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O ambiente da improvisao musical eo tempo
O ambiente da improvisao musical eo tempo

... Abstract: In this article, we strive to reflect about the questions connected with time in the context of free musical improvisation. What kinds of interactions happen between the performers, or between them and their instruments, or, else, between materials and procedures in the field of an intensi ...
Human frequency-following response: representation of pitch
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The cognitive neuroscience of constructive memory
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... Any discussion of constructive memory must acknowledge the pioneering ideas of Bartlett (1932), who rejected the notion that memory involves a passive replay of a past experience via the awakening of a literal copy of experience. Although Bartlett did not advocate the extreme position sometimes ascr ...
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... brain region is apparently responsible both for detecting out-of-context stimuli and also for matching stimuli in the environment to stored representations. Each of these aspects of cognition is associated with frequently used experimental paradigms and robust electrophysiological signatures, but th ...
Computing auditory perception - Machine Learning Group, TU Berlin
Computing auditory perception - Machine Learning Group, TU Berlin

... frequencies, but without frequency fluctuations. This is not heard as a mixture of voices but as a complex sound in which the three pitches are not clear. Finally, the three sets of harmonics are differentiated from one another by their patterns of fluctuation. We then hear three vocal sounds being su ...
A Dynamic Field Theory of Visual Recognition in Infant Looking... Gregor Schöner Sammy Perone () and John P. Spencer ()
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Tonal Harmony Chapter 12 Non Chord Tones 2
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Resilient outcome - Anna Freud Centre
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Regarding Lîla
Regarding Lîla

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View - Griffith Research Online
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Suzuki and Eichenbaum, 2000
Suzuki and Eichenbaum, 2000

... cortex in monkeys (black lines) to those in rats (gray lines) in the lower portion of FIGURE 1. Projections from other unimodal and polymodal sensory areas to the parahippocampal cortex in monkeys and the postrhinal cortex in rats are roughly similar. The perirhinal and parahippocampal/postrhinal co ...
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... contexts, using their voices and playing musical instruments with increasing accuracy, fluency, control and expression improvise and compose music for a range of purposes using the interrelated dimensions of music ...
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... compared yes/no recognition for autobiographical events and public events and found hippocampal activation during both semantic and episodic retrieval, although the level of activation was greater for episodic events. Duzel et al. (1999) also matched conditions carefully in a 2 × 2 design crossing s ...
Neurophysiological Mechanisms Underlying Auditory Image
Neurophysiological Mechanisms Underlying Auditory Image

... Imagining a piece of music leads to an increase in the number of observed coherence changes compared to listening to the same piece of music. The exact patterns of changes differ appreciably among subjects, however. For example, in one subject imagery is associated with theta and alpha band decrease ...
Auditory memory function in expert chess players
Auditory memory function in expert chess players

... Background: Chess is a game that involves many aspects of high level cognition such as memory, attention, focus and problem solving. Long term practice of chess can improve cognition performances and behavioral skills. Auditory memory, as a kind of memory, can be influenced by strengthening processe ...
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The construction system of the brain References Rapid response

... components, then some of these integrative processes should also be co-opted by a purely constructive task involving imagination (Hassabis et al. 2007b). We tested patients with primary damage to the hippocampus bilaterally as this structure is well known to be critical in supporting episodic memory ...
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... 4. Musical Performance The help offered by Schenker's analysis into performing, as the musician affirmed, is recognized in performer's world, considering that his approach situated the analysis into performing. In order to apply Schenkerian analysis to performance interpretation, the performer has t ...
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... brain and this trace is then considered to be what we call a memory. Since various cortical areas are activated during the perception and experience of an event, same goes for the retrieval of this memory (Rugg et al., 2008). This means that when we encode an event with phonological and visual metho ...
A cognitive neuroscience account of posttraumatic stress disorder
A cognitive neuroscience account of posttraumatic stress disorder

... rats suggest that there are rapid subcortical pathways via the thalamus that involve very few synapses. Relevant information about the stimuli signalling threat, processed mainly at the level of individual perceptual features, can reach the amygdala and activate defensive responses extremely quickly ...
the materials of melody #2
the materials of melody #2

... occur to us naturally (although clearly more naturally to some than others). In order to facilitate our natural process of creating melody, ...
eng - New Sound
eng - New Sound

... The usual practice of the management of every successful publishing house in the music industry is to entitle the products “greatest hits” or use the most attractive number on the CD edition for its title. Thus, in the case of the second CD featuring works by Serbian composer Milan Mihajlović (1945) ...
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Music-related memory

Musical memory refers to the ability to remember music-related information, such as melodic content and other progressions of tones or pitches. The differences found between linguistic memory and musical memory have led researchers to theorize that musical memory is encoded differently from language and may constitute an independent part of the phonological loop. The use of this term is problematic, however, since it implies input from a verbal system, whereas music is in principle nonverbal.
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