammerstein in The Sound of Music. Just as that song was used to teach the children to sing, those same syllables ...
... If you can sing at all, you can sing this scale. The tones of this scale and the syllables we use for the names of those tones have forever been immortalized in "DO-RE-MI" by Rogers and Hammerstein in The Sound of Music. Just as that song was used to teach the children to sing, those same syllables ...
RATIOS AND MUSICAL INTERVALS We like to think of an interval
... set of downward intervals = {x ∈ R | 0 < x < 1} = (0, 1) set of upward intervals = {x ∈ R | 1 < x} = (0, ∞) The interval created when f1 = f2 will here be called the unison interval. It is given by the ratio f : f (for any f ∈ R+ ), whcich corresponds via ϕ to the number 1. Each interval f1 : f2 has ...
... set of downward intervals = {x ∈ R | 0 < x < 1} = (0, 1) set of upward intervals = {x ∈ R | 1 < x} = (0, ∞) The interval created when f1 = f2 will here be called the unison interval. It is given by the ratio f : f (for any f ∈ R+ ), whcich corresponds via ϕ to the number 1. Each interval f1 : f2 has ...
VAN TECH MUSIC MUSIC THEORY LEARNING GUIDE Level IIA
... F♯ C♯ and G♯, then one semitone up from G♯ is A and therefore the key signature would be A Major. ...
... F♯ C♯ and G♯, then one semitone up from G♯ is A and therefore the key signature would be A Major. ...
Is the Musical Scale and Arithmetic or Geometric
... Netherlands. Among the demonstrations is a musical scale with pitches based on an arithmetic sequence, and a musical scale with pitches based on a geometric sequence. The demo is called “Logarithmic and linear frequency scales.” If you are still not sure whether the scale is arithmetic or geometric, ...
... Netherlands. Among the demonstrations is a musical scale with pitches based on an arithmetic sequence, and a musical scale with pitches based on a geometric sequence. The demo is called “Logarithmic and linear frequency scales.” If you are still not sure whether the scale is arithmetic or geometric, ...
GCSE Music Revision Guide
... Inversions: Triads can be described as being in root position, 1st inversion and second inversion. Chords of four notes can have a third inversion. ...
... Inversions: Triads can be described as being in root position, 1st inversion and second inversion. Chords of four notes can have a third inversion. ...
12 Bar Blues - Harris Girls` Academy East Dulwich
... The ‘call and response’ type singing came from the African slaves’ homeland. Blues musicians use the ‘call and response’ style in their performances by making the ‘call’ made by the singer who sings the first half of each line and the ‘response’ is made by the guitarist or other instrumentalist. On ...
... The ‘call and response’ type singing came from the African slaves’ homeland. Blues musicians use the ‘call and response’ style in their performances by making the ‘call’ made by the singer who sings the first half of each line and the ‘response’ is made by the guitarist or other instrumentalist. On ...
2. Elements of Music - Expectations
... Relates to the unique quality of sounds that allows us to distinguish between them ( male voice versus female, clarinet versus trumpet ALSO CALLED TONE COLOUR ...
... Relates to the unique quality of sounds that allows us to distinguish between them ( male voice versus female, clarinet versus trumpet ALSO CALLED TONE COLOUR ...
UNIT 1: ELEMENTS
... second. The smaller the vibrating object, the faster is vibrations Sound that has a definite pitch is called a tone The distance in pitch between any two tones is called an interval. ...
... second. The smaller the vibrating object, the faster is vibrations Sound that has a definite pitch is called a tone The distance in pitch between any two tones is called an interval. ...
"Chinese Harmony" and Contemporary Non-Tonal Music
... The notion of chord has carried with it much historical baggage, in particular, the following ideas: each chord has a single tone that is privileged as root; each note of a chord is consonant or, if dissonant (e.g., a seventh above the root), implies a particular resolution. By contrast, in non-tona ...
... The notion of chord has carried with it much historical baggage, in particular, the following ideas: each chord has a single tone that is privileged as root; each note of a chord is consonant or, if dissonant (e.g., a seventh above the root), implies a particular resolution. By contrast, in non-tona ...
Pavan and Galliard - 8 Key Facts
... not used. A scale tell us which notes we are allowed to use. The are many different types of scales and each has a different and distinct sound. Two of the most common types of scales are major scales and minor scales. Some people say minor scales sound sad and major scales sound happy. Major and Mi ...
... not used. A scale tell us which notes we are allowed to use. The are many different types of scales and each has a different and distinct sound. Two of the most common types of scales are major scales and minor scales. Some people say minor scales sound sad and major scales sound happy. Major and Mi ...
Elements of Music PowerPoint
... • Up above the world so high • Like a diamond in the sky………..(B) • Twinkle, Twinkle little star • How I wonder what you…………..(A) ...
... • Up above the world so high • Like a diamond in the sky………..(B) • Twinkle, Twinkle little star • How I wonder what you…………..(A) ...
Hearing Math and Seeing Music: a Workshop on Pitch Perception
... depend on the starting pitch. In D-based quarter-comma meantone tuning, for example, the fifth from D to A is close to perfect, but the fifth from G# to D# is far too wide. A keyboard tuned in that system will sound beautiful in the key of D but terrible in the key of G#. If a composer didn’t care a ...
... depend on the starting pitch. In D-based quarter-comma meantone tuning, for example, the fifth from D to A is close to perfect, but the fifth from G# to D# is far too wide. A keyboard tuned in that system will sound beautiful in the key of D but terrible in the key of G#. If a composer didn’t care a ...
Iteractive Music - University of South Carolina
... – Hypertext navigation provides non-linear access to materials – Access to related work by other authors ...
... – Hypertext navigation provides non-linear access to materials – Access to related work by other authors ...
Baroque Music and the Doctrine of Affections
... Affections governed musical composition through the musical elements of intervals, key, and tempo. ...
... Affections governed musical composition through the musical elements of intervals, key, and tempo. ...
Musical characteristics, Melody and Harmony
... Explain and summarise the extract in about 3 sentences (speaking). Answer any questions Student A might have. Listen to Student A’s explanation of his/her extract and ask some questions about it. ...
... Explain and summarise the extract in about 3 sentences (speaking). Answer any questions Student A might have. Listen to Student A’s explanation of his/her extract and ask some questions about it. ...
T-SYSTEM Savio Santoro* The Brazilian composer Tacuchian (b
... decided to insert both major and minor thirds and sixths, which would characterize it as neither major nor minor. Since the root relationship between dominant and tonic is one of the intervals that most characterize the tonal scale, the composer abolished the perfect fifth above the first degree of ...
... decided to insert both major and minor thirds and sixths, which would characterize it as neither major nor minor. Since the root relationship between dominant and tonic is one of the intervals that most characterize the tonal scale, the composer abolished the perfect fifth above the first degree of ...
Scale Degrees - Co
... been asked to count backward from the Tonic. C/B/A/G/F/E/D A simple numbering of the scale is how 3rds, 5ths and 7ths are found. If we count backward from our Tonic, F is the 5th below the Tonic. While the Subdominant can also bo considered a 4th above the Tonic and recognize the 5th below element a ...
... been asked to count backward from the Tonic. C/B/A/G/F/E/D A simple numbering of the scale is how 3rds, 5ths and 7ths are found. If we count backward from our Tonic, F is the 5th below the Tonic. While the Subdominant can also bo considered a 4th above the Tonic and recognize the 5th below element a ...
Fundamentals of Music G9-12
... As long as you reproduce the whole/half step pattern, you create a major scale from any pitch. Ancient Greeks, especially Plato, saw a strong connection between musical scales and human emotions. Musical scales are more than just ‘schemes of pitches’. The pentatonic scale is the basis for most of th ...
... As long as you reproduce the whole/half step pattern, you create a major scale from any pitch. Ancient Greeks, especially Plato, saw a strong connection between musical scales and human emotions. Musical scales are more than just ‘schemes of pitches’. The pentatonic scale is the basis for most of th ...
AP THEORY_files/Notation
... • A dot lengthens the note by half its value • A double dot lengthens the note by half the value of the ...
... • A dot lengthens the note by half its value • A double dot lengthens the note by half the value of the ...
Intro to Figured Bass
... The bass is the foundation of harmonic structure. Figured bass symbols are used to indicate the bass positions of chords. The practice is derived from Baroque keyboard music where the player read from a part consisting of a bass line and some numerical symbols that indicated what chord was to be pla ...
... The bass is the foundation of harmonic structure. Figured bass symbols are used to indicate the bass positions of chords. The practice is derived from Baroque keyboard music where the player read from a part consisting of a bass line and some numerical symbols that indicated what chord was to be pla ...
1. Historical definitions.
... treatment of dissonances, two factors can be distinguished, just as in counterpoint at an earlier date. These factors are in themselves abstract, but their combined effect forms the basis from which actual composition proceeds. One of these is constructional technique, the other the regulation of re ...
... treatment of dissonances, two factors can be distinguished, just as in counterpoint at an earlier date. These factors are in themselves abstract, but their combined effect forms the basis from which actual composition proceeds. One of these is constructional technique, the other the regulation of re ...
Aspects of mathematics and music in Ancient Greece
... mathematics and a musical interval is not perceived as a musical entity but as a ratio consisting exclusively from whole numbers, Aristoxenus’ prime criterion for the musical phenomena was the ear. For him “music consisted of sounds structurally organized within a soundspace, and the function of the ...
... mathematics and a musical interval is not perceived as a musical entity but as a ratio consisting exclusively from whole numbers, Aristoxenus’ prime criterion for the musical phenomena was the ear. For him “music consisted of sounds structurally organized within a soundspace, and the function of the ...
Harmony
In music, harmony is the use of simultaneous pitches (tones, notes), or chords. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Harmony is often said to refer to the ""vertical"" aspect of music, as distinguished from melodic line, or the ""horizontal"" aspect. Counterpoint, which refers to the interweaving of melodic lines, and polyphony, which refers to the relationship of separate independent voices, are thus sometimes distinguished from harmony.In popular and jazz harmony, chords are named by their root plus various terms and characters indicating their qualities. In many types of music, notably baroque, romantic, modern, and jazz, chords are often augmented with ""tensions"". A tension is an additional chord member that creates a relatively dissonant interval in relation to the bass. Typically, in the classical common practice period a dissonant chord (chord with tension) ""resolves"" to a consonant chord. Harmonization usually sounds pleasant to the ear when there is a balance between the consonant and dissonant sounds. In simple words, that occurs when there is a balance between ""tense"" and ""relaxed"" moments.