ROKIT POWERED SERIES NEAR FIELD STUDIO MONITOR
... Warning: To reduce the risk of fire or electric shock, do not expose this unit to rain or moisture. The lightning flash with an arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of uninsulated ìdangerous voltageî within the productí s enclosure that may b ...
... Warning: To reduce the risk of fire or electric shock, do not expose this unit to rain or moisture. The lightning flash with an arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of uninsulated ìdangerous voltageî within the productí s enclosure that may b ...
CMA800i User Manual
... current mode amplification patent design, most components used are same. Ultra low distortion as to 0.00026%, ultra wide bandwidth up to 850KHz (+0, -3dB), working in pure Class A status under Super-current, all these features enables CMA800i amplification be most outstanding among all the all-in-on ...
... current mode amplification patent design, most components used are same. Ultra low distortion as to 0.00026%, ultra wide bandwidth up to 850KHz (+0, -3dB), working in pure Class A status under Super-current, all these features enables CMA800i amplification be most outstanding among all the all-in-on ...
Frequently Asked Questions FAQ
... In what order should I put effects when using a Scrambler DI? We recommend tone modifiers (compressor, overdrive, wah, etc.) before the Scrambler DI, time modifiers (chorus, reverb, delay) after. But there really are no rules, so try every order of effects that you can, and the one that sounds best ...
... In what order should I put effects when using a Scrambler DI? We recommend tone modifiers (compressor, overdrive, wah, etc.) before the Scrambler DI, time modifiers (chorus, reverb, delay) after. But there really are no rules, so try every order of effects that you can, and the one that sounds best ...
example
... Speaker recognition is a process by which the identity of a speaker can be determined. This project is only concerned with closed set speaker recognition, meaning the speaker is assumed to belong to a known set of people whose voices have already been collected and processed to produce Gaussian Mix ...
... Speaker recognition is a process by which the identity of a speaker can be determined. This project is only concerned with closed set speaker recognition, meaning the speaker is assumed to belong to a known set of people whose voices have already been collected and processed to produce Gaussian Mix ...
Sound Sensor BT80i - CMA
... microphone is mounted at one end of the box. The sensor measures variations in air pressure caused by a sound wave. Because of the high sensitivity, the sensor is very much suited to detect short pressure pulses. This offers the possibility to measure the speed of sound. The sound sources that can b ...
... microphone is mounted at one end of the box. The sensor measures variations in air pressure caused by a sound wave. Because of the high sensitivity, the sensor is very much suited to detect short pressure pulses. This offers the possibility to measure the speed of sound. The sound sources that can b ...
ground
... d. Voltage oscillations need to be both larger and more rapid. e. Voltage oscillations need to be smaller (less high and low). c. Larger peak voltages, gives larger current flow through speaker. More current means bigger magnetic field in coil Bigger magnetic field in coil means speaker moves back ...
... d. Voltage oscillations need to be both larger and more rapid. e. Voltage oscillations need to be smaller (less high and low). c. Larger peak voltages, gives larger current flow through speaker. More current means bigger magnetic field in coil Bigger magnetic field in coil means speaker moves back ...
XPIQ Quad Intelligent Audio Transponder
... addresses utilized by the XPIQ-SLI depends on the number of channels, speaker zones, telephone zones, and other options selected during configuration by the installer. A seven-segment display is used to indicate the address range used. The XPIQSLI can be wired in Style 4, 6, or 7. Mounts onto the XP ...
... addresses utilized by the XPIQ-SLI depends on the number of channels, speaker zones, telephone zones, and other options selected during configuration by the installer. A seven-segment display is used to indicate the address range used. The XPIQSLI can be wired in Style 4, 6, or 7. Mounts onto the XP ...
E-350 - Accuphase
... AAVA-II (Accuphase Analog Vari-gain Amplifier) is a novel volume control concept that completely does away with variable resistors in the signal path. Because the music signal does not have to pass through such devices, there is no adverse influence from changes in impedance. This means that the out ...
... AAVA-II (Accuphase Analog Vari-gain Amplifier) is a novel volume control concept that completely does away with variable resistors in the signal path. Because the music signal does not have to pass through such devices, there is no adverse influence from changes in impedance. This means that the out ...
Product Specifications CVL Centraverse Lavalier Condenser Microphone with Tie Clip Overview
... The Centraverse Lavalier (CVL) offers convenience and performance in an easy-to-use, clip-on cardioid condenser microphone that features simple, no-nonsense setup made for the presenting professional. Precision-engineered for years of use in any Shure wireless system, its compact size is ideal for p ...
... The Centraverse Lavalier (CVL) offers convenience and performance in an easy-to-use, clip-on cardioid condenser microphone that features simple, no-nonsense setup made for the presenting professional. Precision-engineered for years of use in any Shure wireless system, its compact size is ideal for p ...
Grounding and Shielding
... for safety or performance. The input circuitry of an instrument has a finite input current requirement. This current must return to output ground. If this path is not provided, the instrument may appear to work but in reality it is functioning near a point of saturation to create a return path for i ...
... for safety or performance. The input circuitry of an instrument has a finite input current requirement. This current must return to output ground. If this path is not provided, the instrument may appear to work but in reality it is functioning near a point of saturation to create a return path for i ...
SPECTRA SONICS MODEL 101 AUDIO AMPLIFIER Operating
... 4. Do not allow an unrestrained oscillation to continue. Typical causes of oscillation are due to improper wiring and grounding practices such as: Capacitive coupling between high and low signal levels in very close proximity (eg. bundled cables) where excessive loop gain from a single or series of ...
... 4. Do not allow an unrestrained oscillation to continue. Typical causes of oscillation are due to improper wiring and grounding practices such as: Capacitive coupling between high and low signal levels in very close proximity (eg. bundled cables) where excessive loop gain from a single or series of ...
MX134 A/V Control Center MC206 6-Channel Power
... Guard® used in McIntosh amplifiers. AILC continuously monitors input voltage and if overdrive occurs reduces the input level, preventing distortion. REMOTE SELECTION OF MODES AND TRIM SETTINGS. All surround modes and settings for speakers and tone can be adjusted using the remote control from the li ...
... Guard® used in McIntosh amplifiers. AILC continuously monitors input voltage and if overdrive occurs reduces the input level, preventing distortion. REMOTE SELECTION OF MODES AND TRIM SETTINGS. All surround modes and settings for speakers and tone can be adjusted using the remote control from the li ...
Sound reinforcement system
A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In some situations, a sound reinforcement system is also used to enhance the sound of the sources on the stage, as opposed to simply amplifying the sources unaltered.A sound reinforcement system may be very complex, including hundreds of microphones, complex audio mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians. On the other hand, a sound reinforcement system can be as simple as a small public address (PA) system, consisting of a single microphone connected to an amplified loudspeaker for a singer-guitarist playing in a coffeehouse. In both cases, these systems reinforce sound to make it louder or distribute it to a wider audience.Some audio engineers and others in the professional audio industry disagree over whether these audio systems should be called sound reinforcement (SR) systems or PA systems. Distinguishing between the two terms by technology and capability is common, while others distinguish by intended use (e.g., SR systems are for live event support and PA systems are for reproduction of speech and recorded music in buildings and institutions). In some regions or markets, the distinction between the two terms is important, though the terms are considered interchangeable in many professional circles.