Jefferson College Course Syllabus MSC101 Fundamentals of Music
... COURSE OUTLINE (course content will be drawn from this) A. ...
... COURSE OUTLINE (course content will be drawn from this) A. ...
Semantic manual - Semantic Daniélou
... presented by Alain Daniélou, and will guide the Semantic users through the instrument's tunings, as well as several tools and analyses. Just Intonation workshops on the Semantic system are also conducted by Jacques Dudon. Summed up here are some of this system's characteristics, as well as some basi ...
... presented by Alain Daniélou, and will guide the Semantic users through the instrument's tunings, as well as several tools and analyses. Just Intonation workshops on the Semantic system are also conducted by Jacques Dudon. Summed up here are some of this system's characteristics, as well as some basi ...
Intervals - cshchoir.org
... IF an interval is perfect, THEN BOTH the top and bottom pitch is in the other’s major key. IF the same accidental is added to both the upper and lower pitch, THEN the interval remains the same. IF an accidental is added only to the bottom pitch, THEN the accidental has the opposite effect than wh ...
... IF an interval is perfect, THEN BOTH the top and bottom pitch is in the other’s major key. IF the same accidental is added to both the upper and lower pitch, THEN the interval remains the same. IF an accidental is added only to the bottom pitch, THEN the accidental has the opposite effect than wh ...
john beaulieu
... In examining the human body it is found that anatomical proportions resemble the waveform expression of musical intervals. The two tones of a musical interval relate to each other in a very specific ratio. You can hear the interval of a perfect fifth by listening to the notes G=384 cps (cycles per s ...
... In examining the human body it is found that anatomical proportions resemble the waveform expression of musical intervals. The two tones of a musical interval relate to each other in a very specific ratio. You can hear the interval of a perfect fifth by listening to the notes G=384 cps (cycles per s ...
SCALES and ORNAMENTS ~ Higher Level
... a semitone ascending, and similarly lowers them descending. ...
... a semitone ascending, and similarly lowers them descending. ...
Word Doc
... Each scale will be worth 5 points for a maximum total of 10 points. One point is awarded in each scale for correct 1) tempo 2) intonation 3) rhythm 4) notes 5) articulation ...
... Each scale will be worth 5 points for a maximum total of 10 points. One point is awarded in each scale for correct 1) tempo 2) intonation 3) rhythm 4) notes 5) articulation ...
The Music Alphabet
... alphabet is called the Chromatic Scale. All by itself the chromatic scale is difficult to do much with. This is because all the pitches are the same distance apart—a half step (one fret). Much like the letters of the English alphabet—words must be formed into verbs, nouns, etc.—one must apply formul ...
... alphabet is called the Chromatic Scale. All by itself the chromatic scale is difficult to do much with. This is because all the pitches are the same distance apart—a half step (one fret). Much like the letters of the English alphabet—words must be formed into verbs, nouns, etc.—one must apply formul ...
Dictionary of Musical Terms
... Instrumentation - The art of composing, orchestrating, or arranging for an instrumental ensemble. Interval - The difference in pitch between two tones. Inversion - As applied to music the term may be used in both melody and harmony. Melodic inversion: an exchange of ascending and descending movemen ...
... Instrumentation - The art of composing, orchestrating, or arranging for an instrumental ensemble. Interval - The difference in pitch between two tones. Inversion - As applied to music the term may be used in both melody and harmony. Melodic inversion: an exchange of ascending and descending movemen ...
Physics 193 Physics of Music
... These integer frequency ratios relate directly to two notes played in unison, octave, fifth, fourth, major/minor thirds and second of the just diatonic musical scale – (see below)! Dissonance occurs when the length of string segments (i.e. frequency ratios) are far from/not integers. When two (or mo ...
... These integer frequency ratios relate directly to two notes played in unison, octave, fifth, fourth, major/minor thirds and second of the just diatonic musical scale – (see below)! Dissonance occurs when the length of string segments (i.e. frequency ratios) are far from/not integers. When two (or mo ...
Read More About Melody - Seycove Music Composition
... • These are five-‐note scales. They can be any five notes within an octave, but most commonly they are 1, 2, 3, 5 and 6 of a major scale. • An easy way to see a pentatonic scale on the ...
... • These are five-‐note scales. They can be any five notes within an octave, but most commonly they are 1, 2, 3, 5 and 6 of a major scale. • An easy way to see a pentatonic scale on the ...
Stage 1: Desired Results Stage 2 : Assessment Evidence Stage 3
... Compose music in several distinct styles, demonstrating creativity in using the elements of music for expressive effect Arrange simple pieces for acoustic or electronic instruments Use computer and electronic te ...
... Compose music in several distinct styles, demonstrating creativity in using the elements of music for expressive effect Arrange simple pieces for acoustic or electronic instruments Use computer and electronic te ...
File
... Each performing arts ensemble will take a semester final exam that will consist of 2 parts: a departmental portion and an ensemblespecific portion. Part I of the exam (the departmental portion) will consist of 50 multiple-choice questions and will be given to all student musicians of the same year/l ...
... Each performing arts ensemble will take a semester final exam that will consist of 2 parts: a departmental portion and an ensemblespecific portion. Part I of the exam (the departmental portion) will consist of 50 multiple-choice questions and will be given to all student musicians of the same year/l ...
The Overtone Series
... new, faster rates of vibration occur. Each new rate of vibration produces a secondary, higherbut-softer pitch, or frequency. These frequencies are called harmonics, or overtones. They occur in a pattern, which is called the harmonic series, or the overtone series. The initial (bottom) pitch is calle ...
... new, faster rates of vibration occur. Each new rate of vibration produces a secondary, higherbut-softer pitch, or frequency. These frequencies are called harmonics, or overtones. They occur in a pattern, which is called the harmonic series, or the overtone series. The initial (bottom) pitch is calle ...
Elements of Music - La Salle University
... Pitch • High or low sounds (notes) • Melody - the “tune”. A series of pitches heard one at a time. • Motive - a short, instantly recognizable idea. Like a musical "word". Usually, a melody consists of several motives. ...
... Pitch • High or low sounds (notes) • Melody - the “tune”. A series of pitches heard one at a time. • Motive - a short, instantly recognizable idea. Like a musical "word". Usually, a melody consists of several motives. ...
RATIOS AND MUSICAL INTERVALS We like to think of an interval
... set of downward intervals = {x ∈ R | 0 < x < 1} = (0, 1) set of upward intervals = {x ∈ R | 1 < x} = (0, ∞) The interval created when f1 = f2 will here be called the unison interval. It is given by the ratio f : f (for any f ∈ R+ ), whcich corresponds via ϕ to the number 1. Each interval f1 : f2 has ...
... set of downward intervals = {x ∈ R | 0 < x < 1} = (0, 1) set of upward intervals = {x ∈ R | 1 < x} = (0, ∞) The interval created when f1 = f2 will here be called the unison interval. It is given by the ratio f : f (for any f ∈ R+ ), whcich corresponds via ϕ to the number 1. Each interval f1 : f2 has ...
Music Theory IV Trythall NYU Theory IV vocabulary
... Invariance: Feature of pitch organization which remains unchanged even though rows, sets or segments have changed. This invariant feature is a structural possibility offered by a particular collection – often called a “property” of that collection – and may contribute strongly to the musical identit ...
... Invariance: Feature of pitch organization which remains unchanged even though rows, sets or segments have changed. This invariant feature is a structural possibility offered by a particular collection – often called a “property” of that collection – and may contribute strongly to the musical identit ...
Elementary Music Glossary
... G-Clef: Signifies the treble clef or notes of the upper half of the piano, indicates the G-line in the treble staff. Harmony: two or more pitches sounding at the same time. Head Voice: Refers to singing notes that resonate in the head (higher range). Interval: The distance between two pitches. The ...
... G-Clef: Signifies the treble clef or notes of the upper half of the piano, indicates the G-line in the treble staff. Harmony: two or more pitches sounding at the same time. Head Voice: Refers to singing notes that resonate in the head (higher range). Interval: The distance between two pitches. The ...
van tech music
... C: Clefs - Each pitch has a place on the staff. A staff must include a clef to indicate the range in which the pitches should sound. Placing a note on the staff tells a performer which pitches should be played. In our school ensembles, four different clefs are used. Below is a list of all the instru ...
... C: Clefs - Each pitch has a place on the staff. A staff must include a clef to indicate the range in which the pitches should sound. Placing a note on the staff tells a performer which pitches should be played. In our school ensembles, four different clefs are used. Below is a list of all the instru ...
Advanced Ensemble Exams – Semester II (50 questions)
... Staccato: play the note short and detached Tempo: "rate of speed" or how fast or slow to play the music Tie: two notes of the same pitch joined by a curved line over or under the note. Each note joined by a tie is held for it's full value but only the first note is played or sing Time signature appe ...
... Staccato: play the note short and detached Tempo: "rate of speed" or how fast or slow to play the music Tie: two notes of the same pitch joined by a curved line over or under the note. Each note joined by a tie is held for it's full value but only the first note is played or sing Time signature appe ...
The Math behind a Guitar - Society for Industrial and Applied
... Before the Greek Philosopher, Pythagoras (570 - 475 BC), musical instruments were limited. His principle of creating musical notes in fifths and octaves, eventually resulted in the twelve-pitch chromatic guitar scale. ...
... Before the Greek Philosopher, Pythagoras (570 - 475 BC), musical instruments were limited. His principle of creating musical notes in fifths and octaves, eventually resulted in the twelve-pitch chromatic guitar scale. ...
Just intonation
In music, just intonation (sometimes abbreviated as JI) or pure intonation is any musical tuning in which the frequencies of notes are related by ratios of small whole numbers. Any interval tuned in this way is called a pure or just interval. The two notes in any just interval are members of the same harmonic series. Frequency ratios involving large integers such as 1024:927 are not generally said to be justly tuned. ""Just intonation is the tuning system of the later ancient Greek modes as codified by Ptolemy; it was the aesthetic ideal of the Renaissance theorists; and it is the tuning practice of a great many musical cultures worldwide, both ancient and modern.""Just intonation can be contrasted and compared with equal temperament, which dominates Western instruments of fixed pitch (e.g., piano or organ) and default MIDI tuning on electronic keyboards. In equal temperament, all intervals are defined as multiples of the same basic interval, or more precisely, the intervals are ratios which are integer powers of the smallest step ratio, so two notes separated by the same number of steps always have exactly the same frequency ratio. However, except for doubling of frequencies (one or more octaves), no other intervals are exact ratios of small integers. Each just interval differs a different amount from its analogous, equally tempered interval.Justly tuned intervals can be written as either ratios, with a colon (for example, 3:2), or as fractions, with a solidus (3 ⁄ 2). For example, two tones, one at 300 Hertz (cycles per second), and the other at 200 hertz are both multiples of 100 Hz and as such members of the harmonic series built on 100 Hz. Thus 3/2, known as a perfect fifth, may be defined as the musical interval (the ratio) between the second and third harmonics of any fundamental pitch.