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Mozart`s Music - Canadian Opera Company
Mozart`s Music - Canadian Opera Company

... Mozart’s Music Classical Music, a term often used to describe any music that is “old”, comes from Western European composers and is played by an orchestra or piano. However, the term “classical music” specifically refers to an era of musical development which occurred from 1750 – 1820. Mozart was co ...
Rubric for Percussion Ensemble Composition
Rubric for Percussion Ensemble Composition

... area The rhythms and instruments chosen by the composer do not create a practical, performance-ready musical composition The rhythms and instruments seem to be arbitrarily chosen by the composer leading to an uninteresting product ...
Trans-Cultural-Stylistic Solutions of Toshi Ichiyanagi`s
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... University of Alabama, USA Japanese composer Toshi Ichiyanagi (1933-) connects to various 20th compositional-artistic practices including American neo-classicism, chance/aleatoric music, Neo-dadaism (Fluxus), minimalism, and 12-tone serialism. He has composed for Japanese gagaku instruments and fost ...
Music lives here - Freenotes Harmony Park
Music lives here - Freenotes Harmony Park

... local musicians give a public performance on the instruments at the visitor’s center. The audience was so enthralled by the ensemble that they gave two standing ...
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... Using call and response, improvise the rhythm in the response while keeping the melodic pattern used in the call. Sing or play simple melodies in AB and ABA forms independently and in groups, and sight-read rhythmic and music notation up to and including eighth notes and rests in a major scale. Voca ...
non–chord tones - KIMBERLY CHOIRS
non–chord tones - KIMBERLY CHOIRS

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Chopin PowerPoint (AoS1)
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Breaking Convention: Music and Modernism AK 2100 Nov. 9, 2005
Breaking Convention: Music and Modernism AK 2100 Nov. 9, 2005

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Music Composition - Illinois Wesleyan University
Music Composition - Illinois Wesleyan University

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20th Century Music - Questions
20th Century Music - Questions

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Styles of Music - Ms. Dowling's Website
Styles of Music - Ms. Dowling's Website

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The Romantic Period (1820-1900)
The Romantic Period (1820-1900)

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Subject Area: General Music Grade Level: 6
Subject Area: General Music Grade Level: 6

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Year 1 music overview
Year 1 music overview

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The Early 20 th Century (Age of Musical Diversity)

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Title Lesson - Ontario Music Educators` Association
Title Lesson - Ontario Music Educators` Association

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Indeterminancy
Indeterminancy

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Fine Arts-Music - theperfectutor.org
Fine Arts-Music - theperfectutor.org

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Yr 9 Cycle 4 AoS4 film + video game
Yr 9 Cycle 4 AoS4 film + video game

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Music 200 Midterm I Review Sheet
Music 200 Midterm I Review Sheet

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John Cage
John Cage

... and circumscribed ways of performance. His principal contribution to the history of music is his systematic establishment of the principle of indeterminacy: by adapting Zen Buddhist practices to composition and performance, Cage succeeded in bringing both authentic spiritual ideas and a liberating a ...
PowerPoint Presentation - Eastern Cattle Area Group #5
PowerPoint Presentation - Eastern Cattle Area Group #5

... • Movement has implications on rhythm. • Melodic patterns are not only patterns of tone but also patterns of rhythm. • The peculiar organization of rhythmic motifs gives a very distinctive character to the music of Eastern Africa. • Rhythm is often conceived in patterns. Different cultural focus on ...
set work summary
set work summary

... “And the Glory of the Lord” is the first CHORUS for voices and orchestral accompaniment from Handel’s ORATORIO – “Messiah”. Handel wrote “Messiah” in 1741 in only 24 days! The words (LIBRETTO) were taken from the bible and tell of the birth, death and resurrection of Jesus Christ. An Oratorio (a “re ...
Se quema la chumbamba (Familia Valera Miranda)
Se quema la chumbamba (Familia Valera Miranda)

...  G minor: note the single flat in the key signature. Not until the C18 did minor keys acquire the same signature as their relative major  Perfect cadences mark the end of sections (on D in b.19, G in b.38, for example)  Final cadence onto G major chord (tierce de Picardie)  Individual chords are ...
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Music theory



Music theory is the study of the practices and possibilities of music. It generally derives from observation of how musicians and composers make music, but includes hypothetical speculation. Most commonly, the term describes the academic study and analysis of fundamental elements of music such as pitch, rhythm, harmony, and form, but also refers to descriptions, concepts, or beliefs related to music. Because of the ever-expanding conception of what constitutes music (see Definition of music), a more inclusive definition could be that music theory is the consideration of any sonic phenomena, including silence, as it relates to music.Music theory is a subfield of musicology, which is itself a subfield within the overarching field of the arts and humanities. Etymologically, music theory is an act of contemplation of music, from the Greek θεωρία, a looking at, viewing, contemplation, speculation, theory, also a sight, a spectacle. As such, it is often concerned with abstract musical aspects such as tuning and tonal systems, scales, consonance and dissonance, and rhythmic relationships, but there is also a body of theory concerning such practical aspects as the creation or the performance of music, orchestration, ornamentation, improvisation, and electronic sound production. A person who researches, teaches, or writes articles about music theory is a music theorist. University study, typically to the M.A. or Ph.D level, is required to teach as a tenure-track music theorist in an American or Canadian university. Methods of analysis include mathematics, graphic analysis, and, especially, analysis enabled by Western music notation. Comparative, descriptive, statistical, and other methods are also used.The development, preservation, and transmission of music theory may be found in oral and practical music-making traditions, musical instruments, and other artifacts. For example, ancient instruments from Mesopotamia, China, and prehistoric sites around the world reveal details about the music they produced and, potentially, something of the musical theory that might have been used by their makers (see History of music and Musical instrument). In ancient and living cultures around the world, the deep and long roots of music theory are clearly visible in instruments, oral traditions, and current music making. Many cultures, at least as far back as ancient Mesopotamia, Pharoanic Egypt, and ancient China have also considered music theory in more formal ways such as written treatises and music notation.
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