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How contemporary Polish theatre might re-imagine Irish theatre? Sara Keating Lecture from the series “New Era – New Dramas”; Poznań 20.06.2007 POLISH THEATRE IRELAND TEATR POLSKI IRLANDIA We are a new non-profit organization based in Dublin, Ireland and we aim to produce theatre and dramatic productions primarily for Polish and Irish audiences to high artistic standards. PRINCIPLES Providing an authentic experience that resonates in the lives of Polish people living and working in Ireland. Promoting the language and culture of the Polish people in Ireland. Challenging audiences to feel, think and interact with the Polish diaspora in Ireland within the dramatic context Opening them up to the potential of theatre not only as a creative form of expression, but as a way of bridging cultural divides Challenging stereotypes of Polish people Supporting and encouraging the growth of Polish artistic and theatrical activity in Ireland and to act as an example and support to other Polish institutes wishing to engage with wider audiences in Ireland. THE PTI’S TEAM PERSON ROLE IN PTI ABOUT ANNA WOLF ARTISTIC DIRECTOR MA in Theatre and Drama HELEN MCNULTY PRODUCER PR Manager ANKA WYSOTA ARTISTIC COORDINATOR MA in Polish Philology KATARZYNA LECH ACTRESS/ PA TO THE ARTISTIC DIRECTOR MA in Acting AGATA KAPUTA ACTRESS MA in Acting NATALIA KOSTRZEWA ACTRESS Graduate from the Gaiety School of Acting OSCAR MIENANDI ACTOR Graduate from Baduszkowa’s Vocal and Drama School at Music Theatre in Gdynia Anna Wolf, a graduate from Theatre and Drama Departament at Adam Mickiewicz University, Poznań. Her thesis was about Irishness in theatre and especially for the thesis’ purposes she translated some of the most significant Irish dramas into Polish. One of her translations has been staged by Polski Theatre, Poznań during the reading rehearsals of the most contemporary Irish plays (series “New Era – New Dramas”). Anna was co-organizer of that event. During her studies she was also a coordinator for the partnership between Theatre and Drama Department at Adam Mickiewicz University in Poznań (Poland) and Trinity College in Dublin (Ireland). ANNA WOLF Helen McNulty is a Fermanagh painter who is promoting her works at international art festivals and exhibitions. She completed Theatre Management course and currently she is a PR and Marketing Manager in Improvised Music Company. HELEN MCNULTY Anka Wysota is a graduate from the Łódź Film School as well as Centre of Theatre Practices ‘Gardzienice’. She has been living in Ireland for the last 5 years and her main activities are creating and experimenting with art. In 2007 she was awarded by Arts Council of Ireland Award in category "New Work" for production of experimental performance titled "Human Herd". ANKA WYSOTA Kasia Lech trained as an actress and completed her MA at the Ludwik Solski State Drama School in Poland. She started her professional career in theatres in Poland and she has continued it in Ireland. She has been teaching drama and acting. She is currently commencing her M.Litt. at UCD and she plans to transfer to the Ph.D. KATARZYNA LECH Agata Kaputa is a graduate from the Ludwik Solski State Drama School in Cracow, Poland. Her passion is photography. She has already had her debut in television and a movie field, but her best memory is the episode in ‘Katatonia’ directed by Jacek Nagłowski. The movie has got a prize during the Polish Film Festival in Gdynia, Poland. AGATA KAPUTA Natalia Kostrzewa is a graduate from Gaiety School of Acting in Dublin. For the last few years she is present on Dublin theatrical and film stage. Her best stage achievements are her monodrama ‘More light’ directed by Jerzy Lach and the character of Polish emigrant Ewa in Irish production ‘Mushroom’ directed by Liam Halligan. NATALIA KOSTRZEWA Oscar Mienandi is a graduate from Baduszkowa’s Vocal and Drama School at Music Theatre in Gdynia, Poland. During his studies he was in such classics like ‘Hair’, ‘Midsummer Nights Dream’, ‘Fame’. He has completed his first choreographic attempts. He likes teaching, especially African dance. OSCAR MIENANDI “KANAPA” PROJECT KANAPA Project is an unusual undertaking based on a very strict cooperation between playwright, actors and director. The author, Patrycja Babicka, has written her play after she had seen actor’s pictures. The aim of the project is to tell a story of four house mates living in the same flat together and spending most of their spare time in a living room. Sofa, existing primarily as a physical prop used just to have a rest after a long day at work, will become a significant metaphor of searching for a new identity of people living in a world which is not actually their world. The main theme of the project will be alienation on a social, cultural and emotional level. Performing the play written especially for a project’s purposes by Patrycja Babicka would be fulfilling one of our aims written in the mission statement. Patrycja Babicka is a graduate from Polish Philology Department at Jagiellonski University in Cracow, Poland, however she preferred to be called playwright. Currently she is working as a PR and Marketing specialist. For the last two years she has been working with the publishing industry. She debuted in Polish theatre magazine “Dialog” with a play “Criminal drama”. Her other plays are: “Natalia was before Myself”, “The vicim has lagged behind”, ‘The tragedy of the sixth wall”, “The city of the sin”. PATRYCJA BABICKA Emilia Sadowska is a graduate from University of Warsaw, Poland (Polish Literature and Language, specialisation in Cultural Management, Departament of Polish Culture) and The Łódź Film School PWSFTiT in Łódź, Poland (Directing program). She has done many film etudes and her theatre achievements are Potocki’s ‘Parades’ in Bałtycki Theatre in Koszalin, Shuty’s ‘Zwał’ and Jelinek’s ‘Amateur ladies’ (2007) both staged in Polski Theatre in Poznań, Poland. EMILIA SADOWSKA Katarzyna Stochalska completed her M.A. In The Academy of Fine Arts in Cracow. For the past few years Katarzyna worked together with Emilia Sadowska and they have created an extremly successful duet. Katarzyna created a stage design and costumes to many theatre shows for example to Zwał, which has been awarded many times. She was also invited to work on a short movie: Master and Margarita - A Gift. KATARZYNA STOCHALSKA FUTURE GOALS to form repertoire theatre based on a permanent group of artist and other theatre workers to invite the most significant Polish theatre productions interpreting Polish classical literature as well as the most contemporary texts to organize the series of lecturers and meetings with Polish artistic and academic communities to run theatre workshops for Polish children living in Ireland to form theatrical library consisting wide collection of English translations of Polish theatrical literature, which will also include selected articles from Polish theatre magazines to publish theatre texts written exclusively for Polish Theatre Ireland by the young Polish playwrights to start a cooperation between artistic schools and theatre departments located in Poland and Ireland