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Springfield Schools—Essential Standards Teacher: Julie Prechel Department: Music Standard # MN 9.1.1.3.1 MN 9.1.1.3.2. MN 9.1.2.3.2. MN 9.1.3.3.1. MN 9.3.1.3.2. MENC 2b MENC 5a 2010-2011 Quarter/Semester: First Semester Subject: High School Choir Description Grade(s) 9-12 Team Members: Julie Prechel Example or Rigor Prior Skills Needed Assessment Complex rhythms, Vocabulary of the terms used, solfege, and the context of each selection performed Individual lessons, Sight singing in class, sectionals Balanced chords are produced by listening to other sections Warm ups that include chord building and modulating, good listening skills Daily rehearsals, section circle-up, and mixed formations Throughout the semester Demonstrate proper vocal production Proper breath support & Posture Tummy/Pencil activity At a group lesson Analyze how the personal, social, cultural and historical contexts influence the creation, interpretation or performance of music including the contributions of Minnesota American Indian tribes and communities. Revise performance based on artistic intent, and using multiple sources of critique and feedback. Interpret the poem text Context of the composition, historical connection, cultural background, poet-if applicable Used if a poem or spiritual is being studied. Demonstrate your part with musicality. Rehearsal focus, dynamics, phrasing, facial expression, critical listening Written paragraph on the text meaning and/or reason this song was written Lessons, memorization of the song. Students perform an appropriate part in an ensemble, demonstrate ensemble skills. Perform your own part while others sing their part Independent confidence and knowledge of their part Mixed formation and/or quartets Students demonstrate the ability to read a vocal score of up to four staves. Identify your part throughout. Label the repeats, coda, and key signature(s) and meter. Key signatures, how to read a vocal score for SATB music Label the song. Theory time for key signatures. Analyze how the elements of music including melody, rhythm, harmony, dynamics, tone color, texture, form and their related concepts are combined to communicate meaning in the creation of, performance of, or response to music. Evaluate how the elements of music and related concepts such as repetition, pattern, balance and emphasis are used in the creation of, performance of, or response to music. Sing alone and in small and large groups(multi-part), a variety of music using characteristic tone, technique and expression What elements will best communicate the song’s meaning to your audience? Description—What is the essential standard to be learned? Define in student-friendly vocabulary. Example or Rigor—What does this look like? Provide an example or sample problem. Prior Skills Needed—What knowledge or skills must the student already have in order to master this standard? When Taught? If taught. Throughout the semester In rehearsalsLarge Group. Lessons-Individual one-on-one Near the performance event Once a week theory time. Springfield Schools—Essential Standards Assessment—How will student mastery be measured? When Taught—What is the proposed time frame for teaching this standard? *Adapted from Solution-Tree 2009 Reproducibles 2010-2011