Math Behind the Music - Arkansas symphony orchestra
... Beethoven composed some of his grandest music when he was partially or completely deaf. He seemed to be writing music for an unseen audience. His music was often so difficult that many musicians had trouble playing it. People loved the sound of Beethoven’s music. The composer died at the age of 56. ...
... Beethoven composed some of his grandest music when he was partially or completely deaf. He seemed to be writing music for an unseen audience. His music was often so difficult that many musicians had trouble playing it. People loved the sound of Beethoven’s music. The composer died at the age of 56. ...
Music in the 20th Century
... Quarter tones – pitches between half steps. New instruments and old instruments played in new ways. Theremin is first electronic instrument. ...
... Quarter tones – pitches between half steps. New instruments and old instruments played in new ways. Theremin is first electronic instrument. ...
Music in the 20th Century
... Quarter tones – pitches between half steps. New instruments and old instruments played in new ways. Theremin is first electronic instrument. ...
... Quarter tones – pitches between half steps. New instruments and old instruments played in new ways. Theremin is first electronic instrument. ...
Handel notes mind map - Stratford School Academy
... mostly in A major but it does modulate to E major and B major at certain points. Chords are diatonic (all belong to the key) and there is a fast harmonic rhythm (the speed at which chords change). Most cadences are perfect but the final cadence is plagal. ...
... mostly in A major but it does modulate to E major and B major at certain points. Chords are diatonic (all belong to the key) and there is a fast harmonic rhythm (the speed at which chords change). Most cadences are perfect but the final cadence is plagal. ...
`And the glory of the lord` from Messiah G. F. Handel
... mostly in A major but it does modulate to E major and B major at certain points. Chords are diatonic (all belong to the key) and there is a fast harmonic rhythm (the speed at which chords change). Most cadences are perfect but the final cadence is plagal. ...
... mostly in A major but it does modulate to E major and B major at certain points. Chords are diatonic (all belong to the key) and there is a fast harmonic rhythm (the speed at which chords change). Most cadences are perfect but the final cadence is plagal. ...
Expressionism - WordPress.com
... Features of Expressionism • Atonal – using all 12 notes/ no key • Each piece expresses one intense emotion • Full use of pitch range of instruments, extreme registers • Extreme dynamics – ppp – ffff • Pieces are often quite short – difficult to write an interesting long piece with no key or structu ...
... Features of Expressionism • Atonal – using all 12 notes/ no key • Each piece expresses one intense emotion • Full use of pitch range of instruments, extreme registers • Extreme dynamics – ppp – ffff • Pieces are often quite short – difficult to write an interesting long piece with no key or structu ...
Introduction to History of Western Music
... Two riders were approaching, the wind began to howl. ...
... Two riders were approaching, the wind began to howl. ...
Maeandros Workshops Our workshops can take several forms and
... - Go over 2-3 traditional pieces, in which written music will be provided, along with instruction involving makam (musical modes), rhythmic structure and variations, and historical context of the musical pieces. 2. For musicians of basic ability and/or younger children: - Teach rhythms and simple so ...
... - Go over 2-3 traditional pieces, in which written music will be provided, along with instruction involving makam (musical modes), rhythmic structure and variations, and historical context of the musical pieces. 2. For musicians of basic ability and/or younger children: - Teach rhythms and simple so ...
symbolism and acoustics - 2nd WORLD CONGRESS OF ARTS
... (MUSICAL IMSTRUMENTS IN THE MUSIC THERAPY) abstract Traditional musical instruments are characterized by a high degree of unity in form, material and acoustical content. This feature can be used to reinforce their symbolic meaning in the music therapy. The symbolism of musical instruments is conditi ...
... (MUSICAL IMSTRUMENTS IN THE MUSIC THERAPY) abstract Traditional musical instruments are characterized by a high degree of unity in form, material and acoustical content. This feature can be used to reinforce their symbolic meaning in the music therapy. The symbolism of musical instruments is conditi ...
Elements of Music
... harmonic accompaniment or accompanied by a drone or percussion instrument(s). Homophonic – Melody with accompaniment. A melody line with a chordal accompaniment. Polyphonic – Two or more melody lines that are heard at the same time. All melody lines are of equal importance. Heterophonic – Two or mor ...
... harmonic accompaniment or accompanied by a drone or percussion instrument(s). Homophonic – Melody with accompaniment. A melody line with a chordal accompaniment. Polyphonic – Two or more melody lines that are heard at the same time. All melody lines are of equal importance. Heterophonic – Two or mor ...
Elements of Music - la follette orchestras
... orchestra is divided into strings woodwinds, brass, and percussion. Each of these instrumental families has different colors, but there is also variation within each family. A viola sounds different than a cello even if they are playing the same pitches. The same is true for the clarinet and the obo ...
... orchestra is divided into strings woodwinds, brass, and percussion. Each of these instrumental families has different colors, but there is also variation within each family. A viola sounds different than a cello even if they are playing the same pitches. The same is true for the clarinet and the obo ...
fine arts semester review - Fenwick High School / Overview
... or lower pitches of the scale B. a tonal center built on a tonic scale C. an independent section of such larger works as the sonata or concerto D. a short, distinctive melodic figure that stands by itself ...
... or lower pitches of the scale B. a tonal center built on a tonic scale C. an independent section of such larger works as the sonata or concerto D. a short, distinctive melodic figure that stands by itself ...
20th-century art music
... a wider range of styles, including tonal music. A large part of Sequenza III consists of structured improvisation, in which the performer has considerable freedom with regard to pitch and rhythm. Even the fully notated music is relative, rather than absolute (i.e. the singer must sing the interval ...
... a wider range of styles, including tonal music. A large part of Sequenza III consists of structured improvisation, in which the performer has considerable freedom with regard to pitch and rhythm. Even the fully notated music is relative, rather than absolute (i.e. the singer must sing the interval ...
M V Term
... One of the two modes of the tonal system The minor mode can be identified by the dark, melancholic mood ...
... One of the two modes of the tonal system The minor mode can be identified by the dark, melancholic mood ...
Music Progression - St. Paul`s Catholic Primary School and Nursery
... Create music with an understanding of how lyrics, melody, rhythms and accompaniments work together effectively (pitch/texture/ structure). Read/ work out the musical stave (notes as Year 4). Perform songs in a way that reflects the meaning of the words, the venue and sense of occasion so that the au ...
... Create music with an understanding of how lyrics, melody, rhythms and accompaniments work together effectively (pitch/texture/ structure). Read/ work out the musical stave (notes as Year 4). Perform songs in a way that reflects the meaning of the words, the venue and sense of occasion so that the au ...
K-6 Music Glossary
... instrument. 2. A symbol for a tone, indicating the duration by its form and its pitch by the position on the staff. ...
... instrument. 2. A symbol for a tone, indicating the duration by its form and its pitch by the position on the staff. ...
Ragtime Inventing - Kinross High School
... each using a different loop, a keyboard instrument can also be used to support the harmony by playing drones. The loops are based on chord notes and arpeggio patterns. Irregular time signatures are also used. The techniques studied so far can be applied to writing for orchestral instruments – try wr ...
... each using a different loop, a keyboard instrument can also be used to support the harmony by playing drones. The loops are based on chord notes and arpeggio patterns. Irregular time signatures are also used. The techniques studied so far can be applied to writing for orchestral instruments – try wr ...
Elements of Music
... How can we tell music from other sounds? Sound begins with the vibration of an object. The vibrations are transmitted to our ears by a medium – usually air. As a result of the vibrations, our eardrums start vibrating too and signals are sent to our brain. Sounds may be pleasant or unpleasant. Music ...
... How can we tell music from other sounds? Sound begins with the vibration of an object. The vibrations are transmitted to our ears by a medium – usually air. As a result of the vibrations, our eardrums start vibrating too and signals are sent to our brain. Sounds may be pleasant or unpleasant. Music ...
Grade 7 Music Standards and Expectations
... 2. Sings with good breath control, expression, and technical accuracy at a level that includes modest ranges and changes of tempo, key, and meter 3. Participates and contributes in class activities 4. Attempts to sing on pitch in rhythm with appropriate dynamics and timbre, and maintains a steady te ...
... 2. Sings with good breath control, expression, and technical accuracy at a level that includes modest ranges and changes of tempo, key, and meter 3. Participates and contributes in class activities 4. Attempts to sing on pitch in rhythm with appropriate dynamics and timbre, and maintains a steady te ...
From the Second Half of the Twentieth Century
... • Cool jazz – less intense than bebop – mellower, ensemble-based sound ...
... • Cool jazz – less intense than bebop – mellower, ensemble-based sound ...
AN INTRODUCTION TO MUSIC 3: ANCIENT PREHISTORIC MUSIC
... scales and melodies. Psalms were well established in the church by fourth century AD. Many theologians at the time believed music was meant to be composed of sweet sounds to unite the human body with the soul of the universe. Boethius describes three levels of music: music of the spheres, music of t ...
... scales and melodies. Psalms were well established in the church by fourth century AD. Many theologians at the time believed music was meant to be composed of sweet sounds to unite the human body with the soul of the universe. Boethius describes three levels of music: music of the spheres, music of t ...
Help with analysing in listening tests
... Is it phrased regularly or irregularly? Is it treated in sequence, repeated a lot, developed in a cellular way? Does it feature any particular intervals (eg tritone) Is it varied in pitch, instrumentation etc? How is the melody structured? Is there a countermelody? Any imitation? Harmo ...
... Is it phrased regularly or irregularly? Is it treated in sequence, repeated a lot, developed in a cellular way? Does it feature any particular intervals (eg tritone) Is it varied in pitch, instrumentation etc? How is the melody structured? Is there a countermelody? Any imitation? Harmo ...
Terms and Definitions – April 12
... -he uses the whole range of an instrument or has an instrument play in an unusual range percussive orchestra: at times the orchestra functions as a kind of large percussion instrument c) harmony - Stravinsky organizes this piece around tonal centres, however he will use harmony in novel ways: disson ...
... -he uses the whole range of an instrument or has an instrument play in an unusual range percussive orchestra: at times the orchestra functions as a kind of large percussion instrument c) harmony - Stravinsky organizes this piece around tonal centres, however he will use harmony in novel ways: disson ...
Music theory
Music theory is the study of the practices and possibilities of music. It generally derives from observation of how musicians and composers make music, but includes hypothetical speculation. Most commonly, the term describes the academic study and analysis of fundamental elements of music such as pitch, rhythm, harmony, and form, but also refers to descriptions, concepts, or beliefs related to music. Because of the ever-expanding conception of what constitutes music (see Definition of music), a more inclusive definition could be that music theory is the consideration of any sonic phenomena, including silence, as it relates to music.Music theory is a subfield of musicology, which is itself a subfield within the overarching field of the arts and humanities. Etymologically, music theory is an act of contemplation of music, from the Greek θεωρία, a looking at, viewing, contemplation, speculation, theory, also a sight, a spectacle. As such, it is often concerned with abstract musical aspects such as tuning and tonal systems, scales, consonance and dissonance, and rhythmic relationships, but there is also a body of theory concerning such practical aspects as the creation or the performance of music, orchestration, ornamentation, improvisation, and electronic sound production. A person who researches, teaches, or writes articles about music theory is a music theorist. University study, typically to the M.A. or Ph.D level, is required to teach as a tenure-track music theorist in an American or Canadian university. Methods of analysis include mathematics, graphic analysis, and, especially, analysis enabled by Western music notation. Comparative, descriptive, statistical, and other methods are also used.The development, preservation, and transmission of music theory may be found in oral and practical music-making traditions, musical instruments, and other artifacts. For example, ancient instruments from Mesopotamia, China, and prehistoric sites around the world reveal details about the music they produced and, potentially, something of the musical theory that might have been used by their makers (see History of music and Musical instrument). In ancient and living cultures around the world, the deep and long roots of music theory are clearly visible in instruments, oral traditions, and current music making. Many cultures, at least as far back as ancient Mesopotamia, Pharoanic Egypt, and ancient China have also considered music theory in more formal ways such as written treatises and music notation.