
Nuevo Flamenco: Re-imagining Flamenco in Post
... the structural condition of political inequalities and economic exploitation between different regions or social groups within the same nation state. In this sense, the idea of internal colonialism has been employed in studies about such contrasting societies as Greece, Italy, Britain, Palestine, or ...
... the structural condition of political inequalities and economic exploitation between different regions or social groups within the same nation state. In this sense, the idea of internal colonialism has been employed in studies about such contrasting societies as Greece, Italy, Britain, Palestine, or ...
BSW Dissertation 2016-05-05 - D-Scholarship@Pitt
... explore the ways in which the ragtime revival community maintains itself as it continues to prompt new modes of expression in ragtime. What I will refer to as the “ragtime era”—the period when ragtime flourished in the United States as a dominant form of popular music—occupied a span of roughly twen ...
... explore the ways in which the ragtime revival community maintains itself as it continues to prompt new modes of expression in ragtime. What I will refer to as the “ragtime era”—the period when ragtime flourished in the United States as a dominant form of popular music—occupied a span of roughly twen ...
The Devil`s Horn and the Music of the Brothel
... saxophone student will usually begin to focus on a technique that will either be appropriate for jazz or classical music. The tutor, based on his/her own musical background, will commonly prescribe the direction in technical development. Technical considerations (particularly regarding embouchure2), ...
... saxophone student will usually begin to focus on a technique that will either be appropriate for jazz or classical music. The tutor, based on his/her own musical background, will commonly prescribe the direction in technical development. Technical considerations (particularly regarding embouchure2), ...
II C. SHEET MUSIC
... CONTEMPORARY MEDLEY ILLUSTRATING “RAGGING” In the early years of ragtime there was considerable confusion as to what the term “rag” meant. To many musicians it was simply a way of playing material in “ragged” time, that is a syncopated melodic approach that was derived from the popular conception of ...
... CONTEMPORARY MEDLEY ILLUSTRATING “RAGGING” In the early years of ragtime there was considerable confusion as to what the term “rag” meant. To many musicians it was simply a way of playing material in “ragged” time, that is a syncopated melodic approach that was derived from the popular conception of ...
Sungura Music`s Development in Zimbabwe
... Zimbabwe. Sungura music thus results from influences of rhumba, kanindo, soukous, indigenous styles and masiganda which came in contact as people migrated through time and space. Most sungura bands’ rhythm guitarists play the masiganda technique. 4. The Growth of Sungura Music in Zimbabwe We attribu ...
... Zimbabwe. Sungura music thus results from influences of rhumba, kanindo, soukous, indigenous styles and masiganda which came in contact as people migrated through time and space. Most sungura bands’ rhythm guitarists play the masiganda technique. 4. The Growth of Sungura Music in Zimbabwe We attribu ...
AN ANALYSIS OF THE COMPOSITIONAL PRACTICES OF
... Ornette’s work with rhythm and blues groups was his primary means of income at the time, but he was also well acquainted with the school of jazz improvisation known as “bebop.” He frequently listened to artists like Charlie Parker and Bud Powell on the radio and committed several of their compositio ...
... Ornette’s work with rhythm and blues groups was his primary means of income at the time, but he was also well acquainted with the school of jazz improvisation known as “bebop.” He frequently listened to artists like Charlie Parker and Bud Powell on the radio and committed several of their compositio ...
WWW.BSSVE.IN
... kora (West African harp), the steel drum, the sitar or the didgeridoo. There are several conflicting definition for world music. One is that it consists of "all the music in the world", though such a broad definition renders the word virtually meaningless. The term also is taken as a classification ...
... kora (West African harp), the steel drum, the sitar or the didgeridoo. There are several conflicting definition for world music. One is that it consists of "all the music in the world", though such a broad definition renders the word virtually meaningless. The term also is taken as a classification ...
University of Huddersfield Repository
... construction of Cuban musical identity. I will present a wide spectrum of perspectives on Cuban music, using a large variety of source material in order to produce a balanced and informative document on Cuban musical identity. I will critically engage with the writings of key scholarship in Cuban an ...
... construction of Cuban musical identity. I will present a wide spectrum of perspectives on Cuban music, using a large variety of source material in order to produce a balanced and informative document on Cuban musical identity. I will critically engage with the writings of key scholarship in Cuban an ...
Musician Whithout Boundaries
... experience at Wengen, that he decided to dedicate himself completely to music. Indeed, Centazzo would return to Switzerland in 1972 to attend the Swiss Jazz School in Bern on a full time basis. His artistic relationship with Pierre Favre became ever closer; taking private lessons from Favre at his s ...
... experience at Wengen, that he decided to dedicate himself completely to music. Indeed, Centazzo would return to Switzerland in 1972 to attend the Swiss Jazz School in Bern on a full time basis. His artistic relationship with Pierre Favre became ever closer; taking private lessons from Favre at his s ...
Gyo¨ rgy Ligeti and the Aka Pygmies Project
... the observation that an era of unprecedented globalization and technological innovation had engendered musical styles that were irreducibly hybrid and pluralistic became standard. In György Ligeti’s lexicon, for example, the very idea of technical ISSN 0749-4467 (print)/ISSN 1477-2256 (online) ª 20 ...
... the observation that an era of unprecedented globalization and technological innovation had engendered musical styles that were irreducibly hybrid and pluralistic became standard. In György Ligeti’s lexicon, for example, the very idea of technical ISSN 0749-4467 (print)/ISSN 1477-2256 (online) ª 20 ...
WWW.BSSVE.IN
... The Thirteen Colonies of the original United States were all former English possessions, and Anglo culture became a major foundation for American folk and popular music. Many American folk songs are identical to British songs in arrangements, but with new lyrics, often as parodies of the original ma ...
... The Thirteen Colonies of the original United States were all former English possessions, and Anglo culture became a major foundation for American folk and popular music. Many American folk songs are identical to British songs in arrangements, but with new lyrics, often as parodies of the original ma ...
Brazilian Choro - Gorseinon Guitar
... vibrant musical culture? Should such a culture comprise only materials imported from Western Europe? Should it not synthesize musical repertories, of various kinds, from all over the world?1 Throughout the world, the tradition of a country studying its own cultural practices is not inceptive with it ...
... vibrant musical culture? Should such a culture comprise only materials imported from Western Europe? Should it not synthesize musical repertories, of various kinds, from all over the world?1 Throughout the world, the tradition of a country studying its own cultural practices is not inceptive with it ...
WWW.BSSVE.IN
... The Thirteen Colonies of the original United States were all former English possessions, and Anglo culture became a major foundation for American folk and popular music. Many American folk songs are identical to British songs in arrangements, but with new lyrics, often as parodies of the original ma ...
... The Thirteen Colonies of the original United States were all former English possessions, and Anglo culture became a major foundation for American folk and popular music. Many American folk songs are identical to British songs in arrangements, but with new lyrics, often as parodies of the original ma ...
Crossing Over in the 21st Century - Trace: Tennessee Research and
... music theoretical, structural and formal analysis to determine aspects of genre, to identify specific characteristics that mark compositions as classical, and to place them into particular categories or sub-categories. While these types of analysis can prove useful for establishing aspects of style ...
... music theoretical, structural and formal analysis to determine aspects of genre, to identify specific characteristics that mark compositions as classical, and to place them into particular categories or sub-categories. While these types of analysis can prove useful for establishing aspects of style ...
Centering on African Practice in Musical Arts
... cultures to bring new, often ethnographic, information on cultural practices, musical instruments and playing, and archiving techniques. The importance of drawing upon musical heritage to strengthen and support contemporary education, is a theme and is stressed time and time again. So too, is the im ...
... cultures to bring new, often ethnographic, information on cultural practices, musical instruments and playing, and archiving techniques. The importance of drawing upon musical heritage to strengthen and support contemporary education, is a theme and is stressed time and time again. So too, is the im ...
Thesis (Wren_2015_02Thesis)
... This research considers musicians from different cultural backgrounds, improvising together, and ‘improvising’ new musical contexts. It springs from my practice as a composer and improvising guitarist, exploring the borders between South Indian Carnatic music and jazz. The process of collaborating w ...
... This research considers musicians from different cultural backgrounds, improvising together, and ‘improvising’ new musical contexts. It springs from my practice as a composer and improvising guitarist, exploring the borders between South Indian Carnatic music and jazz. The process of collaborating w ...
What Classical Music Is
... improvisation, etc originating in black American folk music” That’s a little sketchy—and again they fall back on that baffled “etc”—but at least it names things characteristic of jazz, something none of the classical music definitions do for classical music. Or compare this definition of jazz, from ...
... improvisation, etc originating in black American folk music” That’s a little sketchy—and again they fall back on that baffled “etc”—but at least it names things characteristic of jazz, something none of the classical music definitions do for classical music. Or compare this definition of jazz, from ...
Confirma hoc
... In order to fully understand the origins of plainsong or chant one must go back to the ancient Greeks. In approximately 500 B.C. Pythagoras, perhaps history’s first music theorist, and other ancient Greek scientists developed a system of scales (modes) and division of the octave still in use to this ...
... In order to fully understand the origins of plainsong or chant one must go back to the ancient Greeks. In approximately 500 B.C. Pythagoras, perhaps history’s first music theorist, and other ancient Greek scientists developed a system of scales (modes) and division of the octave still in use to this ...
Free from Jazz: The Jazz and Improvised Music Scene in Vienna
... to mostly instrumental music based on standard jazz instrumentation (saxophone, trumpet, trombone, guitar, piano/synthesizer, bass, and drums/percussion). There are occasions where musicians use non-standard instrumentation (including laptops, turntables, and electronics), but the resulting product ...
... to mostly instrumental music based on standard jazz instrumentation (saxophone, trumpet, trombone, guitar, piano/synthesizer, bass, and drums/percussion). There are occasions where musicians use non-standard instrumentation (including laptops, turntables, and electronics), but the resulting product ...
WWW.BSSVE.IN
... basic chord progressions, most importantly the blues and the ii-V7-I progression. Jazz tunes often change keys in a very short period of time, and several times within a given chord sequence; therefore, it helps to know how chords function and relate to each other within a given key. Since improvisa ...
... basic chord progressions, most importantly the blues and the ii-V7-I progression. Jazz tunes often change keys in a very short period of time, and several times within a given chord sequence; therefore, it helps to know how chords function and relate to each other within a given key. Since improvisa ...
Pump Audio Genre Guide
... Classical-Impressionism Orchestral — Impressionism is a style that arose in late 19th century Paris and continued through the beginning of the twentieth century. The term comes about due largely to the music of composer Claude Debussy, whose brilliance as an orchestrator, as well as his gift for evo ...
... Classical-Impressionism Orchestral — Impressionism is a style that arose in late 19th century Paris and continued through the beginning of the twentieth century. The term comes about due largely to the music of composer Claude Debussy, whose brilliance as an orchestrator, as well as his gift for evo ...
Concert Choir
... indicators of musical style. (9-12.Mu.3.3.4) The relationship of rhythmic patterns aids in the expression of musical ideas. (9-12.Mu.3.3.4) Manipulating rhythm creates patterns. (9-12.Mu.3.3.1) Distinct rhythmic patterns are indicators of musical style. (9-12.Mu.3.3.4) Individuals within a p ...
... indicators of musical style. (9-12.Mu.3.3.4) The relationship of rhythmic patterns aids in the expression of musical ideas. (9-12.Mu.3.3.4) Manipulating rhythm creates patterns. (9-12.Mu.3.3.1) Distinct rhythmic patterns are indicators of musical style. (9-12.Mu.3.3.4) Individuals within a p ...
Music of Cuba
... earliest available information on Cuban music. He reported instruments including the clarinet, violin and vihuela. There were few professional musicians at the time, and fewer still of their songs survive. One of the earliest is Ma Teodora, by a freed slave, Teodora Gines of Santiago de Cuba, who wa ...
... earliest available information on Cuban music. He reported instruments including the clarinet, violin and vihuela. There were few professional musicians at the time, and fewer still of their songs survive. One of the earliest is Ma Teodora, by a freed slave, Teodora Gines of Santiago de Cuba, who wa ...
DOWNBEAT.COM MARCH 2016 U.K. £3.50
... Hekselman and fellow guitarist Yotam Silberstein and a performance by pianist Gadi Lehavi and his band. The trios of guitarist Dida and drummer Ziv Ravitz closed out the festival Jan. 12. “There was a phase where Israeli jazz was trying to define itself,” Hekselman said in an interview. “And there w ...
... Hekselman and fellow guitarist Yotam Silberstein and a performance by pianist Gadi Lehavi and his band. The trios of guitarist Dida and drummer Ziv Ravitz closed out the festival Jan. 12. “There was a phase where Israeli jazz was trying to define itself,” Hekselman said in an interview. “And there w ...
Jazz drumming

Jazz drumming is the art of playing percussion (predominantly the drum set, which includes a variety of drums and cymbals) in jazz styles ranging from 1910s-style Dixieland jazz to 1970s-era jazz-rock fusion and 1980s-era latin jazz. The techniques and instrumentation of this type of performance have evolved over several periods, influenced by jazz at large and the individual drummers within it. Stylistically, this aspect of performance was shaped by its starting place, New Orleans, as well as numerous other regions of the world, including other parts of the United States, the Caribbean, and Africa.Jazz required a method of playing percussion different from traditional European styles, one that was easily adaptable to the different rhythms of the new genre, fostering the creation of jazz drumming's hybrid technique. As each period in the evolution of jazz—swing and bebop, for example—tended to have its own rhythmic style, jazz drumming continued to evolve along with the music through the 20th century. One tendency that emerged over time was the gradual ""freeing"" of the beat. But older styles persisted in later periods. The borders between these periods are unclear, partly because no one style completely replaced others, and partly because there were numerous cross influences between styles.