Noise, Digital Resolution, and Accuracy in Digital
... sensitivity to other physical stimulus. For example, a torque transducer will produce an output proportional to shaft torque, but will typically have some cross sensitivity to shaft bending or to changes in the temperature of the transducer. These effects are generally small, but may limit the accur ...
... sensitivity to other physical stimulus. For example, a torque transducer will produce an output proportional to shaft torque, but will typically have some cross sensitivity to shaft bending or to changes in the temperature of the transducer. These effects are generally small, but may limit the accur ...
HV sedici imp. Inglese
... positive power supply and operates in a synchronic way with a second circuit called PWM SERVEUR, which has the task of making the PWM control of the negative power supply. Synchronism between the two PWM generator clocks avoids the formation of residual products at low frequency which could be conve ...
... positive power supply and operates in a synchronic way with a second circuit called PWM SERVEUR, which has the task of making the PWM control of the negative power supply. Synchronism between the two PWM generator clocks avoids the formation of residual products at low frequency which could be conve ...
Tantrum 1200.1 Tantrum 1200.1 Mono Block Amplifier
... When installing the amplifier use at least 4 gauge power and ground wire to the amplifier. Any smaller wire can potentially bottle neck the amplifier’s performance and lead to system problems. Also, be sure you have a few inches around the amplifier so that heat will be able to dissipate from the he ...
... When installing the amplifier use at least 4 gauge power and ground wire to the amplifier. Any smaller wire can potentially bottle neck the amplifier’s performance and lead to system problems. Also, be sure you have a few inches around the amplifier so that heat will be able to dissipate from the he ...
Chapter 2: Digitization of Sound
... gives a higher dynamic range for a given oversampling ratio and order of loop filter stabilization is easier, since second-order loops can generally be used ...
... gives a higher dynamic range for a given oversampling ratio and order of loop filter stabilization is easier, since second-order loops can generally be used ...
Audix M1280B specification sheet
... between the sound of the instrument or voice within the context of the room or venue. The cardioid pattern is also helpful with resistance to feedback. For acoustic instruments, in general, the working range will depend on the sound pressure levels produced by the instrument. For percussion, as an e ...
... between the sound of the instrument or voice within the context of the room or venue. The cardioid pattern is also helpful with resistance to feedback. For acoustic instruments, in general, the working range will depend on the sound pressure levels produced by the instrument. For percussion, as an e ...
THE B.A.S. SPEAKER - Boston Audio Society
... FM Harmonic Distortion . R-E's tuner distortion tests were deliberately designed by Feldman to conceal one of the parameters that distinguish an excellent tuner from an ordinary one—namely the amount of intermodulation ("beat-note") distortion between high audio frequencies and the 19kHz pilot in t ...
... FM Harmonic Distortion . R-E's tuner distortion tests were deliberately designed by Feldman to conceal one of the parameters that distinguish an excellent tuner from an ordinary one—namely the amount of intermodulation ("beat-note") distortion between high audio frequencies and the 19kHz pilot in t ...
CONCEPT1 manual
... • Menu driven hidden configuration accessible for installers only. • Lockable front panel controls. • Super simple no nonsense user interface. • Multi functional stylish blue colour dot matrix VFD display. • Presettable paging mic gain and separate tone control. • Integrated switchable highpa ...
... • Menu driven hidden configuration accessible for installers only. • Lockable front panel controls. • Super simple no nonsense user interface. • Multi functional stylish blue colour dot matrix VFD display. • Presettable paging mic gain and separate tone control. • Integrated switchable highpa ...
Designing an Optical Theremin
... current based on the amount of light they are exposed to. We will use a current to voltage op-amp circuit to generate voltage that the MyDAQ can sample. The MyDAQ functions as the bridge between our physical and virtual circuits. The virtual circuit samples the voltage waveforms from the physical ci ...
... current based on the amount of light they are exposed to. We will use a current to voltage op-amp circuit to generate voltage that the MyDAQ can sample. The MyDAQ functions as the bridge between our physical and virtual circuits. The virtual circuit samples the voltage waveforms from the physical ci ...
412 Laboratory #1: Input Resistance, Output Resistance, and Gain
... performance of cascaded amplifiers. To show how an equivalent linear amplifier model using these three parameters can be used to predict circuit performance. ...
... performance of cascaded amplifiers. To show how an equivalent linear amplifier model using these three parameters can be used to predict circuit performance. ...
Hi-Fi AUDIO COMPONENTS 2012 / 2013
... Vividly brings out the essence of the music residing in the details. Audio professionals and music lovers are all alike: continuing in search of the new possibilities in technology to deliver the reproduction of the artist’s vision with purity and details in playback of the recorded music. For over ...
... Vividly brings out the essence of the music residing in the details. Audio professionals and music lovers are all alike: continuing in search of the new possibilities in technology to deliver the reproduction of the artist’s vision with purity and details in playback of the recorded music. For over ...
302 Compact Production Mixer
... research aircraft. The only problem was that there was no room for a camera or sound person in the cockpit. We rigged a lipstick cam in the cockpit, and I stuck a lavaliere inside a headset earcup and sent it via wireless to the mixer and on to a BetaSP deck. Since I would have no way to monitor lev ...
... research aircraft. The only problem was that there was no room for a camera or sound person in the cockpit. We rigged a lipstick cam in the cockpit, and I stuck a lavaliere inside a headset earcup and sent it via wireless to the mixer and on to a BetaSP deck. Since I would have no way to monitor lev ...
PDF, 95 KB
... 110 mm. With phantom powering, a truly “miniature microphone” was now possible! The KM 84 was designed with a 10 dB attenuation switch, therefore allowing the microphone to be used up close with loud instruments. By placing the pad at the gate of the fieldeffect transistor (FET), this “pre-attenuati ...
... 110 mm. With phantom powering, a truly “miniature microphone” was now possible! The KM 84 was designed with a 10 dB attenuation switch, therefore allowing the microphone to be used up close with loud instruments. By placing the pad at the gate of the fieldeffect transistor (FET), this “pre-attenuati ...
E-308 - Accuphase
... The preamplifier section comprises features such as tone controls, loudness compensator, and facilities for recorder monitoring and copying. Each circuit component has been carefully selected after extensive tests. The end result is an integrated amplifier that clearly stands out from the rest. Opti ...
... The preamplifier section comprises features such as tone controls, loudness compensator, and facilities for recorder monitoring and copying. Each circuit component has been carefully selected after extensive tests. The end result is an integrated amplifier that clearly stands out from the rest. Opti ...
Spec Sheet - Performance Audio
... Drums, hand percussion: As a general rule, the bottom of the F12 should be 1-2 inches above the head of the drum and pointed towards the center. For more “ring” pull the mic back towards the rim; for less ring and more overtones, position the mic 1-2 inches inside the ring; for more attack, place th ...
... Drums, hand percussion: As a general rule, the bottom of the F12 should be 1-2 inches above the head of the drum and pointed towards the center. For more “ring” pull the mic back towards the rim; for less ring and more overtones, position the mic 1-2 inches inside the ring; for more attack, place th ...
A 25W OTL Tube Amplifier
... vintage equipment, but I am probably being unfair. In many places, there are potentially high voltages during warmup, so the resistors must have the correct voltage ratings as well as power handling. The ...
... vintage equipment, but I am probably being unfair. In many places, there are potentially high voltages during warmup, so the resistors must have the correct voltage ratings as well as power handling. The ...
STAGE CREW POSITIONS
... and records cues into board for show. May also be Light Board Operator for show. • Light Board Operator: The Light Board Operator is responsible for operating the light board during all performances. Performs daily light checks at the beginning of all technical rehearsals and performance call times ...
... and records cues into board for show. May also be Light Board Operator for show. • Light Board Operator: The Light Board Operator is responsible for operating the light board during all performances. Performs daily light checks at the beginning of all technical rehearsals and performance call times ...
Sound reinforcement system
A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In some situations, a sound reinforcement system is also used to enhance the sound of the sources on the stage, as opposed to simply amplifying the sources unaltered.A sound reinforcement system may be very complex, including hundreds of microphones, complex audio mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians. On the other hand, a sound reinforcement system can be as simple as a small public address (PA) system, consisting of a single microphone connected to an amplified loudspeaker for a singer-guitarist playing in a coffeehouse. In both cases, these systems reinforce sound to make it louder or distribute it to a wider audience.Some audio engineers and others in the professional audio industry disagree over whether these audio systems should be called sound reinforcement (SR) systems or PA systems. Distinguishing between the two terms by technology and capability is common, while others distinguish by intended use (e.g., SR systems are for live event support and PA systems are for reproduction of speech and recorded music in buildings and institutions). In some regions or markets, the distinction between the two terms is important, though the terms are considered interchangeable in many professional circles.