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Advanced Placement Literature & Composition General Course Description & Syllabus 2010-2011 Instructor: Mrs. Linda Robinson Texts: The Norton Introduction to Literature – 9th Edition The Seagull Reader – Essays Readings in World Literature – Holt, Rinehart, Winston AP students in English Literature and Composition will be involved in the study and practice of writing as well as in the study of literature. You will learn to use the modes of discourse and to recognize the assumptions underlying various rhetorical strategies. Through speaking, listening, and reading, but chiefly through the experience of your own writing, you should become more aware of the resources of language: connotation, metaphor, irony, syntax, and tone. Writing assignments will focus on the critical analysis of literature and will include essays in exposition and argument. Although critical analysis should make up the bulk of student writing for this course, well-constructed creative writing assignments may help you see from the inside how literature is written. The desired goals are the honest and effective use of language and the organization of ideas in a clear, coherent, and persuasive way. Reading in translation may be included, but because the course should stress close attention to an author’s own language and style, most of the assigned reading will be in texts originally written in English. By the end of the AP course, you will have studied works by both British and American writers as well as works composed from the seventh century to contemporary times. You will read works of recognized literary merit that are likely to be taught in an introductory college literature course, works that are worthy of scrutiny because their richness of thought and language challenges the reader. All these components of the AP course will not be complete without actual practice of AP exams-both multiple choice and writing. You will practice and practice and practice on both tests to prepare for the test in May. Questions on the multiple choice are tough, but practice, instruction, guidance, and strategies make them manageable. Therefore, the course is designed toward the serious student who is interested in receiving college credit for work completed in high school. We have a rigorous task, but we will succeed!!! The AP Exam, which is three hours long, consists of two sections: Section I – 60 minutes long; contains 50-60 multiple-choice questions that test your reading of selected passages and poem. Counts for 45 percent of the total AP grade. Section II – 120 minutes long; contains three response questions that measure your ability to read and interpret literature and to use other forms of discourse effectively. Counts for 55 percent of the total grade. One question typically will ask you to analyze a poem, one a prose passage, and one a longer work such as a novel or play. Reference: Information taken from College Board Course Description Overall Objectives for the Course: Writing is an integral part of this college preparatory course, focusing on the critical analysis of literature and including expository, analytical, and argumentative essays. Successful students will achieve the following: page 2 a balance of generalization with specific illustrative detail a logical organization enhanced by techniques like transition, repetition and emphasis a variety of sentence structures a wide-ranging vocabulary used with denotative accuracy and connotative resourcefulness an effective use of rhetoric, including controlling tone, maintaining a consistent voice and achieving emphasis through parallelism and antithesis. Literary Analysis Objectives: to enable students to analyze poems, short stories, nonfiction, drama, and novels independently to equip students to write effective critical analyses to enable students to complete well-written, timed compositions on impromptu subjects to have students probe theme as they are evidenced in a variety of works to enable students to synthesize treatments of specific themes Syllabus Before we begin our units for the school year, we will discuss the summer reading assignments and review the structure, figurative language, critical analysis, etc. of each novel. Unit I Anglo –Saxon & Middle Ages- Medieval Period Objectives: understand the origins of English culture and language discuss the cultural values of the Anglo-Saxon and Middle Ages expand the concept of the hero to explore the symbolic implications of the heroic contest examine the conceptual evolution of the hero study chivalry and knighthood compare and contrast the heroes of medieval times with those of the present day analyzing the epic reviewing and introducing literary terminology Readings: excerpt from Beowulf translated by Burton Raffel The Seafarer translated by Burton Raffel from Le Morte D’Arthur Sir Thomas Malory excerpt from Gilamesh retold by Herbert Mason Homer - Illiad page 3 Unit II - Renaissance Objectives: examine historical and cultural background of the Elizabethan Era relate the word renaissance to the modern literature such as American Renaissance and Harlem Renaissance (works) study the development of the English Drama in the Elizabethan Period analyze the typical Shakespearean devices examine structural patterns of Shakespearean plays- dramatic structure, tragic structure, parallel characters or foils, recurring motifs and other devices to compare the tragic hero to epic and modern heroes analyze the structure of sonnet forms, conceits and use of tone to expand the knowledge of the essay and the rhetorical devices understand metaphysical poetry and satirical prose and poetry introduce and discuss types of novels Readings: Macbeth/ Hamlet-William Shakepeare Of Studies – Sir Francis Bacon Poems from authors – William Shakespeare, Edmund Spenser, Sir Thomas Wyatt, Christopher Marlowe, Sir Walter Raleigh Metaphysical Poets - John Donne, George Herbert, Andrew Marvell, Henry Vaughan, Ben Jonson, Robert Herrick from Paradise Lost- and other poems -John Milton from The Pilgrim’s Progress – John Bunyan Unit III – Restoration and 18th Century Objectives: study the terms, style and techniques of satire to analyze the methods used by different authors to create satire analyze a journal, diary and essays analyze the characteristics of a mock epic continuing to apply literary terms to works Readings: Novel- Gulliver’s Travels – Jonathan Swift “Modest Proposal” – Jonathan Swift from “The Diary of Samuel Pepys” – Samuel Pepys from “A Journal of the Plague Year” – Daniel Defoe Poems and essays – Alexander Pope, Joseph Addison, Richard Steele, Robert Burns, William Blake Elegy Written in a Country Churchyard –Thomas Gray Unit IV – Romantic Age Objectives: understand the Romantic Movement as a rebellion against Neoclassicism page 4 recognize Romanticism as a literary period in English literature and American literature identify the major authors, recurring themes, dominant genres and stylistic characteristics of this period introduce and relate the characteristics of the Romantic Period discuss what the Romantics sought as well as to explore the limits of their own freedom Readings: Novels – Frankenstein – Mary Shelley Dr. Jekyll and Mr. Hyde – Robert Louis Stevenson “Lines Composed a Few Miles Above Tintern Abbey” and other poems- William Wordsworth “The Rime of the Ancient Mariner” and other poems – Samuel Taylor Coleridge “Dream Children” – Charles Lamb Poems – George Gordon, Percy Bysshe Shelley, John Keats Article – Charles Dickens Unit V – Victorian Age Objectives: identify and analyze the techniques of this period analyze and interpret Victorian attitudes toward recurring philosophical concerns such as aesthetics, death and immortality, religious faith and nature examine some of the 19th century radical ideas and concepts Readings: Poems – Alfred, Lord Tennyson, Robert Browning, Matthew Arnold, Thomas Hardy, A.E. Housman, Elizabeth Barrett Browning, Robert Louis Stevenson The Importance of Being Earnest – Oscar Wilde “The Three Strangers” – Thomas Hardy Unit VI – The Modern Age Objectives: identify , analyze and interpret traditional and innovative narrative techniques and stylistic elements of this time period elaborate on short story techniques and then apply to works integrate the role of women and minority writers introduce and apply the characteristics of Modernism Readings: Novels: Things Fall Apart – Chinua Achebe The Things They Carried – Tim O’Brien The Secret Sharer – Joseph Conrad from A Portrait of the Artist as a Young Man – James Joyce Hollow Men- T.S. Eliot The Metamorphosis and other Stories -Franz Kafka Short stories and /or poems- H.G. Wells, Saki, James Joyce, D.H. Lawrence, Margaret Atwood, Henry Reed, Somerset Maugham, Virginia Woolf, George Orwell, William Butler Yeats Nikki Giovanni, Alice Walker page 5 VII. Review Writing Assignments (throughout the year for each unit): Comparative analysis of two poems each unit Research project options that extend the text into other genres, content areas, and environments Explication of poems Impromptu in-class essays based on particular selections Timed essays based on past AP prompts Persuasive literary analysis essay Expository and analytical essays based on interpretation of a literary text Critical essays based on analysis of structure, themes, style, figurative language, imagery, symbolism and social/historical values/perspectives Activities: Practice for AP multiple choice on essays, poems, short stories Mini-lessons on grammar – sentence structure, usage, transitions, punctuation, sentence variety Tips on how to answer AP prompts using writing rubrics as a guide Quizzes on reading comprehension throughout novels/play Tests on completion of novels and plays Reviewing and conferencing with students about writing assignments Detail evaluation on papers/ writing assignments Analysis of a short story through oral presentation Analysis of novel through oral presentation Group critiquing of novels read throughout high school Oral presentations w/ visuals on topics related to various literary periods Other Requirements: You will keep a literary terminology notebook section throughout the school year. This notebook should be kept up-to-date with new terms as given. This will help you to learn and be able to apply the terms to writing assignments, class discussions and finally to the AP test. You will also be required to read other novels outside of class and then critique the novel orally or in a written assignment according to a specified rubric. Independent Reading Suggestions Pride and Prejudice - Jane Austen The Bible as Literature Heart of Darkness – Joseph Conrad Robinson Crusoe – Daniel Defoe Beloved- Toni Morrison A Winter’s Tale – William Shakespeare House of the Spirits- Isabel Allende Bluest Eye – Toni Morrison The Catcher in the Rye – J.D. Salinder Tess of the D’ Urbervilles – Thomas Hardy Waiting for Godot- Samuel Beckett A Doll House – Henrik Ibsen The Joy Luck Club- Amy Tan Cry, the Beloved Country – Alan Paton Pudd’n Head Wilson- Mark Twain O Pioneers – Willa Cather The Day in the Life of Ivan Denisovich- Alexander Solzhenitsyn I Know Why the Caged Bird Sings- Maya Angelou Brave New World- Aldous Huxley The Adventures of Huckleberry Finn- Mark Twain Kite Runner- Khaled Hosseini The Island of Dr. Moreau- H.G. Wells The Women of Brewster Place- GloriaNaylor The Poisonwood Bible – Barbara Kingsolver The Fire Next Time – James Baldwin page 6 Other resource materials Arp, Thomas.Perrine’s Literature – 9th edition. Harcourt, Brace. College Publishers. 2000. Glenn, Cheryl and Robert Miller.eds. The Writer’s Harbrace Handbook –2nd edition- eds. Thomson-Wadsworth. 1998. Glenn, Cheryl and Robert Miller. eds. Hodge Harbrace Handbook- 15th edition. Gray.Thomson Wadsworth. 2003. McHenry, Robert. Famous American Women- A Biographical Dictionary from Colonial Times to the Present. New York. 1999. Merriam Webster’s Dictionary of Allusions. Elizabeth Webber and Mike Feinsilber. MerriamWebster, Inc. Massachusetts. 1999. The Norton Anthology of English Literature-7th edition. 2004. Prentice Hall Anthology of African American Literature. 2005 Prentice Hall Literature – World Masterpieces Roberts, Edgar V. Writing About Literature. 9th Editions .Prentice Hall. New Jersey. 1999. Ross, Murfin and Supryia M. Ray, ed. The Bedford Glossary of Critical and Literary Terms. Boston Bedford/St. Martin. 1998. Schwiebert, John. Reading and Writing from Literature – 2nd edition. Houghton Mifflin Company. 1998.