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Name:_______________ Class:___________ Music Workbook Semester 2 Content Rhythm and Metre Compound Metre Anacrusis Pitch and Melody s, l, drm sl d’ La Pentatonic m3rd M2nd M3rd Perfect 4th Perfect 5th All note names on treble staff F# B Bass Clef Part Work Canon, Partner Songs , Tonic Dominant accompaniments, ostinato, Partner Songs Form and Structure Ternary, Binary and Rondo Form First and Second Time Endings, Da capo al fine Dal segno Tone Colour All Orchestral Instruments, Instruments - other cultures Expressive Elements p pp mp f ff mf pause Crescendo, Decrescendo, Accent Staccato, Legato Pitch matching Composition Task Written/Aural Test Semester 2 Task La Pentatonic Exercise Task: Sing and play a memorised la pentatonic exercise on a melodic instrument. Performance may be structured in different ways. E.g. Sing and play together; sing first, then play; sing, then play while singing an ostinato, add an introduction or coda, add an accompaniment… 1. Did you perform the exercise accurately? 2. How did you structure your performance? 3. What expressive elements did you use? In this task I learnt… (may refer to: la pentatonic scale and intervals, performance, form and structure, expressive elements, personal learning style) Year 7 Semester 2 Criteria Sheet ASSESSABLE ELEMENTS DESCRIPTORS A B C D E The student work demonstrates evidence of: Knowledge and Understanding Comprehensive knowledge and understanding of rhythmic, melodic and expressive elements within the exercise. Thorough knowledge and understanding of rhythmic and melodic elements within the exercise. Satisfactory knowledge and understanding of rhythmic and melodic elements within the exercise. Variable knowledge and understanding of rhythmic and melodic elements within the exercise. Rudimentary knowledge and understanding of rhythmic and melodic elements within the exercise. Creating (Optional) Insightful and skilful arrangement of a piece of music which shows evidence of form, an introduction of original ideas, a strong connection between sections and the addition of expressive elements. Sings and plays accurately and with creative nuance, style and dynamics without teacher or peer input. Informed and effective arrangement of a piece of music which shows evidence of form, an introduction of original ideas, a connection between sections and some expressive elements. Relevant and competent arrangement of a piece of music which shows some form, and a connection between sections. Variable arrangement of a piece of music with little or no form or connection between sections. Minimal or no arrangement of a piece of music. Sings and plays accurately with some evidence of dynamics. Singing and Playing mostly accurate. Sings and plays with many inaccuracies. Minimal or unfinished performance. Perceptive reflection on learning with reference to list questions. Informed reflection on learning with reference to list questions. Relevant reflection on learning with reference to list questions. Superficial reflection on learning with reference to list questions. Cursory or no reflection on learning with reference to list questions. Presenting Reflecting / Responding Activity 1 Aural Missing Rhythms __ __ Circle to time signature. What is the top number? ____ What does it mean?______________________ What is the bottom number?____ What does it mean?___________________ How many bars in this song? _____ Circle two consecutive notes that are a Major 2nd apart. Activity 2 Aural 1. M2 m3 2. m3 M3 3.P4 M3 4. P5 M3 5.P4 P5 Create your own song using the notes from the pentatonic scale below this rhythm. Write it on the staff below and perform on glockenspiel Activity 3 Aural For Assessment… Create your own song using the notes from the pentatonic scale below this rhythm. Write it on the staff below and perform on glockenspiel Activity 4 Aural List the four orchestral family and two instruments from each group. Family Instrument Instrument Activity 5 Aural - Spot the difference Gustav Theodore Holst Born in England 1874 - 1934 Composer, arranger and teacher. Best known for his orchestral suite The Planets. (Op. 32) The suite has seven movements, each named after a planet and its corresponding astrological character (see Planets in astrology): 1. 2. 3. 4. 5. 6. 7. Mars, the Bringer of War Venus, the Bringer of Peace Mercury, the Winged Messenger Jupiter, the Bringer of Jollity Saturn, the Bringer of Old Age Uranus, the Magician Neptune, the Mystic Activity 6 Aural Bass Clef Also called the F Clef, the curly bit in the middle wraps around the note F, with that F line passing through the 2 dots. Activity 7 Aural Create the ending Write these notes on the staff as minims. Make sure your stems are correct! Low D Middle C F# B Activity 8 Aural- Spot the Difference Add Time Signatures Activity 9 Aural 1. P4 P5 2. P4 P5 3. P4 P5 4. P4 P5 5.P4 P5 What do these terms mean? Decrescendo Crescendo Fortissimo Pianissimo Mezzo Forte Mezzo Piano Legato Staccato Activity 10 Aural - Create the Ending s l d’ l s m s __ __ __ __ Write the la pentatonic scale starting on D Activity 11 Aural – Create your own Rhythmic pattern 1. Write in the Rhythmic pattern of the rhyme 2. Create a melody by writing in solfa. No more school, No more books, No more teacher’s dirty looks. Rhythm Solfa Letter Names 3. Write it on the staff Activity 12 Add bar lines Activity 13 Aural Read and Play 1. 2. 3. Activity 14 Aural On the staff, write an F sharp and a B flat - Red - Green - Blue - Pink - Orange - Yellow - Brown - Purple Colour the Mandala Crotchets – Red Minims – Green Quavers – Blue Semiquavers – Yellow www.crescendo.com.au Glossary Tie - a curved line connecting two notes of the same pitch. Tied notes are held for the length of both notes. Canon – A piece of music where one voice repeats the part of another, throughout the whole piece. It is singing the same song starting at different times. Partner Songs – Two different songs, that have a similar harmonic structure so that they may be sung together. Introduction – The beginning of a piece of music. Ostinato – A repeated rhythmic or melodic pattern. Accompaniment - is the art of playing along with an instrumental or vocal soloist or ensemble, in a supporting manner. Piano – soft Mezzo Piano – moderately soft Pianissimo – very soft Forte – loud or strong Mezzo Forte – moderately loud Fortissimo - very loud Staccato – short and detached Legato – smooth and connected Crescendo – gradually getting louder Decrescendo – gradually getting softer Anacrusis – the note or sequence of notes which precedes the first beat in a bar. There is a corresponding number of beats missing from the music's final bar. Ternary Form – a musical structure consisting of two contrasting sections followed by a repetition of the first (ABA). Often, the first section is repeated (AABA). Binary Form – a musical structure with two sections (AB); each section is often repeated (AABB). Rondo Form – a musical structure with a recurring theme alternating with different sections (ABACADAEA) or (ABACABA). Accent – an emphasis placed on a particular note. Dal Segno – D.S. is a navigation marker. instructs a musician to repeat a passage starting from the sign. D.S. al coda instructs the musician to repeat back to the sign, and when Al coda or To coda is reached jump to the coda symbol. D.S. al fine instructs the musician to repeat back to the sign, and end the piece at the measure marked fine.) Pause – also known as a fermata indicates that the note should be sustained for longer than its note value would indicate. Cloudy Day Colour the Clouds according to the interval Major 2nd – Red Perfect 4th - Yellow minor 3rd - Blue Perfect 5th - Purple Major 3rd - Green Perfect Octave - Orange