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Transcript
OddProgramFINAL
3/26/04 5:27 PM
Page 9
THEATER
LOGO/INFO HERE
Proudly Presents
BARBARA EDEN
in
NEIL SIMON’S
with
RITA MCKENZIE
also starring
Elizabeth Alley
Kristie Berger
David Castro
Mary Pat Gleason
Larry Thomas
and
Allyce Beasley
Directed by
JOAL PALEY
Scenic Design
THOMAS BUDERWITZ
Technical Director
JOSEPH SHANNON
Lighting Design
BRYAN SMITH
Sound Design
JON GOTTLIEB
Production Stage Manager
MICHAELWHITE
Assistant Stage Manager
JEREMY LEVIN
Ms Eden’s & Ms McKenzie’s Costumes
by DENISE SOLIS
Costume Design
DEVON RENEE ANDERSON
Hair Design
SARAH BARNARD
Prop Design
JANICE SILVER
Casting Director
BRUCE H. NEWBERG, C.S.A.
Exclusive Tour Direction
SCOTT STANDER & ASSOCIATES, INC.
13701 Riverside Drive Suite 201 Sherman Oaks CA91423 www.scottstander.com
●
●
●
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OddProgramFINAL
3/26/04 5:27 PM
Page 10
cast
ELIZABETH ALLEY Renée
DAVID CASTRO Jesus Costazuela
BARBARA EDEN
Florence Unger
ALLYCE BEASLEY Vera
MARY PAT GLEASON Mickey
RITA MCKENZIE
Olive Madison
KRISTIE BERGER Sylvie
LARRY THOMAS Manolo Costazuela
Understudies: ERIN BENNETT, JEREMY LEVIN
Understudies never appear for listed performers unless
a specific announcement is made at the time of the performance.
THE ODD COUPLE (FEMALE VERSION)
WILL BE PERFORMED WITH A 15-MINUTE INTERMISSION.
Use of cameras, videotape recorders, audio recorders and/or any other type of recording
device during a performance is strictly prohibited. For the enjoyment of the audience,
please turn off all cell phones and pagers prior to entering the theater.
OddProgramFINAL
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Page 11
profiles
BARBARA EDEN
(Florence Unger), the
endearing and enduring
star of I Dream of Jean nie, has recently completed a ten-week run
at Chicago’s A p o l l o
Theater, starring in The
Odd Couple. She also
starred in the hit mini-tour of Gentlemen Pre fer Blondes in the role originally played on
film by Marilyn Monroe. The busy star’s
other recent activities include stints as host
of Home & Garden Television channel’s Sit com Style; celebrity host of the Canadian
A C E Awards show; commercials for Old
Navy and Lexus; an hour appearance on CNN
Larry King Live; the I Dream of Jeannie reunion on The Donnie & Marie Show; profiled on A & E B i o g r a p h y; profiled on
MSNBC’s Legends & Headliners with Matt
Lauer; and profiled in TV Guide, November
1999. In addition to her signature “Jeannie”
show, she has starred in four network series
for NBC including Harper Valley PTA, Brand
New Life with Don Murray as her leading
man, and a series of two-hour NBC mystery
movies, Visions of Murder which aired during the 1996/1997 season. While under contract at 20th Century Fox she starred in a
number of feature films and played the Marilyn Monroe role on the TV series How To
Marry a Millionaire. Barbara has starred in
14 top-rated television movies over the past
15 years and made a special six-episode guest
appearance on Dallas opposite her former
Jeannie guest star, Larry Hagman. Her feature film credits include Elvis Presley’s leading lady in Flaming Star, Five Weeks in a
Balloon, Voyage to the Bottom of the Sea,
Harper Valley PTA and The Seven Faces of
Dr. Lao . Barbara has headlined her singing
show in top supper clubs including the MGM
Grand in Las Vegas, Harrah’s in Lake Tahoe
and Atlantic City, and on concert stages
across America. She also starred in major
city venues in a number of musical theater
and comedy productions such as The Best
Little Whorehouse in Texas, The Sound of
Music, The Unsinkable Molly Brown, Nite
Club Confidential, Same Time Next Year and
The Last of the Red Hot Lovers . Barbara is
active in a variety of charities including the
Wellness Community and is a frequent guest
on America’s most popular talk shows.
R I TA MCKENZIE (Olive Madison ) is
thrilled to be performing again with her good
friend Barbara Eden in Neil Simon’s female
version of The Odd
C o u p l e, after recently
completing a 10-week
run at Chicago’s Apollo T h e a t e r, and their
successful tour of Gen tlemen Prefer Blondes.
Miss McKenzie’s dazzling recreation of Ethel
Merman in Ethel Merman’s Broadway has
electrified audiences worldwide. Her internationally-acclaimed performance started
Off-Broadway at the John Houseman Theater
in New York City and she performed at
Carnegie Hall, Pasadena Playhouse, Harrah’s Casino Hotel in Atlantic City and on an
SRO eight-city tour of Japan. She looks forward to her upcoming “Ethel” appearances
in London and Toronto. Miss McKenzie
starred in the Los Angeles premiere of the
Off-Broadway musical Ruthless!. She can
also be heard on the original cast album. She
toured the country as Annie Oakley in the
50th anniversary production of Annie Get
Your Gun with Glenn Yarbrough. She has
created the role of Phoebe Farber in Sam
H a r r i s ’ Broadway-bound production of
Hurry! Hurry! Hollywood! in Los Angeles,
and she played Maggie Jones in 42nd Street
OddProgramFINAL
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Page 12
profiles
with Mariette Hartley. Her other starring
roles include Reno Sweeney in A n y t h i n g
Goes, Aldonza in Man of La Mancha, Ruth
in The Pirates of Penzance, Belle Poltrine
in Little Me, Domina in AFunny Thing Hap pened on the Way to the Forum, Cleo in The
Most Happy Fella, Widow Corney in Oliv er!, Nurse Custer in Whoopee! and, of course,
Mama Rose in Gypsy. McKenzie is an accomplished TV and film actress and recently played Alice, the housekeeper, on Fox’s
The Brady Bunch: the Final Days. She has
guest-starred on NBC’s Caroline In the City
and audiences will remember her for her
roles as Mrs. Littlejohn on NBC’s Frasier,
Rita Marcus on the Family Channel’s Big
Brother Jake and her recurring role on Daddy
D e a re s t starring Richard Lewis and Don
Rickles. She co-starred in the feature film I
Might Even Love You and was featured in
Rodney Dangerfield’s film Meet Wa l l y
Sparks.
ELIZABETH ALLEY’S (Renée) New York
and regional theatre credits include Joyce
Carol Oates’ I Stand
Before You Naked at the
American Place T h eatre, Christopher Dur a n g ’s Naomi in the
Living Room at Home
for Contemporary Theatre and Art (directed
by the playwright),
Seance at the Lamb’s Theatre, Flip at the
Harold Clurman Theatre, Amadeus and Sweet
Bird of Youth at Cincinnati Playhouse in the
Park, The Brothel’s Launderer at Chicago’s
Goodman Theatre and AMidsummer Night’s
D re a m and Two Gentlemen of Ve ro n a a t
Chicago’s Free Shakespeare Theatre. For
television, Ms. Alley has appeared in Frasi er, V.I.P., Encore! Encore!, Days of Our Lives,
Sunset Beach, The Young and the Restless,
Saved By The Light, Tom Clancy’s Op Cen t e r, Diagnosis Mur d e r, All My Childr e n ,
Ryan’s Hope and Another World.
DAVID CASTRO (Jesus Costazuela) is
pleased and proud to be a part of this production of The Odd
Couple. Other theatre
credits in Canada, the
United States and
Central
America
include The Glass
Menagerie, Hamlet,
Amigo's Blue Guitar,
Wait Until Dark, and
Fronteras Americanas (American Borders),
among others. Film and television credits
include St Elmo’s Fire, Pearl Harbor,
Judging Amy, JAG, Lonesome Dove: The
Series, Poltergeist: The Series, Days of Our
Lives, and Angeles for Telemundo.
ALLYCE BEASLEY Best known for her
role as Ms. Dipesto on the ABC hit,
“Moonlighting” for
which she received two
Emmy and Golden
Globe nominations.
She also appeared in
classic episodes of
“Cheers” and “Taxi”.
Ms. Beasley was
recently seen as a guest
star on “10-8” and in the theatrical releases
“Legally Blonde,” “Stuart Little,” and “A
Foreign Affair,” starring David Arquette and
Tim Blake Nelson. Stage appearances
include “Morticians in Love” at the
Celebration Theatre, “Steel Magnolias” at
La Mirada and “Rosencranz and
Guildenstern are Dead” and “Tartuffe” at
Theatre Arts Corporation in Sante Fe. Ms.
Beasley was also a performing member of
the New York improv troupe, Interplay. A
OddProgramFINAL
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profiles
twenty-year veteran of radio and voice-over
work, she is currently the voice of Miss
Grotke on ABC’s “Recess” and Mrs
McNoggin in “Lloyd in Space.” Ms.
Beasley can also be heard every morning as
the voice of “Playhouse Disney.”
MARY PAT GLEASON (Mickey) most
recently appeared in Intolerable Cruelty,
Bruce Almighty, 13 Going On 30, LARiots, A
Cinderella Story and
Stephen Soderberg’s
award-winning film,
Traffic. Her other film
appearances include
The
Crucible,
Evolution, A Walk in
the Clouds, Lorenzo’s
Oil,
Soap
Dish,
Defending Your Life and Basic Instinct. She
has guest-starred in over 128 television
shows including Sex and the City, Malcolm
in the Middle, That’s Life, NYPD Blue, ER,
Friends and Will & Grace. In regional theatre she has appeared at the Mark Taper
Forum, Pasadena Playhouse, George
Playhouse, Meadowbrook Theatre, Walnut
Street Theatre, Cohose Music Hall, Nassau
Repertory and the Manhattan Theatre Club.
She played Jane Hogan on Guiding Light for
two years and won an Emmy for editing the
show in 1986. Mary Pat is represented by
Stone Manners Agency.
KRISTIE BERGER (Sylvie) makes her
home in Chicago. She last appeared in
Frankie & Johnny in
the Clair de Lune at the
Human Race Theatre
in Dayton. Chicago
theater credits include
The
Vagina
Monologues; Sylvie in
The Odd Couple –
Female Version, starring Barbara Eden and
Rita McKenzie;
Louise Seger in
Always...Patsy Cline at the Apollo Theater;
the Chicago premiere of Criminal Hearts at
Strawdog Theatre; Tiger in Cementville at
Mary-Arrchie; Miss Amelia Evans in The
Ballad of the Sad Cafe at Absolute Theatre;
Soot in The Marriage of Bette and Boo at
Centre Theatre; and Sissy in Come Back to
the 5 & Dime, Jimmy Dean, Jimmy Dean at
the Edinburgh Festival Fringe in Scotland.
She understudied Three Days of Rain at
Steppenwolf, the original production of
Marvin’s Room at the Goodman Theater
Studio, and A Midsummer Night’s Dream on
the Goodman's mainstage. She also works in
commercials, industrials, and voice-overs.
LARRY THOMAS (Manolo Costazuela)
The vast world of
Seinfeld fans know
Larry as “The Soup
Nazi.” His other TV
credits include CSI,
Scrubs, The Geena
Davis Show, Grace
Under Fire, Caroline in
the City, Arliss, Martial
Law and more. His film credits include
Austin Powers, Bachelor Man and more. But
theatre is what Larry has done mostly, performing in hundreds of plays in the L.A. area
for the last 25 years (sometimes writing and
directing them to give himself acting work).
All his love to his son Benjamin and his wife
(the lovely and talented) Duffie McIntire.
JEREMY LEVIN (Male Understudy,
Assistant Stage Manager) In addition to The
Odd Couple, Jeremy is also stage managing
It Had to be You and If You Ever Leave
Me...I'm Going With You, both by Renee
Taylor and Joe Bologna. A Santa Cruz native
and graduate of Boston University, Jeremy's
OddProgramFINAL
3/26/04 5:27 PM
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profiles
previous stage management credits include
Henry IV Part 2 and Henry V at the Carmel
Shakes-Speare Fesitval.
Jeremy has stage managed
J. Strauss' operetta Die
Fledermaus at Bay Shore
Lyric Opera in Capitola
and at the Fox Theatre in
Redwood City. Directing
credits include A Letter to
Harvey Milk at Temple
Beth-El in Aptos; Springtime and A Look
Back in Virginia Woolf, for which he is also
the playwright, both at Boston University.
On Stage, Jeremy has been in Santa Cruz
Actors' Theatre's Eight Tens at 8 2002 as
"Bob" in Anonymous; "Clayton's Brother" in
Waiting for Lefty and "Eukia" in the play of
the same name, both at Boston University.
ERIN BENNETT (Female Understudy)
recently played Vi in Buddy: The Buddy
Holly Story, for Theater League. Favorite
roles include: Beryl in Star
Quality
at
Pasadena
Playhouse, and Debbie in The
Real Thing at International
City Theatre. She is a graduate
of Boston University.
Good Doctor, God’s Favorite, California
Suite, Chapter Two, They’re Playing Our
Song, I Ought to Be in Pictures, Fools, a
revival of Little Me, Brighton Beach
Memoirs, Biloxi Blues (Tony Award), a new
version of The Odd Couple starring Sally
Struthers and Rita Moreno as the title duo,
Broadway Bound, Rumors, Lost in Yonkers
(Tony Award and Pulitzer Prize) the book to
the musical The Goodbye Girl, Jake’s
Women, and Laughter on the 23rd Floor. Mr.
Simon has also written for the screen: the
adaptations of Barefoot in the Park, The Odd
Couple, Plaza Suite, The Last of the Red Hot
Lovers, The Prisoner of Second Avenue, The
Sunshine Boys, California Suite, I Ought To
Be in Pictures, Chapter Two, Brighton Beach
Memoirs, Biloxi Blues, Lost in Yonkers and
the TV motion picture of Broadway Bound.
Other screenplays he has written include
After the Fox, The Out-of-Towners, The
Heartbreak Kid, Murder by Death, The
Goodbye Girl, The Cheap Detective, Seems
Like Old Times, Only When I Laugh, Max
Dugan Returns and The Marrying Man. Neil
Simon recently completed two new plays,
The Dinner Party on Broadway and 45
Seconds to Broadway which is scheduled to
open on Broadway later this year.
NEIL SIMON (Author) began his writing
career in television and established himself
as our leading writer of comedy by creating a
succession of Broadway hits beginning with
Come Blow Your Horn. During the 1966-67
season, Barefoot in the Park, The Odd
Couple, Sweet Charity and The Star
Spangled Girl were all running simutaneously; in the 1970-71 season, Broadway theatergoers had their choice of Plaza Suite, Last of
the Red Hot Lovers and Promises, Promises.
Next came Little Me (book to the musical),
The Gingerbread Lady, The Prisoner of
Second Avenue, The Sunshine Boys, The
JOAL PALEY (Director) is the author and
lyricist of hit musical, Ruthless! (music by
Marvin Laird) which was honored with the
Outer Critics Circle Award for Best Musical
of 1993 and also won Mr. Paley the Drama
Desk Award for Best Lyricist. He directed the
highly acclaimed New York production
(Outer Critics Circle and Drama Desk Award
nominee; Best Director), and the concert version starring Bernadette Peters in Los
Angeles. As a performer, Joal appeared on
Broadway, on national tour, and on television
with the infamous dance troupe, Les Ballets
Trockadero de Monte Carlo. The Trocks’
OddProgramFINAL
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profiles
sold-out engagement at the Dorothy
Chandler Pavilion brought him to the West
Coast where he created nightclub acts for
Abbe Lane, Bob Newhart, Rita Cooledge,
Donna Pescow, and Billy Barnes; provided
dances for The Maude Show, starring Bea
Arthur and employing physically challenged
dancers confined to wheel chairs, created the
choreography for the Academy Award-nominated short film, A Different Approach. In
New York, Joal directed the premiers of
Durang Durang and Make Up Your Mind (by
Kurt Vonnegut Jr.), and directed numerous
productions for The Theatre Guild's “Theatre
at Sea” Series, starring Brian Bedford, Eileen
Brennan, George Hearn, Dana Ivey, Carol
Kane, Richard Kiley, Milo O'Shea, Patricia
Neal, Juliet Prowse, and Gena Rowlands.
This year, Joal had the great pleasure of
directing Frank Gorshin and Lee
Merriwether in Play It Again, Sam, and the
short film, La Dolce Velveeta, which he also
wrote. His recently completed a theatre piece
(with music by Marvin Laird) which is entitled, Katz – the Chosen Musical! (NOW...it’s
forever!) and is scheduled to premiere later
this year.
MICHAEL WHITE (Assistant Director,
Production Stage Manager) began a lifelong
love affair with the American Theater while
still in High School. As a young actor, cirector, designer and Tedmidan, he won numerous awards in statewide theater competit1ons
and earned a scholarship to the prestlgious
University of Texas Department of Drama. In
addition to his work onstage, he wrote and
directed his first original play while a high
school junior. By the time he graduated, he
was already a veteran of nine Equity productions on the professional stage. After a, distinguished collegiate career, Michael
retumed to the professional theater wherein
he served as an actor, director, designer and
stage manager in professional theaters from
coast to coast. Memorable roles include Nick
in Who's Afraid of Virginia Woolf, The
Narrator in Albee's Ballad of the Sad Cafe,
Iago in Othello, and a two-and-a-half year,
box-office-record-setting tour of the comedy
Hanky Panky. After permanently relocating
to Southern California (love that California
sun!), Michael began a career in film and
television that has seen his work in such
films as Body Double, Best Seller, The Elian
Gonzales Story, The New Women and the
soon-to-be-released and A Day Without a
Mexican. On Television, Michael has
appeared in Stong Medicine, L.A. Heat,
Murder, She Wrote, Melrose Place, Saved By
The Bell, The Bold & The Beautiful and Days
of Our Lives to name a few. After innumerable roles on stage and in film and TV, he
still lists as his all-time favorite, the role of
being Dad to his beloved daughter, Michelle.
And today, more than thirty years after
Michael first set foot on a professional
stage....the love affair is still going strong.
THOMAS BUDERWITZ (Scenic Design)
most recently designed King Levine, directed
by Joe Bologna, at the Helen Hayes Theatre
in New York, Metrano’s Accidental Comedy,
directed by Joe Bologna at the Odyssey
Theatre in Los Angeles, Against the Glass
for the Court Theatre in L.A. and Blood
Sugar at the Tamarind Theatre in L.A. Tom is
a resident artist at A Noise Within in Los
Angeles, where his scenic designs include
The Taming of the Shrew, Much Ado About
Nothing, King Richard III, So It Is!…If So It
Seems To You, A Christmas Carol, The Glass
Menagerie, Great Expectations, Ah,
Wilderness! and Tartuffe. Other L.A.-area
designs include work for Westwood
Playhouse, Theatre Forty, Pacific Resident
Theatre Ensemble, Century City Playhouse,
Colony Studio Theatre, Victory Theatre and
OddProgramFINAL
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profiles
West Coast Ensemble. Regional Theatre
designs include work for Riverside Theatre
in Florida, P.C.P.A. Theatrefest, Arizona
Theatre Company, Denver Center Theatre
Company, Great Lakes Shakespeare Festival,
Portland Repertory Theatre and San Diego
Repertory Theatre. Tom is the Recipient of
two Garland Awards, six Dramalogue
Awards, an L.A. Drama Critics Circle Award
nomination and a Primetime Emmy Award
nomination. Tom’s recent television designs
include four seasons of Mr. Show with Bob
and David for HBO, the HBO Comedy
Hours featuring D.L. Hughley and Kathie
Griffin, America’s Funniest Home Videos for
ABC, Hollywood Showdown for PAX and
GameShow Network, When Seconds Count
for CBS, and Battlebots for Comedy Central.
BRYAN SMITH (Lighting Design) has been
designing nationally for the last 11 years,
working for most major regional theatre
companies in the U.S. During this time he
also had the pleasure to design for over 30
Broadway and Off-Broadway productions.
He is thrilled to be able to work on The Odd
Couple. Bryan is grateful for the support he
receives from his family and friends.
JON GOTTLIEB (Sound Design) His
Broadway credits include Master Class
(John Golden), The Dinner Party (Music
Box), If You Ever Leave Me, I'm Going With
You (Cort), George Gershwin, Alone (Helen
Hayes). His Off-Broadway credits include
Glimmer Glimmer and Shine (MTC)
Bermuda Avenue Triangle (Promanade).
Center Theatre Group, Mark Taper Forum/
Ahmanson Theatre Designs include QED,
Closer, Master Class (LA Ovation Award),
Hughie, Putting It Together, The Cider
House Rules, Blade to the Heat (LA Drama
Critic's Circle Award), A Midsummer Night's
Dream, Measure for Measure (Peter Hall),
Matthew Bourne's Cinderella (LADCC
Award). Mr. Gottlieb has received eight
LADCC Awards, over 60 Drama-Logue and
LA Weekly Awards, Career Achievement
awards from The Los Angeles Theatre
Alliance, the LA Weekly and the LATheatre
Center and was recently presented with the
Distinguished Artist Award from the LA
Music Center Club 100. For Disney
Imagineering, he created the original sound
effects and design for two attractions at Walt
Disney World in Florida. He currently heads
the Sound Design program at California
Institute of the Arts.
CELESTE THOMPSON (Technical
Director) was most recently production manager at Cornerstone Theater Company in Los
Angeles (where she is proud to be an
Associate Artist). While at Cornerstone she
mounted or assisted on over a dozen productions, many of them in site-specific locations.
She is a lighting and puppet designer whose
work has been featured at the Canon Theatre,
@Traction and several colleges. She has
assisted set and lighting designers at a number of well-known theaters including Mark
Taper Forum, South Coast Repertory,
Portland Center Stage, Pasadena Playhouse,
Great Lakes Theater Festival, Canon
Theatre, Los Angeles Theatre Center, Long
Beach Opera and the Getty Museum. She
attended California Institute of the Arts. She
is excited to be working on this tour of The
Odd Couple and wishes to thank Joe, her
Cornerstone family, the entire Korf clan, and
Mom and Dad.
BRUCE H. NEWBERG, C.S.A.
(Casting Director). His theatre credits
include For REPRISE: The Most Happy
Fella (starring George Ball & Anastasia
Barzee), 1776 (Roger Rees & Orsen Bean),
Hair (Sam Harris, Steven Weber & Jennifer
OddProgramFINAL
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profiles
Leigh Warren), Strike Up the Band (Charles
Nelson Reilly, Ruth Williamson). Other theater credits include Happy Days the Musical
directed by Gary Marshall (George Wendt &
Erik Palladino), Big River (James Black &
Mary Jo Catlett) Show Boat at the
Hollywood Bowl (Doug Sills, Alice Ripley
& Shirley Knight), Hurry, Hurry!
Hollywood! (Wally Kurth & Rita
McKenzie). Feature film credits include
Walking Across Egypt (Ellen Burstyn, Gwen
Verdon), The Cherry Orchard (Alan Bates &
Charlotte Rampling), Spawn (John
Leguizamo & Martin Sheen), Just Write
(Sherilyn Fenn & JoBeth Williams), Zack &
Reba (Brittany Murphy & Debbie
Reynolds), The Maker (Matthew Modine &
Mary Louise Parker), Edie & Pen (Stockard
Channing & Jennifer Tilly), When the
Parties Over (Sandra Bullock), Sleep Easy,
Hutch Rimes (Steven Weber & Swoosie
Kurtz) and Creature Features (Randy Quaid,
Carla Gugino, Rufus Sewell, Dan Aykroyd)
for HBO. With writing partner Sam Harris,
he created the television series Down to
Earth (TBS) and the original musical Hurry!
Hurry! Hollywood!
DEVON RENEE ANDERSON (Costume
Design) did her graduate work at U.C.L.A.
in Costume Design. She is a member of
IATSE Costumers Local 705 and has worked
on such films as The Legend of Bagger
Vance, Unbreakable, Charlie's Angels,
Spiderman and most recently Men In Black
II in the design department. She has also
worked with designer Scott A. Lane on several musical productions for the Fireside
Theatre and Reprise!. Design credits include
the short films Darkland and Ella as well as
touring productions of Brainworks for the
California Science Center.
SARAH BARNARD (Hair Assistant) grew
up in Tulsa, Oklahoma and moved to
California at the age of 18 to go to make-up
school in Burbank. After graduating she
worked on several independent films. In
2003 she had the opportunity to go to Austin,
Texas to work on the studio feature The
Alamo. That project opened other doors to
work on more features in Austin, including
The Wendell Baker Story, and Cheer Up.
2004 brought her back to Los Angeles to
work on another independent film, If, before
joining this company.
OddProgramFINAL
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staff
PRESS REPRESENTATIVES
Scott Stander & Associates, Inc.
Company Manager
Business Management
Graphic Design by
Production Photographer
Accountant
Legal Counsel
Ms. Eden’s Assistant
Odd Couple Travel Agency
Scenic Transport
Jacqueline Stander
Net Pay
Nadine Heidinger, Brad Cooper
Carol Rosegg
Cohen Hacker Rothstein & Pearl, LLC
Leonard Korobkin, Esq.
Sarah Barnard
AJA Travel
Janco, Ltd.
The Odd Couple (Female Version)
was originally produced by Rob Kolson in association with
Jam Theatricals, & Rob Stein at the Apollo Theater in Chicago.
Please visit www.scottstander.com
The Actors and Stage Managers employed in this production are members of
Actors’Equity Association, the Union of Professional Actors and
Stage Managers in the United States.
The Director is a member of the Society of Stage Directors and
Choreographers, Inc., an independent national labor union.
United Scenic Artists represents the designers and scenic painters
for the American Theatre.
This production is a member of the League of American Theatres and Producers.
SPECIALTHANKS
Jon Eicholtz, Gene Schwam, Mike Casey, Orion Barnes, Aim Martinez,
Christopher Powich and Rocky Kerns
Barbara Eden Official Fan Club
P.O. Box 5556
Sherman Oaks, CA 91403
Rita McKenzie Fan Club
P.O. Box 1076
Boca Raton, FL 33431
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