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A Picture is Worth a Thousand Words …but not a Thousand Kilobytes! Sonia Virdi, MALTS e-learning team We are used to seeing visual imagery everywhere in our lives – posters, leaflets, television, phones, websites etc. However, the method in which these images are produced is not always the same. Preparing images for use within a printed document is different to preparing an image to be used in a digital format say for the web or for a PowerPoint presentation. Therefore, for this talk I will focus on the creation of images for the digital arena. Screen Size • Web • PowerPoint • Video 800 x 600 pixels 720 x 576 pixels When working with digital images you tend to focus on pixels rather than cm and mm because monitors display pixels according to the screen’s resolution. It is useful to know the screen size in which the graphic is going into. It is like knowing the paper size you are working on. Monitor resolutions are varied but I tend to stick to working on an 800x600 pixel screen size because it is the average computer screen. This varies for different media - for instance the common screen size for video would be 720 X 576. Often when talking about creating good quality images for the web we talk about the image RESOLUTION. This concentrates on the number of pixels in an image. The higher the resolution, the better quality the image. Image resolution • Higher the Resolution - Better the Quality • Create image to be same size as it will appear on screen • Don’t enlarge small images The original image should always start out larger than needed and at a higher resolution. This gives you flexibility to return to the original to make any changes. Enlarging a too-small image at a lower resolution never gives good results because the detail is just not there to begin with and can’t be generated. The aim is to start with as much information in your image as possible. It is important when resizing an image; you make it the same size, as it will be when it appears on screen. It is not a good idea to let the browser scale images because this compromises file size and slows down the page’s display. Image Resolution • DPI - dots per inch • Think about end use • 72dpi - small file…loads quickly The resolution of an image can be changed within an imageediting program such as Photoshop. The resolution of an image is commonly expressed as dpi (dots per inch). Selecting a resolution will depend upon the proposed 'end use' of the digital image. Some uses, such as high quality printed material, require relatively high resolution (giving large file sizes). Other uses, such as in Web graphics, may require much lower resolution (and smaller file sizes). Web images, still images used for video or most images used on screen have a resolution of 72dpi. Mainly because this allows file sizes to be smaller and load quicker. Different output sizes and different output devices will both affect the required resolution and therefore the created file sizes. Examples of output device would include a laser printer, a printing press or a computer monitor. A resolution should be chosen that provides a file that is 'good enough' for all anticipated uses to which the file is likely to be required for, but no more. Image Resolution Small image enlarged becomes pixellated Pixel art icons Often when making a small image larger it leads the image to look pixelated. Pixelate is when the individual square pixels that make up the digital image become discernable to the naked eye where one colour or shade of grey blends into another. Sometimes images are pixelated on purpose in fact this was used as a positive thing by a graphics company called Ilovedust who started creating pixel art and icons for use on the web. Image Compression Vector Graphics - PICT, EPS • Small file size • Loss Less (no loss of quality) Once you have your graphic be it a scanned photograph or an image shot on a digital camera the next stage is to compress the file. To compress an image file, it just needs to be saved in the appropriate file format and the browser does the rest. There are two types of image compression formats one is vector graphics and the other is raster graphics. The file format and mode of compression affects the download time of an image. Vector images come in formats such as PICT (Mac PICT Image file) or EPS (file created in programmes such as Illustrator or Freehand). A vector image, as used by Flash and other web animation/graphics packages stores its image information mathematically. Using curves and geometric points and shapes on the x and y axis, the image can remain extremely small in file size, and can be enlarged to full screen without any loss of quality “loss less”. Vectors are ideal for flat graphics but cannot cope with photographic images. Image Compression • Raster Graphics - TIFF, BMP • Even smaller file size • Lossy (quality sacrificed) The type of image that you are more likely to use is a raster image, which is “lossy”. These are file formats that are smaller and quicker but image quality is sacrificed. TIF and BMP files are examples of a compressed raster images, which although high quality, are too large for the average website. These tend to be more common in high-end video images. Rasters can be compressed to a more manageable size using the GIF and JPEG compression format. Image Compression • JPEG - optimal file size The best file format to use for photographs on the web is JPEG (Joint Photographic Experts Group), which has the file extension .jpg. The JPEG format is a "lossy" format, which means that some image quality is always lost in the process of compressing the image's file size. Image Compression • JPEG Original Medium High Low A high-quality JPEG image has a large file size; a low-quality JPEG has a small size. Somewhere between these extremes lies an optimal file size that looks virtually indistinguishable from the original. You have to judge this point by eye. You usually preview the image's quality in your image-editing program and make adjustments with a slider control. As the file size and quality lessen, unsightly blemishes ("compression artifacts") appear in areas of flat color and around edges of objects. When these start to appear, it usually means the image cannot be compressed further. When there is little or no trace of compression artifacts, you've reached the compression limit without compromising visual quality. After you find the ideal compression size for your photos, be sure to keep a copy of the original, uncompressed file at hand in the editing program's native file format. If you ever resize or resave a JPEG file, you will add more "loss" each time, which will make the image look worse—and probably increase the file size too. Image Compression GIF Jpeg saved in Gif format shows how image is posterized For logos or other images that contains mostly flat, non-gradating colors (no shading, for instance), you're best off using the GIF (Graphics interchange Format)(.gif) format. The GIF format is not suitable for photographic images or illustrations with many subtle color blends. In fact, the fewer individual colors in the image, the smaller your GIF will be. Let me show you what I mean. When saved in GIF format at a comparable file size to the optimal JPEG image, this shot shows how the image is "posterized" into areas of flat color; subtle gradations are completely lost. Image Compression GIF 64 colours 8 colours 4 colours 2 colours Here's how GIFs work. Instead of remembering the color of every single pixel in an image, the GIF format simply counts the number of pixels of the same color in any row. This is much more efficient—and compact—than JPEG compression. The decision you have to make with Gifs is this: "How few colors can I get away with?" If you scan a blue logo on a white background and resize it to fit comfortably in the available space on the web page, you have to select a color depth (or bit depth) for the image. This determines how many colors are used to display the picture. The smallest color depth possible is two colors—a foreground color and a background color—but this will pixelate the logo, giving it hard, jagged edges. With four colors, edges start to look better but they're still a little jaggy. Eight colors make them look reasonably smooth. Using more than eight colors for a single-color logo is unlikely to improve the image quality perceptibly and only increases the file size unnecessarily. The maximum number of colors that a GIF image can handle is 256—but a 256-color image has a much bigger file size than one with only 8. GIF Transparency Without transparent background With transparent background One thing that you can do with Gifs, and not JPEGs, is designate one of the colors as transparent. A transparent color allows the background to show through. This is very useful if the web page has a textured or patterned background. Ideally, you would use an image-editing package to create a transparent background. In Photoshop you can do this two ways. Firstly, when you are creating the image (you have an option when you create a new document to make it with a white, black or transparent background). Secondly, when you save the image as a GIF in the save to web option you can tick a box marked transparency and select the colour you want to make transparent. Less is more! Having established that you should keep individual graphic files as small as possible, it follows that the number of them present on a page is also an issue. If you reduce the file size of a photograph to 10K but then place 10 of them on a single web page, the total page size will swell to over 100K, which could pose a problem unless your site's visitors all have broadband connections. Under optimal conditions, which are actually pretty rare, a 100K web page takes about 15–20 seconds to download in the browser using a typical 56 kbps dial-up modem—which is way too long. When pages take longer than about 10 seconds to load, people lose interest fast and go elsewhere. A maximum page size, including all text and images, should be in the region of 50K (downloadable within 7–10 seconds at 56 kbps). Less is better. Testing the loading times of web pages on your own machine or over the local network is never going to give you realistic results. It's what the web surfer sees on his or her end that counts. Before any new page goes live, view them from a laptop or home computer that's linked to the web with an ordinary modem. Then what you see is truly what you’ll get. A much used technique, which saves space on screen, is to display a small, low resolution copy of a graphic (thumbnail) in a Web page which is hyper linked to a higher resolution copy. When the thumbnail is clicked on with the mouse, the larger, higher resolution image is displayed in the browser. In Malts we would use Photoshop as our main image-editing program. Photoshop is the industry standard; it is excellent for fine detail manipulation and image creation. Fireworks are much more specialized, and concentrates solely on preparing web graphics. Graphic Converter is a Mac-only program, and it is very useful for preparing large folders of images using batch conversion. If you have copyright concerns about your images, you may wish to use Adobe Acrobat and serve your images in PDF format, which can restrict a viewer from saving or changing an image. In addition, Acrobat allows a user to zoom in on detail, and offers a better web-to-print experience than other compressed formats. Thank-you [email protected]