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MICHELANGELO Middle Ages -> artists seen as “artisans” = skilled craftsman In the Renaissance/by the end of the 15th -> the artists came to be seen as artistic geniuses -> the spark of the divine Artist as a hero -> “Il Divino” = the divine one = Michelangelo Rise in social and economic status for the artist ITALIAN RENAISSANCE Focus on the human form Technical artistic skills led to realism Frescos = walls paintings on wet plaster NORTHERN RENAISSANCE THE PROPHET DANIEL – CEILING OF THE SISTINE CHAPEL -> FRESCO Illuminated manuscripts Wooden panel paintings for altarpieces Focus on rendering details Oil painting Focus on religious subjects not pagan THE GHENT ALTARPIECE “THE VIRGIN OF CHACELLOR ROLIN” Key artist in artistic center of Flanders First to use oil paints -> new colors and finer detail GIOVANNI ARNOLFINI AND HIS BRIDE PORTRAIT OF OSWOLT KREL BY ALBRECHT DURER – NORTHER RENAISSANCE PAINTER Northern Renaissance artist from Germany HARE DURER SELF PORTRAIT ADAM AND EVE Dufay – most important composer of Renaissance music Music shifted from being only for the church to royal courts and cities = secular music The madrigal – a poem set to music