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5G African Music continued – Unit 5: World Music ♫ 5G African music continued ♫ Unit 5: World Music Icons key: For more detailed instructions, see the Getting Started presentation Flash activity. These activities are not editable. Composing activity 1 of 16 Listening activity Performing activity Teacher’s notes included in the Notes Page Sound Accompanying worksheet Weblink 2006 © Boardworks Ltd 2008 Learning objectives To understand the main instruments and playing techniques employed in African drumming music. To understand the way singing is used in traditional African music. To make connections between the improvised nature and call and response patterns of drumming and singing. 2 of 16 2006 © Boardworks Ltd 2008 Using rhythm African drumming groups will usually put layers of different rhythms together at the same time. This creates a polyrhythmic texture, which could look something like this: Master drummer plays a rhythm Other drummers enter playing a second rhythm More drummers enter playing a third rhythm Another rhythm played on other percussion 3 of 16 © Boardworks Ltd 2006 Cycles African drumming is made up of layers of rhythmic cycles. Often, one drummer will have a rhythmic cycle that is a different length to another drummer. This creates an interesting effect, as the rhythms come in and out of sync in phases. It is similar to when car indicators or windscreen wipers appear to move in and out of time with each other. 4 of 16 © Boardworks Ltd 2006 Rhythmic displacement 5 of 16 © Boardworks Ltd 2006 Improvising ♫ Listen to this rhythm and imitate what you hear. Then play it in a group and take turns to improvise over the top. What effects can you create? ♫ African notation: 1.2.3.4. B .OO . SS. ♫ Can you work out how this rhythm might be notated in African and Western notation? ♫ Western notation: 6 of 16 © Boardworks Ltd 2006 Polyrhythmic composition ♫ In a group of four or more, compose a piece of drumming ♫ music which incorporates each of the elements listed below: call and response repeating cycles improvised solo polyrhythm rhythmic displacement cross rhythm. You will need to indicate what instruments are being used, the main rhythms played and the overall structure of your composition. 7 of 16 © Boardworks Ltd 2006 Other instruments 8 of 16 © Boardworks Ltd 2006 African song Singing is a vital part of all aspects of African life. Songs and chants are used for amusement during everyday tasks, but they are also a significant part of special occasions. Songs may be passed down from one generation to the next or improvised on the spot by an individual with others joining in on the response, or improvising harmonies. ♫ Listen to this song and try to identify call and response and close harmony. ♫ 9 of 16 © Boardworks Ltd 2006 Vocal improvisation Melodies in many African countries are generally based around the pentatonic scale, with singers improvising freely around the pitches and rhythms. Pitch bending is often used to alter the notes slightly, and this technique eventually led to the blues scale. 10 of 16 © Boardworks Ltd 2006 Harmonization 11 of 16 © Boardworks Ltd 2006 Call and response Call and response is a prominent feature of African song, just as it is in African drumming music. There is a strong social aspect to all forms of music in Africa. Every member of the community will be involved, no matter their level of musical ability. Just as in drumming, there will be a leader who sings a call. The group will then respond. The advantage of using call and response is that the song can go on indefinitely, which means that the musicians are in control of the length of the song and can adapt it to the event taking place. 12 of 16 © Boardworks Ltd 2006 Ladysmith Black Mambazo Ladysmith Black Mambazo is a male choral group from South Africa. Many of their songs make use of the typical call and response structure: Monophonic call Homophonic response in close harmony Monophonic call Homophonic response in close harmony ♫ Listen to the track ‘Halala’ by Ladysmith Black Mambazo to hear the call and response format. ♫ 13 of 16 © Boardworks Ltd 2006 Chant 14 of 16 © Boardworks Ltd 2006 The African influence African music has influenced many other musical genres. Listen to any spiritual, gospel or jazz song and identify how each of the African music techniques has been used. Call and response Repetition Parallel harmony Cross rhythm Pitch bend Solos Pentatonic scale Improvisation 15 of 16 © Boardworks Ltd 2006 Summary: African music 16 of 16 © Boardworks Ltd 2006