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Romeo and Juliet By William Shakespeare Tragedy A tragedy is a drama that ends in catastrophe—most often death—for the main character. In Shakespearean drama the main character, also known as the tragic hero, is often nobly born and has great influence in society. The hero also has a “tragic flaw”—a weakness or serious error in judgment— that leads to their downfall. Fate is often a significant factor in a tragedy. Comic Relief Shakespearean drama includes comic relief, a humorous scene, incident, or speech that relieves the overall emotional intensity. Comic relief helps the audience to absorb earlier events in the plot and get ready for the ones to come. Shakespeare also liked to use all the star actors including the ones who specialized in the comedy roles. Allusion An allusion is a brief reference, within a work, to something outside the work that the reader or audience is expected to know. For example the writer may allude to a historical or current event or to another line from a piece of literature. Shakespeare’s plays often contain allusions to ancient Greek and Roman mythology and to the Bible. Do you know the allusions? “Mercutio…speak to my gossip Venus one fair word, One nickname for her purblind son and heir, Young Adam Cupid, he that shot so trim when King Cophetua loved the beggar maid.” Venus is the Roman goddess of love. Cupid is the ancient Roman god of love, child of Mercury and Venus. King Cophetua is the subject of an Elizabethan myth in which he searches the world for a pure wife. All of Shakespeare’s allusions would have easily been recognized by anyone attending his plays during Elizabethan England. Foil A foil is a character whose personality or attitudes are in sharp contrast to those of another character in the same work. By using a foil, the writer highlights the other character’s traits or attitude. For example, the kind behavior of one character will be emphasized when it is brought in sharp contrast to another character who is not at all kind. Dramatic Conventions Dramatic conventions are devices that theater audiences accept as realistic although they do not necessarily reflect the way real-life people behave. Examples are soliloquies and asides… Soliloquy A soliloquy is a speech that a character gives when he or she is on stage alone. Its purpose is to let the audience know what the character is thinking. Think “INNER MONOLOGUE”: because we cannot actually read a character’s thoughts we must be told by that character what he/she is thinking. [Enter Juliet alone] JULIET: …Come gentle night; come loving, black-browned night. Give me my Romeo; and when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun… -Act III Scene II, lines 20-26 Aside An aside is a character’s remark, either to the audience or to another character, that others on stage are not supposed to hear. Its purpose, too, is to reveal the character’s private thoughts. A stage direction, usually in brackets or parentheses, indicates when an aside is being made. Asides are usually spoken directly to the audience unless otherwise noted. Blank Verse Shakespeare’s plays are written largely in blank verse, a form of poetry that uses unrhymed lines of iambic pentameter. Iambic pentameter are lines that ideally have five unstressed syllables, each followed by a stressed syllable. The pattern is not always perfect and there can sometimes be breaks in the pattern. But soft! What light through yonder window breaks? It is the East and Juliet is the sun! Arise, fair sun and kill the envious moon, Who is already sick and pale with grief That thou her maid art far more fair than she. u / u / u / u / u / But soft! What light through yonder window breaks? u / u / u /uu / u / It is the East and Juliet is the sun! u / u / u / u / u u / Arise, fair sun and kill the envious moon, u / u /u / u / u / Who is already sick and pale with grief u / u / u / u / u / That thou her maid art far more fair than she. Couplet: two rhymed lines in a row. Example“Let two more summers wither in their pride Ere we may think her ripe to be a bride” Couplets follow the same pattern of stressed and unstressed syllables as unrhymed iambic pentameter. Characters The Montagues: Lord Montague Lady Montague Romeo – Son of Montague Benvolio – nephew of Montague Balthasar – servant to Romeo Abram – servant to Montague The Capulets: Lord Capulet Lady Capulet Juliet – Daughter of Capulet Tybalt – nephew of Lady Capulet Nurse – to Juliet Peter – Servant to Juliet’s nurse Sampson Gregory And old man – of the Capulet family Other Characters: Prince Escalus – Ruler of Verona Mercutio – kinsman of the Prince and a friend of Romeo Friar Lawrence – a Franciscan priest Friar John – another Franciscan priest Count Paris – a young nobleman, kinsman of the Prince Apothecary Page – to Paris Chief Watchman Time Place – The th 14 Century – Verona; Mantua in northern Italy. Marriage and Love in the 14th Century… Most European marriages, especially among the upper classes, were arranged by families for social and economic reasons. Because the expected life span was shorter people got married at an earlier age, and marriage arrangements were made long before any wedding took place. Romantic love was recognized, but society did not generally view it as the basis of a sound marriage.