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1 …and more bears RECORDINGS “designed for repeated listening” 2 AMB 90129 LA BE LLA ITA L IA A l fr e d o A n t o n in i a nd h is O r c h e st r a 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. Souvenir Of Naples (DeCrescenzo) .....................................3:22 Serenade Of June (Fasano)...................................................2:36 Tosca: Vissi D'Arte (Puccini) .................................................2:49 Tosca: E Lucevan Le Stelle (Puccini) ....................................3:13 No More Tears (Becucci) .......................................................2:22 Romance (D'Ambrossio)........................................................3:04 L'Elisir D'Amore: Una Furtiva Lagrima (Donizetti)............3:38 Addio (Farewell) (Leoncavallo)............................................2:49 Ideale (Tosti)...........................................................................3:24 Gigue (Corelli)........................................................................1:47 P 1956 Original Sesac C-1115r/1116r ● Achtern Dahl 4 • D-27729 Vollersode • Germany P 2011 & C 2011 …AND MORE BEARS LC 12483 AMB 90129 3 LA B E LL A I TA L IA A l fr e d o A n t o n in i a n d hi s O r c h e st r a ‘La Bella Italia’ – the timeless and romantic holiday atmosphere, the rolling countryside, the small villages and historic cities and the alluring blue of the sparkling Italian seas – all captured in these enduring romantic selections by Alfredo Antonini And His Orchestra. The music of Italy has many facets – gay, light and sentimental, or rhythmic, garish and furious. It can take the form of a Venetian boat song, a Neapolitan street song, a love serenade as charming and beautiful as the surrounding countryside, or the ageless melodic appeal of the opera. But whatever form it takes, it still remains the music of the people. Music is an Italian way of life; it means more to them perhaps, than to any other nation. Of all the music indigenous to Italy, the barcarole is among the best known. This “boat song” reminiscent of the barcaruoli, or gondoliers of Venice, takes on a new setting in the Alfredo Antonini version. The haunting melody and lulling rhythm is still there, but the blend of beauty, song and romance becomes a true musical embodiment of a Souvenir Of Naples. Romantic, and quite sentimental, too, is the lilting Serenade Of June which glows with the warmth of the Mediterranean sun. The same romance infuses the throbbing ballad Ideale by the greatest composer of Italian song, Francesco Paolo Tosti, many of whose works were immortalized by Caruso and other legendary singers. AMB 90129 4 Dance rhythms also receive a lively workout from Alfredo Antonini And His Orchestra. The traditional Gigue, forerunner of the Irish jig, taken from a suite by Arcangelo Corelli, gets a sparkling treatment, as does Ernesto Becucci’s No More Tears, a sprightly mazurka that’s teeming with Italian flavoring. In contrast to these lively measures, we hear Alfredo d’Ambrosio’s Romance – where every voice in the orchestra seems to be wrapped up in one mighty expression of song. D’Ambrosio’s swelling melody is reminiscent of the most passionate moments of the romantic operas, displaying the same range of emotion, the same surge and passion. No musical panorama of ‘La Bella Italia’ would be complete without a glimpse of Italian opera. Maestro Antonini offers two excerpts from Giacomo Puccini’s ‘Tosca’, the passionate second act aria Vissi D’Arte, and the moving and poetic farewell from the final act, E Lucevan Le Stelle. Gaetano Donizetti is represented by a tenor aria from the last act of his comic opera, ‘L’Elisir D’Amore,’ the charming Una Furtiva Lagrima which, in its enchanting instrumental version, features a ‘cello solo by Harvey Shapiro. Another great opera composer, Ruggiero Leoncavallo, has one of his most famous songs, Addio performed by the Antonini ensemble in one of the most lyrical expressions of the idea of farewell that music can offer. ORIGINAL LINER NOTES 5 AMB 90129 …and more bears RECORDINGS “designed for repeated listening” For the very first time you now can acquire – exclusively through …AND MORE BEARS – the PT Master Recording catalog, formerly known as 'SESAC Transcribed Library'. Extensive parts of this catalog will be available worldwide for downloading through the regular channels and platforms, as well as CD-on-demand albums. The most important point for music lovers and collectors is the material's exclusiveness: the music was unavailable elsewhere. The musicians and band-leaders were given studio time to record exclusive sessions of extra songs. Successful artists liked SESAC because it meant some extra money. From the very beginning, the repertoire was only available on a loan basis for radio stations – every month the stations were given 40 cm transcription discs (later LP-sized discs) that were delivered with complete text information for the radio presenters. For DJs, SESAC transcriptions meant interesting and rare material for their audiences. And the sound quality is brilliant, as the recordings took place in some of America's best studios, and outstanding arrangers worked on these sessions. These recordings were initially produced for SESAC, America's second-oldest copyright society. The library was active from the late 1940s until the early ‘80s. The rights to the recordings were owned exclusively by the heirs of the SESAC founder and, with a few exceptions, have never been used for vinyl recordings... much less CD. Highlights of the catalogue include: ● A catalog of more than 7500 songs; ● Exclusive recordings from jazz giants such as Count Basie, Duke Ellington, Woody Herman and many others; ● Ace session musicians and supporting players who were stars in their own right like Alice Coltrane, Nat Adderly, Thad Jones, Kai Winding, Si Zentner, Gary Burton, Andy Williams, Eric Dolphy, Zoot Sims and many, many more; ● Rare and sought after session recordings with Chet Atkins, The Jordanaires, Anita Kerr, Richard Maltby, Tony Mottola, Nathaniel Shilkret, The Stamps Baxter Men, The Statesmen, Webb Pierce and Faron Young; ● Extensive classical repertoire with symphony orchestras. ● 1950s material in categories like Swing, Lounge, Country, Folk, Barbershop, Choir, Cowboy Music, Southern Gospel, Hawaiian, Latin, Marching Bands, Polkas among others. Go to www.and-more-bears.de to explore the full catalogue and see the latest additions