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Bruce Sexton Professor Seligo English 1A-12 May 8, 2008 Are We There Yet? Political statements through media have been part of American culture for a long time. Since the Revolutionary War, Americans have been making statements about their political leaders, beliefs and ideas. In the 1700s most political ads were cartoons, in modern times the new cartoon is the television spot. Since television’s inception it has played a major role in American politics. When election time is near, it is indeed hard to not see a campaign ad. The 2008 presidential election is no exception. The candidates have been using campaign ads as far back as 2006. Republican, Independent, or Democrat, they have all been trying to push their agenda for the voters. Senator Obama has released his fair share of campaign ads. From the weird 1970s cartoon rendition of one of Obama’s speeches, to retrofit of an 1984 Apple advert, to the plain folk simple ad of a Martin Luther King JR speech, Obama’s quest for the presidency has produced very creative ways to inform voters of his opinions and ideals. The Martin Luther King JR speech’s ad is titled Are We There Yet? This short advert is a very simple yet highly effective form of propaganda. The advert uses primarily three forms of propaganda, plain folks, transfer and testimonial. The advert has a plain folks appeal with its quiet setting. King’s eloquence, stateliness, and personal power is attempted to be transferred onto Obama, and because of the way the advert was edited King gives a testimonial. King names Obama the “the face of the future,” the next president of the United States. The advert starts with the words written in white text “Are We There Yet,” superimposed on a black screen. At a very slow tempo a banjo plays out Amazing Grace. The song ad’s very much to the folksy feel of the advert. The advert then cuts to King giving a speech. These next few shots are in black and white film. This is actual footage from Kings speech. King is standing at a white podium, centered on a stage with speakers or supporters behind him. In the background is a hill with these beautiful trees and sky in the background. Nature can almost be smelled through the scene. King says, “I look out upon the thousands of negro faces, and the thousands of white faces.” The video then cuts to a new shot. It shows the crowd. Thousands and thousands of people sitting in folding chairs until the camera loses focus at the horizon. At this shot King goes on to say, “intermingled like the waters of a river.” The advert then fades back into the shot of King at the podium. King says, “I see only one face.” The video then cuts to a still frame of Obama. This shot keeps with the rest of the film; it is still in black and white. His right hand is up at his shoulder level and his expression is most serious, as if he is at an important part of delivering a speech gesturing for emphasis. Behind Obama is a large contingent of white people. Listening intently to what he has to say. In the background there is a hanging flag in red and blue covered with white stars. King then says, “The face of the future.” The advert then cuts to a black screen with these words written in white, “Are we there? Obama ’08.” This political campaign ad was very cleverly done. The advert’s artful and rustic scenery appeal to the simple times in voters’ lives. King himself also appeals in the same way. Even though he led in a time of conflict, everyone in the audience when the film was shot that day was as peaceful as Hindu cows. This type of appeal is known as plain folks propaganda. According to Phil Taylor, the writer of “The Fine Art of Propaganda,” “Plain Folks is the method by which a speaker attempts to convince his audience that he and his ideas are good because they are "of the people," the "plain folks."(Paragraph 30) Propaganda like this can be very dangerous if it is not noticed. An emotional appeal that is so subtle, the voter wants to do whatever is necessary to make the present seem like this euphoric past. A strong appeal to ones emotions, but it provides no factual evidence why Obama should be elected president. This plain folks appeal is not the only subtle form of propaganda being used in this campaign ad. The director of this ad is using King himself to transfer King’s power to Obama. Another emotional appeal, Taylor calls this type of propaganda transfer. “Transfer carries the authority, sanction, and prestige of something respected and revered over to something else in order to make the latter acceptable.”(Paragraph 28) There are few Americans who do not respect King. To use the black and white film of King’s actual speech, to be able to see the man almost in person when he has long been dead, conjures up emotion in almost all voters. The ad is almost screaming at the voter: trust Obama, for he will lead you to this promised land of peace. America might not be there, but Obama will take Americans there. Vote for a black president, end racial discrimination and intermingle America. It is a powerful tool in swaying the voter to Obama’s cause with no use of fact. The advert never displays a chart, factual evidence, or proof that voting Obama into office will end racial discrimination. He will be the first black man to be elected to the presidency, but that does not make him anymore qualified than the other candidates. According to Taylor the third type of propaganda used in Are We There Yet is testimonial. Taylor says, “Testimonial consists in having some respected or hated person say that a given idea or program or product or person is good or bad.”(Paragraph 29) Here the creators of the campaign ad become even more insidious. At one point in the advert the film cuts to a picture of Obama. King says right at this time “I see only one face, the face of the future.” The film has been edited in such a way that King is endorsing Obama for president. When King looks out at that crowd reaching to the horizon, he can spot Obama out of all the people. King is made to out to be saying, that Obama is the face of the future. Obama will unite America, bringing together all the racial, social, and financial backgrounds. If Obama has King’s vote, why shouldn’t he have every voter’s vote? That is what the advert is asking. If King, one of the great if not the greatest politically astute and social leader of his time, will vote for King it makes the voter want to vote that way as well. Are We There Yet is a very effective campaign ad in swaying voter opinion, at an emotional level. It attacks the voter on all of the emotional spectrums. The voters’ longing for simpler times. One man almost all Americans trust endorsing a presidential candidate. And that same man naming his successor, Obama, a man who is alive today, a man the voter can elect into office this very year. It is unknown who King would have voted for if he was alive today. The advert is only focusing on emotional appeal. If King had survived his gunshot wounds, he would probably have been the first black man elected president. The only weakness to this campaign ad is its lack of factual evidence that Obama will be the president many Americans hope he will be. If evidence had been included, this advert might have created such a trust on a rational and emotional level that many Americans would of gone out to the voting booths that day and voted for Obama, whether it was election day or not. Works Cited Taylor, Phil. “The Fine Art of Propaganda.” Phil Taylor’s Website. The Institute of Communications Studies, University of Leeds, UK. Web. May 6, 2008. <http://129.11.188.64/papers/vp01.cfm?outfit=pmt&requesttimeout=500&folder= 715&paper=1145>