Part 1 2016 AKFinal Assesment Winds
... 1. Understanding foreign languages is very important to a comprehensive musician. Many languages such as Latin, German, French, and Italian are present in the musical repertoire. Trumpet players must know that the term “con sordino” means “with mute.” Percussion must know that the term “senza ...
... 1. Understanding foreign languages is very important to a comprehensive musician. Many languages such as Latin, German, French, and Italian are present in the musical repertoire. Trumpet players must know that the term “con sordino” means “with mute.” Percussion must know that the term “senza ...
Alternative Neo-Riemannian Approaches to Carl Nielsen
... same position category. The basic pattern of the regular cadence consists of a chord sequence whose fundamentals are analogous to a row of descending pure fifths; tonic, T, correspond to first position category, D the second, the dominants dominant, DD, to the third, the dominant of DD correspond to t ...
... same position category. The basic pattern of the regular cadence consists of a chord sequence whose fundamentals are analogous to a row of descending pure fifths; tonic, T, correspond to first position category, D the second, the dominants dominant, DD, to the third, the dominant of DD correspond to t ...
Generalizing Messiaen`s Modes of Limited Transposition to
... musical language. Concerning the latter aspect, the interest in ancient Greek music and exotic modes was already clear in his early compositions. For instance, while a student he experimented with his theories about new music modes in his first published works, Eight Preludes for piano, and througho ...
... musical language. Concerning the latter aspect, the interest in ancient Greek music and exotic modes was already clear in his early compositions. For instance, while a student he experimented with his theories about new music modes in his first published works, Eight Preludes for piano, and througho ...
Generalizing Messiaen`s Modes of Limited Transposition to a n
... musical language. Concerning the latter aspect, the interest in ancient Greek music and exotic modes was already clear in his early compositions. For instance, while a student he experimented with his theories about new music modes in his first published works, Eight Preludes for piano, and througho ...
... musical language. Concerning the latter aspect, the interest in ancient Greek music and exotic modes was already clear in his early compositions. For instance, while a student he experimented with his theories about new music modes in his first published works, Eight Preludes for piano, and througho ...
Music Chapter 7 new whole chapter New edit 2014sp
... Ebb & Flow of Tides Spend time sleeping! TextureCycle of the Moon Eat at certain intevals of time Cycle of the Sun ...
... Ebb & Flow of Tides Spend time sleeping! TextureCycle of the Moon Eat at certain intevals of time Cycle of the Sun ...
music terminology
... Forte (f) - loud Fortissimo (ff) - very loud e, et, ed: Meaning "and" Enharmonic: The same pitch given two different letter names, e.g., e natural and f flat Espressivo: With expression Fermata: A sign that indicates the note or rest over which it is placed is to be prolonged Fine: The end Forzando ...
... Forte (f) - loud Fortissimo (ff) - very loud e, et, ed: Meaning "and" Enharmonic: The same pitch given two different letter names, e.g., e natural and f flat Espressivo: With expression Fermata: A sign that indicates the note or rest over which it is placed is to be prolonged Fine: The end Forzando ...
The Great Highland Bagpipe Plays in WHAT Key?
... sounding together are heard as a consonance (a smooth, pleasant combination of notes.) • This occurs when the ratio of their frequencies is a fraction with small integers in the numerator and denominator. ...
... sounding together are heard as a consonance (a smooth, pleasant combination of notes.) • This occurs when the ratio of their frequencies is a fraction with small integers in the numerator and denominator. ...
Bridges workshop worksheet
... The 3 : 2 and 2 : 1 ratios give us a way to find the frequencies of the 12 notes of the scale starting with one frequency. We’ll call tuning using just these intervals Pythagorean tuning. 2. Starting with any frequency you want (A=440 or 220 is canonical, but you can use anything you’d like), use A ...
... The 3 : 2 and 2 : 1 ratios give us a way to find the frequencies of the 12 notes of the scale starting with one frequency. We’ll call tuning using just these intervals Pythagorean tuning. 2. Starting with any frequency you want (A=440 or 220 is canonical, but you can use anything you’d like), use A ...
Programming an Emotion-Based Original Music Generator through
... generator no small amount of trouble for some time. Chords are generally a series of three notes played in unison; as such, the harmony in these specific notes is essential to their appreciation. In order to correctly select these three notes (though the program could also play two notes together), ...
... generator no small amount of trouble for some time. Chords are generally a series of three notes played in unison; as such, the harmony in these specific notes is essential to their appreciation. In order to correctly select these three notes (though the program could also play two notes together), ...
File
... Demonstrate the expressive elements of music – including melody, harmony, rhythm, style, genre, texture, instrumentation, mood, tonality, and form – through playing musical instruments. Perform music with appropriate technique and level of expression at an appropriate level of difficulty in sight re ...
... Demonstrate the expressive elements of music – including melody, harmony, rhythm, style, genre, texture, instrumentation, mood, tonality, and form – through playing musical instruments. Perform music with appropriate technique and level of expression at an appropriate level of difficulty in sight re ...
Twelve-tone Serialism: Exploring the Works of Anton Webern
... opposites!” The truth is that mathematics and music have much more in common than most people, including me, understand. There have been at least two books written as extensions of lecture notes for university classes about this connection between math and music. One was written by David Wright at W ...
... opposites!” The truth is that mathematics and music have much more in common than most people, including me, understand. There have been at least two books written as extensions of lecture notes for university classes about this connection between math and music. One was written by David Wright at W ...
Twelve-tone Serialism: Exploring the Works of Anton Webern
... opposites!” The truth is that mathematics and music have much more in common than most people, including me, understand. There have been at least two books written as extensions of lecture notes for university classes about this connection between math and music. One was written by David Wright at W ...
... opposites!” The truth is that mathematics and music have much more in common than most people, including me, understand. There have been at least two books written as extensions of lecture notes for university classes about this connection between math and music. One was written by David Wright at W ...
course content - Walker County Schools
... Compose an eight-measure melody based on a diatonic scale and written in the practical playing range of an instrument. Transposing a melody into a different key Demonstrate conducting patterns of four, three, and two beats per measure; entrance cues; and cutoffs Identify characteristics of various ...
... Compose an eight-measure melody based on a diatonic scale and written in the practical playing range of an instrument. Transposing a melody into a different key Demonstrate conducting patterns of four, three, and two beats per measure; entrance cues; and cutoffs Identify characteristics of various ...
Elements of Music (Word Examples)
... The grouping of beats into larger, regular patterns, notated as measures. In simple meters, such as duple, triple, and quadruple, each beat subdivides into two; in compound meters, such as sextuple, each beat divides into three. ...
... The grouping of beats into larger, regular patterns, notated as measures. In simple meters, such as duple, triple, and quadruple, each beat subdivides into two; in compound meters, such as sextuple, each beat divides into three. ...
example - davenantperformingarts
... which is similar to my piece however mine also uses a bass guitar. The piano part plays chords with use of ad libbing also which I also do in my composition. Chariot also begins with a short piano introduction before the other instruments join in however when all the instruments begin to play the ...
... which is similar to my piece however mine also uses a bass guitar. The piano part plays chords with use of ad libbing also which I also do in my composition. Chariot also begins with a short piano introduction before the other instruments join in however when all the instruments begin to play the ...
Chapter One Introduction to Quarter
... accidentals to use throughout this dissertation. In my musical examples, I use the accidental signs shown in Example 1.8, transcribing each composer’s individual notation into my chosen notation. The reversed flat sign (y) represents one quarter tone flat; the conventional flat sign, two quarter ton ...
... accidentals to use throughout this dissertation. In my musical examples, I use the accidental signs shown in Example 1.8, transcribing each composer’s individual notation into my chosen notation. The reversed flat sign (y) represents one quarter tone flat; the conventional flat sign, two quarter ton ...
National 4 Concepts
... The bass guitar is pitched lower than a guitar. It is an electric string instrument and has only four strings, two fewer than an electric guitar. It needs to be plugged into an amplifier to be heard. ...
... The bass guitar is pitched lower than a guitar. It is an electric string instrument and has only four strings, two fewer than an electric guitar. It needs to be plugged into an amplifier to be heard. ...
Seventh Chords
... The method of approach to harmonization of the chorale remains unchanged. The student must first approach the harmonization as if he intended to use triads. After the framework is decided upon, the fourvoice solution may be worked into a contrapuntal harmonic style – an increased melodic inter ...
... The method of approach to harmonization of the chorale remains unchanged. The student must first approach the harmonization as if he intended to use triads. After the framework is decided upon, the fourvoice solution may be worked into a contrapuntal harmonic style – an increased melodic inter ...
12 Scale- A scale is a series of pitches in ascending order, such as
... scales, which differ in how many different pitch names they use, and in the pattern of steps they create. Often scales are named both by the starting letter and the pattern of steps. Diatonic scale- A diatonic scale uses all 7 pitch names once each until the octave is reached. Major Scale- Major sca ...
... scales, which differ in how many different pitch names they use, and in the pattern of steps they create. Often scales are named both by the starting letter and the pattern of steps. Diatonic scale- A diatonic scale uses all 7 pitch names once each until the octave is reached. Major Scale- Major sca ...
6. Michael Tippett Concerto for double string orchestra: movement I
... and supports the tonality – there are few instances where a new tonic is preceded by a dominant for example (bb.904-91 is a rare case, where the bass moving from dominant to tonic establishes the tonal centre as it plunges from C to F, but even here it is a minor chord on C that precedes the new key ...
... and supports the tonality – there are few instances where a new tonic is preceded by a dominant for example (bb.904-91 is a rare case, where the bass moving from dominant to tonic establishes the tonal centre as it plunges from C to F, but even here it is a minor chord on C that precedes the new key ...
Click here for PDF
... The piece is scored for the unusual coupling of piano and wind quintet. Wallingford Riegger uses that configuration somewhat orchestrally in his concerto for that combination, but Shatin fuses it into a more focused chamber filigree. The first movement, solidly in F but flowering into all chromatic ...
... The piece is scored for the unusual coupling of piano and wind quintet. Wallingford Riegger uses that configuration somewhat orchestrally in his concerto for that combination, but Shatin fuses it into a more focused chamber filigree. The first movement, solidly in F but flowering into all chromatic ...
A Different Way to Tune Your Guitar By Seth Himmelhoch This
... string. The result of the experiment was to discover that the pitch produced by the note twelve fifths higher is slightly sharp from the pitch of the note seven octaves higher. This slight pitch difference is called the Pythagorean comma. In practical terms, it means that our tuning system in the wo ...
... string. The result of the experiment was to discover that the pitch produced by the note twelve fifths higher is slightly sharp from the pitch of the note seven octaves higher. This slight pitch difference is called the Pythagorean comma. In practical terms, it means that our tuning system in the wo ...
a mathematica notebook about ancient greek music and mathematics
... Plutarchus reminds us that the crucial problem was the division of the tone (9/8, i.e. the interval between the fourth and the fifth) in two 'equal', i.e. 'proportional', parts, and that the Pythagoreans discovered it to be impossible (see in the following). An equivalent problem was whether the oct ...
... Plutarchus reminds us that the crucial problem was the division of the tone (9/8, i.e. the interval between the fourth and the fifth) in two 'equal', i.e. 'proportional', parts, and that the Pythagoreans discovered it to be impossible (see in the following). An equivalent problem was whether the oct ...
NATIONAL 3/4/5 MUSIC
... Minimalist - A development in the second half of the 20th century based on simple rhythmic and melodic figures which are constantly repeated with very slight changes each time. Minor - The music sounds in a minor key, often described as having a sadder feel than major. Moderato - A medium tempo (spe ...
... Minimalist - A development in the second half of the 20th century based on simple rhythmic and melodic figures which are constantly repeated with very slight changes each time. Minor - The music sounds in a minor key, often described as having a sadder feel than major. Moderato - A medium tempo (spe ...
Harmony
In music, harmony is the use of simultaneous pitches (tones, notes), or chords. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Harmony is often said to refer to the ""vertical"" aspect of music, as distinguished from melodic line, or the ""horizontal"" aspect. Counterpoint, which refers to the interweaving of melodic lines, and polyphony, which refers to the relationship of separate independent voices, are thus sometimes distinguished from harmony.In popular and jazz harmony, chords are named by their root plus various terms and characters indicating their qualities. In many types of music, notably baroque, romantic, modern, and jazz, chords are often augmented with ""tensions"". A tension is an additional chord member that creates a relatively dissonant interval in relation to the bass. Typically, in the classical common practice period a dissonant chord (chord with tension) ""resolves"" to a consonant chord. Harmonization usually sounds pleasant to the ear when there is a balance between the consonant and dissonant sounds. In simple words, that occurs when there is a balance between ""tense"" and ""relaxed"" moments.