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What is Rhetoric? Objectives To understand Rhetoric more broadly as a theory of communication and critical thinking rather than merely a device or vehicle for language transmission and analysis. To understand the first rhetorical canon of Invention and its significance for communication and critical thinking, particularly in the Digital Age. To challenge the popular assumption that rhetoric is something that happens after critical thinking. http://hsc.csu.edu.au/english/advanced/critical/2471/ Rhetoric.html Outline Exploration of Classical and New Rhetorical Theories, with an Emphasis on Invention Application of these theories to syllabus speeches Classical Rhetoric Aristotle Disagreeing with his teacher Plato, Aristotle: rejected the notion of absolute Truth, maintaining instead that truth lay in the realm of the contingent. believed the determining motive of human life and political existence is man’s (sic) desire for happiness believed that effective arguments must feature a precise, seamless blend of logos, pathos and ethos, determined by the context and/or occasion. paid particular attention to the role and function of the audience Aristotle was perhaps the first to recognise rhetoric ‘as an art of communication’ that ‘was morally neutral’, and as the one ‘that could be used for either good or ill’. (on Rhetoric) The Rhetorical Triangle 5 Canons of Classical Rhetoric Invention or Discovery (creating topics, arguments, etc.) Arrangement or Organization (of speeches, writing, presentations) Style (Good writers leave their personal ‘stamp’ on their writing) Memory (Memorizing Speeches, as in classical, oratorical rhetoric) Delivery (written, spoken, computer-mediated, etc.) Three Branches of Classical Rhetoric as designed by Aristotle and elaborated on by Cicero and Quintilian Forensic (or Judicial): concerned with past action and witnessed mostly in legal domain Deliberative: concerned with future action and witnessed mostly in political domain Epideictic: Concerned with the present, with attributing praise and blame and witnessed mostly at ceremonial occasions such as weddings, funerals, dedications, graduations etc. Expansion of Rhetoric Beyond Persuasion Later rhetoricians included sermons, letters, and eventually all forms of discourse (even conversation) that could be seen as persuasive in intent. (Bizzell) This expansion gave rise to the New Rhetoric, which focuses more on communication, albeit sometimes as a means of persuasion. Key New Rhetorical theorists: Kenneth Burke and Chäim Perelman Rhetorical Approaches Post-1960 Objective Rhetoric Based on positivistic epistemology. Arose out of influence of behaviorist psychology. Subjective Rhetoric reality is a personal and private construct truth is always discovered within, through an internal glimpse, an examination of the private, inner world. The material world is only a lifeless matter. The social world is even more suspect b/c it attempts to coerce individuals into engaging in thoughtless conformity. Solitary activity is always promising; group activity always dangerous. Transactional Rhetoric locates reality in the interaction of the rhetorical process itself—in the interaction of material reality, writer, audience and language—not in sensory impression or the quantifiable (objective) or within ideas and visions (subjective/expressionistic). Three transactional rhetorics: Classical distinguished by its commitment to rationality. Classical rhetoric as found in Aristotle treated all the elements of the rhetorical situation: interlocutor, audience, reality, and language. Cognitive distinguished by its assertion that the mind is composed of a set of structures that develop in chronological sequence. The ways people construct meaning independently as they read and write. Epistemic: distinguished by its belief that rhetoric is a serious philosophical subject that involves not only the transmission, but also the generation of knowledge. holds that rhetoric exists not merely so that truth may be communicated, but that truth may be discovered. Maintains rhetoric is epistemic because knowledge itself is a rhetorical construct. Kenneth Burke Kenneth Burke: "The most characteristic concern of rhetoric [is] the manipulation of men's [sic] beliefs for political ends....the basic function of rhetoric [is] the use of words by human agents to form attitudes or to induce actions in other human agents.” Burke’s theory of Identification through symbols is a further dimension of the Aristotelian triad of Ethos, Pathos and Logos. Rhetoric encourage others to understand other perspectives based on a common set of symbols. Theory of symbols particularly relevant in Digital Age, with its proliferation of visual arguments. Visual Rhetoric Visual Rhetoric is the process we use to interpret what we see before applying it, to make judgments, decisions, etc. We normally see before we understand. To what extent does our personal context shape how we see things? How does experience effect our perceptions? How we are persuaded by the things we see? What makes something or someone seem credible? How do we determine what or whom to trust? How do we evaluate quality, goodness, virtue? By which system(s) do we assign value? To what extent are we persuaded by appearances? Burke’s Dramatistic Pentad Act: What purposeful act has taken place? Agent: Who took this action? Agency: How or with what did they do it? Scene: Where, when and in what context did the act take place? Purpose: Why did they do it? What was their intent? Burke later added a sixth element, “attitude,” making a hexad. When applying this model to a situation, typically the purpose will be determined from an examination of the other four elements. Chäim Perelman Perelman's theory of Rhetoric is a theory of Argumentation rather than one that is based on logic/demonstration All argumentation must be related to the audience. Facts are what the audience believes to be true (Aristotle’s notion of the realm of the contingent). Argumentation is a meeting of the minds that requires people to share a frame of reference. the use of rhetorical commonplaces helps to achieve this. Chäim Perelman on Audience The orator must pay attention to the audience, considering both the audience at hand and the universal audience. All audiences are partly or mostly incommensurate with the universal audience and with each other. One should not assume a perfectly rational audience. Nevertheless one should assume some commonality of values and adherence to common sense among the audiences and with the orator. One may either persuade or convince a local audience, but to be valid for the universal audience an argument must be convincing. The New Rhetoric, 1969 Particular and Universal Audiences (Perelman) The particular audience is the group to be influenced, not merely the group physically present. The universal audience consists of any number all reasonable and competent people. May be all of humanity. May be the mental concept of what the speaker constructs. The universal audience serves two purposes. It serves as an aid in the choice of arguments and appeals. It serves as a norm or a standard for differentiating good and bad arguments. Invention as a Social Act, 1987 Karen Burke LeFevre maintains that as a social act, invention has four aspects: Invention is social even when the agent is a single individual since the inventing self is socially influenced. Human agents always act dialectically in their interconnections with others and the socio-culture. Although invention is initiated by an agent, the inventor always requires the presence of an “other”—either the rhetor as internalized other or a perceived audience of actual others. Classical precedents, including the three types of Aristotelian appeals and the concept of ethos, which arises from the relationship between the individual and the community LeFevre offers four perspectives on Invention: The Platonic Perspective, based on Plato’s myth of the soul— innate knowledge/cognitive structures to be projected onto the world. The Internal Dialogic Perspective, based on Freud’s model of the psyche—inner dialogue with inner self, with superego acting as monitor/bridge for rest of world The Collaborative Perspective, based on George Herbert Mead’s contention that meaning is constructed by symbolic gestures that call for a response in others. Social Collective Perspective, based on Emile Durkheim’s theory that a collective force or “mind” permeates society and acts, often through established institutions and conventions, to influence the attitudes, behaviors, and inventions of social groups. Contemporary Rhetoric Research Areas Digital/Visual Rhetoric: The Internet, Email, Social Media, Multimedia applications, SMS, etc. the study of electronic writing environments (as ‘scenes’ of writing) continues to grow. As a result, the rhetorical canons of ‘memory’ and ‘delivery’ have returned to prominence, as complements to strategies of invention. The Global Turn in Rhetorical Studies has underscored multilingualism, multiculturalism, multidisciplinarity, and multimodalism. Ciceronian ‘civic Rhetoric’ and social implications of language and writing have become major areas