Statement of Purpose Sample Two
... compositions. While studying abroad at the University of Edinburgh, I participated in the Edinburgh University Composers’ Orchestra, a musical group devoted to playing and performing works by living composers, especially those by fellow students. As a senior at Latin College, I played viola in a fri ...
... compositions. While studying abroad at the University of Edinburgh, I participated in the Edinburgh University Composers’ Orchestra, a musical group devoted to playing and performing works by living composers, especially those by fellow students. As a senior at Latin College, I played viola in a fri ...
Impressionist Music and Debussy: an Overview
... of romantic composers such as Robert Schumann and Franz Schubert. In pursuit of this goal, Debussy developed a combination of new and ancient devices in his music. On the one hand he used the whole-tone scale and complex, hitherto unexploited intervals of the ninth and higher; on the other hand he r ...
... of romantic composers such as Robert Schumann and Franz Schubert. In pursuit of this goal, Debussy developed a combination of new and ancient devices in his music. On the one hand he used the whole-tone scale and complex, hitherto unexploited intervals of the ninth and higher; on the other hand he r ...
Study Guide - Northern State University
... Study Guide The following study guide is provide for test 4 of the Spring 2006 Music History IV course. Take-home essay questions. Write about 100 words on each topic. Bring you essays with you to the final exam. ...
... Study Guide The following study guide is provide for test 4 of the Spring 2006 Music History IV course. Take-home essay questions. Write about 100 words on each topic. Bring you essays with you to the final exam. ...
Structure in Music - Fulford School : VLE
... A result of patterns of repetition and contrast between musical elements – themes, tonalities, rhythms, textures and instrumentation (timbre) in various combinations. The opening bars of the Sinfonia from Pulcinella return twice during the movement, for example, to create a ritornello structure (fro ...
... A result of patterns of repetition and contrast between musical elements – themes, tonalities, rhythms, textures and instrumentation (timbre) in various combinations. The opening bars of the Sinfonia from Pulcinella return twice during the movement, for example, to create a ritornello structure (fro ...
Workshop: The 2005 Kyoto Prize in Arts and Philosophy
... Rhythm causes the most complicated questions in this music because even or equal notes are not always easy to distinguish from uneven, unequal notes. Even written 8th-notes are very often to be played uneven (exceptions: if nottes égales is written, or if dots are above the notes, or, if andante is ...
... Rhythm causes the most complicated questions in this music because even or equal notes are not always easy to distinguish from uneven, unequal notes. Even written 8th-notes are very often to be played uneven (exceptions: if nottes égales is written, or if dots are above the notes, or, if andante is ...
Choral Score Analysis and Preparation
... -For each voice part and overall. Identify high points (Mark -Text painting. General movement (step vs leap). Difficult spots accidentals. (Mark in score) ...
... -For each voice part and overall. Identify high points (Mark -Text painting. General movement (step vs leap). Difficult spots accidentals. (Mark in score) ...
Edgard Varèse Composer Sound Sculptor
... disturbed does music occur … In order to anticipate the result, a composer must understand the mechanics of the instruments and must know just as much as possible about acoustics … I need an entirely new medium of expression: a sound producing machine (not a sound re-producing one). » In 1916 alread ...
... disturbed does music occur … In order to anticipate the result, a composer must understand the mechanics of the instruments and must know just as much as possible about acoustics … I need an entirely new medium of expression: a sound producing machine (not a sound re-producing one). » In 1916 alread ...
Read the Program Notes - Russian Chamber Chorus of New York
... much to celebrate -- each year has been filled with exciting musical adventures. Through our concerts, New Yorkers have rediscovered forgotten works and listened to sacred choral music the composers themselves never heard performed publicly. RCCNY has been referred to as one of the world’s greatest ...
... much to celebrate -- each year has been filled with exciting musical adventures. Through our concerts, New Yorkers have rediscovered forgotten works and listened to sacred choral music the composers themselves never heard performed publicly. RCCNY has been referred to as one of the world’s greatest ...
The Soundtrack
... world. (The subject of harmony will be discussed in more detail below.) The power of music to provide trajectory through a scene has been used more sparingly recently, partially as a result of post-war film makers’ acceptance of a greater degree of emotional ambiguity than was common for the first f ...
... world. (The subject of harmony will be discussed in more detail below.) The power of music to provide trajectory through a scene has been used more sparingly recently, partially as a result of post-war film makers’ acceptance of a greater degree of emotional ambiguity than was common for the first f ...
Set works revision - Whitworth Community High School
... Melody and accompaniment Texture This is the FIRST MOVEMENT of a SYMPHONY – a piece for orchestra which has 4 movements Music comes from the CLASSICAL PERIOD (c.1750-1820) – features of Classical music include ...
... Melody and accompaniment Texture This is the FIRST MOVEMENT of a SYMPHONY – a piece for orchestra which has 4 movements Music comes from the CLASSICAL PERIOD (c.1750-1820) – features of Classical music include ...
Pre-20th-Century
... theory which he considered logical fiction rather than fact, due to impossibility of time-travel; challenged basis of Natural Law concept by suggesting human cultural differences resulted from cultural rather than natural causes. Volney, a “philosophical traveler” and philosopher, used his own ethno ...
... theory which he considered logical fiction rather than fact, due to impossibility of time-travel; challenged basis of Natural Law concept by suggesting human cultural differences resulted from cultural rather than natural causes. Volney, a “philosophical traveler” and philosopher, used his own ethno ...
page 8
... simultaneously. Each could stand alone, but the composer created them to relate to each other on a note-by-note basis while retaining their independence. There are two main types of polyphony: counterpoint and imitative polyphony. With counterpoint, the simultaneous melodies are usually in different ...
... simultaneously. Each could stand alone, but the composer created them to relate to each other on a note-by-note basis while retaining their independence. There are two main types of polyphony: counterpoint and imitative polyphony. With counterpoint, the simultaneous melodies are usually in different ...
MOZARTBAND – the musical background
... microphone, sidechain-triggered feedback eliminator, and custom designed volume footswitches, the bassoon was finally loud enough, even for solos above a rock groove. The great agility of the bassoon in all its registers is now perfectly audible and its sound evokes associations with a baritone saxo ...
... microphone, sidechain-triggered feedback eliminator, and custom designed volume footswitches, the bassoon was finally loud enough, even for solos above a rock groove. The great agility of the bassoon in all its registers is now perfectly audible and its sound evokes associations with a baritone saxo ...
Chopin: Prelude No.15 in D flat Major
... The accompaniment is largely made up of an on-beat bass part with off beat chords. At the start of the piece, these two parts create cross-rhythms. Structure & Melody The melody is almost entirely syllabic. It is based on the alternation of three main themes: 1. The quiet, syncopated opening theme. ...
... The accompaniment is largely made up of an on-beat bass part with off beat chords. At the start of the piece, these two parts create cross-rhythms. Structure & Melody The melody is almost entirely syllabic. It is based on the alternation of three main themes: 1. The quiet, syncopated opening theme. ...
GCSE Music Revision Guide
... Harmony in Area of study 1: Western classical tradition 1650 – 1910 ...
... Harmony in Area of study 1: Western classical tradition 1650 – 1910 ...
Composer Biographies
... textures. As an improviser, Christopher combines an idiosyncratic approach to the electric guitar with a wide variety of custom software instruments. Recent projects emphasize multimedia and motion capture, integrating performance, sound, and animation into a unified experience. Across all of these ...
... textures. As an improviser, Christopher combines an idiosyncratic approach to the electric guitar with a wide variety of custom software instruments. Recent projects emphasize multimedia and motion capture, integrating performance, sound, and animation into a unified experience. Across all of these ...
Teaching Students Attention to Details
... note, half note, or eighth note)? Does the initial meter signature change? What are the relationships between meters? Are there specific groupings you should consider, such as a three-plus-two pattern in 5/8 meter? 4. Dynamics – Carefully observe the dynamics used in the piece. Make note of the gene ...
... note, half note, or eighth note)? Does the initial meter signature change? What are the relationships between meters? Are there specific groupings you should consider, such as a three-plus-two pattern in 5/8 meter? 4. Dynamics – Carefully observe the dynamics used in the piece. Make note of the gene ...
Confutatis from Mozart`s Requiem One of the most renowned and
... score that the women followed the men, singing in what is called half voice, with a very soft, gentle accompanying line. The rise and fall of this line can be seen between 15 and 30 seconds on the spectrogram. It is also very noticeable that this is a much softer section than the previous one. What ...
... score that the women followed the men, singing in what is called half voice, with a very soft, gentle accompanying line. The rise and fall of this line can be seen between 15 and 30 seconds on the spectrogram. It is also very noticeable that this is a much softer section than the previous one. What ...
1 Background - Class Home Pages
... Turn in a listing of your .m- le. 2. Synthesize a scale in the key of C. This is simply eight notes in order starting with C. They are C D E F G A B C. The key of C is simple because there are no sharps or ats. Here, you will have to de ne the frequencies for A, B, and the second occurrence of C si ...
... Turn in a listing of your .m- le. 2. Synthesize a scale in the key of C. This is simply eight notes in order starting with C. They are C D E F G A B C. The key of C is simple because there are no sharps or ats. Here, you will have to de ne the frequencies for A, B, and the second occurrence of C si ...
This is a composer who in his operas
... born it is already beginning to die, but when it actually disappears it lingers, haunting the next note, the performer, and whoever has been captured by its spell. The stubborn motif that continues to return is faced each time (like the same question asked to different people) with different answers ...
... born it is already beginning to die, but when it actually disappears it lingers, haunting the next note, the performer, and whoever has been captured by its spell. The stubborn motif that continues to return is faced each time (like the same question asked to different people) with different answers ...
File - Ms Jones` GCSE Class
... Capulets and Montagues are transformed to become two opposing street gangs the 'Jets' and the 'Sharks'. The basis of the tension is racially motivated. The Jets are white Americans led by Riff and the Sharks are Puerto Ricans led by Bernardo, both protecting their own 'territory'. Romeo becomes Tony ...
... Capulets and Montagues are transformed to become two opposing street gangs the 'Jets' and the 'Sharks'. The basis of the tension is racially motivated. The Jets are white Americans led by Riff and the Sharks are Puerto Ricans led by Bernardo, both protecting their own 'territory'. Romeo becomes Tony ...
Instrumentation Lyrics orLanguage Tempo Dynamics Melody Rhythm
... The degree of intensity (sound quality and expressiveness) and loudness. Dynamics often change within a piece of music. Musicians use dynamics to enhance the expressive qualities of music and get the desired response from the listener. The deliberate use of silent intervals is also an important comp ...
... The degree of intensity (sound quality and expressiveness) and loudness. Dynamics often change within a piece of music. Musicians use dynamics to enhance the expressive qualities of music and get the desired response from the listener. The deliberate use of silent intervals is also an important comp ...
MLI: STEP TWO ANALYSIS The MLI`s focus is on critical analysis
... Indicate if the theme has been altered in any way in the flute part. State measure numbers of the violin countermelody, why it is considered a countermelody, and how it relates to the original flute melody. How is the piano theme related to the flute thematic material? Are there similarities b ...
... Indicate if the theme has been altered in any way in the flute part. State measure numbers of the violin countermelody, why it is considered a countermelody, and how it relates to the original flute melody. How is the piano theme related to the flute thematic material? Are there similarities b ...
mooh2 - WordPress.com
... with a specific country, region, or ethnicity, such as folk tunes and melodies, rhythms, and harmonies inspired by them. Musical nationalism can also include the use of folklore as a basis for programmatic works including opera. ...
... with a specific country, region, or ethnicity, such as folk tunes and melodies, rhythms, and harmonies inspired by them. Musical nationalism can also include the use of folklore as a basis for programmatic works including opera. ...
Music theory
Music theory is the study of the practices and possibilities of music. It generally derives from observation of how musicians and composers make music, but includes hypothetical speculation. Most commonly, the term describes the academic study and analysis of fundamental elements of music such as pitch, rhythm, harmony, and form, but also refers to descriptions, concepts, or beliefs related to music. Because of the ever-expanding conception of what constitutes music (see Definition of music), a more inclusive definition could be that music theory is the consideration of any sonic phenomena, including silence, as it relates to music.Music theory is a subfield of musicology, which is itself a subfield within the overarching field of the arts and humanities. Etymologically, music theory is an act of contemplation of music, from the Greek θεωρία, a looking at, viewing, contemplation, speculation, theory, also a sight, a spectacle. As such, it is often concerned with abstract musical aspects such as tuning and tonal systems, scales, consonance and dissonance, and rhythmic relationships, but there is also a body of theory concerning such practical aspects as the creation or the performance of music, orchestration, ornamentation, improvisation, and electronic sound production. A person who researches, teaches, or writes articles about music theory is a music theorist. University study, typically to the M.A. or Ph.D level, is required to teach as a tenure-track music theorist in an American or Canadian university. Methods of analysis include mathematics, graphic analysis, and, especially, analysis enabled by Western music notation. Comparative, descriptive, statistical, and other methods are also used.The development, preservation, and transmission of music theory may be found in oral and practical music-making traditions, musical instruments, and other artifacts. For example, ancient instruments from Mesopotamia, China, and prehistoric sites around the world reveal details about the music they produced and, potentially, something of the musical theory that might have been used by their makers (see History of music and Musical instrument). In ancient and living cultures around the world, the deep and long roots of music theory are clearly visible in instruments, oral traditions, and current music making. Many cultures, at least as far back as ancient Mesopotamia, Pharoanic Egypt, and ancient China have also considered music theory in more formal ways such as written treatises and music notation.