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Preparatory B - Sample Written Test Answer Key Scales and I Chords Note Identification: D B / G D / G F / E G / C E Score Analysis 1. b. G Major 2. F 3. 4th 4. mf (see score) 5. b. a half rest 6. 2 7. 4 8. (see score) 9. (see score) Matching 3 Staccato 1. Accent 4__ mf 2. Quarter rest 6 3. Detached, not connected Legato 1 4. Medium loud 8 5. Whole rest 5 6. Smooth and connected 7 mp 7. Medium soft 9 8. Flat 2 9. Sharp 1 Intervals harmonic 4th (given) melodic 3rd melodic 5th harmonic 2nd Rhythm (see score) Key Signatures ____ C Major _x _ G Major ____ F Major ____ C Major ____ G Major _x__ F Major Five-finger Patterns C Major (given) F Major G minor Triads G Major (given) C minor C Major F minor 2 _x _ C Major ____ G Major ____ F Major Level 1 Sample Written Test Answer Key Scales and Chords Score Analysis 1. 2. 3. 4. 5. 6. (numerous examples - see score) 3 B (flat) F Major (see score) (see score) Matching 7 5 6 1 2 4 3 a) b) c) d) e) f) g) Intervals 4(th) 7(th) 8(th) or octave 6(th) 2(nd) Note Identification B G E F C D B D Key Signature Identification D major C major F major G major Triad Identification F major (given) C minor D minor 3 C major G minor D major Level 2 Sample Written Test Answer Key Scales and Chords a natural minor a harmonic minor a melodic minor Bb major D major Intervals Triads: G G D C F E Rhythm 4 Key Signatures List the letter names of the seven sharps in key signature order. F C G D A E B List the letter names of the seven flats in key signature order. B E A D G C F Matching g allegretto a. very, much e dominant b. phrases which begin alike f contrasting phrases c. lively, quick a molto d. a little b parallel phrases e. the fifth note of a scale or key h tonic f. two phrases which begin differently i triad g. a little slower than allegro d poco h. the first note of a scale or key j tenuto i a 3‐note chord c vivace j. hold the note for its full value, or play with a slight emphasis Key Signature Identification F major D major Bb major G major A major Score Analysis 1. In which key is the example written? C Major 2. What is the name of the composer? Telemann 3. The circled note in measure 4 is the: ___ tonic X dominant 4. The circled note in measure 8 is the: X tonic ___dominant 5. The tempo marking, Moderato, means a medium tempo (accept similar wording) 6. What is the name of the sign in measure 3? crescendo 7. Write in the counting for measure 7. (see score) 8. Find and circle a melodic octave. (see score) 5 Level 3 Sample Written Test Answer Key Scales and Chords Root Identification F Db E B B Key Signatures Bb major g minor D major A major F major b minor f# minor d minor G major e minor Matching j sequence a. IV – I (iv – i) f authentic cadence b. I, IV and V e binary c. a phrase ending using V (V7) as the final chord a plagal cadence d. a short rhythmic or melodic pattern that recurs c half cadence e. two‐part form, AB b primary chords f. V – I(i) or V7 – I(i) k relative major and minor g. release the soft pedal d motif/motive h. depress the soft pedal g tre corde i. the 4th note (degree) of a scale or key h una corda j. a melodic pattern repeated at a higher or lower pitch i subdominant k. major and minor keys which share the same key signature 6 Rhythm Fill in the missing bar lines. Add one note to complete each measure. Intervals Major 6th Perfect 5th Perfect 5th Major 7th Score Analysis Perfect 8th (octave) 1. Identify the key and mode (major or minor) of the music. G Major 2. Locate measures in the music that are exactly the same as measure 1. 2 5 6 3. The circled note in measure 2 is: ___the subdominant X the dominant 4. Identify the root of the circled chord in measure 9. B 5. Identify the root of the circled chord in measure 12. D 6. The chord in measure 12 is a: ___ I chord ___ IV chord X V chord 7. Compare measures 1 – 4 with measures 5 – 8. The phrases are: X parallel ___ contrasting 8. Measures 9 – 12 are an example of: ___ repetition X sequence 9. Write in a tempo marking that means to play a little slower than allegro. See score (allegretto) 7 Level 4 Sample Written Test Answer Key Scales and Chords Eb major g harmonic minor Key Signatures Triads G Major 1st inversion Cadences C Major 2nd inversion F Major G Major 1st inversion root position 1. Half Cadence 2. Plagal Cadence 3. Authentic Cadence Intervals P5 m3 M3 Time Signature Matching 2/4 c, P5 m3 3/4 b. 6/8 a. 8 Matching c. mediant a. suddenly j. loco b. the seventh note (degree) of the scale or key g. leggiero c. the third note (degree) of the scale or key d. in a singing style b. leading tone a. subito d. _cantabile e. the shifting of an accent from a strong beat to a weak beat or weaker part of a beat f. play with feeling (expressively) f. expressivo g. lightly i. submediant h. very fast k. imitation i. the sixth note (degree) of a scale or key e. syncopation j. play as written h. presto k. the immediate restatement of a melody or motive in another voice. Score Analysis 1. What is a Minuet? A dance in triple meter 2. In which key and mode is the music written? d minor 3. Name the root of the boxed triad in measure 2. A 4. Is this chord: ___ a tonic chord ___ a subdominant chord X a dominant chord 5. Measures 5 – 8 are an example of: ___ repetition X a sequence 6. Name the root of the boxed triad in measure 12. D 7. Is this chord: X a tonic chord 8. The form of this piece is: ___ a dominant chord ___ binary 9. The circled note in measure 9 is: ___ tonic X ternary X subdominant ___ dominant 10. The D.C. al Fine found in measure 20 means go back to the beginning and play to the Fine. (accept other wording) 11. In which measure does the piece end? 12 9 Level 5 Sample Written Test Answer Key Scales and Chords 1. c harmonic minor 2. Ab major Key Signatures Major: Bb minor: g Major: D minor: b Major: F minor: d_ Triads 1. 2. major minor diminished augmented Musical Style Periods Baroque Classical Romantic 20th Century (Contemporary) Intervals minor 7th Major 6th minor 3rd 10 Perfect 5th Rhythm (accept number only or additional subdivisions of the beat; however, numbers must be accurately placed) 1 + 2 + a 3 + 1 + 2 + 3 + 1 + 2+ 3 + 1 + 2 + 3 + Matching e. h. a. b. f. k. i. j. d. g. c. con brio con moto largo ostinato tranquillo. rondo enharmonic articulation double flat double sharp vivo Ornaments a. d. b. c. Score Analysis 1. Name the key and mode (major or minor). C Major 2. The cadence in measure 4 is an example of which type of cadence? ____ authentic ____ half X plagal 3. 4. 5. 6. 7. 8. 9. 10. 11. What is the name of the ornament in measure 2? appoggiatura What is the name of the ornament in measure 4? trill What is the root of the circled chord in measure 5? G Identify the chord function of the circled chord in measure 5: ____ tonic ____ subdominant X dominant The phrases in measures 1 - 4 and 5 - 8 are: ____ parallel X contrasting The cadence in measures 7-8 is an example of which type of cadence? X authentic ____ half ____ plagal Identify the circled interval in measure 24 by size and quality (major/minor/Perfect). minor 6th Locate measures where measures 1 – 4 are repeated. 17 20 The form of this piece is: ____ ternary ____ binary X rounded binary ____ rondo 11 Level 6 Sample Written Test Answer Key Scales and Chords Key Signatures Major: Ab Major: E Major: Db minor: _f minor: c# minor: _bb_ Primary Triads Rhythm Matching e. deceptive cadence p. Alberti bass j. piu i. authentic cadence f. plagal cadence h. meno a. allargando k. development b. exposition d. recapitulation l. modulation c. ma non troppo o. mediant m. subdominant g. submediant n. supertonic a. becoming slower and often louder, usually at a climax b. the first section of Sonata-Allegro form c. but not too much d. the third section of Sonata-Allegro form e. V – vi(VI) or V7 – vi(VI) f. IV – I (iv – i) g. the 6th note of a scale or key h. less i. V – I(i) or V7 – I(i) j. more k. the second section of Sonata-Allegro form l. a key change within a composition m. the 4th note of a scale or key n. the 2nd note of a scale or key o. the 3rd note of a scale or key p. an accompaniment pattern using a broken three-note chord played bottom, top, middle, top 12 Musical Style Periods Note: dates may be approximate. Baroque Classical Romantic 1600 to 1750 1750 to 1810 1810 to 1900 20th Century (Contemporary) 1900 to 2000 Composers T Bartok C Beethoven B Handel T Kabalevsky R Schumann B Bach R Chopin C Mozart Intervals Perfect 5th Major 7th Major 6th Major 2nd Score Analysis 1. What does the title, Sonatina, mean? Little sonata 2. This piece is in sonata-allegro form. Name the three main sections in this piece. a. First section exposition b. Second section development c. Third section recapitulation 3. In the first section: a. The first theme begins in the key of G Major. b. The second theme begins in measure 11 and is in the key of D Major. c. Is this a modulation? yes 4. Measures 30 – 37 are related to the X first theme ___ second theme. 5. Which term best describes the bass in measures 2 through 9? ___ figured bass ___ Alberti bass X ostinato 6. The cadence in measures 63-64 is: ___ plagal ___ half X authentic ___ deceptive 7. Which term best describes the compositional technique used in measures 36 – 40 and in measures 40 – 42? ___ repetition X sequence ___ imitation 13 Level 7 Sample Written Test Answer Key Scales Write the Ab major scale and its relative melodic minor. Intervals Write the indicated interval above the given note. diminished 5th augmented 4th augmented 3rd diminished 6th diminished 7th Composers T Shostakovich R Brahms R Grieg C Haydn B Telemann T Prokofiev Matching i con fuoco a. above; right (or left hand) above the other c accelerando b. without g pesante c. gradually getting faster h lento d. humorous, playful k canon e. always b f. graceful senza a sopra g. in a heavy, firm manner j rallentando h. slow d giocoso i. with fire f grazioso j. gradually slowing in speed e sempre k. polyphony in which one part overlaps another playing the same melody 14 Circle of Fifths C F G a e d D Bb g b c Eb f# c# f Ab C bb / a# Db/C# A a E ab / g# eb / d# Cb/B Gb/F# Chord Reduction Dominant Sevenths Note: The 3rd inversion may be alternatively labeled V2. 15 Musical Excerpt • Name the left hand accompaniment pattern in measure 1. Alberti bass • Name the circled non-harmonic tones in measure 2. A lower neighboring tone B passing tone • What is the texture of the music? X homophonic ___ polyphonic Score Analysis • Identify the following key areas: a) The beginning key of the piece e minor b) The key of the cadence in measures 6-7 G major c) The key of the cadence in measure 9 D major d) The key of the cadence in measure 23 e minor c) The key area from measure 11 to the middle of measure 13 b minor • What is the texture of the music? ___ homophonic • Name the compositional device used in the bass clef of measures 13-14. sequence • Name the ornament in measure 1. mordent • Name the ornament in measure 2. trill (short trill) • In the musical example, mark three or more entrances of the opening theme or subject, using the letter T. see score 16 X polyphonic Level 8 Sample Written Test Answer Key Scales Harmonic Analysis I5/3 IV 6 V vi ii6 V/vi Secondary Dominants F major: V7/V C major: V7/IV Ornaments G major: V7/V D major: V7/IV A B Musical Style Periods R More fluctuation in tempo, including rubato T Influence of jazz, ragtime and blues B Harpsichord and clavichord widely used T Harmony often based on fourths and fifths rather than triads T A variety of textures, including clusters C Homophonic texture I Pedal used for coloristic effect B Extensive use of ornamentation. C Use of Alberti bass B Polyphonic texture including Fugues C Multi‐movement Sonata / Sonata Allegro form R Wider range of expression indicated by the composer 17 Matching d. scherzo a. right hand e. portato b. 2 or more voices sounding at the same time g. m.s. (mano sinistra) a. m.d. (mano destra) c. a chord which precedes a modulation, and is common to both the original key and the new key d. a playful or humorous piece, a joke. h. hemiola e. halfway between legato and staccato b. contrapuntal texture f. quickening, accelerando c. pivot chord g. left hand f. stringendo h. a rhythmic device superimposing 2 beats in the time of 3, or 3 beats in the time of 2 Rhythm (accept other subdivisions of the beat) 1 + 2 + 3 Score Analysis + 1 + 2 + 3 + 1+ 2 + 3 + 1 +2 + 3+ 1. Identify the key and mode of the Sonata. D Major 2. Which term best describes the bass clef notes in measures 1 – 3 and 9 – 11? Repetition ___ Pedal point X Sempre ___ 3. Identify the ornaments found in the following measures: Measure 13 appoggiatura Measure 16 trill Measure 37 turn 4. Name the three main sections of Sonata Allegro form and give the inclusive measure numbers for each. First section: Exposition measures 1 to 36 Second section: Development measures 37 to 58 Third section: Recapitulation measures 59 to 85 5. In the first section, the second theme begins in measure 17. Locate the first measure of the same theme in the third section of the Sonata. 66 6. Identify the key and mode of measures 17 ‐ 36. A Major 7. What is the term for the accompaniment pattern found in the bass clef of measure 17? Alberti bass 8. Identify the key and mode of measures 37 to 42. e minor 9. Identify the circled interval in measure 56. augmented 4th 10. Identify the circled non‐harmonic tones in the following measures: Measure 15 passing tone Measure 17 upper neighboring tone 18 Level 9 Sample Written Test Answer Key Scales and Chords 1. 2. 3. Bb major: V7 of iii B major: V7 of V Harmonization f minor: V7 of VI A major: V7 of vi Do not evaluate voice leading. Check for accuracy of chord tones and position (inversion). Transposition 1. (All subdivisions of the beat need not be present.) Rhythm 1 e + a 2 e + a 3 e +a 4 e + a 2. 19 1 e +a2e+ a 3 e + a 4e+a Composers T Bartok C Mozart R Tchaikovsky B Telemann B Scarlatti C Haydn R Brahms T Shostakovich I R Chopin Ravel Matching g rubato a. Start at the next movement without a break d sotto voce b. A slow dance in triple time. h segue c. Get slower and softer. c calando d. Subdued, in an undertone. b sarabande a attacca e. A rhythmic device superimposing two beats in the time of three, or three beats in the time of two. f. A dance in moderate time, most often in 4/4 or 2/4 meter. g. Slight flexibility of tempo e hemiola h. The next section follows without a break j i. A fast dance in triple time. i courante gigue f allemande j. A lively dance in compound time. Musical Excerpts 1. a. This musical example was written by Chopin during the Romantic period. b. The term, leggiero, means lightly. c. The texture of the music is homophonic. d. The compositional technique illustrated is called: ___triplet ___ compound meter ___ polytonality X hemiola 20 2. a. The example was most likely written during the Twentieth Century [period]. b. The left hand accompaniment pattern of this example is best described as: ___ repetition ___ sequence X ostinato ___ sotto voce c. The Italian term for the time signature “cut time” is alla breve. d. The articulation marking under the last two right hand chords is called tenuto. e. The marking, molto marcato, means very accented. (accept any reasonable wording) Score Analysis 1. The historical period represented is the Baroque period. 2. An Allemande is a dance in moderate 2/4 or 4/4 tempo; the first movement of a Baroque suite. (accept any reasonable answer) 3. Identify the key and mode of the piece. a minor 4. The formal structure is: ___ sonata X binary ___ rounded binary ___ ternary 5. Circle a passing tone and a lower neighboring tone in measure one. Label them PT and LN (see score) 6. Measures 3 and 4 are examples of a[n]: ___ episode ___ exposition X sequence 7. The ornament in measure two is called a mordent. 8. The ornament in measure four is called a turn. 9. The ornament in measure six is called a trill 10. Identify the key and mode of the cadence in each of the following measures. measure 6 C major measure 8 e minor measure 10 d minor measure 12 C major measure 14 a minor 11. Identify the boxed secondary dominants in measure 15. A V7 of VII B V7 of VI 21 Level 10 Sample Written Test Answer Key Intervals e quartal harmony a. A pitch around which the music centers. k anticipation a tonal center j diminution b. A contrapuntal form in which the subject appears consecutively in each voice. Appearances of the subject alternate with episodes. c. A non‐harmonic tone carried over from a previous chord where it was harmonic d. Refers to music which has no tonal center g tertian harmony e. Harmony built on the interval of a fourth. i bitonality f. Sections of a fugue in which the subject is not present. f episode g. Harmony built on the interval of a third. c suspension h. A form of repetition in which note values are doubled. h augmentation i. Refers to music having two tonal centers. d atonality j. A form of repetition in which note values are halved. Matching b fugue k. A note between two chords, dissonant to the first and consonant to the second. Modes . Seventh Chords 22 Musical Excerpt 1. The music was written during the Classical Period 2. Identify the circled non‐harmonic tones in the following measures: 20 appoggiatura 21 passing tone 3. Write the Roman numerals and figured bass for the underlined chords in measure 4 on the lines provided below. V7/V V 4. Identify the type of cadence in measure 10. authentic 5. A new key begins in measure 11. Identify the key. E major 6. What is its relationship to the original key? the dominant 7. Measure 11 contains a pivot chord. Give the Roman numerals for this chord: In the original key V In the new key I_ 8. A new key begins in measure 19. Identify the key. b minor 9. What is its relationship to the original key? the supertonic 10. A new key begins in measure 23. Identify the key. a minor 11. What is its relationship to the original key? the parallel minor 12. What is the most likely tempo indication for the first movement of this Sonata? ___ Adagio X Allegro ___ Lento The Baroque Dance Suite (accept any reasonable answer) Minuet: (of French origin) A dance in moderate ¾ meter Bourrée: (of French origin) A dance in quick duple meter. Gavotte: (of French origin) A dance in moderate 4/4 meter. Passepied: (of French origin) A spirited dance in quick 3/8 or 6/8 meter. Polonaise: (of Polish origin) A stately dance in moderate triple meter. (also, Anglaise, Rigaudon, Loure, Air...) Tone Rows Score Analysis 1. Subject (S): Countersubject (CS): Answer (A): measures 1, 9, 22, 37 measures 5, 13, 26, 41 measures 5, 13, 26, 41 2. Sequences (seq.): measures 19 – 21. 30 – 32, 33 – 34 3. 5 – 8, 13 16 (17 – 18), 22 26 37 41 27 29 retrograde inversion retrograde inversion F major: G minor: Eb major: C minor: 23