Tones and Semitones
... In the "C major" scale, both the first and the last notes are Cs- but how do we know what the inbetween notes are? On the piano, a C major scale uses all the white notes (so it doesn't have any sharps or flats), but on other instruments, we don't have white notes, so how do we know which notes to us ...
... In the "C major" scale, both the first and the last notes are Cs- but how do we know what the inbetween notes are? On the piano, a C major scale uses all the white notes (so it doesn't have any sharps or flats), but on other instruments, we don't have white notes, so how do we know which notes to us ...
Semitones - funmusiccoimages.com
... What note is a tone higher than A? ______ What note is a tone lower than E? ______ What note is a tone higher than B? ______ What note is a tone lower than G sharp? ______ Circle the tones in this melody: ...
... What note is a tone higher than A? ______ What note is a tone lower than E? ______ What note is a tone higher than B? ______ What note is a tone lower than G sharp? ______ Circle the tones in this melody: ...
Shepard Tones - Virtual Math Museum
... If you misread the name of this exhibit, you may have expected to hear some pretty music played on a set of shepherd’s pipes. Instead what you heard was a sequence of notes that probably sounded rather unmusical, and may have at first appeared to keep on rising indefinitely, “one note at a time”. B ...
... If you misread the name of this exhibit, you may have expected to hear some pretty music played on a set of shepherd’s pipes. Instead what you heard was a sequence of notes that probably sounded rather unmusical, and may have at first appeared to keep on rising indefinitely, “one note at a time”. B ...
Technique Rubric
... Tone is often focused, clear, and centered, but is sometimes uncontrolled in the normal playing range. Extremes in range are usually uncontrolled. Occasionally the tone quality detracts from the overall performance. The beat is somewhat erratic and some rhythms are accurate, with frequent or repeate ...
... Tone is often focused, clear, and centered, but is sometimes uncontrolled in the normal playing range. Extremes in range are usually uncontrolled. Occasionally the tone quality detracts from the overall performance. The beat is somewhat erratic and some rhythms are accurate, with frequent or repeate ...
Slides - UMD Physics
... C, C#/Db, D, D#/Eb, E, E#, Fb, F, F#/Gb, G, G#/Ab, A, A#/Bb, B or do, do#/re b, re, re#/mi b, mi, mi#/fa b, fa, fa#, sol, sol#/la b, la, la#/sib, si ...
... C, C#/Db, D, D#/Eb, E, E#, Fb, F, F#/Gb, G, G#/Ab, A, A#/Bb, B or do, do#/re b, re, re#/mi b, mi, mi#/fa b, fa, fa#, sol, sol#/la b, la, la#/sib, si ...
TONE VS. MODE by Stan Takis More than once I have been
... In music, a scale is an ordered series of musical intervals, which, along with the key or tonic, define the pitches. However, mode is usually used in the sense of scale applied only to the specific diatonic scales found below. The use of more than one mode is polymodal, such as with polymodal chroma ...
... In music, a scale is an ordered series of musical intervals, which, along with the key or tonic, define the pitches. However, mode is usually used in the sense of scale applied only to the specific diatonic scales found below. The use of more than one mode is polymodal, such as with polymodal chroma ...
important overtones are higher
... • Heard from two tones of strong intensity • “Difference tone” is f2-f1 • When two tones are a fifth apart, the difference tone is 1 octave below f1 • Other tones made from 2f1-f2 and 3f1-2f2 • Thought to come from “nonlinear” distortion of the primary wave form stimulus in cochlea - the vibration o ...
... • Heard from two tones of strong intensity • “Difference tone” is f2-f1 • When two tones are a fifth apart, the difference tone is 1 octave below f1 • Other tones made from 2f1-f2 and 3f1-2f2 • Thought to come from “nonlinear” distortion of the primary wave form stimulus in cochlea - the vibration o ...
WHY study music? 1. Musician 2. Advertising 3
... PITCH: highness or lowness of defiant vibrations (frequency of sound waves)= tones (440 cycles per second) distance between two tones is interval ( i.e. 440 to 460) tones that are doubled or half are called octave (i.e 220 to 440 to 880) In western music octave is divided into twelve tones Nonwester ...
... PITCH: highness or lowness of defiant vibrations (frequency of sound waves)= tones (440 cycles per second) distance between two tones is interval ( i.e. 440 to 460) tones that are doubled or half are called octave (i.e 220 to 440 to 880) In western music octave is divided into twelve tones Nonwester ...
Bringing some science to music
... harmonious tones when the ratios of the lengths of the strings are whole numbers, and that these ratios could be extended to other instruments. He was a fine musician, and he used music as a means to help those who were ill. ...
... harmonious tones when the ratios of the lengths of the strings are whole numbers, and that these ratios could be extended to other instruments. He was a fine musician, and he used music as a means to help those who were ill. ...
Music Theory 171 Questions on Chapters 3A, 3B and 3C 3A
... 1. How can Pentatonic scales be seen as being derived from perfect fifths above and below a central tone? 2. Note the ratios of the pentatonic scale. We have covered the octave (1:1), fifth (3:2), fourth (4:3) and whole tone (9:8). The other inverval discovered here is the minor seventh from D to C. ...
... 1. How can Pentatonic scales be seen as being derived from perfect fifths above and below a central tone? 2. Note the ratios of the pentatonic scale. We have covered the octave (1:1), fifth (3:2), fourth (4:3) and whole tone (9:8). The other inverval discovered here is the minor seventh from D to C. ...
Lecture Set 07
... • Some of the files are rather long. – I cut some of the lectures into two or three parts to keel them small but some are still pretty big because of the photographs. – Today, we continue with sounds from strings. ...
... • Some of the files are rather long. – I cut some of the lectures into two or three parts to keel them small but some are still pretty big because of the photographs. – Today, we continue with sounds from strings. ...
Pitch Perception
... • Heard from two tones of strong intensity • “Difference tone” is f2-f1 • When two tones are a fifth apart, the difference tone is 1 octave below f1 • Other tones made from 2f1-f2 and 3f1-2f2 • Thought to come from “nonlinear” distortion of the primary wave form stimulus in cochlea - the vibration o ...
... • Heard from two tones of strong intensity • “Difference tone” is f2-f1 • When two tones are a fifth apart, the difference tone is 1 octave below f1 • Other tones made from 2f1-f2 and 3f1-2f2 • Thought to come from “nonlinear” distortion of the primary wave form stimulus in cochlea - the vibration o ...
Lecture 06 Part II a little more history of science
... Pythagoras Observed ….. • The heavier the bell, the “lower” the tone. • The water inside a glass was directly related to the tone. • He probably NEVER made any of these ...
... Pythagoras Observed ….. • The heavier the bell, the “lower” the tone. • The water inside a glass was directly related to the tone. • He probably NEVER made any of these ...
Serial Music - Toot Hill School
... home note in the music. Bitonal music is when the composer uses 2 different key signatures (ie 2 different home notes), in two different parts, at the same time. Whole tone music Whole tone music is based on the whole tone scale. This is a scale made up of whole tones only, eg. C D E F# G# A# C. Mel ...
... home note in the music. Bitonal music is when the composer uses 2 different key signatures (ie 2 different home notes), in two different parts, at the same time. Whole tone music Whole tone music is based on the whole tone scale. This is a scale made up of whole tones only, eg. C D E F# G# A# C. Mel ...
Tonic and Dominant
... known as free resolution of the leading tone. This can ONLY occur if the leading tone is in an inner voice. ...
... known as free resolution of the leading tone. This can ONLY occur if the leading tone is in an inner voice. ...
UNIT 1: ELEMENTS
... second. The smaller the vibrating object, the faster is vibrations Sound that has a definite pitch is called a tone The distance in pitch between any two tones is called an interval. ...
... second. The smaller the vibrating object, the faster is vibrations Sound that has a definite pitch is called a tone The distance in pitch between any two tones is called an interval. ...
Lecture 21 - UCF Physics
... Two close frequencies sounding together produce beats. – Beat frequency is the difference between the two frequencies fbeat=|f1-f2| ...
... Two close frequencies sounding together produce beats. – Beat frequency is the difference between the two frequencies fbeat=|f1-f2| ...
Word-level and phrase-level replacive tone: an implicational
... Word-level and phrase-level replacive tone: an implicational relationship Laura McPherson (Dartmouth College) This talk focuses on replacive grammatical tone, defined as grammatically conditioned tonal melodies that overwrite lexical tone. Replacive tone (henceforth RT) differs from processes like t ...
... Word-level and phrase-level replacive tone: an implicational relationship Laura McPherson (Dartmouth College) This talk focuses on replacive grammatical tone, defined as grammatically conditioned tonal melodies that overwrite lexical tone. Replacive tone (henceforth RT) differs from processes like t ...
Voice leading from IV-V
... Parallel fifths and octaves The bass-tenor interval in the IV chord is a fifth, and the bass-alto interval is an octave. This pattern is repeated in the V chord. These progressions are known as parallel fifths and parallel octaves, and should be avoided when writing homophonic and homorhythmic music ...
... Parallel fifths and octaves The bass-tenor interval in the IV chord is a fifth, and the bass-alto interval is an octave. This pattern is repeated in the V chord. These progressions are known as parallel fifths and parallel octaves, and should be avoided when writing homophonic and homorhythmic music ...
JS Bach`s canon per tonus
... The listener is asked to judge whether the tones ascend or descend Musicians often disagree ...
... The listener is asked to judge whether the tones ascend or descend Musicians often disagree ...