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English III AP Summer Assignment SY 2015-2016 Due: September 7th * After five days, the assignment will no longer be accepted. Course Goals The goals and the requirements of the AP English Language and Composition course are significantly different from those of a regular English course. As this is a college-level course, performance expectations are appropriately high, and the workload is challenging. Students are expected to commit to a minimum of five hours of course work per week outside of class. Often, this work involves long-term writing and reading assignments, so effective time management is important. Summer reading and writing are encouraged to orient students to the following objectives: annotation, accounting for purpose and context, and recognizing strategies and tactics used in literature. In addition, most of our discussion during the 1st Six Weeks will refer back to this book, so it is highly urged to read this book ahead of time. Rhetorical Devices A list of rhetorical devices has been included in this packet so that students may become familiar with the terminology. It is highly recommended to study these terms throughout the summer. Required Reading: In Cold Blood by Truman Capote Guidelines: 1. You will not receive credit for any form of plagiarized work. Be your own person and use your own brain. 2. If you have questions over the summer, you can reach your teacher at the following email addresses: GALENA PARK: [email protected] [email protected] 3. Materials: You will need the following to complete this assignment Access to the internet (if you do not have access at home, you may use the public library). A copy of In Cold Blood by Truman Capote – this can be purchased at a book store, used or new, checked out from a library, or checked out from the school. Before the end of May the book will be available in your Campus Library. Grading Checklist: The entire summer assignment is worth 2 major grades of extra credit. All extra credit grades will count for the first six weeks and will be assessed prior to the end of the first grading period. Major Grades: Analysis Essay on In Cold Blood Thematic Essay on In Cold Blood *All assignments should be typed in MLA style. MLA style encompasses the following: 12 point Times New Roman or Arial font. Double Spaced 1” margins Appropriate header (name, course and date) 1 Appropriate page numbering (last name #) Submission Guidelines: - Cover page should have: “Summer Reading” Last Name, First Name Class Period AFTER YOU READ IN COLD BLOOD 1st MAJOR GRADE Directions: Write a 250-300 word essay on each of the following Free Response Questions. This essay must be typed in MLA format (12-point font, double spaced, Times New Roman). You will need to print and attach to the back of your Summer Reading packet. Free Response Question #1 The concept of the American Dream is central to Capote’s text. Read the passage from the section “The Last to See Them Alive” from Capote’s In Cold Blood, starting from “The master of River Valley Farm, Herbert William Clutter…” and ends several pages later with “…had small reason to complain.” Then, write a well-organized essay in which you analyze how Capote uses the Clutter family to represent the rising middle-class in 1950’s America. Be certain to ground all of your assertions firmly in the text. Do not merely summarize the passage. Free Response Question #2 Carefully read the passage from “The Corner” section of the book, beginning with “But had Mr. Jones been permitted to discourse,” and ending with, “the amateur analyst reached conclusions not dissimilar.” Then, write a well-organized essay in which you evaluate the effectiveness of Capote’s including the report in his book. Be certain to justify your stance with evidence from the text. Do not merely summarize the plot. 2ND MAJOR GRADE Directions: Write a 2-3 page argumentative essay, meaning that it should be logical, controlled and persuasive. This essay must be typed in MLA format (12-point font, double spaced, Times New Roman). Argumentative Essay Write an essay that examines the extent to which the American Dream applies to each of the classes of characters in the novel. Provide examples from both the text and an example from either history or current events to support your argument. 2 APPENDIX Rhetorical Terms Schemes Parallelism Isocolon Antithesis Zeugma Anastrophe Parenthesis Ellipsis Asyndeton Polysyndeton Alliteration Anaphora Epistrophe Anadiplosis Antimetabole Chiasmus Erotema Hypophora Epiplexis Definitions A figure in which words preserve their literal meaning, but are placed in a significant arrangement of some kind. Agreement in direction, tendency, or character; the state or condition of being parallel. A figure of speech in which parallelism is reinforced by members that are of the same length. A well-known example of this is Julius Caesar's "Veni, vidi, vici" The placing of a sentence or one of its parts against another to which it is opposed to form a balanced contrast of ideas, as in “Give me liberty or give me death.” The use of a word to modify or govern two or more words when it is appropriate to only one of them or is appropriate to each but in a different way, as in to wage war and peace. Inversion of the usual order of words. A qualifying, explanatory, or appositive word, phrase, clause, or sentence that interrupts a syntactic construction without otherwise affecting it, The omission of one or more items from a construction The omission of conjunctions, as in “He has provided the poor with jobs, with opportunity, with self-respect.” The use of a number of conjunctions in close succession. The commencement of two or more stressed syllables of a word group either with the same consonant sound or sound group Repetition of a word or words at the beginning of two or more successive verses, clauses, or sentences. The repetition of a word or words at the end of two or more successive verses, clauses, or sentences. Repetition in the first part of a clause or sentence of a prominent word from the latter part of the preceding clause or sentence, usually with a change or extension of meaning. A figure in which the same words or ideas are repeated in transposed order. A reversal in the order of words in two otherwise parallel phrases, as in “He went to the country, to the town went she.” The rhetorical question. To affirm or deny a point strongly by asking it as a question. Figure of reasoning in which one or more questions is/are asked and then answered, often at length, by one and the same speaker; raising and responding to one's own question(s). Asking questions in order to chide, to express grief, or to inveigh. A kind of rhetorical question. 3 Tropes Metaphor Simile Synecdoche Metonymy Antonomasia (Periphrasis) Personification A figure of speech in which a term or phrase is applied to something to which it is not literally applicable in order to suggest a resemblance. A figure of speech in which two unlike things are explicitly compared. A figure of speech in which a part is used for the whole or the whole for a part, the special for the general or the general for the special, as in ten sail for ten ships or a Croesus for a rich man. A figure of speech that consists of the use of the name of one object or concept for that of another to which it is related, or of which it is a part. Ex: ‘count heads’ for ‘count people’ The identification of a person by an epithet or appellative that is not the person's name, as his lordship. The attribution of a personal nature or character to inanimate objects or abstract notions, esp. as a rhetorical figure. Is the use of a word as if it were a member of a different word class (part of speech); typically, the use of a noun as if it were a verb. Understatement, esp. that in which an affirmative is expressed by the negative of its contrary, as in “not bad at all.” The use of words to convey a meaning that is the opposite of its literal meaning A figure of speech by which a locution produces an incongruous, seemingly self-contradictory effect, as in “cruel kindness” A statement or proposition that seems self-contradictory or absurd but in reality expresses a possible truth. Anthimeria Litotes Irony Oxymoron Paradox Phrases Appositive Phrases Participial Phrases Absolute Phrases Use of a word to mean something other than its ordinary meaning A phrase is a group of related words that does not include a subject and verb An appositive is a noun or pronoun -- often with modifiers -- set beside another noun or pronoun to explain or identify it. Present participles, verbs ending in -ing, and past participles, verbs that end in -ed (for regular verbs) or other forms, are combined with complements and modifiers and become part of important phrasal structures. Participial phrases always act as adjectives. Absolute phrases do not directly connect to or modify any specific word in the rest of the sentence; instead, they modify the entire sentence, adding information. 4