
Mycomkits Dot Com www.MYCOMKITS.com
... changer kit which uses sound modulator HT8950 chips of Holtek. HT8950 is voice frequency conversion IC which built in the amplifier for microphones. This raises the frequency of the sound inputted from an attached microphone or line-in into 4/3 time, 8/5 time, and twice, or lowers it into 8/9 time, ...
... changer kit which uses sound modulator HT8950 chips of Holtek. HT8950 is voice frequency conversion IC which built in the amplifier for microphones. This raises the frequency of the sound inputted from an attached microphone or line-in into 4/3 time, 8/5 time, and twice, or lowers it into 8/9 time, ...
this link. - Mains Cables R Us
... much the same sort of fashion. Feed it some hi-res music via its USB input and it really begins to shine. Art of Noise’s Moments in Love at 24/88.2 is just superb, the DAC capturing the synthesised rhythm backing beautifully, giving a very realistic sense of texture. At the same time, those big synt ...
... much the same sort of fashion. Feed it some hi-res music via its USB input and it really begins to shine. Art of Noise’s Moments in Love at 24/88.2 is just superb, the DAC capturing the synthesised rhythm backing beautifully, giving a very realistic sense of texture. At the same time, those big synt ...
Product Information U 87 Ai
... he U 87 is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is locat ...
... he U 87 is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is locat ...
EXAMPLE OF POSITIVE FEEDBACK
... instruments such as bass guitar or kick drum and having the amplified signal from the main PA or monitors picked up by the same mic and re-amplified, similar to vocal mic feedback. Low frequency feedback can also be caused by "acoustic coupling". This is when the low frequencies being reproduced by ...
... instruments such as bass guitar or kick drum and having the amplified signal from the main PA or monitors picked up by the same mic and re-amplified, similar to vocal mic feedback. Low frequency feedback can also be caused by "acoustic coupling". This is when the low frequencies being reproduced by ...
compressor - Analogue Haven
... Compression is a tool used on pretty much every recording you will ever hear, yet this extremely useful and versatile tool is often overlooked by guitar players as part of their rig. Other compressor pedals are often limited by oversimplified controls and heavily colored sounds. We have created a tr ...
... Compression is a tool used on pretty much every recording you will ever hear, yet this extremely useful and versatile tool is often overlooked by guitar players as part of their rig. Other compressor pedals are often limited by oversimplified controls and heavily colored sounds. We have created a tr ...
Acoustic Impedance Measurements
... linear (three separate lines, perhaps) Relates to structure of musical notes, but we won't go into that Can only access the output frequencies at input peaks ...
... linear (three separate lines, perhaps) Relates to structure of musical notes, but we won't go into that Can only access the output frequencies at input peaks ...
X3.60+3.71 MANUAL
... The LINE OUT allows you to build multiple amplifier systems without having to use splitter cords to distribute the signal. Now it is simply a matter of bringing one set of RCAS into the first amplifier, then using the line out RCA jacks as the feed to the next amplifier. ...
... The LINE OUT allows you to build multiple amplifier systems without having to use splitter cords to distribute the signal. Now it is simply a matter of bringing one set of RCAS into the first amplifier, then using the line out RCA jacks as the feed to the next amplifier. ...
Radial J48 Direct Box
... distortion: Bass sounds thin and lacks punch. Guitars sound scratchy, tend to have sporatic peaks, and they loose their natural body resonance. Because the J48 has more ‘horse-power”, it is able to handle these transients without choking. This extra headroom significantly reduces harmonic, phase and ...
... distortion: Bass sounds thin and lacks punch. Guitars sound scratchy, tend to have sporatic peaks, and they loose their natural body resonance. Because the J48 has more ‘horse-power”, it is able to handle these transients without choking. This extra headroom significantly reduces harmonic, phase and ...
The Analog Lock
... DSP instruments will generally give better performance than their analog counterparts and have inevitably become the first choice for the user. It is worth remembering, however, that there are still some applications for which the analog instruments will offer distinct advantages. Three important ex ...
... DSP instruments will generally give better performance than their analog counterparts and have inevitably become the first choice for the user. It is worth remembering, however, that there are still some applications for which the analog instruments will offer distinct advantages. Three important ex ...
Topic: High Performance Data Acquisition Systems Analog
... limitations, overdrive recovery, propagation delay, etc. (see Figure 3). Remember, settling time is influenced by a combination of amplifier factors (linear and nonlinear, internal and external) and it cannot be predicted by individual amplifier specifications such as slew rate, and small signal ban ...
... limitations, overdrive recovery, propagation delay, etc. (see Figure 3). Remember, settling time is influenced by a combination of amplifier factors (linear and nonlinear, internal and external) and it cannot be predicted by individual amplifier specifications such as slew rate, and small signal ban ...
table of contents
... quality and values the sound can be opened up and a wider range of tones can be achieved. Adding new components provides an even wider range of sounds. 2. 5watts is TOO LOUD for most people to be able to crank it up and get the true valve distortion sound that they are looking for ‐ even a bluesy cr ...
... quality and values the sound can be opened up and a wider range of tones can be achieved. Adding new components provides an even wider range of sounds. 2. 5watts is TOO LOUD for most people to be able to crank it up and get the true valve distortion sound that they are looking for ‐ even a bluesy cr ...
Document
... White noise contains equally distributed energy at all frequencies within the audio spectrum. • Electroacoustic music is broadly defined as music created using electronic and acoustic sound sources. Chapter 7 ...
... White noise contains equally distributed energy at all frequencies within the audio spectrum. • Electroacoustic music is broadly defined as music created using electronic and acoustic sound sources. Chapter 7 ...
Please click here for the LP7-4 instruction manual - Pac
... The L.O.C.PRO™ LP7-4 can be used for either replacing an OEM radio and retaining the factory amplified system or adding amplifiers to a system that does not have RCA outputs. L.O.C.PRO™ LP7-4 will also monitor the audio input signal and automatically create an amplifier turn-on for systems that do n ...
... The L.O.C.PRO™ LP7-4 can be used for either replacing an OEM radio and retaining the factory amplified system or adding amplifiers to a system that does not have RCA outputs. L.O.C.PRO™ LP7-4 will also monitor the audio input signal and automatically create an amplifier turn-on for systems that do n ...
Amplifier - Bodzio Software
... purpose, and then turn it down to some more acceptable levels – typically -10dB to 15dB down from the THX 0dB level. This is also good for your hearing. In fact, from my experience, I run the old system at -10dB level so often, that it basically become my new “reference” level. The simplest way to r ...
... purpose, and then turn it down to some more acceptable levels – typically -10dB to 15dB down from the THX 0dB level. This is also good for your hearing. In fact, from my experience, I run the old system at -10dB level so often, that it basically become my new “reference” level. The simplest way to r ...
Industrial Revolution
... harmonic, transient, or a random collection of waves. This pressure is usually measured with an instrument that is sensitive to a particular band of frequencies. The sound intensity, which describes the rate of flow of acoustic energy per unit area, is given by the mean square pressure divided by th ...
... harmonic, transient, or a random collection of waves. This pressure is usually measured with an instrument that is sensitive to a particular band of frequencies. The sound intensity, which describes the rate of flow of acoustic energy per unit area, is given by the mean square pressure divided by th ...
3155 Integrated Amplifier - hifi
... Digital-ready design.The amplifier’s line-level inputs will not be overloaded by high-level signal peaks from a Compact Disc player or digital tape recorder. The 103 dB signal-to-noise ratio of the 3155 exceeds that of any analogue or digital program source. The low-impedance, low-noise design of th ...
... Digital-ready design.The amplifier’s line-level inputs will not be overloaded by high-level signal peaks from a Compact Disc player or digital tape recorder. The 103 dB signal-to-noise ratio of the 3155 exceeds that of any analogue or digital program source. The low-impedance, low-noise design of th ...
JBL DUET™ 200 - HarmanAudio.com
... EASY-TO-USE TOUCH CONTROLS The JBL Duet 200 includes touch controls for convenient desktop use – just a touch increases or decreases the volume. DIGITAL POWER AND DSP The JBL Duet 200 delivers sound via a powerfully tuned digital audio path. The clean and compact digital amplification, coupled with ...
... EASY-TO-USE TOUCH CONTROLS The JBL Duet 200 includes touch controls for convenient desktop use – just a touch increases or decreases the volume. DIGITAL POWER AND DSP The JBL Duet 200 delivers sound via a powerfully tuned digital audio path. The clean and compact digital amplification, coupled with ...
HIGH PERFORMANCE CAR AMPLIFIER
... * Check the chassis ground connections of all audio equipment. * Check amplifier controls for errors, input level or crossover setting. * Check the speaker wires for a possible short, either between the positive and negative leads or between a speaker lead and the vehicle’s chassis ground. * Check t ...
... * Check the chassis ground connections of all audio equipment. * Check amplifier controls for errors, input level or crossover setting. * Check the speaker wires for a possible short, either between the positive and negative leads or between a speaker lead and the vehicle’s chassis ground. * Check t ...
File - SEVIER COUNTY AMATEUR RADIO CLUB
... the voice pitch of a single-sideband signal seems too high or low? ...
... the voice pitch of a single-sideband signal seems too high or low? ...
Sound reinforcement system

A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In some situations, a sound reinforcement system is also used to enhance the sound of the sources on the stage, as opposed to simply amplifying the sources unaltered.A sound reinforcement system may be very complex, including hundreds of microphones, complex audio mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians. On the other hand, a sound reinforcement system can be as simple as a small public address (PA) system, consisting of a single microphone connected to an amplified loudspeaker for a singer-guitarist playing in a coffeehouse. In both cases, these systems reinforce sound to make it louder or distribute it to a wider audience.Some audio engineers and others in the professional audio industry disagree over whether these audio systems should be called sound reinforcement (SR) systems or PA systems. Distinguishing between the two terms by technology and capability is common, while others distinguish by intended use (e.g., SR systems are for live event support and PA systems are for reproduction of speech and recorded music in buildings and institutions). In some regions or markets, the distinction between the two terms is important, though the terms are considered interchangeable in many professional circles.