Glossary of Jazz Terminology
... Glossary of Jazz Terms alto: short for contralto, the alto is the highest pitch range of the male singing voice and the lowest pitch range of the female singing voice, or an instrument that sounds within this range; also called a countertenor (see also bass, baritone, tenor, soprano) ballad: in jazz ...
... Glossary of Jazz Terms alto: short for contralto, the alto is the highest pitch range of the male singing voice and the lowest pitch range of the female singing voice, or an instrument that sounds within this range; also called a countertenor (see also bass, baritone, tenor, soprano) ballad: in jazz ...
Mirage: Avant-Garde and Third-Stream Jazz
... steady catching up of jazz techniques and concepts with those of the Western avantgarde has brought the two idioms so close that at times they are barely distinguishable from each other. One could also describe this process of acculturation as the Europeanization of jazz. For while the origins of ja ...
... steady catching up of jazz techniques and concepts with those of the Western avantgarde has brought the two idioms so close that at times they are barely distinguishable from each other. One could also describe this process of acculturation as the Europeanization of jazz. For while the origins of ja ...
Sequential Chorus Curriculum for grades 6-8
... the meanings of common terms used in the various fine arts. Describe in simple terms the similarities and differences of music from different time periods: Renaissance, Baroque, Classical, Romantic, Contemporary Demonstrate an understanding that the music one listens to or performs is often a re ...
... the meanings of common terms used in the various fine arts. Describe in simple terms the similarities and differences of music from different time periods: Renaissance, Baroque, Classical, Romantic, Contemporary Demonstrate an understanding that the music one listens to or performs is often a re ...
AN 34307 TOPICS IN US HISTORY:
... Arrangement. A new version of a previously written piece. Jazz arrangements often include new chords for the piece as well as new material to be played during and between solos, and so on. Avant-garde. Jazz (usually atonal) not based on preconceived chord changes; jazz played in a freely improvised ...
... Arrangement. A new version of a previously written piece. Jazz arrangements often include new chords for the piece as well as new material to be played during and between solos, and so on. Avant-garde. Jazz (usually atonal) not based on preconceived chord changes; jazz played in a freely improvised ...
MUSIC STYLES
... in blues records from the 1920s, rock and roll did not acquire its name until the 1950s. Encyclopædia Britannica regards it as the music that originated in the mid-1950s and later developed "into the more encompassing international style known as rock music". In the earliest rock and roll styles of ...
... in blues records from the 1920s, rock and roll did not acquire its name until the 1950s. Encyclopædia Britannica regards it as the music that originated in the mid-1950s and later developed "into the more encompassing international style known as rock music". In the earliest rock and roll styles of ...
AN 34307 TOPICS IN US HISTORY:
... Arrangement. A new version of a previously written piece. Jazz arrangements often include new chords for the piece as well as new material to be played during and between solos, and so on. Avant-garde. Jazz (usually atonal) not based on preconceived chord changes; jazz played in a freely improvised ...
... Arrangement. A new version of a previously written piece. Jazz arrangements often include new chords for the piece as well as new material to be played during and between solos, and so on. Avant-garde. Jazz (usually atonal) not based on preconceived chord changes; jazz played in a freely improvised ...
Pavan and Galliard - 8 Key Facts
... 2. Night Clubs – Amplifiers and loud speakers meant for the first time meant that many people could dance in a night club with a DJ leading instead of the big band leader 3. Danced on Own – people danced on their own so the could show others their moves 4. Strong beat – 4 beats in a bar at 120 beats ...
... 2. Night Clubs – Amplifiers and loud speakers meant for the first time meant that many people could dance in a night club with a DJ leading instead of the big band leader 3. Danced on Own – people danced on their own so the could show others their moves 4. Strong beat – 4 beats in a bar at 120 beats ...
Antecedent-Consequent Phrases», Part 1
... the jazz vocabulary and to analyze their individual construction. We will suggest ways to effectively connect the phrases and their different variations. The diverse elements of the vocabulary are first presented in fragmented form for analysis. Then we combine and connect these motifs with other fr ...
... the jazz vocabulary and to analyze their individual construction. We will suggest ways to effectively connect the phrases and their different variations. The diverse elements of the vocabulary are first presented in fragmented form for analysis. Then we combine and connect these motifs with other fr ...
Baroque Dance Music – Unit 1: Dance Music
... To understand the way singing is used in traditional African music. To make connections between the improvised nature and call and response patterns of drumming and singing. ...
... To understand the way singing is used in traditional African music. To make connections between the improvised nature and call and response patterns of drumming and singing. ...
cookiebeats.com
... app) at the Community Music Center of Boston (CMCB). Through CMCB I was introduced to the Music Ace software they were using on their 10-yearold PCs. I thought the software was well designed but a bit archaic and it only featured classical music. I thought "why not use popular music to teach basic c ...
... app) at the Community Music Center of Boston (CMCB). Through CMCB I was introduced to the Music Ace software they were using on their 10-yearold PCs. I thought the software was well designed but a bit archaic and it only featured classical music. I thought "why not use popular music to teach basic c ...
1 - USC Upstate
... 40. Layers - West African music is often constructed with "strata" of sound that are related in a complex way to the organizing pattern of the core "time line." These different layers can be thought of as interlocking patterns as in a hocket (see above). 41.Legato - Playing two or more notes without ...
... 40. Layers - West African music is often constructed with "strata" of sound that are related in a complex way to the organizing pattern of the core "time line." These different layers can be thought of as interlocking patterns as in a hocket (see above). 41.Legato - Playing two or more notes without ...
bebop
... improvisation, the only threads holding the work together being the underlying harmonies played by the rhythm section. Sometimes improvisation included references to the original melody or to other well-known melodic lines ("allusions," or "riffs"). Sometimes they were entirely original, spontaneous ...
... improvisation, the only threads holding the work together being the underlying harmonies played by the rhythm section. Sometimes improvisation included references to the original melody or to other well-known melodic lines ("allusions," or "riffs"). Sometimes they were entirely original, spontaneous ...
TALKING TO YOUR RHYTHM SECTION Chris Sharp, Ph.D. FMEA
... The rock style usually needs no introduction to students raised on a steady diet of 21st century popular music. It comes in a number of variations; here is a common one: ...
... The rock style usually needs no introduction to students raised on a steady diet of 21st century popular music. It comes in a number of variations; here is a common one: ...
Koko homework - WordPress.com
... Repeating a section of music. Just a few notes or a whole section. Improvisation: Music is made up spontaneously (on-the-spot) without written notation. Polyphony: 2 or more independent parts playing different things at the same time. Multi-layered texture Call and Response: Solo (call) followed by ...
... Repeating a section of music. Just a few notes or a whole section. Improvisation: Music is made up spontaneously (on-the-spot) without written notation. Polyphony: 2 or more independent parts playing different things at the same time. Multi-layered texture Call and Response: Solo (call) followed by ...
EuroMed Music Festival 2010
... Vasilic started his own band in 1998. The focus of the band's musical approach became more clearly defined, resulting in a fusion of European jazz and improvised music with melodies and rhythms from the vast store of Balkan folk music. Kornél Horváth - percusssions HU He started his musical career a ...
... Vasilic started his own band in 1998. The focus of the band's musical approach became more clearly defined, resulting in a fusion of European jazz and improvised music with melodies and rhythms from the vast store of Balkan folk music. Kornél Horváth - percusssions HU He started his musical career a ...
A Mythic Jazz Fable - Denver Center for the Performing Arts
... the way for the Big Band boom of 1935-45, when music became dreamy and carefree in order to erase the reality of the Great Depression. Most popular music was played by dance and show bands, though some rhythm sections were grounded in jazz such as the bands of Benny Goodman, Charlie Barnett, Duke El ...
... the way for the Big Band boom of 1935-45, when music became dreamy and carefree in order to erase the reality of the Great Depression. Most popular music was played by dance and show bands, though some rhythm sections were grounded in jazz such as the bands of Benny Goodman, Charlie Barnett, Duke El ...
JAZZ ENSEMBLE GOALS
... Expressively respond to different styles of jazz literature in a written and/or verbal form. C1. Discuss a piece of music in terms of rhythm, articulation, etc. Goal IV: Nature and Meaning of the Arts: Valuing the Arts Student Objective The student will: A. Understand role of jazz in history of musi ...
... Expressively respond to different styles of jazz literature in a written and/or verbal form. C1. Discuss a piece of music in terms of rhythm, articulation, etc. Goal IV: Nature and Meaning of the Arts: Valuing the Arts Student Objective The student will: A. Understand role of jazz in history of musi ...
Session 1
... performance; • About the musical conventions used in LatinAmerican music; • How rhythmic patterns can be built over a pulse; • About the use of different timbres; • About call and response; ...
... performance; • About the musical conventions used in LatinAmerican music; • How rhythmic patterns can be built over a pulse; • About the use of different timbres; • About call and response; ...
Lesson Plan 1
... Exit ticket: How do you think Dixieland Jazz was influenced by earlier styles of music? Which style of music do you think influenced the development of Jazz the most? Without these styles of music, how do you think American music might sound different? ...
... Exit ticket: How do you think Dixieland Jazz was influenced by earlier styles of music? Which style of music do you think influenced the development of Jazz the most? Without these styles of music, how do you think American music might sound different? ...
Modern Music 1844-2000
... Shuffling clog dance by black men known as ragging The paper it was written on was known as a “Rag” ...
... Shuffling clog dance by black men known as ragging The paper it was written on was known as a “Rag” ...
Latin Jazz Network
... emerges with a soaring spirit. This is what John Coltrane found most rewarding in the latter part of his career as he showed the way for numerous musicians to follow. And Elio Villafranca does so with wonderful spiritual fervor. In many respects this is a defining album for Villafranca. The music is ...
... emerges with a soaring spirit. This is what John Coltrane found most rewarding in the latter part of his career as he showed the way for numerous musicians to follow. And Elio Villafranca does so with wonderful spiritual fervor. In many respects this is a defining album for Villafranca. The music is ...
Blues and the Pentatonic Scale
... responsibility of the improvising artist. Whether shredding up a Stratocaster solo, blowing changes on the bandstand, or spontaneously changing keys, tempo and meter, the improvising musician must master all elements of musical construction and form. ...
... responsibility of the improvising artist. Whether shredding up a Stratocaster solo, blowing changes on the bandstand, or spontaneously changing keys, tempo and meter, the improvising musician must master all elements of musical construction and form. ...
- Lawton Public Schools
... made his first records in 1920. His instrumental concept, known as "symphonic jazz," featured lush harmonies and simplified jazz rhythms but little improvisation; he nevertheless became known as "The King of Jazz." ...
... made his first records in 1920. His instrumental concept, known as "symphonic jazz," featured lush harmonies and simplified jazz rhythms but little improvisation; he nevertheless became known as "The King of Jazz." ...
Music Center
... A device used for producing musical sounds. Instrumental families: Referring to the four groupings of instruments which are: percussion, strings, woodwinds and brass. Instrumentation: The selection of instruments for a composition. ...
... A device used for producing musical sounds. Instrumental families: Referring to the four groupings of instruments which are: percussion, strings, woodwinds and brass. Instrumentation: The selection of instruments for a composition. ...
Jɛnkuno Overview Phrase Duration
... At the completion of this introduction, the ensemble booms out the response theme. From here on out, the lead luŋa just plays short phrases that fit into the four-beat slot between the responses. Alhaji presents three "talks." Ideas stated in the "call" reappear. The "zahan gridediyan zadaden dedada ...
... At the completion of this introduction, the ensemble booms out the response theme. From here on out, the lead luŋa just plays short phrases that fit into the four-beat slot between the responses. Alhaji presents three "talks." Ideas stated in the "call" reappear. The "zahan gridediyan zadaden dedada ...
Jazz drumming
Jazz drumming is the art of playing percussion (predominantly the drum set, which includes a variety of drums and cymbals) in jazz styles ranging from 1910s-style Dixieland jazz to 1970s-era jazz-rock fusion and 1980s-era latin jazz. The techniques and instrumentation of this type of performance have evolved over several periods, influenced by jazz at large and the individual drummers within it. Stylistically, this aspect of performance was shaped by its starting place, New Orleans, as well as numerous other regions of the world, including other parts of the United States, the Caribbean, and Africa.Jazz required a method of playing percussion different from traditional European styles, one that was easily adaptable to the different rhythms of the new genre, fostering the creation of jazz drumming's hybrid technique. As each period in the evolution of jazz—swing and bebop, for example—tended to have its own rhythmic style, jazz drumming continued to evolve along with the music through the 20th century. One tendency that emerged over time was the gradual ""freeing"" of the beat. But older styles persisted in later periods. The borders between these periods are unclear, partly because no one style completely replaced others, and partly because there were numerous cross influences between styles.